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Cat Goddess Freyja (16 KP) rated Dark Wake (2018) in Movies
Dec 5, 2018
A Dark Indie Film
Contains spoilers, click to show
Most likely to the dismay of my friend- who I forced to watch this with me- I had stumbled across this little weird gem of a short film on one of my favorite websites- The 7th Matrix. This is a super easy watch as it is only 17mins long, and, so far, I have only been able to find it on 7th Matrix and www.alldark.net. Dark Wake, directed by Abdul Ali, is about a man who wakes up in his small apartment with no memory of who he is. The odd gets odder in this short film, as a red and black hole appears in the wall. A 'person' on the other side of the hole, of whom we only see a wrinkled and scarred lower half of their face, tells the confused man that they have talked before and that he must remember something in order to save himself, then almost happily says that they have a guest. The creatures of the film- of which there is three, not including the thing in the wall- show up pretty quickly and had pretty cool designs to them, even though you could guess at the practical parts that made them up. The sole purpose of the creatures seemed to be to eat the man over and over again, along with whoever else was in the same oblivion the man was in- which the thing in the wall said was not Hell, despite it's continued use of the words "Down Here." The ending was odd and left much to go, wtf over, as the man was finally able to escape his room, which seemed to upset the thing in the wall. Aside from the ending, the only thing that stood out as an issue was how calm the main character was with everything that was happening to him, except when he was getting eaten. Be sure to give this a watch if you are into the odd indie film.
Neon's Nerd Nexus (360 KP) rated The Peanut Butter Falcon (2019) in Movies
Oct 22, 2019 (Updated Oct 22, 2019)
Rule No.1........ Party!
The Peanutbutter Falcon is a heartwarming and charming tale of belonging, ambition and family. I've always loved and admired Shia labeouf and despite all the hate he gets I really do think he is an incredible actor and with how good this movie is I really hope people start to see that. Zak is a person with downs syndrome who escapes from his care home to peruse his dream of becoming a wrestler and upon meeting Shia's character the two form a bond and set of on an adventure together. Seeing these two very different personalities form a friendship is just so beautiful, powerful and endearing with Shia's character tormented/held back by guilt and Zack gottsagen's character desperate to be free to enjoy life, party and be taken seriously. Theres such a great redneck world built here and whilst the film is odd its also so pure with a charming weirdness so realistic you could mistake the film for being a true story. Themes of loss, guilt, motivation, happiness and destiny as well as the line between good and evil. However what I found really interesting was the messages about mental health/learning difficulties/oldage and how we tend to treat people with these conditions like they aren't human too. It even depicts how most people who work in the care industry fail to grasp that these people are just like us and how restricting, patronising and telling them no all the time is inhumane and leads to failing to truly understand them/form a bond with them. Performances are outstanding from both the mains really depicting two different inner struggles and personalities coming together during difficult times thus giving them purpose and hope. Its also stunning to look at too with a perfect soundtrack. If I had to I would liken this movie to Oh brother where art thou and while it does have some great humour it leans more to the serious side most of the time showing us not all families are perfect but no matter how dysfunctional they are the love is no less. Such a lovely film that even made me shed a few tears too.
Gareth von Kallenbach (980 KP) rated How Do You Know (2010) in Movies
Aug 8, 2019
How Do You Know? is a heartfelt comedy about a woman who thought she had her whole life planned out and had answers to all the questions except for the most important, what she really wants in life.
Reese Witherspoon plays Lisa a former athlete who recently was cut from her team and is left to wonder what she will do with her life. Lisa has always been a confident woman who dated only athletes like herself. Matty (Owen Wilson), is her current love interest and also an athlete who does not really understand women, their feelings and the importance of monogamy.
Knowing this, Lisa still decides to stay with Matty and try and make things work as a couple.
At the same time, George (Paul Rudd), is being investigated by the FBI for wrong doings within the company that his father Charles (Jack Nicholson), owns. In the same day, George learns he is not only being investigated by the FBI, but his girlfriend breaks up with him because of his problems.
Lisa and George’s paths crossed earlier when a friend decides that it would be a great idea for Lisa to go on a date with a corporate type of guy rather than continue with her current athlete fixaton.
Lisa decides to meet George for dinner, but this sadly does not go well for either of them. Matty decides to be spontaneous and asks Lisa to move in but only ends up pushing her away. As a result, Lisa ends up getting to know George more and they become great friends during the on and off again relationship she has with Matty which leads to Lisa trying to find what she wants in life.
Director James L. Brooks did not allow the film to flow very well due to a slow beginning and middle and Jack Nicholson seemed out of place with such a small part for an actor of his status.
I was not a fan of the cinematography in some scenes and I wish the story would have flowed a little better and while this was not my favorite Reese Witherspoon role, Paul Rudd stole the show with his funny dialogue and silly antics.
Reese Witherspoon plays Lisa a former athlete who recently was cut from her team and is left to wonder what she will do with her life. Lisa has always been a confident woman who dated only athletes like herself. Matty (Owen Wilson), is her current love interest and also an athlete who does not really understand women, their feelings and the importance of monogamy.
Knowing this, Lisa still decides to stay with Matty and try and make things work as a couple.
At the same time, George (Paul Rudd), is being investigated by the FBI for wrong doings within the company that his father Charles (Jack Nicholson), owns. In the same day, George learns he is not only being investigated by the FBI, but his girlfriend breaks up with him because of his problems.
Lisa and George’s paths crossed earlier when a friend decides that it would be a great idea for Lisa to go on a date with a corporate type of guy rather than continue with her current athlete fixaton.
Lisa decides to meet George for dinner, but this sadly does not go well for either of them. Matty decides to be spontaneous and asks Lisa to move in but only ends up pushing her away. As a result, Lisa ends up getting to know George more and they become great friends during the on and off again relationship she has with Matty which leads to Lisa trying to find what she wants in life.
Director James L. Brooks did not allow the film to flow very well due to a slow beginning and middle and Jack Nicholson seemed out of place with such a small part for an actor of his status.
I was not a fan of the cinematography in some scenes and I wish the story would have flowed a little better and while this was not my favorite Reese Witherspoon role, Paul Rudd stole the show with his funny dialogue and silly antics.
Elli H Burton (1288 KP) rated The Silence of the Lambs (1991) in Movies
Nov 7, 2019
The acting is 100% (2 more)
The story is fantastic
The way it is shot is genuinely awesome.
Have the lambs stopped screaming?
Okay so this is one of my favourite films because it just ticks every box.
Acting - Anthony Hopkins won an oscar for best actor because of this film. He is excellent, he is so creepy, elegant, scary, inviting, chilling, intriguing and he just oozes the sophistication, intelligence and depth of the character. He delivers his performance in this with a real passion. He is also so limited with what he can do physically (usually locked up) but he owns the set when the cameras are rolling.
Jodie Foster - I haven't seen her in anything else which I am actually embarrassed about because I loved her in this. No surprise, she won an oscar for best actress in this film. I genuinely feel like (towards the end mainly, as she has said in an interview that Anthony Hopkins did actually frighten her) she was terrified for her life. She could have been in the situation irl and i wouldn't be shocked. The character could have been played so many ways but Jodie played it perfectly. A clever, naive, strong, determined woman.
All other supporting actors were fantastic, such as Ted Levine as Buffalo Bill (my goodness he is so creepy he makes your skin crawl) and Scott Glenn as Jack Crawford (definitely feel the underlying tones of an unsavory character).
It is shot in such a way you dont see often, the talking to the camera shots, showing you things in Bills house like the pictures are all such subtle things but make it even more chilling. They also don't shy away with language(a word is said in this film atleast twice and it's so rare to hear on film) which sometimes, as not very nice this word is, the situation calls for it in this unnerving thriller, gross words and scenes need to be real to feel uneasy which you do in this.
Hats off to the wonderful Thomas Harris for writing such a gripping, interesting story that we were fortunate enough to see made to this magnificent film.
Acting - Anthony Hopkins won an oscar for best actor because of this film. He is excellent, he is so creepy, elegant, scary, inviting, chilling, intriguing and he just oozes the sophistication, intelligence and depth of the character. He delivers his performance in this with a real passion. He is also so limited with what he can do physically (usually locked up) but he owns the set when the cameras are rolling.
Jodie Foster - I haven't seen her in anything else which I am actually embarrassed about because I loved her in this. No surprise, she won an oscar for best actress in this film. I genuinely feel like (towards the end mainly, as she has said in an interview that Anthony Hopkins did actually frighten her) she was terrified for her life. She could have been in the situation irl and i wouldn't be shocked. The character could have been played so many ways but Jodie played it perfectly. A clever, naive, strong, determined woman.
All other supporting actors were fantastic, such as Ted Levine as Buffalo Bill (my goodness he is so creepy he makes your skin crawl) and Scott Glenn as Jack Crawford (definitely feel the underlying tones of an unsavory character).
It is shot in such a way you dont see often, the talking to the camera shots, showing you things in Bills house like the pictures are all such subtle things but make it even more chilling. They also don't shy away with language(a word is said in this film atleast twice and it's so rare to hear on film) which sometimes, as not very nice this word is, the situation calls for it in this unnerving thriller, gross words and scenes need to be real to feel uneasy which you do in this.
Hats off to the wonderful Thomas Harris for writing such a gripping, interesting story that we were fortunate enough to see made to this magnificent film.
JT (287 KP) rated A Lonely Place to Die (2011) in Movies
Mar 10, 2020
Set against the sweeping landscape of the Scottish Highlands it would seem like a perfect place as any to stage a cat mouse style thriller – and that is exactly what we get. When a group of climbers out on excursion discover a young girl buried alive with only a tube for air they take the decision to rescue her, which just became their biggest mistake.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
JT (287 KP) rated Child's Play (2019) in Movies
Mar 10, 2020
Re-imagining of classic horror films can go either way. They can stick close to the original while giving it a fresh injection of gore to satisfy the bloodthirsty millennials. Or deviate it from the storyline altogether to put its own spin on the narrative.
In the Child’s Play remake the original ‘Good Guy’ dolls have been replaced by 21st-century technology in the form of ‘Buddi’ dolls which, have been produced by Kaslan Industries. And instead of a psychotic serial killer transferring his soul to the body of a doll, Buddi has all of his safety features disabled by a disgruntled Kaslan employee. The change from possession to A.I. fits perfectly within the modern world where people rely heavily on their phones and various voice-activated gadgets.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars
Best friends, Chucky and Andy (Gabriel Bateman) share a moment
Chucky, as he will inevitably call himself, makes his way to Chicago and into the home of the Barclay’s, where mum Karen (Aubrey Plaza) gets her hands on the defective doll as an early birthday present for son Andy (Gabriel Bateman). After a few small glitches (eyes turning red) Andy and Chucky start to form a close bond. But the bond takes a sinister turn when Chucky starts to act differently in his pursuit of the ultimate friendship.
One of the highlights of the film is the brilliant casting of Mark Hamill as the voice of the murderous doll. Hamill (outside of Star Wars) is well known as a talented voice actor, having provided the voice of the Joker in the animated series. Hamill uses his full range of softly spoken innocence and demented rage to portray a character who is influenced by everything around him (there are blatant references to E.T.) and then uses it to the best of his ability in killing off people in a range of horrific (and comical) ways.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars. It’s not without its faults but this satirical take on the slasher genre is certainly B-movie levels at best.
In the Child’s Play remake the original ‘Good Guy’ dolls have been replaced by 21st-century technology in the form of ‘Buddi’ dolls which, have been produced by Kaslan Industries. And instead of a psychotic serial killer transferring his soul to the body of a doll, Buddi has all of his safety features disabled by a disgruntled Kaslan employee. The change from possession to A.I. fits perfectly within the modern world where people rely heavily on their phones and various voice-activated gadgets.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars
Best friends, Chucky and Andy (Gabriel Bateman) share a moment
Chucky, as he will inevitably call himself, makes his way to Chicago and into the home of the Barclay’s, where mum Karen (Aubrey Plaza) gets her hands on the defective doll as an early birthday present for son Andy (Gabriel Bateman). After a few small glitches (eyes turning red) Andy and Chucky start to form a close bond. But the bond takes a sinister turn when Chucky starts to act differently in his pursuit of the ultimate friendship.
One of the highlights of the film is the brilliant casting of Mark Hamill as the voice of the murderous doll. Hamill (outside of Star Wars) is well known as a talented voice actor, having provided the voice of the Joker in the animated series. Hamill uses his full range of softly spoken innocence and demented rage to portray a character who is influenced by everything around him (there are blatant references to E.T.) and then uses it to the best of his ability in killing off people in a range of horrific (and comical) ways.
The gore levels should more than satisfy horror fans with death scenes ranging from tillers, saws and self-driving cars. It’s not without its faults but this satirical take on the slasher genre is certainly B-movie levels at best.
Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
TM
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