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Erika (17788 KP) created a post

Nov 15, 2019  
The reason I haven't been as active this week because I was in New York. Not going to lie, I went there to catch Tom Hiddleston in Betrayal. I waited outside the stage door on the 12th, and they never came out. So, I returned the next night (after seeing the matinee), and they did come out. I got to meet Charlie Cox, Zawe Ashton and Tom Hiddleston. I did actually get a selfie (which I am not good at) with him, BUT, I was cursing my phone out because I thought it wasn't taking the picture. I would post it, but I look like such a dweeb. He looks amazing, as expected and damn, he's hotter IRL, and that hair is majestic...
     
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Erika (17788 KP) Nov 16, 2019

Seriously, I can't even look at it, I'm so embarrassed. I should have asked for another one.

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Andy K (10821 KP) Nov 16, 2019

Oh it's totally cool!

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Sarah (7798 KP) rated Velvet Buzzsaw (2019) in Movies

Feb 2, 2019 (Updated Feb 3, 2019)  
Velvet Buzzsaw (2019)
Velvet Buzzsaw (2019)
2019 | Drama, Horror, Mystery
A little confused
A little confused is definitely how I feel about this film. In parts it’s a darkly satirical take on the art world with some horror thrown in, but the rest is just plain old dull with a handful of characters you care little about. Jake Gyllenhaal is great as usual, but I feel the rest of the cast were a let down. Zawe Ashton especially seemed to put in a very deadpan and robot like performance - must have been how her character was intended but it just didn’t work. It also doesn’t help that despite Jake Gyllenhaal, there’s no real main character in this and this is where it falls done, bouncing between a lot of mostly conceited unliveable characters.

This film spends far too much time talking and poking fun at the art world, instead of focusing more on the horror aspect. The story of art killing people is an intriguing one that sounds like it’s been taken straight out of a Stephen King book, it’s just a shame the film didn’t capitalise on this until well over an hour in. Especially as a lot of the horror parts were well done and quite disturbing, although some of the special effects were a bit OTT.

I just find this entire film a little bit meh. It wasn’t terrible, but it’s not particularly memorable either. And whilst I’m sure there’s a message about the fake and judgemental art world, it doesn’t really make for a great film.
  
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Andy K (10821 KP) Feb 2, 2019

What a bummer. I thought this looked good.

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Emeli Sande recommended track Angel of Mine by Eternal in Greatest Hits by Eternal in Music (curated)

 
Greatest Hits by Eternal
Greatest Hits by Eternal
1997 | Hip-hop, Pop, Rap, Soul
(0 Ratings)
Album Favorite

Angel of Mine by Eternal

(0 Ratings)

Track

"I loved the lyric in 'Angel of Mine', and I loved how simple and poignant it was. Eternal was actually my first concert I went to – I just remember learning all these ballads of theirs. I was completely Eternal-obsessed from eight to 12! Maybe it was that they had elements of gospel in their music, and it was still in the pop scene. ""There weren’t many black women on the TV when I was growing up – there were maybe one or two, not people I could look up to and say, ‘Oh, that’s me, that’s who represents me. I have a chance of being on TV one day, and I could be a singer.’ ""When Eternal came along, my mind was blown on so many levels. I thought they were so beautiful, and they had so many hairstyles that I thought were amazing. Then, on top of that, they could truly sing ­ – they’d come from the church. Instead of always looking at American singers, they gave me a British option – something more relatable and close to home. ""Now, there’s so much [black British media] coming out – the actress Zawe Ashton has just released a book, and it was so amazing to see her take account of her [experiences]. There’ve never been any people on TV that show any products for her hair, just this dream that’s sold that you’re going to have this amazing glossy hair! I felt so touched by that chapter, ‘cause it just reminded me of myself as a kid. You forget once you’re an adult, and you get to move somewhere like London and have access to all of these things. As a kid it can feel very lonely and you feel very different. I feel very grateful for the progress we’ve made as a country, to prevent that feeling as much as possible."" ""I try my best to take on that responsibility, though thankfully I think there’s so many more people of colour on TV – including black women. The culture has so much more of a voice from when I was growing up, and I think that’s the beautiful thing about social media as well: you can see yourself in so many places, and you can choose where you look. When I’m on TV, though, I definitely think about that. I think about me as a kid, and what that would have meant to me. I’m proud of stepping out there and doing my best to represent in the best way possible. I feel very grateful to have had that opportunity. It’s so important for children’s self-esteem and sense of belonging."

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The Marvels (2022)
The Marvels (2022)
2022 | Action, Adventure, Sci-Fi
7
6.1 (8 Ratings)
Movie Rating
Fun. Lightweight Romp
If you, like many others, have opted out of the past few Marvel Cinematic Universe (MCU) films and are, likewise, suffering from “SuperHero” fatigue but are now looking for a re-entry into the MCU, then THE MARVELS is the film for you, for unlike some previous MCU films, it does not take much in the way of previous knowledge to get into the flow of this (somewhat) lightweight, fun action comic-book flick.

Academy Award winner Brie Larson returns as Captain Marvel and is joined (literally) with Monica Rambeau (Teyonah Parris - who’s SuperHero Origin story can be found in the DisneyPlus TV Series WANDAVISION, but is summed up pretty quickly here, so you’ll get the drift) as well as young MS. MARVEL (Iman Vellani, who’s origin story is told in the DisnePlus TV Series MS. MARVEL but who’s story is summed pretty quickly - and pretty well - here). They join forces to fight a villain, Dar-Benn (Zawe Ashton) intent on inflicting revenge/punishment on Captain Marvel. Also along for the ride is good ol’ Samuel L. Jackson as Nick Fury (in his 15th appearance in an MCU vehicle). They all bounce around the scenarios with a winking knowledge - and earnestness - about what kind of movie they are making…and with which what tone they need to hit.

In the hands of Director Nia DaCosta (the 2020 remake of CANDYMAN), THE MARVELS moves along at a brisk pace, injecting some humor and decent (enough) action sequences and CGI mixed in with a clever segment or 2 (one scene set to a classic Musical Theater song is worth the price of admission in and of itself). There is enough light, breezy sequences and banter that the main word that comes out of this film is “fun”. DaCosta succeeds, very well, with fun in this film. Where she doesn’t succeed as well is in emotional heft. Captain Marvel is given a few “self reflective” moments and while Larson is a terrific actor and tries to succeed with these moments, they didn’t feel earned, so they fell flat. Unfortunately, the other characters are there to battle and throw off one-liners…and not much more.

Wisely, DaCosta limits this film to 1 hours and 45 minutes - the shortest MCU film to date - and this is a positive for she just “gets to it” and doesn’t linger on any of the moments that don’t work or would fall apart if anyone had anytime to think about them.

And, of course, the “extra scenes” (an MCU staple) set up 2 new franchises, so you want to stick around for them (but you don’t need to stick around to the end of the credits).

All-in-all - Ms. Marvel is a fun, lightweight romp that will entertain for the time you are in the cineplex. But not much more. But…isn’t that what going to the movies is all about?

Letter Grade: B+

7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)