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Heather Cranmer (2721 KP) rated The House Guest in Books
Jun 11, 2020
After reading and enjoying The Retreat by Mark Edwards, I came across The House Guest by the same author. The synopsis sounded intriguing, so I decided to give it a read. While it wasn't a bad read, it was lacking a certain something.
Ruth and Adam are house-sitting for Mona and Jack, a rich couple they met on a cruise. When a woman named Eden shows up claiming to be an old friend of Mona's and Jack's, they decide to let her stay. After all, Eden seems to know a lot about the rich couple, and she seems nice enough. However, when Ruth and Eden disappear after a night of drinking, Adam begins to worry if he made a mistake by inviting Eden into the house. Is Eden actually an old friend or was she actually a complete stranger?
The plot for The House Guest really caught my attention. Mark Edwards does a fantastic job of making the story seem original. While many of the plot twists were easily predictable, it was still interesting enough to hold my attention. I did find that the pacing starts off a bit slow and doesn't really pick up until about halfway through the book. All of my questions were answered by the ending of the book and although there's not a cliffhanger, the ending does leave room for a sequel. I must admit that I liked the way Edwards kind of teased that there could be a sequel. One thing I wasn't a fan of was how the narrative would switch from a third person point of view for everyone to a first person point of view when it came to Adam. I would have much rather read the whole book in third person, but perhaps that's just a personal preference. Edwards did great at setting up the world building throughout the book, and when the pacing finally caught up to the action, I was immersed in the story line to find out if my predictions were correct.
I very much enjoyed the characters in The House Guest. Ruth and Adam were a likable couple, and it was easy to understand their relationship and what each one was feeling thanks to Edwards' great description of how each character felt about the relationship. I sympathized with Adam feeling like a loser compared to Ruth and her success. However, I could also relate to Ruth and her feelings of not being good enough and other insecurities. Eden was an awesome character, and I enjoyed whenever she had a scene. Her backstory was definitely an interesting one. I never knew if she was telling the truth until towards the end. Callum was a wild card in the story, and I was surprised when his true backstory was revealed. Though all the other characters felt fleshed out, I would have liked to have read more on Gabriel. I believe that he really could have flourished a bit more had he had a bigger part in the story. Saying that, Gabriel still is a fantastic character.
Trigger warnings for The House Guest include violence, gun violence, murder, attempted murder, attempted rape (not graphic), mentions of sex (not graphic), getting drunk, mentions of drugs, brainwashing, and abuse.
All in all, The House Guest does have some faults, but it's still an interesting read. The story unfolds perfectly, and the characters really draw you into their world. I would recommend The House Guest by Mark Edwards to those aged 17+ who are after a decent psychological thriller.
Ruth and Adam are house-sitting for Mona and Jack, a rich couple they met on a cruise. When a woman named Eden shows up claiming to be an old friend of Mona's and Jack's, they decide to let her stay. After all, Eden seems to know a lot about the rich couple, and she seems nice enough. However, when Ruth and Eden disappear after a night of drinking, Adam begins to worry if he made a mistake by inviting Eden into the house. Is Eden actually an old friend or was she actually a complete stranger?
The plot for The House Guest really caught my attention. Mark Edwards does a fantastic job of making the story seem original. While many of the plot twists were easily predictable, it was still interesting enough to hold my attention. I did find that the pacing starts off a bit slow and doesn't really pick up until about halfway through the book. All of my questions were answered by the ending of the book and although there's not a cliffhanger, the ending does leave room for a sequel. I must admit that I liked the way Edwards kind of teased that there could be a sequel. One thing I wasn't a fan of was how the narrative would switch from a third person point of view for everyone to a first person point of view when it came to Adam. I would have much rather read the whole book in third person, but perhaps that's just a personal preference. Edwards did great at setting up the world building throughout the book, and when the pacing finally caught up to the action, I was immersed in the story line to find out if my predictions were correct.
I very much enjoyed the characters in The House Guest. Ruth and Adam were a likable couple, and it was easy to understand their relationship and what each one was feeling thanks to Edwards' great description of how each character felt about the relationship. I sympathized with Adam feeling like a loser compared to Ruth and her success. However, I could also relate to Ruth and her feelings of not being good enough and other insecurities. Eden was an awesome character, and I enjoyed whenever she had a scene. Her backstory was definitely an interesting one. I never knew if she was telling the truth until towards the end. Callum was a wild card in the story, and I was surprised when his true backstory was revealed. Though all the other characters felt fleshed out, I would have liked to have read more on Gabriel. I believe that he really could have flourished a bit more had he had a bigger part in the story. Saying that, Gabriel still is a fantastic character.
Trigger warnings for The House Guest include violence, gun violence, murder, attempted murder, attempted rape (not graphic), mentions of sex (not graphic), getting drunk, mentions of drugs, brainwashing, and abuse.
All in all, The House Guest does have some faults, but it's still an interesting read. The story unfolds perfectly, and the characters really draw you into their world. I would recommend The House Guest by Mark Edwards to those aged 17+ who are after a decent psychological thriller.
BankofMarquis (1832 KP) rated The Menu (2022) in Movies
Nov 24, 2022
Puts the DARK in Dark Comedy
If a Film Comedy is Milk Chocolate and a Dark Comedy is Dark Chocolate, then the new film THE MENU (Directed by Mark Mylod - Game of Thrones) is the SPECIAL INTENSE (90%) Dark Chocolate of films.
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated The Book of Cold Cases in Books
May 5, 2022
I love a thriller that involves a chilling ghost story, so when I heard about The Book of Cold Cases by Simone St. James, I knew I had to read it. (Plus, I loved her other book The Broken Girls.) I was heavily immersed in this novel from the beginning!
I was sucked into the plot of The Book of Cold Cases right away. St. James gets right down to the nitty-gritty in the very first chapter. This book instantly grabs you and doesn't let go until the very last page. I was instantly transported to this small town in Oregon where I was right with the characters. As with her previous books, Simone St. James tells the story from more than one characters' point of view. We are told the story from Beth's, Shea's, and Lily's viewpoint. There was plenty of action and mystery to keep me intrigued throughout my reading journey. My favorite scenes in the book were the ones that involved the supernatural. I loved reading about how Greer mansion was haunted and about what supernatural activities were happening there. I also enjoyed the semi-big plot twist towards the middle of the book. However, I kept expecting an even bigger plot twist towards the end that never came which left me feeling a bit disappointed. However, this didn't really take away from the overall story that much. Something I could have done without was the romance in the book. It wasn't a major thing, but I just felt like there wasn't really a need for it. Other than that, I truly enjoyed this novel. Everything fit together really well (minus the romance), and the story was all tied together by the very end.
I felt that all the characters in The Book of Cold Cases were fleshed out enough to feel realistic whilst reading. I really liked Shea's interest in true crime since I can relate to that. I admired Shea's thirst for knowledge and how far she'd go to find out the truth of things she wanted to know. (I guess we both need closure!) I did feel like she got over her phobia a little too conveniently and quickly though. Beth was a wildcard for me throughout the book. I couldn't tell if she was guilty like many people believed or if she actually was a guilty party. I did like Beth though, and I loved her attitude she had when accused of murder. Lily was fabulously written, and I enjoyed reading about her too. I won't go into much more detail about her due to spoilers, but her part in The Book of Cold Cases was written well. The only character that kind of bothered me was Michael. I just felt like he was thrown in there as an easy way out. We're introduced to him from the beginning, and I kept waiting for some plot twist to happen involving him, but I was sadly disappointed. I just felt as if the book could have done without him.
Trigger warnings for The Book of Cold Cases include violence, murder, profanity, sexual abuse of a minor (not graphic), and kidnapping.
Overall, The Book of Cold Cases is a thrilling read with a fantastically chilling plot. With a spooky ghost story and an intriguing mystery, St. James has a real winner on her hands. I would definitely recommend The Book of Cold Cases by Simone St. James to those aged 17+ who love being scared and intrigued at the same time. You won't be disappointed.
I was sucked into the plot of The Book of Cold Cases right away. St. James gets right down to the nitty-gritty in the very first chapter. This book instantly grabs you and doesn't let go until the very last page. I was instantly transported to this small town in Oregon where I was right with the characters. As with her previous books, Simone St. James tells the story from more than one characters' point of view. We are told the story from Beth's, Shea's, and Lily's viewpoint. There was plenty of action and mystery to keep me intrigued throughout my reading journey. My favorite scenes in the book were the ones that involved the supernatural. I loved reading about how Greer mansion was haunted and about what supernatural activities were happening there. I also enjoyed the semi-big plot twist towards the middle of the book. However, I kept expecting an even bigger plot twist towards the end that never came which left me feeling a bit disappointed. However, this didn't really take away from the overall story that much. Something I could have done without was the romance in the book. It wasn't a major thing, but I just felt like there wasn't really a need for it. Other than that, I truly enjoyed this novel. Everything fit together really well (minus the romance), and the story was all tied together by the very end.
I felt that all the characters in The Book of Cold Cases were fleshed out enough to feel realistic whilst reading. I really liked Shea's interest in true crime since I can relate to that. I admired Shea's thirst for knowledge and how far she'd go to find out the truth of things she wanted to know. (I guess we both need closure!) I did feel like she got over her phobia a little too conveniently and quickly though. Beth was a wildcard for me throughout the book. I couldn't tell if she was guilty like many people believed or if she actually was a guilty party. I did like Beth though, and I loved her attitude she had when accused of murder. Lily was fabulously written, and I enjoyed reading about her too. I won't go into much more detail about her due to spoilers, but her part in The Book of Cold Cases was written well. The only character that kind of bothered me was Michael. I just felt like he was thrown in there as an easy way out. We're introduced to him from the beginning, and I kept waiting for some plot twist to happen involving him, but I was sadly disappointed. I just felt as if the book could have done without him.
Trigger warnings for The Book of Cold Cases include violence, murder, profanity, sexual abuse of a minor (not graphic), and kidnapping.
Overall, The Book of Cold Cases is a thrilling read with a fantastically chilling plot. With a spooky ghost story and an intriguing mystery, St. James has a real winner on her hands. I would definitely recommend The Book of Cold Cases by Simone St. James to those aged 17+ who love being scared and intrigued at the same time. You won't be disappointed.
Ryan Hill (152 KP) rated Suicide Squad (2016) in Movies
May 9, 2019 (Updated May 26, 2019)
"Oh, I'm not gonna kill you... I'm just gonna hurt you really, really bad."
Suicide Squad, aka Suicide Squandered, was one of my most anticipated movies of 2016. It would bring back to the big screen one of the most iconic comic book characters, Mr. J, and Harley Quinn would make her long awaited movie debut. It also promised to offer a different approach on the superhero genre, as it would star the villains instead of the good guys.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
Hazel (1853 KP) rated The Hazel Wood in Books
Nov 12, 2017
MARVEL-ous, apparently
I received this ARC for free from the Penguin Platform Team.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Hazel (1853 KP) rated The Hazel Wood in Books
Dec 7, 2018
<i>I received this ARC for free from the Penguin Platform Team.</i>
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Heather Cranmer (2721 KP) rated Whickering Place (Legacy of Darkness #2) in Books
Nov 22, 2019
I've been a fan of London Clarke since I read her debut novel Wildfell. I was thrilled when Whickering Place, the second novel in the Legacy of Darkness series, came out. I really enjoyed the first book in the series The Meadows. I must say that Whickering Place really blew me away!
If you're a fan of vampires, ghosts, and a touch of romance, you will love Whickering Place. I'm not going to rehash the synopsis since you will have probably read it yourself, and the synopsis does such a great job at describing this book. Even though I'm not a fan of the whole vampire movement in media, I really did enjoy Whickering Place. The plot was done brilliantly. I very much enjoyed the world building. In fact, I couldn't find one fault with the world building. Clarke does a fantastic job at making sure you're left feeling like you are a bystander amidst all the action. While there is a cliffhanger at the end of Whickering Place, this was done intentionally and will hopefully all will be revealed in the next book in the series.
The pacing was slow for about the first quarter or so of the book as the backstory and plot were being set up. I will admit that I did think about just giving up on Whickering Place, but I'm glad I kept reading because wow, the pacing definitely picked up after that! Once it picked up, there was no going back. I devoured each page. The suspense kept me on my toes! I was heavily invested in the story and all of the characters in Whickering Place.
Each and every character no matter how minor or major was written fantastically! Each character had their own personality, and it felt as if I was reading about a real flesh and blood person instead of just a character in a book. Avery was a great character. I could sort of relate to her agoraphobia. I used to be almost as bad as her. I felt bad for her, and I was always hoping she would get better so she could have more of a life. I kept thinking that Avery and myself could become great friends if she was real. It was almost as if every decision she made was one that I would have made. Pearse was definitely an interesting character. I did feel bad for him when it came to The Colony. I was always hoping he'd be able to get away from them. He seemed like he had a good heart. I also felt bad for Colin when it came to Avery. It was very obvious that he cared deeply for her. Colin definitely came across as a stand up sort of guy! I didn't really care for Maris, not because she was written poorly. She was actually written quite well! She just reminded me of those pretty mean girls I knew back when I was in school. I didn't know what to think of Cassie. I liked Cassie, and I loved her personality and how willing she was to help out, but I was never sure if I could trust her 100 percent.
Trigger warnings for Whickering Place include profanity (there's not a lot though), sexual situations (although these aren't graphic, and there aren't many sexual scenes), murder, attempted murder, alcohol, dealings with the occult, demons, and violence.
Overall, Whickering Place is a thrilling read which such a fantastic set of characters and an intense plot! This is one of those books that even though it starts out slow, it does a fantastic job at pulling you right into its pages and doesn't let you go! I would definitely recommend Whickering Place by London Clarke to everyone aged 17+ who loves getting lost in a good thriller.
If you're a fan of vampires, ghosts, and a touch of romance, you will love Whickering Place. I'm not going to rehash the synopsis since you will have probably read it yourself, and the synopsis does such a great job at describing this book. Even though I'm not a fan of the whole vampire movement in media, I really did enjoy Whickering Place. The plot was done brilliantly. I very much enjoyed the world building. In fact, I couldn't find one fault with the world building. Clarke does a fantastic job at making sure you're left feeling like you are a bystander amidst all the action. While there is a cliffhanger at the end of Whickering Place, this was done intentionally and will hopefully all will be revealed in the next book in the series.
The pacing was slow for about the first quarter or so of the book as the backstory and plot were being set up. I will admit that I did think about just giving up on Whickering Place, but I'm glad I kept reading because wow, the pacing definitely picked up after that! Once it picked up, there was no going back. I devoured each page. The suspense kept me on my toes! I was heavily invested in the story and all of the characters in Whickering Place.
Each and every character no matter how minor or major was written fantastically! Each character had their own personality, and it felt as if I was reading about a real flesh and blood person instead of just a character in a book. Avery was a great character. I could sort of relate to her agoraphobia. I used to be almost as bad as her. I felt bad for her, and I was always hoping she would get better so she could have more of a life. I kept thinking that Avery and myself could become great friends if she was real. It was almost as if every decision she made was one that I would have made. Pearse was definitely an interesting character. I did feel bad for him when it came to The Colony. I was always hoping he'd be able to get away from them. He seemed like he had a good heart. I also felt bad for Colin when it came to Avery. It was very obvious that he cared deeply for her. Colin definitely came across as a stand up sort of guy! I didn't really care for Maris, not because she was written poorly. She was actually written quite well! She just reminded me of those pretty mean girls I knew back when I was in school. I didn't know what to think of Cassie. I liked Cassie, and I loved her personality and how willing she was to help out, but I was never sure if I could trust her 100 percent.
Trigger warnings for Whickering Place include profanity (there's not a lot though), sexual situations (although these aren't graphic, and there aren't many sexual scenes), murder, attempted murder, alcohol, dealings with the occult, demons, and violence.
Overall, Whickering Place is a thrilling read which such a fantastic set of characters and an intense plot! This is one of those books that even though it starts out slow, it does a fantastic job at pulling you right into its pages and doesn't let you go! I would definitely recommend Whickering Place by London Clarke to everyone aged 17+ who loves getting lost in a good thriller.
BankofMarquis (1832 KP) rated Reminiscence (2021) in Movies
Aug 24, 2021
Needed a better Director - like one of the Nolan boys
Christopher Nolan is one of the greatest Directors of our time usually making films that have an attribute of time in them. His brother, Jonathan Nolan, has had a hand in most of his brother’s terrific works as well as the creative force behind such “trippy” TV series as PERSON OF INTEREST and the recent revival of WESTWORLD. In both of these TV Series, Jonathan Nolan was assisted by his wife, Lisa Joy.
Lisa Joy has written and directed her own “trippy, play with time” film, REMINISCENCE that has quite a few of the hallmarks of a Christopher (or Jonathan) Nolan film - but it also has one very unsettling aspect to it - it plays like a twice over copy of something else.
REMINISCENCE is a classic neo-noir with our hero being smitten by the femme fatale which draws him into her world, where murder, criminal activities and low-lifes run rampant all with a downbeat tone.
This sounds like a terrific premise for a Christopher Nolan film, unfortunately, in the hands of Lisa Joy, it is like watching a local community theater production of a Broadway musical.
The first 1/3 of this film is one long, laborious setup for the tragedy that will unfold and it is told at an uninteresting snail’s pace. Reminiscence picks up a bit in the middle with a pretty good action scene - and plot twist - before squandering this momentum with mediocrity at the end.
Joy’s script - which was on Hollywood’s infamous “blacklist’ of scripts for many, many years (a list of screenplays that are generally praised, but for some reason or another have not been produced), is at the core of the problem. The dialogue is not very interesting and dripping with heavy film noire clichés. She does not follow the Hollywood doctrine of “show, don’t tell”. She TELLS the audience much, much more than is needed and never really gives the audience any credit for figuring things out for themselves.
For example, there is a “dirty cop” that is central to the plot (there always is in this type of film). So, how do the other characters in the film address him? “You’re the dirty cop…”
I’d laugh if I wasn’t so bored.
What DOES work in this film is the acting of Hugh Jackman (as our hero), Rebecca Ferguson (as the femme fatale) and - especially - Thandie Newton as the “Gal Friday” of Jackman’s. Someone needs to give this talented actress a true showcase of her talents.
Someone also needs to give good ol’ Cliff Curtis a vehicle for his talents - he is one of the most misused good performers in Hollywood and he is misused in this film as well.
And…don’t get me started on the special effects. If you are going to make a trippy, sci-fi, futuristic neo-noire thriller, you probably shouldn’t cut the corner on the special effects, but this film does that, amazingly.
But…with a good Director at the helm there is enough “good enough” here (especially in the acting) that you should be able to pull something decent out of it.
But…Joy is making her theatrical film directing debut - exactly the type of director that this film does not need. What this film needed wasn’t a rookie director like Joy, it needed a Nolan - either Jonathan or (preferably) Christopher to make this work. But, one will have to be contented with a copy of a copy.
And that’s just not good enough.
Letter Grade: C+ (the performances of the leads almost salvage things.
5 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Lisa Joy has written and directed her own “trippy, play with time” film, REMINISCENCE that has quite a few of the hallmarks of a Christopher (or Jonathan) Nolan film - but it also has one very unsettling aspect to it - it plays like a twice over copy of something else.
REMINISCENCE is a classic neo-noir with our hero being smitten by the femme fatale which draws him into her world, where murder, criminal activities and low-lifes run rampant all with a downbeat tone.
This sounds like a terrific premise for a Christopher Nolan film, unfortunately, in the hands of Lisa Joy, it is like watching a local community theater production of a Broadway musical.
The first 1/3 of this film is one long, laborious setup for the tragedy that will unfold and it is told at an uninteresting snail’s pace. Reminiscence picks up a bit in the middle with a pretty good action scene - and plot twist - before squandering this momentum with mediocrity at the end.
Joy’s script - which was on Hollywood’s infamous “blacklist’ of scripts for many, many years (a list of screenplays that are generally praised, but for some reason or another have not been produced), is at the core of the problem. The dialogue is not very interesting and dripping with heavy film noire clichés. She does not follow the Hollywood doctrine of “show, don’t tell”. She TELLS the audience much, much more than is needed and never really gives the audience any credit for figuring things out for themselves.
For example, there is a “dirty cop” that is central to the plot (there always is in this type of film). So, how do the other characters in the film address him? “You’re the dirty cop…”
I’d laugh if I wasn’t so bored.
What DOES work in this film is the acting of Hugh Jackman (as our hero), Rebecca Ferguson (as the femme fatale) and - especially - Thandie Newton as the “Gal Friday” of Jackman’s. Someone needs to give this talented actress a true showcase of her talents.
Someone also needs to give good ol’ Cliff Curtis a vehicle for his talents - he is one of the most misused good performers in Hollywood and he is misused in this film as well.
And…don’t get me started on the special effects. If you are going to make a trippy, sci-fi, futuristic neo-noire thriller, you probably shouldn’t cut the corner on the special effects, but this film does that, amazingly.
But…with a good Director at the helm there is enough “good enough” here (especially in the acting) that you should be able to pull something decent out of it.
But…Joy is making her theatrical film directing debut - exactly the type of director that this film does not need. What this film needed wasn’t a rookie director like Joy, it needed a Nolan - either Jonathan or (preferably) Christopher to make this work. But, one will have to be contented with a copy of a copy.
And that’s just not good enough.
Letter Grade: C+ (the performances of the leads almost salvage things.
5 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Equalizer 2 (2018) in Movies
Sep 28, 2021
A “Good Guy” meting out justice in a bad way.
There’s something really satisfying about seeing our ‘hero’ Robert McCall giving bad ‘uns a bloody nose (and far worse) as immediate punishment for a crime committed. My parent’s pre-war generation would wax lyrical about the days when police officers or teachers could give a kid a “good box around the ears” as a lesson for a minor infringement. (“Ah, the good old days…. That’ll learn ‘im”!). But equally there’s also the queasy feeling here that this is a vigilante being judge, jury and executioner. Thank GOODNESS then that it’s Denzel Washington and he’s OBVIOUSLY a good guy that will never get it wrong!
Washington returns here as the righter of wrongs, now working as a Lyft driver in Boston (clearly Uber either lost the bidding war or they were not considered to be as cool a brand anymore). Through his job he crosses paths with various troubled souls and is often able to help: sometimes with just an encouraging word; sometimes with more physical activity! By way of validating his good guy credentials, he also takes under his wing Miles (Ashton Sanders) – a local black kid at risk of being dragged into the Boston gang scene.
But this is all window-dressing for the main plot, involving bad guys (for reasons that escaped me) tidying up a lot of CIA loose ends in Brussels in a very brutal way. In charge of the investigation is Robert’s ex-boss Susan Plummer (Melissa Leo) and to help out further Robert has to ‘reappear’ to his ex-partner Dave York (Pedro Pascal). As in the first film, events lead to an explosive western-style showdown.
Directed again by Antoine Fuqua, the film oozes style from the impressive opening shots of a Turkish train, where the cinematography by Bourne-regular Oliver Wood is exceptional. The action scenes are well-executed, and includes a superb science experiment that will puzzle any viewer who thinks “hang on a minute – flour doesn’t burn”!
Reading again my review of the original film, I went off on a rant about extreme screen violence in sub-18 certificate films. There is certainly – as the British film censors (the BBFC) describe it – “strong violence” in this film, with some pretty brutal murder scenes. If anything though I thought the violence was a little less gratuitous this time around, which I welcome.
Denzel is the greatest asset of this film though. He acts up a hurricane (literally), and without his calm and powerful presence at the heart of the film, this would just be A.N.Other generic thriller. It’s also great that this time around the excellent Melissa Leo gets more screen time, as does her husband played by Bill “Independence Day” Pullman. (Is it just me that gets Mr Pullman confused with the late Mr Paxton? I spent all of this film thinking “Oh how sad” though all his scenes before I realised I was grieving for the wrong guy!). In terms of mistaken identity, this film has another in that a key villain Resnik looks far too much like Mark Wahlberg, but is actually Canadian actor Jonathan Scarfe.
Where the film stumbled for me was in having too many parallel “good deed” sub-plots. One in particular – you’ll know the one – feels completely superfluous, beggars belief and could have been excised completely for the DVD deleted scenes.
Do you need to have seen the first film? No, not really. There is exposition about McCall’s back-story, but if this was covered in the first film then I had completely forgotten it. It certainly didn’t detract from this as a stand-alone film.
A cut-above the norm, Washington’s solid performance makes this an entertaining night out at the flicks.
Washington returns here as the righter of wrongs, now working as a Lyft driver in Boston (clearly Uber either lost the bidding war or they were not considered to be as cool a brand anymore). Through his job he crosses paths with various troubled souls and is often able to help: sometimes with just an encouraging word; sometimes with more physical activity! By way of validating his good guy credentials, he also takes under his wing Miles (Ashton Sanders) – a local black kid at risk of being dragged into the Boston gang scene.
But this is all window-dressing for the main plot, involving bad guys (for reasons that escaped me) tidying up a lot of CIA loose ends in Brussels in a very brutal way. In charge of the investigation is Robert’s ex-boss Susan Plummer (Melissa Leo) and to help out further Robert has to ‘reappear’ to his ex-partner Dave York (Pedro Pascal). As in the first film, events lead to an explosive western-style showdown.
Directed again by Antoine Fuqua, the film oozes style from the impressive opening shots of a Turkish train, where the cinematography by Bourne-regular Oliver Wood is exceptional. The action scenes are well-executed, and includes a superb science experiment that will puzzle any viewer who thinks “hang on a minute – flour doesn’t burn”!
Reading again my review of the original film, I went off on a rant about extreme screen violence in sub-18 certificate films. There is certainly – as the British film censors (the BBFC) describe it – “strong violence” in this film, with some pretty brutal murder scenes. If anything though I thought the violence was a little less gratuitous this time around, which I welcome.
Denzel is the greatest asset of this film though. He acts up a hurricane (literally), and without his calm and powerful presence at the heart of the film, this would just be A.N.Other generic thriller. It’s also great that this time around the excellent Melissa Leo gets more screen time, as does her husband played by Bill “Independence Day” Pullman. (Is it just me that gets Mr Pullman confused with the late Mr Paxton? I spent all of this film thinking “Oh how sad” though all his scenes before I realised I was grieving for the wrong guy!). In terms of mistaken identity, this film has another in that a key villain Resnik looks far too much like Mark Wahlberg, but is actually Canadian actor Jonathan Scarfe.
Where the film stumbled for me was in having too many parallel “good deed” sub-plots. One in particular – you’ll know the one – feels completely superfluous, beggars belief and could have been excised completely for the DVD deleted scenes.
Do you need to have seen the first film? No, not really. There is exposition about McCall’s back-story, but if this was covered in the first film then I had completely forgotten it. It certainly didn’t detract from this as a stand-alone film.
A cut-above the norm, Washington’s solid performance makes this an entertaining night out at the flicks.