"You know what movie popped into my mind? Bad Company. Do you know that movie? This was Robert Benton’s first film, another first-time director that I had great success with. Gordy Willis shot it, you know, the guy who shot The Godfather. This one takes place in the 1860s. It’s about two guys, myself and Barry Brown (a wonderful actor who’s no longer with us), that are running away from the draft of The Civil War, so they decided to go West. An interesting sideline to that; we get a band of guys that fall in with us, John Savage is one of those guys, and who do we run into during our travels but David Huddleston. You know who he is… the Big Lebowski!"

"One of my favorite films has always been Tootsie. I think I fell in love with New York and the romantic idea of being an actor from that movie. I saw it in a theater when I was really young and I don’t think I understood it all, but I remember people laughing so hard and I just knew I was watching a great movie. And all that stuff between Dustin Hoffman and Sydney Pollack is amazing. I revisit that movie a lot. I think, again it has that effect — it’s a very bittersweet movie, because it’s really funny but it also has those great sweet, honest moments. And it’s about a guy wearing a dress. I mean, it’s amazing that they pulled that movie off."

"Paul Newman, Milo O’Shea, and James Mason. I met Paul Newman a couple of times — he saw me in two of the three Broadway shows that I’ve done in New York. He came backstage and said how much he loved the shows, and I’ve just been a fan of his work forever. This [pick] was a toss up between this and Cool Hand Luke, another monster Paul Newman movie. There was something wonderful about his lost soul that he found in The Verdict. The [characters are] on opposite ends of the scale. Luke can’t be broken, apparently. He’s got that grin and that spirit. In The Verdict he’s already broken, he’s hanging on by a thread and hoping he can pull this out. Wonderful actor, underrated."

"What else? Waiting for Guffman! Stop already, right? Christopher Guest and all of his tomfoolery. Of course, there was Spinal Tap, but in more recent years…I think the storyline of [Guffman] was so relatable to any actor who’s ever done community theater in their hometown. Here were all these egos, in a small town, where it just didn’t matter. I come from Indiana, and when you’re doing stage productions in high school, or in your community theater, or on the college stage, you think you’re Broadway bound, for sure. You’re all going to be stars! It’s delusional theater, is what it is. But that whole cast of people, having their basic storyline, and then vamping on their own brilliance, was just golden. Just golden."

"One off the top of my head — I think a film that I have watched time and time again — and every time I watch it I feel that I kind of see something new. I love Notting Hill. It’s by Roger Michell. There’s sort of an English charm — [and] I’m English. There’s sort of that slight insight into the kind of acting world Julia Roberts is playing. The kind of celebrity — I suppose especially me being an actor — there’s a lot of relatable qualities about it. I have a huge entourage of people who are really far away from this industry. So, there’s a sort of connecting dots between myself and them — always sort of very similar to the the world Notting Hill is based in."

"Seeing Charlton Heston reciting lines from Woodstock and wearing jumpsuits that look like he’s out of Gilligan’s Island — there are lots of good things. The thing I liked about this is that the vampire characters were played by real people. They had a really cool look to them — black robes, dark glasses. Not Charlton Heston with his shirt off. [laughs] I was kind of obsessed by him, because he’s like the greatest bad actor of all time. Between this and Planet of the Apes and Soylent Green and The Ten Commandments — I know that was a religious film but I always thought it was like the first zombie movie. He starts out like this real person and by the end he’s like this weird zombie."