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This Is Spinal Tap (1984)
This Is Spinal Tap (1984)
1984 | Comedy

"Along with Airplane, An American Werewolf in London, and Raising Arizona, this film is one that I can silently mouth along with every single line of. I don’t know if Reiner, Guest, McKean, and Shearer could have ever known back in 1984 quite how far-reaching the influence of this movie would be. As a British director who made his start in TV comedy, I can vouch for the fact that this film is one of the key texts for every single UK comedy writer, actor, and director of my generation. The fact that it was performed by American actors doing killer English accents just makes that all the more impressive and ironic. So I cannot overestimate its position as an unassailable comedy classic. Along with Monty Python’s Life of Brian (also on Criterion) and Mike Leigh’s 1976 TV movie Nuts in May, it really became one of those movies that create strong bonds in creative partnerships. You either liked Spinal Tap or you were not worth talking to; it became that simple. And quite right too. It’s eighty-four minutes of comedy heaven."

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The Decline of Western Civilization (1981)
The Decline of Western Civilization (1981)
1981 | Documentary, History, Music
(0 Ratings)
Movie Favorite

"She made three in the series, this, then II and III. This one is about hardcore punk in L.A. in the early ’80s so there’s a lot of Black Flag and that whole scene. Its aesthetic was one of the main influences that Chris Blauvelt and I used for Mid90s – for the way things looked, the way the backstage in the apartment looked, for the 16 mm. It’s a remarkable and encompassing snapshot of a scene that I’m personally drawn to, and the ethics and aesthetics of the film are as fucked up and raw as what it’s depicting. The crazy thing is that Penelope Spheeris started as a punk doc maker and ended up directing broad ’90s comedies - she made Wayne’s World (1992)! She also made Suburbia (1983), which is amazing, and another influence for Blauvelt and I. The main thing I did when I became a known as a an actor and had access to people and filmmakers, was me saying, like, “Hi, I’m the kid from Superbad, can I please have all the Decline movies?” That’s how I abused fame at that time."

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All the President's Men (1976)
All the President's Men (1976)
1976 | Classics, Drama, History

"All the President’s Men, because of my hero, William Goldman, who wrote that film. Here we’re sitting in the dark watching a movie and we all know what the denouement is — we all know how this film’s going to end up; they’re going to bust Nixon’s ass — and yet we’re on the edge of our seats all the way through that movie. Of course, it’s Pakula’s fantastic direction and these fabulous actors at the height of their career — Hoffman and Redford — but primarily it’s William Goldman, who managed to write a film where we all know what’s gonna happen, and yet we’re compelled to watch this process. Imagine if, in Psycho, the title sequence was Perkins putting on his wig and robe, so we all know it’s him — that’s the problem Goldman had to deal with. We all knew it was Nixon. And yet he managed to pull it off. Blew me away, that film. The performances, and the writing… who was that actor who played the editor? Jason Robards. He tells them to go after it. I wish the press would behave like that today, you know: “Go after these f–kwits, and nail them.”"

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Hacksaw Ridge (2016)
Hacksaw Ridge (2016)
2016 | Drama, History, War
This is honestly one of my favorite films ever made. I love Andrew Garfield even before he was in this film but then to see him in this film, he just shines. He is a phenomenal actor and while he's the main character, he doesn't take up too much space. It's clear that the story really isn't about Andrew Garfield as Desmond Doss, the story is about Desmond Doss and what he did for his country. I'm not sure that makes sense, but go with me. He gives such a powerful performance that it doesn't feel like you're watching an Andrew Garfield film, it's like you're watching what really happened to Desmond. I think those are the best films. When it isn't about the actors, it's about the story they're telling. When the story outshines the cast, I think that's when you have a great film on your hands. Sure, it helps that this cast was phenomenal - I love seeing Vince Vaughn play different levels of seriousness - but the story is what prevails here.

I think this might be Andrew Garfield's best film and easily one of the best films ever made.
  
    Concept

    Concept

    8.0 (1 Ratings) Rate It

    Tabletop Game

    In Concept, your goal is to guess words through the association of icons. A team of two players -...