Lawrence of Arabia (1962)
8.8
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8.0
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Matthew Krueger (10051 KP) rated Near Dark (1987) in Movies
Nov 3, 2020
The plot: Cowboy Caleb Colton (Adrian Pasdar) meets gorgeous Mae (Jenny Wright) at a bar, and the two have an immediate attraction. But when Mae turns out to be a vampire and bites Caleb on the neck, their relationship gets complicated. Wracked with a craving for human blood, Caleb is forced to leave his family and ride with Mae and her gang of vampires, including the evil Severen. Along the way Caleb must decide between his new love of Mae and the love of his family.
Vampire films had become "trendy" by the time of Near Dark's production, with the success of Fright Night (1985) and The Lost Boys (1987), the latter released two months before Near Dark and grossing $32 million. Kathryn Bigelow wanted to film a Western movie that departed from cinematic convention.
The combination of the genres had been visited at least twice before on the big screen, with Curse of the Undead (1959) and Billy the Kid Versus Dracula (1966).
Bigelow knew (and later married) director James Cameron, who directed Aliens (1986), a film that shares three cast members (Paxton, Goldstein and Henriksen) with Near Dark. Actor Michael Biehn was offered the role of Jesse Hooker, but he rejected the role because he found the script confusing. Lance Henriksen took over the role. A cinema seen in the background early in the film has Aliens on its marquee and Cameron played the man who "flips off" Severen.
Its a classic and a cult film.
Erika (17789 KP) rated Profile (2018) in Movies
Aug 8, 2021
In Profile, the journalist is English and called Amy. She’s portrayed as pretty desperate in general, and this story is her chance to become a fulltime employee at a random, unnamed news outlet. Her recruiter, Abu Bilal, reaches out to the false profile of ‘Melody’, almost immediately and starts chatting with her and sets up a Skype date. Now, the obvious happens, Amy gets wrapped up in this whole thing, and journalistically compromised by falling for this guy. I do have to admit, the actor they chose to play the recruiter/terrorist was incredibly attractive. I’m assuming this was done on purpose, to demonstrate how these guys convinced all these women to go over to Syria. Personally, I couldn’t believe anyone could buy what the recruiters were saying, but it happens all the time.
The tension was high and lasted until the very end, with a good pay-off. It kept me engaged mentally the entire time, which is rare for me. That’s when I know I truly like a film.
As I mentioned, the screen narrative style worked, I was constantly on edge, wondering if the ruse would be spoiled by someone walking behind her, or something like that. This film also took place in 2014, and I found it amusing that they thought to include the authentic, annoying lag that occurred a lot at that time.
