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Joe Julians (221 KP) rated The Disaster Artist (2017) in Movies
Jan 30, 2018
James Franco (1 more)
The tone
Far from a disaster
If you haven't seen The Room, then I urge you to do so at once. It's a bemusing, confusing, unintentionally hilarious 90 odd minutes that fully deserves all the cult screenings and bewildered wonder that it has garnered over the years. It's without question a perfect awful movie. And here with The Disaster Artist, based on the book of the same name, we get to see the story of just went on to get this film made.
To start with, James Franco is perfect as the mysterious and downright bonkers Tommy Wiseau. His voice, his mannerisms, his almost childlike tantrum throwing approach to life, he manages to make an almost unbelievable man fully believable. He's backed up by a cast that commit to the roles, but other than Dave Franco, don't get a huge amount of time in the spotlight. That's not a criticism as such, by design the two central figures in this are Tommy and Greg Sistero- his friend and fellow budding actor.
I suspect if you are a "fan" of The Room, you'll likely get a lot more out of this than if you had little to know knowledge of the film it depicts the making of. It's a blast getting to see certain iconic scenes recreated for this and to hear the origin stories behind key lines- "you're tearing me apart, Lisa" being one such moment that took me by surprise. The original film is a messy nonsensical experience and it's fun to see that almost everyone working on it viewed it as such even when it was being made. Everyone except Tommy that is.
Where things get a little murky for me is with how you are supposed to feel by the time the brilliant end credits roll (there's exact recreations of certain moments played side by side that are great fun.) It seems as though we are meant to be inspired by Tommy and what he has achieved, like in the end this is supposed to be a feel-good movie about never giving up on your dreams. That's all well and good, but Tommy Wiseau doesn't come across particularly well in this. He's a temper tantrum throwing and at times scary man to be around. One scene in particular during the shooting of the 'belly button sex scene' portrays him as a pretty horrible man, one that gets his way by being somewhat of a bully. This isn't addressed again fully and it's hard to feel like cheering him on by the time the big premiere screening rolls round. There's also his about face when it comes to claiming the movie was meant to be a comedy- something nobody believes. On the one hand, it's a smart move to take what he has and run with it, but there's also something sad about him not having something he cared so passionately about be received in the way it was intended. This is something else that is glossed over, but then Wiseau would never speak so candidly to give the writers anything to work with.
Overall this is a great movie and a fascinating watch. Would highly recommend.
To start with, James Franco is perfect as the mysterious and downright bonkers Tommy Wiseau. His voice, his mannerisms, his almost childlike tantrum throwing approach to life, he manages to make an almost unbelievable man fully believable. He's backed up by a cast that commit to the roles, but other than Dave Franco, don't get a huge amount of time in the spotlight. That's not a criticism as such, by design the two central figures in this are Tommy and Greg Sistero- his friend and fellow budding actor.
I suspect if you are a "fan" of The Room, you'll likely get a lot more out of this than if you had little to know knowledge of the film it depicts the making of. It's a blast getting to see certain iconic scenes recreated for this and to hear the origin stories behind key lines- "you're tearing me apart, Lisa" being one such moment that took me by surprise. The original film is a messy nonsensical experience and it's fun to see that almost everyone working on it viewed it as such even when it was being made. Everyone except Tommy that is.
Where things get a little murky for me is with how you are supposed to feel by the time the brilliant end credits roll (there's exact recreations of certain moments played side by side that are great fun.) It seems as though we are meant to be inspired by Tommy and what he has achieved, like in the end this is supposed to be a feel-good movie about never giving up on your dreams. That's all well and good, but Tommy Wiseau doesn't come across particularly well in this. He's a temper tantrum throwing and at times scary man to be around. One scene in particular during the shooting of the 'belly button sex scene' portrays him as a pretty horrible man, one that gets his way by being somewhat of a bully. This isn't addressed again fully and it's hard to feel like cheering him on by the time the big premiere screening rolls round. There's also his about face when it comes to claiming the movie was meant to be a comedy- something nobody believes. On the one hand, it's a smart move to take what he has and run with it, but there's also something sad about him not having something he cared so passionately about be received in the way it was intended. This is something else that is glossed over, but then Wiseau would never speak so candidly to give the writers anything to work with.
Overall this is a great movie and a fascinating watch. Would highly recommend.
BankofMarquis (1832 KP) rated Solo: A Star Wars Story (2018) in Movies
May 29, 2018
Surprised by how much I enjoyed this film
I have a confession to make - I was surprised by how much I enjoyed SOLO: A STAR WARS STORY.
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Daniel Boyd (1066 KP) rated A Star Is Born (2018) in Movies
Oct 19, 2018 (Updated Oct 19, 2018)
Bradley Cooper's direction (2 more)
Both lead performances
Great original songs
Better Than Expected
Contains spoilers, click to show
I have dragged my other half to see plenty of stuff recently that she has sat through because I wanted to see it, so I thought it was about time that I let her drag me to something that she fancied seeing. I'm pretty glad that she did.
I expected A Star Is Born to be full of cheesy dialogue and crappy pop songs and I didn't know what to expect from Bradley Cooper's first time in the director's chair. Thankfully, my uncertainty and doubt was proven wrong. This is an absolutely fantastic directorial debut from Cooper. There were several parts in the movie where it felt similar to a Clint Eastwood directed movie, the influence that Clint obviously had on Cooper when they worked together for American Sniper has clearly paid off here. The cinematography is brilliant throughout the film and he gets a lot out of his actors too.
Considering Cooper is an actor, he plays an exceptionally convincing rock star as Jackson Maine. His voice is phenomenal and if all of the guitar playing was done by him, then that was impressive also. Likewise, considering Lady Gaga's background is as a singer and not an actress, she did a pretty great job in this role as Ally - even if she is playing a character very similar to herself. Sam Elliot is also fantastic, (as he always is,) as Jack's older brother and I reckon could be in for an Oscar shout for best supporting role.
In order to talk about the main negative I had with the film, I am going to have to spoil the way that it ends. So SPOILERS from this point on, you have been warned.
I know that Jackson didn't commit suicide just because of what Ally's sleazy agent said to him at the end of the movie, but I only know that because I had to fill in the blanks myself. The way that the movie presents it, is as if the agent tells Jack that he's an embarrassment to Ally and that's what makes him want to hang himself, which to me isn't justification enough to have a character take their own life, especially a character like Jackson Maine. The argument could be made that it wasn't what the agent said that led to Jack's suicide, but because he said out loud the way that Jack sees himself. As a burden and embarrassment to Ally. Although, if this was the case I feel like the movie could have driven it home a bit more. Like I said, I know that there was more to the character's decision to end his life than that, but the movie doesn't show it, instead making it look as if he decided to hang himself because of a smarmy wee prick's obnoxious comments.
Overall, this film was far better than it had any right to be. Although, the movie is funny in parts, overall it takes itself more seriously than I expected it too and I think that it is better for it. It may not win best picture, but I reckon it deserves a nomination, as does Bradley Cooper for best director.
I expected A Star Is Born to be full of cheesy dialogue and crappy pop songs and I didn't know what to expect from Bradley Cooper's first time in the director's chair. Thankfully, my uncertainty and doubt was proven wrong. This is an absolutely fantastic directorial debut from Cooper. There were several parts in the movie where it felt similar to a Clint Eastwood directed movie, the influence that Clint obviously had on Cooper when they worked together for American Sniper has clearly paid off here. The cinematography is brilliant throughout the film and he gets a lot out of his actors too.
Considering Cooper is an actor, he plays an exceptionally convincing rock star as Jackson Maine. His voice is phenomenal and if all of the guitar playing was done by him, then that was impressive also. Likewise, considering Lady Gaga's background is as a singer and not an actress, she did a pretty great job in this role as Ally - even if she is playing a character very similar to herself. Sam Elliot is also fantastic, (as he always is,) as Jack's older brother and I reckon could be in for an Oscar shout for best supporting role.
In order to talk about the main negative I had with the film, I am going to have to spoil the way that it ends. So SPOILERS from this point on, you have been warned.
I know that Jackson didn't commit suicide just because of what Ally's sleazy agent said to him at the end of the movie, but I only know that because I had to fill in the blanks myself. The way that the movie presents it, is as if the agent tells Jack that he's an embarrassment to Ally and that's what makes him want to hang himself, which to me isn't justification enough to have a character take their own life, especially a character like Jackson Maine. The argument could be made that it wasn't what the agent said that led to Jack's suicide, but because he said out loud the way that Jack sees himself. As a burden and embarrassment to Ally. Although, if this was the case I feel like the movie could have driven it home a bit more. Like I said, I know that there was more to the character's decision to end his life than that, but the movie doesn't show it, instead making it look as if he decided to hang himself because of a smarmy wee prick's obnoxious comments.
Overall, this film was far better than it had any right to be. Although, the movie is funny in parts, overall it takes itself more seriously than I expected it too and I think that it is better for it. It may not win best picture, but I reckon it deserves a nomination, as does Bradley Cooper for best director.
Daniel Boyd (1066 KP) rated Bohemian Rhapsody (2018) in Movies
Oct 25, 2018 (Updated Oct 25, 2018)
Sublime performance from Rami Malek (1 more)
Sound mixing
They Will Rock You
I feel like I should preface this review with some context. Queen were the first band that I was properly into and the Bohemian Rhapsody/These Are The Days Of Our Loves double A side CD was the first piece of music that I ever bought with my own money. I have loved Queen's music for the vast majority of my life and I have grown up watching their concerts and music videos. I have been waiting for this movie to be made for a long time.
So did it meet my lofty expectations? Well, that depends on what aspects you choose to highlight. If you are asking me if Rami Malek did a good job portraying Freddie Mercury, then I would reply; that is the understatement of the century. This performance is the best I've seen so far this year. There were points that I genuinely forgot that I wasn't watching the real Freddie onscreen, Malek totally disappeared into the persona and if there is any justice, the academy will recognise that come Oscar nomination time. Not only did he capture Freddie's onstage mannerisms, but even the subtle way that Freddie would shift his eyes or lick his lips during interviews etc was absolutely spot on. In terms of the singing, I believe the method used was that Malek would sing into a computer and Freddie's voice was then added over the top, then it was manipulated to where it best resembled Freddie's vocal. If this film deserves another Oscar nod, it's for the sound mixing. They managed to recreate Freddie's unique vocal range perfectly and the lip syncing is also lined up incredibly well.
The rest of the cast are great too. The rest of the band were well cast, especially Gwilym Lee as Brian May. I really enjoyed the chemistry and camaraderie between the band members too. I also enjoyed what Aidan Gillen, Tom Hollander and an unrecognisable Mike Myers brought to the film. Lucy Boynton was also believable as Freddie's one true love, Mary Austin and she and Malek brought a new dimension to Mary's and Freddie's relationship that I had never really thought too much about.
Could the movie have went further than it did in terms of portraying the hedonism went on in Freddie's life? Yes, it definitely could have and that was one of my main concerns going in. I was concerned regarding the film's 12A rating and wondered how they were going to get around this and still show the sexually driven, intense life that Freddie led. Thankfully, I felt that the movie still managed to contain enough implications and allusions to the more adult stuff in the story that you were able to fill in the blanks without feeling robbed of too much of the narrative.
Unfortunately, there was a fairly important part in the movie where the sound abruptly cut out in my cinema hall for about 30 seconds, this obviously isn't the movie's fault, but it did detract from my initial viewing.
Overall, I enjoyed Bohemian Rhapsody. It catalogued Queen's exceptional inventory of hits and did a fantastic job in casting the right actor to portray a modern day icon. The other actors that rounded out the cast helped to sell the whole movie and the production was very well done in terms of recreating the talent and energy that this band were famous for.
So did it meet my lofty expectations? Well, that depends on what aspects you choose to highlight. If you are asking me if Rami Malek did a good job portraying Freddie Mercury, then I would reply; that is the understatement of the century. This performance is the best I've seen so far this year. There were points that I genuinely forgot that I wasn't watching the real Freddie onscreen, Malek totally disappeared into the persona and if there is any justice, the academy will recognise that come Oscar nomination time. Not only did he capture Freddie's onstage mannerisms, but even the subtle way that Freddie would shift his eyes or lick his lips during interviews etc was absolutely spot on. In terms of the singing, I believe the method used was that Malek would sing into a computer and Freddie's voice was then added over the top, then it was manipulated to where it best resembled Freddie's vocal. If this film deserves another Oscar nod, it's for the sound mixing. They managed to recreate Freddie's unique vocal range perfectly and the lip syncing is also lined up incredibly well.
The rest of the cast are great too. The rest of the band were well cast, especially Gwilym Lee as Brian May. I really enjoyed the chemistry and camaraderie between the band members too. I also enjoyed what Aidan Gillen, Tom Hollander and an unrecognisable Mike Myers brought to the film. Lucy Boynton was also believable as Freddie's one true love, Mary Austin and she and Malek brought a new dimension to Mary's and Freddie's relationship that I had never really thought too much about.
Could the movie have went further than it did in terms of portraying the hedonism went on in Freddie's life? Yes, it definitely could have and that was one of my main concerns going in. I was concerned regarding the film's 12A rating and wondered how they were going to get around this and still show the sexually driven, intense life that Freddie led. Thankfully, I felt that the movie still managed to contain enough implications and allusions to the more adult stuff in the story that you were able to fill in the blanks without feeling robbed of too much of the narrative.
Unfortunately, there was a fairly important part in the movie where the sound abruptly cut out in my cinema hall for about 30 seconds, this obviously isn't the movie's fault, but it did detract from my initial viewing.
Overall, I enjoyed Bohemian Rhapsody. It catalogued Queen's exceptional inventory of hits and did a fantastic job in casting the right actor to portray a modern day icon. The other actors that rounded out the cast helped to sell the whole movie and the production was very well done in terms of recreating the talent and energy that this band were famous for.
BankofMarquis (1832 KP) rated Beautiful Boy (2018) in Movies
Nov 5, 2018
Well acted, directed and written...and dour
The advertisement for BEAUTIFUL BOY says that it is a "heartbreaking and inspiring experience of survival, relapse and recovery of a family coping with addiction".
Heartbreaking, yes. Survival, relapse? Yes. Inspiring? Not so much.
Telling the tale of the true story of David and Nic Sheff (based on their memoirs), BEAUTIFUL BOY stars Steve Carrell as David and the wonderful Timothee Chalamet as Nic. It chronicles their relationship and David's attempt to help his son who has descended into addiction to drugs up to (and including) crystal meth and heroin. This is a tough tale, told rather unflinchingly and with great love and affection. It is also grim and dower. The highs are not really all that high and the lows are really, really, really low.
Which makes for a tough film to watch - it's a very good film - written, directed and acted well - but it's a tough film to sit through.
Let's start with the performances of the two leads. We view most of this film through the eyes of the Father, played by Steve Carrell. We start the film "in progress", meaning that Carrell's character of David has already come to the realization that his child is in the grips of something that he might not be able to get out of. Because of that, Carrell's character starts sad and somber and goes down from there. It is a well acted performance, but he is not asked to do much more than be sad and somber, punctuated by moments of frustration and anger and is somewhat overshadowed by the showier role and performance by Chalamet as the drug-addicted son.
I have now seen Chalamet in 4 films - INTERSTELLAR, LADYBIRD, CALL ME BY YOUR NAME and now BEAUTIFUL BOY, and in each one of these he was an actor that required your attention. He has a way of drawing you into his character's thoughts and feelings without saying or doing much. He is a "quiet" performer with a strength that is appealing and is no different in this film He was nominated for an Oscar for CALL ME BY YOUR NAME and I will not be surprised if his name is called again this year.
Joining Carrell and Chalamet are Amy Ryan and Maura Tierney as Nic's Mother and Step-Mother. Both are equal to the task that is given them - to be supportive, worried and sad - all at the same time. It would have been interesting to flesh out these roles in this tale, but that would have made this film something different than what it is intended to be - a tale of a father's inability to help his son, no matter how hard he tries.
Ultimately, the issue with this film is there is no variety to it. It stays, for the most part, on one emotional note throughout the course of it's 2 hour running time - somber and sad. That constant feeling of dourness makes this rather slow running film seem even slower, causing quite a bit of rustling and shifting in the chairs.
It's an important film about an important subject - I just wish they would have varied the pitch of it from time to time. Well acted, well written - and dour.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Heartbreaking, yes. Survival, relapse? Yes. Inspiring? Not so much.
Telling the tale of the true story of David and Nic Sheff (based on their memoirs), BEAUTIFUL BOY stars Steve Carrell as David and the wonderful Timothee Chalamet as Nic. It chronicles their relationship and David's attempt to help his son who has descended into addiction to drugs up to (and including) crystal meth and heroin. This is a tough tale, told rather unflinchingly and with great love and affection. It is also grim and dower. The highs are not really all that high and the lows are really, really, really low.
Which makes for a tough film to watch - it's a very good film - written, directed and acted well - but it's a tough film to sit through.
Let's start with the performances of the two leads. We view most of this film through the eyes of the Father, played by Steve Carrell. We start the film "in progress", meaning that Carrell's character of David has already come to the realization that his child is in the grips of something that he might not be able to get out of. Because of that, Carrell's character starts sad and somber and goes down from there. It is a well acted performance, but he is not asked to do much more than be sad and somber, punctuated by moments of frustration and anger and is somewhat overshadowed by the showier role and performance by Chalamet as the drug-addicted son.
I have now seen Chalamet in 4 films - INTERSTELLAR, LADYBIRD, CALL ME BY YOUR NAME and now BEAUTIFUL BOY, and in each one of these he was an actor that required your attention. He has a way of drawing you into his character's thoughts and feelings without saying or doing much. He is a "quiet" performer with a strength that is appealing and is no different in this film He was nominated for an Oscar for CALL ME BY YOUR NAME and I will not be surprised if his name is called again this year.
Joining Carrell and Chalamet are Amy Ryan and Maura Tierney as Nic's Mother and Step-Mother. Both are equal to the task that is given them - to be supportive, worried and sad - all at the same time. It would have been interesting to flesh out these roles in this tale, but that would have made this film something different than what it is intended to be - a tale of a father's inability to help his son, no matter how hard he tries.
Ultimately, the issue with this film is there is no variety to it. It stays, for the most part, on one emotional note throughout the course of it's 2 hour running time - somber and sad. That constant feeling of dourness makes this rather slow running film seem even slower, causing quite a bit of rustling and shifting in the chairs.
It's an important film about an important subject - I just wish they would have varied the pitch of it from time to time. Well acted, well written - and dour.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (977 KP) rated Iron Man 3 (2013) in Movies
Jun 19, 2019
For Tony Stark, (Robert Downey Jr.), life has become very complicated for the self-proclaimed genius, philanthropist, billionaire, and playboy. In the new film “Iron Man 3”, Stark is wracked by insomnia and dread following the battle he waged to save New York in “The Avengers”.
Stark throws himself into his work and endlessly creates new Iron Man suits as well as system upgrades which currently have him at the Mark 42 version which is a huge jump from the Mark VII he was last seen in which was itself a prototype.
When a terrorist named The Mandarin (Sir Ben Kingsley), has unleashed a series of bizarre bombings on the world and has opening challenged the President (William Sadler), Stark is caught up in his own fears, most notably protecting his beloved Pepper (Gwyneth Paltrow).
When his friend Happy (John Farveau) is caught in an explosion, Stark openly challenges the Mandarin which results in a devastating helicopter upon Stark and Potts. With the world thinking he has died, Stark sets out to stop the Mandarin at all costs and find a way to battle his inner demons and fears to save the ones he loves and do what he knows is right.
The movie is big on laughs and character as we see a more well-rounded Stark this time out. He is haunted by demons of his past yet committed to improving himself and doing what is right. The film takes a bit of time to get up to speed, but thanks to Downey’s performance you maintain your interest as you are always waiting for what he will do next as he is in total command of the character and never lets the quirks or humor of his situation overshadow his humanity or undermine his performance.
I would have liked to have seen Downey is his armor more kicking butt and taking names, but thankfully the finale is very enjoyable. The converted 3D in the film is very good as although I am not a fan of 3D conversions this was the best I have seen to date as ash, snow, and debris did seem to float into the audience the way it does in films that are shot properly in the new 3D technology.
The supporting cast for the film is very strong especially Kingsley and Guy Pearce and I enjoyed the effort that Writer/Director Shane Black put into allowing the characters time to grow. I was a bit disappointed that Don Cheadle was not given a lot to do in his role especially when playing Iron Patriot/War Machine. The battle at the end of “Iron Man 2” where he and Iron Man took on legions of bad guys had me hoping for more this time out.
That being said, this is a very enjoyable summer movie that shows the franchise is not slowing down or taking the easy road out. There has been discussion that Downey Jr. may step away after the next Avengers film but hopefully that is not to be the case as I could not imagine another actor capturing the role as perfectly as he has.
Following a bonus post credits scene, we are told in the best James Bond style that Tony Stark will return, and you can bet legions of fans will be waiting.
http://sknr.net/2013/05/03/iron-man-3/
Stark throws himself into his work and endlessly creates new Iron Man suits as well as system upgrades which currently have him at the Mark 42 version which is a huge jump from the Mark VII he was last seen in which was itself a prototype.
When a terrorist named The Mandarin (Sir Ben Kingsley), has unleashed a series of bizarre bombings on the world and has opening challenged the President (William Sadler), Stark is caught up in his own fears, most notably protecting his beloved Pepper (Gwyneth Paltrow).
When his friend Happy (John Farveau) is caught in an explosion, Stark openly challenges the Mandarin which results in a devastating helicopter upon Stark and Potts. With the world thinking he has died, Stark sets out to stop the Mandarin at all costs and find a way to battle his inner demons and fears to save the ones he loves and do what he knows is right.
The movie is big on laughs and character as we see a more well-rounded Stark this time out. He is haunted by demons of his past yet committed to improving himself and doing what is right. The film takes a bit of time to get up to speed, but thanks to Downey’s performance you maintain your interest as you are always waiting for what he will do next as he is in total command of the character and never lets the quirks or humor of his situation overshadow his humanity or undermine his performance.
I would have liked to have seen Downey is his armor more kicking butt and taking names, but thankfully the finale is very enjoyable. The converted 3D in the film is very good as although I am not a fan of 3D conversions this was the best I have seen to date as ash, snow, and debris did seem to float into the audience the way it does in films that are shot properly in the new 3D technology.
The supporting cast for the film is very strong especially Kingsley and Guy Pearce and I enjoyed the effort that Writer/Director Shane Black put into allowing the characters time to grow. I was a bit disappointed that Don Cheadle was not given a lot to do in his role especially when playing Iron Patriot/War Machine. The battle at the end of “Iron Man 2” where he and Iron Man took on legions of bad guys had me hoping for more this time out.
That being said, this is a very enjoyable summer movie that shows the franchise is not slowing down or taking the easy road out. There has been discussion that Downey Jr. may step away after the next Avengers film but hopefully that is not to be the case as I could not imagine another actor capturing the role as perfectly as he has.
Following a bonus post credits scene, we are told in the best James Bond style that Tony Stark will return, and you can bet legions of fans will be waiting.
http://sknr.net/2013/05/03/iron-man-3/
Lucy Buglass (45 KP) rated The Kindergarten Teacher (2018) in Movies
Jun 20, 2019
It’s always nice to see teachers encouraging and motivating their students, but in Sara Colangelo’s The Kindergarten Teacher, this is taken to a terrifying new level. Based on an Israeli film of the same name, it explores the line between encouragement and obsession. What happens when a bored kindergarten teacher meets a child prodigy? That’s what this film attempts to answer.
When teacher Lisa Spinelli (Maggie Gyllenhaal) meets pre-schooler Jimmy (Parker Sevak), her life is flipped upside down. Lisa attends poetry night classes, but her work is frequently criticised by teacher Simon (Gael García Bernal). Her family life is unsatisfactory, with her two children underachieving in her eyes. Because of her dissatisfaction with her life, she finds herself latching onto Jimmy and attempting to live vicariously through him. The film takes the two of them on a journey, where Lisa does everything she can to nurture Jimmy’s talent.
The pair’s first encounter happens when Jimmy reads out a poem, which Lisa believes to be way beyond his age group. Throughout the film, she encourages him to write more and more, and the scenes where Jimmy reads his work aloud are captivating. This is Parker Sevak’s acting debut, and he is a seriously impressive child actor. Because the level of poetry in the film is so advanced, he speaks incredibly clearly which stuns both Lisa and the audience. He was the stand-out performance for me, and at the age of 5, manages to steal the show. I am keen to see more films starring him in the future.
That doesn’t mean Gyllenhaal’s performance was bad. In fact, this is probably my favourite of hers in such a long time. Her tenacity and passion are admirable at first and then turns into obsession very quickly. The dark turn her character takes genuinely shocked me, even though it’s inevitable she’s going to do whatever it takes to get her own way. Despite this, I felt sorry for her throughout, which is a testament to the strength of Gyllenhaal’s acting. Lisa does questionable things, she lashes out, yet I was still hoping for a better outcome. I was hoping she’d see sense one way or another. She’s a problematic character for sure, but she doesn’t have to be this way. I felt like she had the power to stop what she was doing.
The film’s pacing worked very well for me, slowly building until the final act. I loved the way it ended, as it left me with a sinking feeling. The last line by Jimmy broke my heart, and if you’ve seen it for yourself, I’m sure you’ll understand why. The screenplay is brilliantly written and tells an incredibly controversial story of what is essentially child exploitation. Jimmy’s young and impressionable mind is taken advantage of based on his talents, resulting in a series of increasingly concerning events. Just when you think Lisa can’t cross any more lines, she does, and it’s enough to shock anyone.
I was completely glued to the screen for the entire third act. If you’re looking for a fresh, thought-provoking drama then I would certainly recommend this. Maggie Gyllenhaal is at the top of her game in The Kindergarten Teacher, delivering a performance that leaves audiences feeling conflicted. This is certainly a heavy film, but I’d also consider it a must-watch and a cautionary tale for the modern age.
https://jumpcutonline.co.uk/review-the-kindergarten-teacher-2019/
When teacher Lisa Spinelli (Maggie Gyllenhaal) meets pre-schooler Jimmy (Parker Sevak), her life is flipped upside down. Lisa attends poetry night classes, but her work is frequently criticised by teacher Simon (Gael García Bernal). Her family life is unsatisfactory, with her two children underachieving in her eyes. Because of her dissatisfaction with her life, she finds herself latching onto Jimmy and attempting to live vicariously through him. The film takes the two of them on a journey, where Lisa does everything she can to nurture Jimmy’s talent.
The pair’s first encounter happens when Jimmy reads out a poem, which Lisa believes to be way beyond his age group. Throughout the film, she encourages him to write more and more, and the scenes where Jimmy reads his work aloud are captivating. This is Parker Sevak’s acting debut, and he is a seriously impressive child actor. Because the level of poetry in the film is so advanced, he speaks incredibly clearly which stuns both Lisa and the audience. He was the stand-out performance for me, and at the age of 5, manages to steal the show. I am keen to see more films starring him in the future.
That doesn’t mean Gyllenhaal’s performance was bad. In fact, this is probably my favourite of hers in such a long time. Her tenacity and passion are admirable at first and then turns into obsession very quickly. The dark turn her character takes genuinely shocked me, even though it’s inevitable she’s going to do whatever it takes to get her own way. Despite this, I felt sorry for her throughout, which is a testament to the strength of Gyllenhaal’s acting. Lisa does questionable things, she lashes out, yet I was still hoping for a better outcome. I was hoping she’d see sense one way or another. She’s a problematic character for sure, but she doesn’t have to be this way. I felt like she had the power to stop what she was doing.
The film’s pacing worked very well for me, slowly building until the final act. I loved the way it ended, as it left me with a sinking feeling. The last line by Jimmy broke my heart, and if you’ve seen it for yourself, I’m sure you’ll understand why. The screenplay is brilliantly written and tells an incredibly controversial story of what is essentially child exploitation. Jimmy’s young and impressionable mind is taken advantage of based on his talents, resulting in a series of increasingly concerning events. Just when you think Lisa can’t cross any more lines, she does, and it’s enough to shock anyone.
I was completely glued to the screen for the entire third act. If you’re looking for a fresh, thought-provoking drama then I would certainly recommend this. Maggie Gyllenhaal is at the top of her game in The Kindergarten Teacher, delivering a performance that leaves audiences feeling conflicted. This is certainly a heavy film, but I’d also consider it a must-watch and a cautionary tale for the modern age.
https://jumpcutonline.co.uk/review-the-kindergarten-teacher-2019/
Darren (1599 KP) rated 1408 (2007) in Movies
Jun 20, 2019
Story: With the story of a sceptic investigating paranormal events but then ends up stuck in these paranormal events he so very much doesn’t believe in, is a very clichéd story. This has most of this and adds in that he is a writer with a dark past involving loss you know where this is going. Mixing it all together we get the idea of redemption for the mistakes we may have done in life. One weak point of this film is that there are two endings that paint a very different picture of the events that happen in the film, I personally prefer the Director’s Cut as I find it has more answer than the Theatrical Cut. (8/10)
Actor Reviews
John Cusack: Mike Enslin after suffering a personal loss Mike travels around writing about so called haunted hotel and location, bringing out a string of top 10 books looking at his experiences or lack thereof. Mike gets a postcard and against all the advice of the hotel manager he enters the room 1408, were he really gets put to the test. Mike starts off being distant from people, be it fans or his general style of conversation, but soon after the events start happening he changes too quickly for what his character has been through. John does a good job with the role as most of the film is solely around him. (8/10)
cusack
Samuel L. Jackson: Gerald Olin the manager of the Dolphin hotel trying to protect Mike from entering the room with all kinds of bribes, he tells the full history of the room but unfortunately lets him stay in the room. Good supporting performance from Jackson rarely seen, he is the dominant persona you would expect to see. (8/10)
sam
Director Review: Mikael Hafstrom – Creates some very good scares and keeps you guessing on what is going on, add in what I think is the better ending you get a very good piece of direction. (8/10)
Horror: Has some solid scares and some you really don’t see coming along with some nicely built up ones. (9/10)
Mystery: You are constantly wondering what is going on, but a lot is explained at the end. (9/10)
Thriller: Keeps you at the edge of your seat just wait to know what happens next. (9/10)
Settings: The hotel room feels very ordinary but once things starting to happen it turns into a nightmare, working very well for the genre. (9/10)
Special Effects: Strong special effects used throughout. (9/10)
Suggestion: If you are a fan of horror you will enjoy this, if you are a fan of Stephen King you will enjoy this otherwise this one isn’t really for you. (Horror Fans Watch)
Best Part: The vents scene.
Worst Part: The two different endings can confuse when talking about this film with others.
Scariest Scene: Vent scene.
Believability: I give this a one because there are people like Mike you investigate the paranormal, but what happens isn’t believable. (1/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Box Office: $131,998,242
Budget: $25 Million
Runtime: 1 Hour 34 Minutes
Tagline: Based on the terrifying story by Stephen King
Overall: Good Atmospheric Horror
https://moviesreview101.com/2014/06/28/1408-2007/
Actor Reviews
John Cusack: Mike Enslin after suffering a personal loss Mike travels around writing about so called haunted hotel and location, bringing out a string of top 10 books looking at his experiences or lack thereof. Mike gets a postcard and against all the advice of the hotel manager he enters the room 1408, were he really gets put to the test. Mike starts off being distant from people, be it fans or his general style of conversation, but soon after the events start happening he changes too quickly for what his character has been through. John does a good job with the role as most of the film is solely around him. (8/10)
cusack
Samuel L. Jackson: Gerald Olin the manager of the Dolphin hotel trying to protect Mike from entering the room with all kinds of bribes, he tells the full history of the room but unfortunately lets him stay in the room. Good supporting performance from Jackson rarely seen, he is the dominant persona you would expect to see. (8/10)
sam
Director Review: Mikael Hafstrom – Creates some very good scares and keeps you guessing on what is going on, add in what I think is the better ending you get a very good piece of direction. (8/10)
Horror: Has some solid scares and some you really don’t see coming along with some nicely built up ones. (9/10)
Mystery: You are constantly wondering what is going on, but a lot is explained at the end. (9/10)
Thriller: Keeps you at the edge of your seat just wait to know what happens next. (9/10)
Settings: The hotel room feels very ordinary but once things starting to happen it turns into a nightmare, working very well for the genre. (9/10)
Special Effects: Strong special effects used throughout. (9/10)
Suggestion: If you are a fan of horror you will enjoy this, if you are a fan of Stephen King you will enjoy this otherwise this one isn’t really for you. (Horror Fans Watch)
Best Part: The vents scene.
Worst Part: The two different endings can confuse when talking about this film with others.
Scariest Scene: Vent scene.
Believability: I give this a one because there are people like Mike you investigate the paranormal, but what happens isn’t believable. (1/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Box Office: $131,998,242
Budget: $25 Million
Runtime: 1 Hour 34 Minutes
Tagline: Based on the terrifying story by Stephen King
Overall: Good Atmospheric Horror
https://moviesreview101.com/2014/06/28/1408-2007/
Darren (1599 KP) rated 2001 Maniacs: Field of Screams (2010) in Movies
Jun 20, 2019
Story: 2001 Maniacs: Field of Screams starts by Mayor Buckman (Mosely) explaining why they are out for vengeances where they town of Pleasant Valley lost 2001 residents in the 1800s. When the deal with a local Sheriff is getting pushed to the limits Buckman makes sure his maniacs are safe. This leads to them going on tour to get the people from the north. We then meet High society sister Rome (Johnson) and Tina (Hope) part of Road Rascal reality show going to the south. After their camper gets run off the crashes they get stuck in the middle of nowhere where they bump into the Pleasant Valley community.
The producer Val (Leon) takes this chance to make the event simpler without having to go full south. Not knowing the true nature of the Pleasant Valley people are the reality show crew become the latest victims in the most gruesome possible ways.
2001 Maniacs: Field of Screams is a follow up to 2001 Maniacs a remake in its own right. Sadly this sequel is simply terrible, losing Robert Englund is always going to be bad but he just got out in time. The sound is awful the acting is terrible the story gets bogged down because the very outline of the story is well acceptable for horror. The characters or victims are all unlikable and you simple don’t care what happens to them, so how I am supposed to like this if none of the characters need supporting and nothing shocking happens? This was simple terrible rant over. (1/10)
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Actor Review
Bill Moseley: Mayor George W Buckman leader of the Pleasant Valley people whose ability to talk people into them being friend works for them but soon we see his true nature. I know Bill is a cult favourite but this, was just bad man. (2/10)
Lin Shaye: Granny Boone old wise lady of the Pleasant Valley people who is just as crazy as Buckman. Lin would be the biggest name in the film but why is she here? Has anyone seen Insidious, yeah it is the same woman. (1/10)
Support Cast: 2001 Maniacs: Field of Screams every single member of the supporting cast is unlikable annoying and you might actually cheer when they die.
Director Review: Tim Sullivan – Tim just retire. (0/10)
Comedy: 2001 Maniacs: Field of Screams is not funny. (0/10)
Horror: 2001 Maniacs: Field of Screams is not scary. (0/10)
Settings: 2001 Maniacs: Field of Screams has a random setting that doesn’t make sense. (2/10)
Special Effects: 2001 Maniacs: Field of Screams blows the special effects that should be good for the kills that are sloppy. (2/10)
Suggestion: 2001 Maniacs: Field of Screams is one to avoid and never think twice about. (AVOID)
Best Part: My copy had adverts, so I knew what was good to watch.
Worst Part: The Film
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Please God no
Post Credits Scene: No
Awards: No
Oscar Chances: No
Runtime: 1 Hour 24 Minutes
Tagline: If They Kill You, They Will Come!
Overall: I need my time back
https://moviesreview101.com/2015/02/06/2001-maniacs-field-of-screams-2010/
The producer Val (Leon) takes this chance to make the event simpler without having to go full south. Not knowing the true nature of the Pleasant Valley people are the reality show crew become the latest victims in the most gruesome possible ways.
2001 Maniacs: Field of Screams is a follow up to 2001 Maniacs a remake in its own right. Sadly this sequel is simply terrible, losing Robert Englund is always going to be bad but he just got out in time. The sound is awful the acting is terrible the story gets bogged down because the very outline of the story is well acceptable for horror. The characters or victims are all unlikable and you simple don’t care what happens to them, so how I am supposed to like this if none of the characters need supporting and nothing shocking happens? This was simple terrible rant over. (1/10)
REPORT THIS AD
Actor Review
Bill Moseley: Mayor George W Buckman leader of the Pleasant Valley people whose ability to talk people into them being friend works for them but soon we see his true nature. I know Bill is a cult favourite but this, was just bad man. (2/10)
Lin Shaye: Granny Boone old wise lady of the Pleasant Valley people who is just as crazy as Buckman. Lin would be the biggest name in the film but why is she here? Has anyone seen Insidious, yeah it is the same woman. (1/10)
Support Cast: 2001 Maniacs: Field of Screams every single member of the supporting cast is unlikable annoying and you might actually cheer when they die.
Director Review: Tim Sullivan – Tim just retire. (0/10)
Comedy: 2001 Maniacs: Field of Screams is not funny. (0/10)
Horror: 2001 Maniacs: Field of Screams is not scary. (0/10)
Settings: 2001 Maniacs: Field of Screams has a random setting that doesn’t make sense. (2/10)
Special Effects: 2001 Maniacs: Field of Screams blows the special effects that should be good for the kills that are sloppy. (2/10)
Suggestion: 2001 Maniacs: Field of Screams is one to avoid and never think twice about. (AVOID)
Best Part: My copy had adverts, so I knew what was good to watch.
Worst Part: The Film
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Please God no
Post Credits Scene: No
Awards: No
Oscar Chances: No
Runtime: 1 Hour 24 Minutes
Tagline: If They Kill You, They Will Come!
Overall: I need my time back
https://moviesreview101.com/2015/02/06/2001-maniacs-field-of-screams-2010/
Darren (1599 KP) rated A Dangerous Method (2011) in Movies
Jun 20, 2019
Story: A Dangerous Method starts as Sabine Spielrein (Knightley) is to an asylum where she is treated by Carl Jung (Fassbender) for her irrational reaction to any stimulation. In the search for answers Carl turns to Sigmund Freud (Mortensen) who has been an expert in the sexual disorders people are meant to have.
Once Carl gets to the bottom of Sabine’s case he finds himself learn from one of his patients Otto Gross (Cassel) who teaches him to he should be more sexually adventurous and his former patient Sabine is also now ready to embrace her issues. With all this going on Carl learns more from Freud about expressing his sexual side.
A Dangerous Method tries to tell the story of three famous scientific minds, sadly this only seems to show the difference they had through a difficult time in history. I found myself wondering what we were learning about as a lot of the dialogue feels very cloggy throughout. This really disappoints as a film which should be a lot more interesting.
Actor Review
Keira Knightley: Sabina is considered an ill young woman who is struggling with a fantasist that Carl Jung is treating, when he discovers the problem she becomes his mistress and moving towards living a normal life. She uses her newly discovered knowledge to get her way. Keira is solid in this role but never convinces.sabina
Viggo Mortensen: Sigmund Freud is the famous doctor that Carl Jung turns to for advice with dealing with his latest patient Sabina. He gives father like advice to Carl which becomes the opposite to what Carl thinks. Viggo makes for a good Freud but I do feel something was missing in his performance.frued
Michael Fassbender: Carl Jung is the doctor who is treating Sabina, he ends up going through Sigmund Freud to learn about what the problems are where to two become friends but also against each other’s opinions. He also gets involved with Sabina as he has his eyes opened sexually. Michael is good in the leading role but like the rest I feel is missing something.car
Vincent Cassel: Otto Gross is a patient that opens the eyes of Carl, he is seductive with how he speaks, after talking to Carl we see a different side of him. Vincent gives us a solid supporting performance I wish we could have seen more from.
Support Cast: A Dangerous Method doesn’t really have the biggest supporting cast and the ones we do meet sometimes feel almost pointless.
Director Review: David Cronenberg – David is a director we all have high expectations of but this really was a let-down.
Biographical: A Dangerous Method only teaches us the very basic about three very famous scientific minds.
Settings: A Dangerous Method re-creates the settings for this time period all looking very good.
Suggestion: A Dangerous Method is one to miss really, it doesn’t come off with the highest interest levels. (Miss It)
Best Part: Settings look great.
Worst Part: We don’t learn enough about the characters.
Believability: Based on the real people.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Tagline: Based on the true story of Jung, Freud and the patient who came between them.
Overall: Dull biopic really.
https://moviesreview101.com/2016/04/03/michael-fassbender-weekend-a-dangerous-method-2011/
Once Carl gets to the bottom of Sabine’s case he finds himself learn from one of his patients Otto Gross (Cassel) who teaches him to he should be more sexually adventurous and his former patient Sabine is also now ready to embrace her issues. With all this going on Carl learns more from Freud about expressing his sexual side.
A Dangerous Method tries to tell the story of three famous scientific minds, sadly this only seems to show the difference they had through a difficult time in history. I found myself wondering what we were learning about as a lot of the dialogue feels very cloggy throughout. This really disappoints as a film which should be a lot more interesting.
Actor Review
Keira Knightley: Sabina is considered an ill young woman who is struggling with a fantasist that Carl Jung is treating, when he discovers the problem she becomes his mistress and moving towards living a normal life. She uses her newly discovered knowledge to get her way. Keira is solid in this role but never convinces.sabina
Viggo Mortensen: Sigmund Freud is the famous doctor that Carl Jung turns to for advice with dealing with his latest patient Sabina. He gives father like advice to Carl which becomes the opposite to what Carl thinks. Viggo makes for a good Freud but I do feel something was missing in his performance.frued
Michael Fassbender: Carl Jung is the doctor who is treating Sabina, he ends up going through Sigmund Freud to learn about what the problems are where to two become friends but also against each other’s opinions. He also gets involved with Sabina as he has his eyes opened sexually. Michael is good in the leading role but like the rest I feel is missing something.car
Vincent Cassel: Otto Gross is a patient that opens the eyes of Carl, he is seductive with how he speaks, after talking to Carl we see a different side of him. Vincent gives us a solid supporting performance I wish we could have seen more from.
Support Cast: A Dangerous Method doesn’t really have the biggest supporting cast and the ones we do meet sometimes feel almost pointless.
Director Review: David Cronenberg – David is a director we all have high expectations of but this really was a let-down.
Biographical: A Dangerous Method only teaches us the very basic about three very famous scientific minds.
Settings: A Dangerous Method re-creates the settings for this time period all looking very good.
Suggestion: A Dangerous Method is one to miss really, it doesn’t come off with the highest interest levels. (Miss It)
Best Part: Settings look great.
Worst Part: We don’t learn enough about the characters.
Believability: Based on the real people.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Tagline: Based on the true story of Jung, Freud and the patient who came between them.
Overall: Dull biopic really.
https://moviesreview101.com/2016/04/03/michael-fassbender-weekend-a-dangerous-method-2011/