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Bong Mines Entertainment (15 KP) rated Seasons by American Authors in Music
Jun 17, 2019
American Authors is a four-piece alternative outfit based in Brooklyn, New York. Not too long ago, they released a heartfelt music video for their “Before I Go” single.
“I hope I find peace of mind in all of my woes. I hope the rain, it brings a light To my broken soul. And I hope I lose myself in the city but find my home. I hope I live my life before I go.” – lyrics
‘Before I Go’ tells an interesting tale of a young guy who doesn’t know where his life is going.
Apparently, he’s afraid of what’s to come, and even though he keeps on keeping on, he wonders if he has done all that he can.
Later, he admits that he wants to live life to the fullest before he goes to the Great Beyond.
‘Before I Go’ contains a relatable storyline, ear-welcoming vocals, and cinematic instrumentation flavored with sentimental elements.
Also, the stunning audiovisual was filmed last October during Matt Sanchez’s wedding.
“The biggest thing is the change American Authors went through to get here. We had to go through all of these experiences and moments of experimentation to reach this body of work, which is the most genuine and pure thing we’ve ever done. It encompasses every season of our music: the ups, the downs, the highs, the lows, and everything in between. We let go of where we started, fell into the place of writing from the heart, and captured what came out naturally.” – Zac Barnett
American Authors consists of Zac Barnett (vocals), James Adam Shelley (guitar, banjo), Dave Rublin (bass), and Matt Sanchez (drums).
So far, they have impressively generated over 1 billion global streams on a string of alternately striking and soaring smashes.
Their ‘Before I Go’ single is featured on their latest album, entitled, “Seasons”, which has amassed close to 30M streams online via Spotify.
“I want people to see a different side of American Authors. I hope they realize there’s a message of hope. But it’s transmitted in a new and more exciting way for our band. Growing up, listening to my favorite artists helped me through so many hard times. It was the best therapy. I’ve seen fans take that away from our music in the past, and I hope they continue to do so. That’s the ultimate goal for us.” – Zac Barnett
https://www.bongminesentertainment.com/american-authors-before-i-go/
“I hope I find peace of mind in all of my woes. I hope the rain, it brings a light To my broken soul. And I hope I lose myself in the city but find my home. I hope I live my life before I go.” – lyrics
‘Before I Go’ tells an interesting tale of a young guy who doesn’t know where his life is going.
Apparently, he’s afraid of what’s to come, and even though he keeps on keeping on, he wonders if he has done all that he can.
Later, he admits that he wants to live life to the fullest before he goes to the Great Beyond.
‘Before I Go’ contains a relatable storyline, ear-welcoming vocals, and cinematic instrumentation flavored with sentimental elements.
Also, the stunning audiovisual was filmed last October during Matt Sanchez’s wedding.
“The biggest thing is the change American Authors went through to get here. We had to go through all of these experiences and moments of experimentation to reach this body of work, which is the most genuine and pure thing we’ve ever done. It encompasses every season of our music: the ups, the downs, the highs, the lows, and everything in between. We let go of where we started, fell into the place of writing from the heart, and captured what came out naturally.” – Zac Barnett
American Authors consists of Zac Barnett (vocals), James Adam Shelley (guitar, banjo), Dave Rublin (bass), and Matt Sanchez (drums).
So far, they have impressively generated over 1 billion global streams on a string of alternately striking and soaring smashes.
Their ‘Before I Go’ single is featured on their latest album, entitled, “Seasons”, which has amassed close to 30M streams online via Spotify.
“I want people to see a different side of American Authors. I hope they realize there’s a message of hope. But it’s transmitted in a new and more exciting way for our band. Growing up, listening to my favorite artists helped me through so many hard times. It was the best therapy. I’ve seen fans take that away from our music in the past, and I hope they continue to do so. That’s the ultimate goal for us.” – Zac Barnett
https://www.bongminesentertainment.com/american-authors-before-i-go/
Kristy H (1252 KP) rated The Christmas Escape in Books
Nov 18, 2021
Christy Sullivan and her best friend Alix have spent Christmas together since they were children. This year they are planning to go to Lapland, a snowy wonderland. The trip will include Christy's husband and their young daughter, Holly. But when Christy faces trouble with her marriage, she asks Alix to take Holly to Lapland without her. She'll be joined by their family friend, Zac--whom Alix has been avoiding ever since Christy's wedding. But as Alix, Zac, and Holly enjoy their time in Lapland, Alix realizes she may have made a mistake in avoiding him. Meanwhile, Christy starts to wonder if her friendship with Alix and marriage will survive the holidays.
I hate rating books low, but this just did not work for me. It was a sweet enough story and I liked the fun, snowy Arctic setting, but, oh, this book could have been so much shorter and enjoyable. The repetition is intense, to the point I found myself skimming sections. We are constantly bombarded by everyone's thoughts and issues. Did you know Alix has commitment issues? Oh you will. Christy struggles with perfection? The overwhelming focus on the characters' tropes and the rehashing and pontificating on thoughts and feelings was incredibly frustrating. It was very slow moving with far more telling than showing. I was not that invested in Alix and Zac's relationship.
There's a sweet storyline involving Christy's aunt, who lives at Lapland, which I enjoyed, and others have enjoyed the overall story more, so take my review with a grain of salt, but most of this book was just too repetitive and trite for me. 2.5 stars.
I received a copy of this book from Harlequin and Netgalley in return for an unbiased review.
I hate rating books low, but this just did not work for me. It was a sweet enough story and I liked the fun, snowy Arctic setting, but, oh, this book could have been so much shorter and enjoyable. The repetition is intense, to the point I found myself skimming sections. We are constantly bombarded by everyone's thoughts and issues. Did you know Alix has commitment issues? Oh you will. Christy struggles with perfection? The overwhelming focus on the characters' tropes and the rehashing and pontificating on thoughts and feelings was incredibly frustrating. It was very slow moving with far more telling than showing. I was not that invested in Alix and Zac's relationship.
There's a sweet storyline involving Christy's aunt, who lives at Lapland, which I enjoyed, and others have enjoyed the overall story more, so take my review with a grain of salt, but most of this book was just too repetitive and trite for me. 2.5 stars.
I received a copy of this book from Harlequin and Netgalley in return for an unbiased review.
Gareth von Kallenbach (968 KP) rated Voyagers (2021) in Movies
Apr 7, 2021
The classic novel Lord of the Flies by William Golding is not only a beloved classic but has been assigned reading for generations of students since it was first published in 1954. The book has been adapted into plays and films over the years and remains a chilling and poignant cautionary tale.
In the new movie “Voyagers” audiences are introduced to an Earth that has been ravaged by climate change and disease. In an effort to save the species; a grand experiment to genetically create a group of children who are the origins of a colonization effort is undertaken.
The planet is 86 years away so the decision is made that the children will be raised and trained indoors without any exposure to nature, open skies, fresh air, and other aspects they will be deprived of on the ship.
Richard (Colin Farrell) decides to accompany the children on the mission as he wants to protect them and ensure things go as planned so their progeny will be well suited to continue on the mission to the next generation who will ultimately be the ones who colonize the planet.
Ten years into the mission things are going well until a discovery is made that a drink the children take daily known as “The Blue” is a drug used to suppress their emotions and keep them docile and easy to control.
When friends Christopher (Tye Sheridan) and Zac (Fionn Whitehead); who learned the secret of the drug decide to stop taking it; they soon reveal the truth of their discovery to the rest of the children who in turn stop using the drug.
In no time rampant emotions, aggressions, desires, paranoia, and mistrust start to run wild and Zac becomes obsessed with Sela (Lilly-Rose Depp). His unwelcome advances soon become more and more aggressive which causes Christopher and Richard to intervene and tragedy soon follows.
Christopher and Zac soon find themselves at odds with one another and fear and paranoia lead the crew to form into factions and turn on one other which not only threatens the mission but their very survival.
The film was very engaging and while I saw the influence of Lord of the Flies early on; the engaging cast and setting make the film entertaining and enjoyable despite any really unexpected twists.
The young leads work well with one another and it will be very interesting to watch how their careers unfold in the years to come. “Voyagers” is a refreshing new take on a classic tale and provides an entertaining and engaging adventure for viewers to enjoy.
In the new movie “Voyagers” audiences are introduced to an Earth that has been ravaged by climate change and disease. In an effort to save the species; a grand experiment to genetically create a group of children who are the origins of a colonization effort is undertaken.
The planet is 86 years away so the decision is made that the children will be raised and trained indoors without any exposure to nature, open skies, fresh air, and other aspects they will be deprived of on the ship.
Richard (Colin Farrell) decides to accompany the children on the mission as he wants to protect them and ensure things go as planned so their progeny will be well suited to continue on the mission to the next generation who will ultimately be the ones who colonize the planet.
Ten years into the mission things are going well until a discovery is made that a drink the children take daily known as “The Blue” is a drug used to suppress their emotions and keep them docile and easy to control.
When friends Christopher (Tye Sheridan) and Zac (Fionn Whitehead); who learned the secret of the drug decide to stop taking it; they soon reveal the truth of their discovery to the rest of the children who in turn stop using the drug.
In no time rampant emotions, aggressions, desires, paranoia, and mistrust start to run wild and Zac becomes obsessed with Sela (Lilly-Rose Depp). His unwelcome advances soon become more and more aggressive which causes Christopher and Richard to intervene and tragedy soon follows.
Christopher and Zac soon find themselves at odds with one another and fear and paranoia lead the crew to form into factions and turn on one other which not only threatens the mission but their very survival.
The film was very engaging and while I saw the influence of Lord of the Flies early on; the engaging cast and setting make the film entertaining and enjoyable despite any really unexpected twists.
The young leads work well with one another and it will be very interesting to watch how their careers unfold in the years to come. “Voyagers” is a refreshing new take on a classic tale and provides an entertaining and engaging adventure for viewers to enjoy.
Gareth von Kallenbach (968 KP) rated Neighbors (2014) in Movies
Aug 6, 2019
When I first saw the trailer for Neighbors, I thought, “Great, another lack luster comedy ruined by the trailer showing all the funny parts.” Seriously, Seth Rogan (Knocked Up) is dangerously flirting with the, “keep getting them checks” period of his career. Plus, pair him up with High School Musical famed pretty boy Zac Efron…Really? Needless to say I had low expectations for this film. That being said, I am delighted to write that this film far excited my expectations and delivers, in my opinion, the best comedy of the year so far.
The premise of Neighbors is simple. A couple in their early thirties has their first born child when suddenly a local fraternity buys the house next door. The couple tries to be “cool” with the young “hip” crowd, only the constant loud partying is terrible for their baby. They can’t afford to move, so instead they try to get the frat suspended. Shenanigans ensue, Simple.
As far as comedies go, watching this film reminded me of the first time I watched Old School. Not just because of the fraternity similarity, but rather because there were constant jokes and gags running throughout the film that kept you constantly laughing. Even with the simple premise.
Seth Rogen basically delivers his typical quick witted stoner comedic style and plays well across his on screen wife Rose Bryne (Get Him to the Greek). Together they are a pair of adults who are struggling with growing up and having real responsibilities. Their chemistry and banter is amusing and the work well together. But it is the ensemble fraternity members, Led by Zac Efron, Dave Franco (21 Jump Street), Christopher Mintz-Plasse (Super bad) and relative new comer Jerrod Carmichael, who provide some of the most hilarious moments in this film. These frat boys deliver enough comedic variety with their styles and provide constant laughs that never feel stale or boring. Even the jokes that fail to hit their mark provide at the very least, chuckles and are usually quickly followed by something else that makes up for the misses. They are the reason I would recommend this film to anyone who may not be a Rogen fan, but is looking for a hilarious comedy.
The premise of Neighbors is simple. A couple in their early thirties has their first born child when suddenly a local fraternity buys the house next door. The couple tries to be “cool” with the young “hip” crowd, only the constant loud partying is terrible for their baby. They can’t afford to move, so instead they try to get the frat suspended. Shenanigans ensue, Simple.
As far as comedies go, watching this film reminded me of the first time I watched Old School. Not just because of the fraternity similarity, but rather because there were constant jokes and gags running throughout the film that kept you constantly laughing. Even with the simple premise.
Seth Rogen basically delivers his typical quick witted stoner comedic style and plays well across his on screen wife Rose Bryne (Get Him to the Greek). Together they are a pair of adults who are struggling with growing up and having real responsibilities. Their chemistry and banter is amusing and the work well together. But it is the ensemble fraternity members, Led by Zac Efron, Dave Franco (21 Jump Street), Christopher Mintz-Plasse (Super bad) and relative new comer Jerrod Carmichael, who provide some of the most hilarious moments in this film. These frat boys deliver enough comedic variety with their styles and provide constant laughs that never feel stale or boring. Even the jokes that fail to hit their mark provide at the very least, chuckles and are usually quickly followed by something else that makes up for the misses. They are the reason I would recommend this film to anyone who may not be a Rogen fan, but is looking for a hilarious comedy.
Gareth von Kallenbach (968 KP) rated Neighbors 2: Sorority Rising (2016) in Movies
Aug 6, 2019
In the 1st film Mac (Seth Rogen) and Kelly (Rose Byrne) move to the suburbs when they welcome an infant daughter into their lives name Stella (Zoey Vargas). All goes well with the couple, until Delta Psi Beta fraternity moves in next door. The fraternity leader Teddy (Zac Efron) aspires to join Delta Psi’s Hall of Fame by throwing a massive end of the year party, which end up shutting down the fraternity once and for all.
In the sequel, a few years after Mac and Kelly, pregnant with their second baby, are preparing to sell their house, when another couple agrees to take their property off their hands with one condition 30 days to inspect the house and make sure that everything is up to snuff. Unfortunately there is some bad news; the new tenants of the house next door are going to be louder than the previous ones.
The freshmen, Beth (Kiersey Clemons), Nora (Beanie Feldstein) and Shelby (Chloe Grace Moretz) tried joining to one of their school sororities, but found out that only the fraternities are allow to throw parties, and when they do the girls are victims of constant harassment, the drinks are spiked and the guys trying to have sex with them every minute even if is consensual or not. So Beth, Nora and Shelby decide to start their own sorority, Kappa Nu, where the girls don’t have to dress to impress, where they embrace self-respect and partying hard as a show of defiance.
The member of Kappa Nu are Mac and Kelly’s new neighbors, who are not very pleased about it, but when Mac ask them to keep quiet during the escrow period, he becomes just another man telling them what to do, so the war begins.
Neighbors 2 is uproariously funny, ridiculous and almost breathtaking dirty providing a successful attempt to have a great sequel. Being able to watch Zac Efron shirtless and wearing short shorts for prolonged periods of time is always a plus. It is hard to believe than nine years ago Seth Rogen was the chubby stoner with a terrible idea for a porn site in Knocked up and now He is the father of the year. Although I think that it is a shame that ,LLCoolJ ,didn’t make it to the final cut as was shown in the trailer, but I have to admit it was a nice touch having Zoey Vargas playing Stella for the second time, she is adorable. I only can say you’ll laugh if you’re young, you’ll laugh if you’re old, there is plenty of jokes and many disgusting and strong visual gags, and I loved it.
In the sequel, a few years after Mac and Kelly, pregnant with their second baby, are preparing to sell their house, when another couple agrees to take their property off their hands with one condition 30 days to inspect the house and make sure that everything is up to snuff. Unfortunately there is some bad news; the new tenants of the house next door are going to be louder than the previous ones.
The freshmen, Beth (Kiersey Clemons), Nora (Beanie Feldstein) and Shelby (Chloe Grace Moretz) tried joining to one of their school sororities, but found out that only the fraternities are allow to throw parties, and when they do the girls are victims of constant harassment, the drinks are spiked and the guys trying to have sex with them every minute even if is consensual or not. So Beth, Nora and Shelby decide to start their own sorority, Kappa Nu, where the girls don’t have to dress to impress, where they embrace self-respect and partying hard as a show of defiance.
The member of Kappa Nu are Mac and Kelly’s new neighbors, who are not very pleased about it, but when Mac ask them to keep quiet during the escrow period, he becomes just another man telling them what to do, so the war begins.
Neighbors 2 is uproariously funny, ridiculous and almost breathtaking dirty providing a successful attempt to have a great sequel. Being able to watch Zac Efron shirtless and wearing short shorts for prolonged periods of time is always a plus. It is hard to believe than nine years ago Seth Rogen was the chubby stoner with a terrible idea for a porn site in Knocked up and now He is the father of the year. Although I think that it is a shame that ,LLCoolJ ,didn’t make it to the final cut as was shown in the trailer, but I have to admit it was a nice touch having Zoey Vargas playing Stella for the second time, she is adorable. I only can say you’ll laugh if you’re young, you’ll laugh if you’re old, there is plenty of jokes and many disgusting and strong visual gags, and I loved it.
Bob Mann (459 KP) rated The Greatest Showman (2017) in Movies
Sep 29, 2021
This IS the Greatest Show!
I sometimes wonder how “proper” UK film critics view films early for review. Is there a ‘special screening’ which all the film critics attend in London? The point I’m getting at is whether the collective critical opinion of a movie can be swayed by a critic leaping to their feet and wildly applauding a film like “Star Wars: The Last Jedi” or, alternatively, snorting in derision at a film like “The Greatest Showman”. For sometimes the critics seem to get it massively wrong across the board, panning a film that the general public will adore. Unfortunately, this has the effect of putting the general public off seeing it, especially in the lethargic post-Christmas period. I think here is a case in point. It’s not the best little film in the world, but as a musical crowd-pleaser it delivers in spades.
Will you like “The Greatest Showman”? This will be dictated almost entirely by whether you are a “musicals” person or not! For “The Greatest Showman” is a frothy, very loud, cheesy and high-energy musical, much more aligned, in fact, to the mainstream genre from the 40’s and 50’s than “La La Land” was.
Roll up, roll up. The circus cast entertain.
In a VERY loose interpretation of the early life of Phineas Taylor Barnum, the American huckster and impressario, we start the story with a pre-pubescent Barnum (Ellis Rubin, sung by Ziv Zaifman) as a young tailor’s assistant punching above his weight with young socialite Charity (Skylar Dunn), firmly against the wishes of her father. Spin forward (via song) and the hitched Barnum’s – now Hugh Jackman (“Logan“) and Michelle Williams (“Manchester By The Sea“) – are barely scraping a living. But Barnum has “A Million Dreams” and hits on the novel idea of opening an entertainment (coined “a circus” by journalist James Gordon Bennett (Paul Sparks)) where he offers both respect and a family to those of the city who are deformed, rejected and socially shunned. Barnum’s show is shockingly entertaining – as in both filling seats and shocking the morally-self-righteous upper classes. But never one to rest on his laurels, Barnum’s endless ambition drives him to break his social ceiling by importing the “Swedish songbird”, opera singer Jenny Lind (Rebecca Ferguson, “Mission Impossible: Rogue Nation“, “The Snowman“) ), for an ambitious and extravegant tour of the States. All does not exactly go to plan.
Washing day tunes. Hugh Jackman and Michelle Williams take to the rooftops.
As I’ve said, most critics have been making sniffy noises about this film. But I am not one of them…. I LOVED IT, have already bought the glorious soundtrack album and will be looking forwards to the DVD release. For this is joy in a box. Sure, the story is a bit weak, the characterisations of everyone (other than Barnum) pretty lightweight, but it’s a musical extravaganza! Live with it!
Hugh Jackman, who of course started his career in stage musicals, is marvellously charismatic as Barnum although his singing does tend to the “shouty” end of the scale in many of the numbers. He’s joined here by fellow musicals star Zac Efron (let’s forget “Dirty Grandpa“) as the fictitious Phillip Carlyle: a socialite playwright and partner.
But the acting and singing revelation for me was Zendaya (“Spider-Man: Homecoming“) as Efron’s (scandalous) inter-racial love interest, who has a fantastically athletic body, sings and dances wonderfully and has a magnetic stare. A marvellous trapeze routine between Efron and Zendaya (“Rewrite The Stars”) is one of the high-spots of the film for me.
An energetic dance. Zendaya and Efron take to the skies.
Elsewhere Williams proves she has a singing voice as well as being a top flight actress and the bearded lady (Broadway star Keala Settle) belts out one of the show-stopping numbers “This is Me” (although she is a little ‘shrill’ for my musical tastes).
It would be nice to extend that compliment to the wonderful Rebecca Ferguson as the “greatest singer in the world” – but she is (wisely I think) dubbed here by Loren Allred (a finalist on the US version of “The Voice”). It is a bit of a shock when “the great opera singer” opens her mouth and a modern love song comes out, but once you get over that then the combination of Ferguson’s acting and Allred’s singing makes “Never Enough” one of the standout songs in the movie. (It’s been described as “a bit Eurovision” by Kevin Maher, “The Times” critic, which I can see but I don’t care! I find it marvellously moving).
A dangerous songbird’s nest for the married Barnum. Rebecca Ferguson and Hugh Jackman.
If you haven’t guessed it, there are some fantastic songs in this movie, written by “La La Land” song composers Benj Pasek and Justin Paul and at least one of these surely must be Oscar nominated (I’m not sure what the cut-off would be for the 2018 Oscars?).
There’s also a lot of talent in the backroom with production design and memorable costumes. Where I’d single out particular praise though is in the choreography and the editing on show.
Firstly, the choreography of “beats” in the song to the action on screen is brilliantly done, done, probably at its most impressive in a shot-glass bar-room scene between Jackman and Efron. And never (hats off to the special effects guys and cinematographer Seamus McGarvey) have you seen washing on a washing line so cleverly in time with the music.
Secondly in terms of the film editing, I am a sucker for clever “transition” shots, and there are some in this movie that just took my breath away: a transition to a pregnant Charity; a transition from ballet practice to ballet performance; there are numerous others!
Inverted magnetism. Zendaya as the trapeze artist Anne Wheeler.
I have decided to park some of my minor criticisms within the greater joy of the whole: some of the dialogue (by Jenny Bicks and Bill Condon) is as cheesy as hell, but probably no more so than in some of the Judy Garland/Mickey Rooney musicals. Where I had my biggest problem is in some of the lip synching to the songs. This is an age where the live recording of songs in films like “Les Miserables” and “La La Land” has set the bar high, and returning to the norm (I had the same problem with “Beauty and the Beast“) becomes noticeable and irritating to me. (Perhaps this is just me!).
It’s certainly not a perfect film, but its energy and drive carry it through as a memorable movie musical that may well take on a life of its own as word-of-mouth gets it more widely viewed (outside of the rather difficult Christmas holiday season). It would also be a good film for youngsters, with a bit of judicious editing (there is one moment of violence in the first 10 minutes that I would choose to edit out). From my perspective it is certainly a truly impressive debut for advert director Michael Gracey. Recommended for musical fans.
Will you like “The Greatest Showman”? This will be dictated almost entirely by whether you are a “musicals” person or not! For “The Greatest Showman” is a frothy, very loud, cheesy and high-energy musical, much more aligned, in fact, to the mainstream genre from the 40’s and 50’s than “La La Land” was.
Roll up, roll up. The circus cast entertain.
In a VERY loose interpretation of the early life of Phineas Taylor Barnum, the American huckster and impressario, we start the story with a pre-pubescent Barnum (Ellis Rubin, sung by Ziv Zaifman) as a young tailor’s assistant punching above his weight with young socialite Charity (Skylar Dunn), firmly against the wishes of her father. Spin forward (via song) and the hitched Barnum’s – now Hugh Jackman (“Logan“) and Michelle Williams (“Manchester By The Sea“) – are barely scraping a living. But Barnum has “A Million Dreams” and hits on the novel idea of opening an entertainment (coined “a circus” by journalist James Gordon Bennett (Paul Sparks)) where he offers both respect and a family to those of the city who are deformed, rejected and socially shunned. Barnum’s show is shockingly entertaining – as in both filling seats and shocking the morally-self-righteous upper classes. But never one to rest on his laurels, Barnum’s endless ambition drives him to break his social ceiling by importing the “Swedish songbird”, opera singer Jenny Lind (Rebecca Ferguson, “Mission Impossible: Rogue Nation“, “The Snowman“) ), for an ambitious and extravegant tour of the States. All does not exactly go to plan.
Washing day tunes. Hugh Jackman and Michelle Williams take to the rooftops.
As I’ve said, most critics have been making sniffy noises about this film. But I am not one of them…. I LOVED IT, have already bought the glorious soundtrack album and will be looking forwards to the DVD release. For this is joy in a box. Sure, the story is a bit weak, the characterisations of everyone (other than Barnum) pretty lightweight, but it’s a musical extravaganza! Live with it!
Hugh Jackman, who of course started his career in stage musicals, is marvellously charismatic as Barnum although his singing does tend to the “shouty” end of the scale in many of the numbers. He’s joined here by fellow musicals star Zac Efron (let’s forget “Dirty Grandpa“) as the fictitious Phillip Carlyle: a socialite playwright and partner.
But the acting and singing revelation for me was Zendaya (“Spider-Man: Homecoming“) as Efron’s (scandalous) inter-racial love interest, who has a fantastically athletic body, sings and dances wonderfully and has a magnetic stare. A marvellous trapeze routine between Efron and Zendaya (“Rewrite The Stars”) is one of the high-spots of the film for me.
An energetic dance. Zendaya and Efron take to the skies.
Elsewhere Williams proves she has a singing voice as well as being a top flight actress and the bearded lady (Broadway star Keala Settle) belts out one of the show-stopping numbers “This is Me” (although she is a little ‘shrill’ for my musical tastes).
It would be nice to extend that compliment to the wonderful Rebecca Ferguson as the “greatest singer in the world” – but she is (wisely I think) dubbed here by Loren Allred (a finalist on the US version of “The Voice”). It is a bit of a shock when “the great opera singer” opens her mouth and a modern love song comes out, but once you get over that then the combination of Ferguson’s acting and Allred’s singing makes “Never Enough” one of the standout songs in the movie. (It’s been described as “a bit Eurovision” by Kevin Maher, “The Times” critic, which I can see but I don’t care! I find it marvellously moving).
A dangerous songbird’s nest for the married Barnum. Rebecca Ferguson and Hugh Jackman.
If you haven’t guessed it, there are some fantastic songs in this movie, written by “La La Land” song composers Benj Pasek and Justin Paul and at least one of these surely must be Oscar nominated (I’m not sure what the cut-off would be for the 2018 Oscars?).
There’s also a lot of talent in the backroom with production design and memorable costumes. Where I’d single out particular praise though is in the choreography and the editing on show.
Firstly, the choreography of “beats” in the song to the action on screen is brilliantly done, done, probably at its most impressive in a shot-glass bar-room scene between Jackman and Efron. And never (hats off to the special effects guys and cinematographer Seamus McGarvey) have you seen washing on a washing line so cleverly in time with the music.
Secondly in terms of the film editing, I am a sucker for clever “transition” shots, and there are some in this movie that just took my breath away: a transition to a pregnant Charity; a transition from ballet practice to ballet performance; there are numerous others!
Inverted magnetism. Zendaya as the trapeze artist Anne Wheeler.
I have decided to park some of my minor criticisms within the greater joy of the whole: some of the dialogue (by Jenny Bicks and Bill Condon) is as cheesy as hell, but probably no more so than in some of the Judy Garland/Mickey Rooney musicals. Where I had my biggest problem is in some of the lip synching to the songs. This is an age where the live recording of songs in films like “Les Miserables” and “La La Land” has set the bar high, and returning to the norm (I had the same problem with “Beauty and the Beast“) becomes noticeable and irritating to me. (Perhaps this is just me!).
It’s certainly not a perfect film, but its energy and drive carry it through as a memorable movie musical that may well take on a life of its own as word-of-mouth gets it more widely viewed (outside of the rather difficult Christmas holiday season). It would also be a good film for youngsters, with a bit of judicious editing (there is one moment of violence in the first 10 minutes that I would choose to edit out). From my perspective it is certainly a truly impressive debut for advert director Michael Gracey. Recommended for musical fans.