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Gareth von Kallenbach (971 KP) rated Lightyear (2022) in Movies
Jun 13, 2022
The digital magicians at Pixar have returned with an origin story of one of their most famous characters. “Lightyear” opens with an explanation that Andy from “A Toy Story” was given a toy based on his favorite movie in 1995 and that this is the movie upon which the toy was based.
With that explanation out of the way, the film centers on a giant ship deep in space that encounters a planet and awakens Space Ranger Buzz Lightyear (Chris Evans) to investigate. Along with a fellow ranger and a recruit, Buzz scopes out the planet only to discover it is hostile and makes a hasty exit from the planet. Unfortunately, in doing so their ship is damaged and they are left stranded on the planet and forced to establish a colony.
Years later Buzz is about to undergo a test flight based on a new fuel that the colony hopes will replicate their previous source and will allow them to travel at the insane velocities needed to cover millions of light-years.
Things seem to go as planned until a critical failure and Buzz learns that his four-minute flight actually covered several years on the planet. Undaunted Buzz tries again and again and returns to find his friends aging, having children, and passing away with only his robotic cat Sox (Peter Sohn) to keep him connected to his past and assist him.
While this would make for an interesting enough film it is actually just the setup to the larger story which involves a hostile Robot army and an evil menace named Zurg who threatens Buzz and his hastily assembled team of volunteers to save the day.
The film has amazing animation and all the humor and charm that one associates with the best Pixar films and is not above giving the audience an emotional tug here and there along the way as I can remember more than a few Pixar films that caused audiences to tear up.
Since this is the first of the last three Pixar films to make a cinematic release it would be easy to say that it is a return to form for Disney/Pixar but I would say that is an understatement as the film mixes humor, action, and interesting characters to form a very enjoyable and engaging adventure which is one of the most satisfying Pixar films in recent memory and one every bit worthy of their name.
It will be interesting to see what the future holds for this crew as I would very much like to see Buzz and his crew return for new adventures soon as “Lightyear” is a new Pixar classic that the entire family will love.
4.5 stars out of 5
With that explanation out of the way, the film centers on a giant ship deep in space that encounters a planet and awakens Space Ranger Buzz Lightyear (Chris Evans) to investigate. Along with a fellow ranger and a recruit, Buzz scopes out the planet only to discover it is hostile and makes a hasty exit from the planet. Unfortunately, in doing so their ship is damaged and they are left stranded on the planet and forced to establish a colony.
Years later Buzz is about to undergo a test flight based on a new fuel that the colony hopes will replicate their previous source and will allow them to travel at the insane velocities needed to cover millions of light-years.
Things seem to go as planned until a critical failure and Buzz learns that his four-minute flight actually covered several years on the planet. Undaunted Buzz tries again and again and returns to find his friends aging, having children, and passing away with only his robotic cat Sox (Peter Sohn) to keep him connected to his past and assist him.
While this would make for an interesting enough film it is actually just the setup to the larger story which involves a hostile Robot army and an evil menace named Zurg who threatens Buzz and his hastily assembled team of volunteers to save the day.
The film has amazing animation and all the humor and charm that one associates with the best Pixar films and is not above giving the audience an emotional tug here and there along the way as I can remember more than a few Pixar films that caused audiences to tear up.
Since this is the first of the last three Pixar films to make a cinematic release it would be easy to say that it is a return to form for Disney/Pixar but I would say that is an understatement as the film mixes humor, action, and interesting characters to form a very enjoyable and engaging adventure which is one of the most satisfying Pixar films in recent memory and one every bit worthy of their name.
It will be interesting to see what the future holds for this crew as I would very much like to see Buzz and his crew return for new adventures soon as “Lightyear” is a new Pixar classic that the entire family will love.
4.5 stars out of 5
Kristy H (1252 KP) rated The Wrong Side of Goodbye (Harry Bosch #19) in Books
Dec 24, 2017
Another excellent entry in a great series
Harry Bosch is retired from his days as a detective with the LAPD, but certainly not from his days investigating crime. Bosch is working for himself, as a private investigator on a referrals only basis, and he's also a reservist with a small police department with a limited budget in San Fernando Valley. When Bosch gets word that a new client, Whitney Vance, wants to hire him, he can't help but be intrigued. Vance is a billionaire and heir to a fortune via his family's company, Advance Engineering. The aging man wants Bosch to track down a supposed heir: when Vance was in college, he had a fling with a young Mexican woman, and believes she had a child. If so, somewhere out there could be a heir to Vance's vast fortune (besides his eager, greedy board). Vance swears Bosch to secrecy, as no one associated with Advance Engineering and the board would be too keen to hear about someone standing in the way of their potential fortune. Meanwhile, in his work at the police department, Bosch is helping his colleagues track down a serial rapist. The suspect seems to be getting more and more bold; can they stop him before he strikes again?
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too.
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too.
Kristy H (1252 KP) rated How Hard Can It Be? in Books
Mar 10, 2019 (Updated Mar 10, 2019)
Things have taken a bit of a turn for Kate Reddy--she's nearing 50, her husband has lost his job and spends most of his time cycling, and her kids are busy teenagers. With Richard out of work, Kate has to return to work. However, she finds that the financial community isn't welcoming to a woman on the cusp of fifty. When Kate decides to pretend she's seven years younger to enter the working world, she winds up working at the hedge fund she originally started. Once back at work, though, she finds herself overwhelmed dealing with everything: the unhelpful husband, the ungrateful kids, the demanding colleagues, and an unexpected appearance from an old flame.
This was a tough one for me. It was a slow read, although in its defense, I read it during a very busy time at work. I empathized with Kate's return to working motherhood--especially juggling kids and work and dealing with a male-driven workplace. I didn't enjoy the intense focus on how old Kate was, making her seem nearly decrepit at fifty. It's one thing to deal with turning the big 5-0 and its ramifications, but its another to make it seem like it's the end of the world. Even worse, while Kate could seem so strong in the workplace, she was such a pushover with her children. She was supposedly clueless with technology, unable to keep up with their exploits, and a complete doormat. (I also couldn't handle the endless endearments she used with her kids--there's only so many "sweeties" and "darlings" I can take.)
There are certainly humorous moments in the novel. This is a sequel to Pearson's first novel featuring Reddy and the parts I enjoyed here were the parts I liked about the first one: Kate's wit, her ability to take on the "big boys" at her fund, and the snippets of emails between her and her friend, Candy. There were definitely pieces of the novel that I found myself nodding along with--her moments of anxiety; her rants about how working moms are treated; some insights into kids and the social media era, etc. And Kate certainly doesn't have an easy go of it, with her clueless husband, helpless kids, crumbling house, aging parents, and stressful job.
That being said, I could see most of the plot twists coming a mile away, and you couldn't help but get frustrated that Kate couldn't see them too. Overall, while I found parts of this novel funny, refreshing, and quite apropos, I couldn't really get over Kate's obsession with her looks or her one-sided relationship with her children. In the end my rating is probably bumped up a bit for a little Kate Reddy nostalgia.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was a tough one for me. It was a slow read, although in its defense, I read it during a very busy time at work. I empathized with Kate's return to working motherhood--especially juggling kids and work and dealing with a male-driven workplace. I didn't enjoy the intense focus on how old Kate was, making her seem nearly decrepit at fifty. It's one thing to deal with turning the big 5-0 and its ramifications, but its another to make it seem like it's the end of the world. Even worse, while Kate could seem so strong in the workplace, she was such a pushover with her children. She was supposedly clueless with technology, unable to keep up with their exploits, and a complete doormat. (I also couldn't handle the endless endearments she used with her kids--there's only so many "sweeties" and "darlings" I can take.)
There are certainly humorous moments in the novel. This is a sequel to Pearson's first novel featuring Reddy and the parts I enjoyed here were the parts I liked about the first one: Kate's wit, her ability to take on the "big boys" at her fund, and the snippets of emails between her and her friend, Candy. There were definitely pieces of the novel that I found myself nodding along with--her moments of anxiety; her rants about how working moms are treated; some insights into kids and the social media era, etc. And Kate certainly doesn't have an easy go of it, with her clueless husband, helpless kids, crumbling house, aging parents, and stressful job.
That being said, I could see most of the plot twists coming a mile away, and you couldn't help but get frustrated that Kate couldn't see them too. Overall, while I found parts of this novel funny, refreshing, and quite apropos, I couldn't really get over Kate's obsession with her looks or her one-sided relationship with her children. In the end my rating is probably bumped up a bit for a little Kate Reddy nostalgia.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated Wishful Thinking in Books
Feb 13, 2018
Jennifer is a busy single mom, struggling to keep up at work while still spending enough time with her two young boys. One day her lost smartphone shows up on her doorstep and Jennifer discovers a new app has been installed. This app, she soon comes to realize, allows her to time travel -- to basically be in two places at the same time. Suddenly Jennifer is able to keep the long hours her boss is demanding, while still picking her boys up from school and getting in quality time Mom/kid time. She is the superwoman she's always dreamed of being. But is it too good to be true?
I'll confess that a good portion of this book made me cringe. Not because it's bad. In fact, it's the opposite. It's a smartly written, captivating novel with a harried heroine who captures your heart pretty quickly. For me, the book was stressful because it hit home! A busy working mother who has demands at the office, but who also wants to spend time with her kids? That certainly describes a lot of us. Much like when I'm watching an action or horror movie for a first time, I felt myself tensing, anxiously wondering what was going to happen to Jennifer. Was she going to get caught using the app? Was the Jennifer at the office going to somehow show up with her kids? Would her co-workers find out? Her kids? Would the app make her sick? This couldn't go on forever, right?
And that's basically the premise behind Wicoff's clever novel. Of course, being in two (and over time, as Jennifer becomes dependent on the app, three places) places isn't all it's cracked up to be. Jennifer is tired, experiencing some strange sensations, potentially losing friendships, and wait, is she aging rapidly when she's living two days in the span of what should only be one?
Wicoff does a great job of showing the pressures many working parents feel. It's true - sometimes you do feel like you have to be a superwoman! Her book is also populated with fun characters -- in particular, Dr. Sexton, Jennifer's kooky neighbor, who also happens to be a genius scientist and inventor of said app.
If it all sounds a little improbable, it is, and you'll have to be prepared to suspend disbelief a bit, but Wicoff does such a great job, that it isn't really that hard. The book veers off a bit in its final quarter, turning more from the harried working mom scene, to a bit of an almost mystery/avenger plot, which is also completely improbable, and a very strange twist, but it's fun, too. You can't help but rooting for Jennifer (and Dr. Sexton, too). Overall, a crazy 3.5 star rating.
(Note, I received an advanced copy of this book in return for an unbiased review.)
I'll confess that a good portion of this book made me cringe. Not because it's bad. In fact, it's the opposite. It's a smartly written, captivating novel with a harried heroine who captures your heart pretty quickly. For me, the book was stressful because it hit home! A busy working mother who has demands at the office, but who also wants to spend time with her kids? That certainly describes a lot of us. Much like when I'm watching an action or horror movie for a first time, I felt myself tensing, anxiously wondering what was going to happen to Jennifer. Was she going to get caught using the app? Was the Jennifer at the office going to somehow show up with her kids? Would her co-workers find out? Her kids? Would the app make her sick? This couldn't go on forever, right?
And that's basically the premise behind Wicoff's clever novel. Of course, being in two (and over time, as Jennifer becomes dependent on the app, three places) places isn't all it's cracked up to be. Jennifer is tired, experiencing some strange sensations, potentially losing friendships, and wait, is she aging rapidly when she's living two days in the span of what should only be one?
Wicoff does a great job of showing the pressures many working parents feel. It's true - sometimes you do feel like you have to be a superwoman! Her book is also populated with fun characters -- in particular, Dr. Sexton, Jennifer's kooky neighbor, who also happens to be a genius scientist and inventor of said app.
If it all sounds a little improbable, it is, and you'll have to be prepared to suspend disbelief a bit, but Wicoff does such a great job, that it isn't really that hard. The book veers off a bit in its final quarter, turning more from the harried working mom scene, to a bit of an almost mystery/avenger plot, which is also completely improbable, and a very strange twist, but it's fun, too. You can't help but rooting for Jennifer (and Dr. Sexton, too). Overall, a crazy 3.5 star rating.
(Note, I received an advanced copy of this book in return for an unbiased review.)
Kristy H (1252 KP) rated The Wrong Side of Goodbye (Harry Bosch #19) in Books
Feb 13, 2018
Harry Bosch is retired from his days as a detective with the LAPD, but certainly not from his days investigating crime. Bosch is working for himself, as a private investigator on a referrals only basis, and he's also a reservist with a small police department with a limited budget in San Fernando Valley. When Bosch gets word that a new client, Whitney Vance, wants to hire him, he can't help but be intrigued. Vance is a billionaire and heir to a fortune via his family's company, Advance Engineering. The aging man wants Bosch to track down a supposed heir: when Vance was in college, he had a fling with a young Mexican woman, and believes she had a child. If so, somewhere out there could be a heir to Vance's vast fortune (besides his eager, greedy board). Vance swears Bosch to secrecy, as no one associated with Advance Engineering and the board would be too keen to hear about someone standing in the way of their potential fortune. Meanwhile, in his work at the police department, Bosch is helping his colleagues track down a serial rapist. The suspect seems to be getting more and more bold; can they stop him before he strikes again?
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars
Hazel (1853 KP) rated The Road to Reckoning in Books
Dec 17, 2018
My rating: 2.5.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Road to Reckoning</i> is British author Robert Lautner’s debut western-style novel. Set in the 1830s it follows a young boy’s long journey home through the open lands of America.
Tom Walker, now an elderly (or so it suggests) man, is giving an account of what happened to him during the year 1837 when “my life began” at the age of twelve. Tom’s father was a salesman who often let his son accompany him on his trips to sell spectacles. So when he receives the opportunity to pitch a new type of pistol known as a revolving gun for Samuel Colt at the <i>Patent Arms Manufacturing Company</i>, he brings Tom with him on the road. Originally living in New York they set out on a journey of many miles over several days demonstrating and taking orders for the pistol. However a dangerous encounter with a man, Thomas, Heywood, and his gang leaves Tom alone and orphaned.
There are two main characters to this story with Tom naturally being one of them. The other is an aging ranger named Henry Stands who Tom insists on following as he is travelling in the direction of New York and Tom’s home. To begin with Stands is very reluctant to have Tom tailing him on his journey especially as it becomes evident that he would have to provide for the boy. Stands ends up abandoning him but has a change of heart and returns in time to prevent Tom from being sent to St John’s Orphan Asylum.
And so their journey continues with Stands becoming kinder and even fatherly towards Tom, saving his life on more than one occasion; and Tom becoming all the more bolder. However the entire time is the fear and knowledge that Thomas Heywood is searching for Tom with the intention of leaving him in the same situation as his father – dead.
I have not read many western-style novels, and those that I have read I did not enjoy much, but <i>The Road to Reckoning</i> was better than I was anticipating. The main character being only twelve years old made the storyline more emotional especially when taking into account the death of his father and his growing attachment to Henry Stands.
The novel was well written and, although fictional, had an essence of factual truth about it. Samuel Colt was a real life American inventor who founded the <i>Colt’s Patent Fire-Arms Manufacturing Company</i>, which produced the revolver for commercial use. The blurb claims that fans of <i>Cold Mountain</i> and <i>True Grit</i>, neither of which I have read, would enjoy this story. Obviously I cannot give my opinion on that but I would say that to get the most out of reading <i>The Road to Reckoning</i> having an interest in western-style literature would be beneficial.
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Road to Reckoning</i> is British author Robert Lautner’s debut western-style novel. Set in the 1830s it follows a young boy’s long journey home through the open lands of America.
Tom Walker, now an elderly (or so it suggests) man, is giving an account of what happened to him during the year 1837 when “my life began” at the age of twelve. Tom’s father was a salesman who often let his son accompany him on his trips to sell spectacles. So when he receives the opportunity to pitch a new type of pistol known as a revolving gun for Samuel Colt at the <i>Patent Arms Manufacturing Company</i>, he brings Tom with him on the road. Originally living in New York they set out on a journey of many miles over several days demonstrating and taking orders for the pistol. However a dangerous encounter with a man, Thomas, Heywood, and his gang leaves Tom alone and orphaned.
There are two main characters to this story with Tom naturally being one of them. The other is an aging ranger named Henry Stands who Tom insists on following as he is travelling in the direction of New York and Tom’s home. To begin with Stands is very reluctant to have Tom tailing him on his journey especially as it becomes evident that he would have to provide for the boy. Stands ends up abandoning him but has a change of heart and returns in time to prevent Tom from being sent to St John’s Orphan Asylum.
And so their journey continues with Stands becoming kinder and even fatherly towards Tom, saving his life on more than one occasion; and Tom becoming all the more bolder. However the entire time is the fear and knowledge that Thomas Heywood is searching for Tom with the intention of leaving him in the same situation as his father – dead.
I have not read many western-style novels, and those that I have read I did not enjoy much, but <i>The Road to Reckoning</i> was better than I was anticipating. The main character being only twelve years old made the storyline more emotional especially when taking into account the death of his father and his growing attachment to Henry Stands.
The novel was well written and, although fictional, had an essence of factual truth about it. Samuel Colt was a real life American inventor who founded the <i>Colt’s Patent Fire-Arms Manufacturing Company</i>, which produced the revolver for commercial use. The blurb claims that fans of <i>Cold Mountain</i> and <i>True Grit</i>, neither of which I have read, would enjoy this story. Obviously I cannot give my opinion on that but I would say that to get the most out of reading <i>The Road to Reckoning</i> having an interest in western-style literature would be beneficial.
Gareth von Kallenbach (971 KP) rated Anacondas: The Hunt for the Blood Orchid (2004) in Movies
Aug 14, 2019
Deep in the dense jungles of Borneo, a research team has come hoping to succeed where famed explorer Ponce De Leon once failed. History notes that De Leon ventured to Florida looking for the fabled Fountain of Youth that would endow all who drank from it with eternal youth and life.
The modern quest is taken up by a research team who believe that the rare Blood Orchid, which blooms every seven years is the key to eternal youth, as the small samples they obtained shows that the plant allows for greater cell reproduction and thus an end to aging.
With visions of billions of dollars in their heads, the team sets off to collect several samples of the orchid, as they only have a week to do so before they must wait another seven years for the flower to bloom again. Complicating matters is that the team has arrived during rainy season, and as such there is only one boat captain named Johnson (Johnny Messner), who will attempt to take the team down river in the dangerous conditions. The trip turns out to be even more dangerous than expected, and the team leader Dr. Byron (Matthew Marsden), offers and additional $50,00 to Johnson unbeknownst to his team to push on, no matter what.
When the boat jams a rudder due to debris and ends up on the bad side of a waterfall, the team finds themselves without any transportation and forced to trek across the jungle to not only catch other transportation, but to reach the Orchids in time. Unbeknownst to the team, they have entered an area of the jungle that is teaming with giant and deadly anacondas and the team is soon under attack by the large and deadly creatures that strike without warning and vanish almost as quickly as they appear.
Fractions soon arise as many in the team want to abandon the quest for the orchid and return to safety, while Byron insists that to give up now would be crazy and despite the risk, the prize the orchid promises is well worth the risk.
What follows is the typical cat and mouse game that while short on suspense does have some surprises and laughs along the way.
The snake effects are done via CGI this time out instead of animatronics, and the technology allows an even greater range of motion for the snakes, which adds to the suspense factor, as the snakes are able to appear as full body creatures rather then a simple head. The cast is solid especially Messner and Kadee Strickland as a scientist named Sam. The remainder of the cast has a bit of depth even those whose entire purpose is to become snake chow. Yes, the film is a B-Movie, and is light on plot, realism, and depth, but for late summer entertainment, “Anacondas” has enough bite to keep you interested.
The modern quest is taken up by a research team who believe that the rare Blood Orchid, which blooms every seven years is the key to eternal youth, as the small samples they obtained shows that the plant allows for greater cell reproduction and thus an end to aging.
With visions of billions of dollars in their heads, the team sets off to collect several samples of the orchid, as they only have a week to do so before they must wait another seven years for the flower to bloom again. Complicating matters is that the team has arrived during rainy season, and as such there is only one boat captain named Johnson (Johnny Messner), who will attempt to take the team down river in the dangerous conditions. The trip turns out to be even more dangerous than expected, and the team leader Dr. Byron (Matthew Marsden), offers and additional $50,00 to Johnson unbeknownst to his team to push on, no matter what.
When the boat jams a rudder due to debris and ends up on the bad side of a waterfall, the team finds themselves without any transportation and forced to trek across the jungle to not only catch other transportation, but to reach the Orchids in time. Unbeknownst to the team, they have entered an area of the jungle that is teaming with giant and deadly anacondas and the team is soon under attack by the large and deadly creatures that strike without warning and vanish almost as quickly as they appear.
Fractions soon arise as many in the team want to abandon the quest for the orchid and return to safety, while Byron insists that to give up now would be crazy and despite the risk, the prize the orchid promises is well worth the risk.
What follows is the typical cat and mouse game that while short on suspense does have some surprises and laughs along the way.
The snake effects are done via CGI this time out instead of animatronics, and the technology allows an even greater range of motion for the snakes, which adds to the suspense factor, as the snakes are able to appear as full body creatures rather then a simple head. The cast is solid especially Messner and Kadee Strickland as a scientist named Sam. The remainder of the cast has a bit of depth even those whose entire purpose is to become snake chow. Yes, the film is a B-Movie, and is light on plot, realism, and depth, but for late summer entertainment, “Anacondas” has enough bite to keep you interested.
Darren (1599 KP) rated The Killing Death (2008) in Movies
Aug 6, 2019
Story: The Killing Death starts when two detectives Frank (Dangerfield) who is about to retire and Jimmy (Trubiak) who is on his first case, must figure out the connection between a string of murders, with the suspect Chicago Phil (Reimer) committing a string of murders around town, each suspect is introduced to give him a fresh kill.
The closer the detectives get to solving the case, the increased number of bodies that keep turning up, can they solve the case before it is too late.
Thoughts on The Killing Death
Characters – Frank is an aging detective that has always finished his cases, he is about to retire and now he wants to finish this last case before he goes, Jimmy is the rookie working his first case, he is learning from Frank too, proving he needs to solve the case to make it. Chicago Phil is a pizza delivery guy that has a habit of killing his clients, he is trying to make a perfect pizza along the way.
Performances – This is a hard film to criticise because of the fact it is micro budget, the problem with the acting comes from the fact that nothing feels natural in how things are delivered.
Story – The story here follows two detectives trying to solve the case of a serial killer in their town. The outside of this story seems simple and one that could be enjoyed, only for it to come up very short in delivery, the killer and weapon of choice does seem to become random, even though we have a couple of scenes where it is clear choice, the detectives seem to just be making up their own story to make the case easy to close and apart from investigating the case, they never seen to search for answers. For a micro-budget story this does do what it needs to by laying out the format, only it just doesn’t come close to becoming easy to enjoy.
Comedy/Horror – The comedy in this film does come from how awkward the two detectives are when it comes to communication, it is very hard to see these jokes coming off. The horror is only around the kills, which are meant to show a serial killer at work.
Settings – The film uses the different houses that could have a pizza delivery as the main locations, which work for the film.
Special Effects – The effects for a micro budget are the strongest part of the film, they show how certain things can work in films.
Scene of the Movie – Take it easy.
That Moment That Annoyed Me – Most of the comedy.
Final Thoughts – This is a micro budget film that does try to give us something original even though it does miss for the most part on comedy, it is a film that looks like the people behind it enjoyed making.
Overall: Sometimes you just need to enjoy what you do.
The closer the detectives get to solving the case, the increased number of bodies that keep turning up, can they solve the case before it is too late.
Thoughts on The Killing Death
Characters – Frank is an aging detective that has always finished his cases, he is about to retire and now he wants to finish this last case before he goes, Jimmy is the rookie working his first case, he is learning from Frank too, proving he needs to solve the case to make it. Chicago Phil is a pizza delivery guy that has a habit of killing his clients, he is trying to make a perfect pizza along the way.
Performances – This is a hard film to criticise because of the fact it is micro budget, the problem with the acting comes from the fact that nothing feels natural in how things are delivered.
Story – The story here follows two detectives trying to solve the case of a serial killer in their town. The outside of this story seems simple and one that could be enjoyed, only for it to come up very short in delivery, the killer and weapon of choice does seem to become random, even though we have a couple of scenes where it is clear choice, the detectives seem to just be making up their own story to make the case easy to close and apart from investigating the case, they never seen to search for answers. For a micro-budget story this does do what it needs to by laying out the format, only it just doesn’t come close to becoming easy to enjoy.
Comedy/Horror – The comedy in this film does come from how awkward the two detectives are when it comes to communication, it is very hard to see these jokes coming off. The horror is only around the kills, which are meant to show a serial killer at work.
Settings – The film uses the different houses that could have a pizza delivery as the main locations, which work for the film.
Special Effects – The effects for a micro budget are the strongest part of the film, they show how certain things can work in films.
Scene of the Movie – Take it easy.
That Moment That Annoyed Me – Most of the comedy.
Final Thoughts – This is a micro budget film that does try to give us something original even though it does miss for the most part on comedy, it is a film that looks like the people behind it enjoyed making.
Overall: Sometimes you just need to enjoy what you do.
Bob Mann (459 KP) rated Bad Boys for Life (2020) in Movies
Mar 9, 2020
Welcome to Miami - again!
Will Smith seems to have been having a lacklustre period in his career. His genie from "Aladdin" got a rather lukewarm reception. And his last movie - "Gemini Man" - billed as a big summer blockbuster - failed to impress. True it wasn't a commercial disaster (raking in at the time of writing about 150% of budget), but it's still a film on a plane for me that, even if I'm bored, I'll say "nah" to.
Perhaps it's for this reason that Smith reached for an old and reliable property to dust off for another outing.
And, do you know, it's not half bad.
I only recently saw this one, right at the end of its UK cinema run, because frankly it appealed to me like being hit round the head with a cold fish. Martin Lawrence is an actor who just grates on me enormously. I'm sure he's a lovely chap; kind to animals; donates to charity; etc - but I generally just don't find him funny. (Here though he has a killer line about condom use that made me chuckle.) It feels to me like he is on implausible ground here re-treading the role of aging detective Marcus Burnett. One look at Burnett lumbering along and you would think "well, he'd never pass the medical" for the on-street role he's portrayed doing. His buddy is detective Mike Lowrey (Will Smith), who has a sordid past that is set to catch up on him.
Since we start the story in Colombia, where Isabel Aretas (Kate Del Castillo), the witchy wife of a notorious deceased drug baron, is sprung from prison by her son Armando (Jacob Scipio) in what I admit is a clever and novel way. The Aretas family is bent on revenge - - and a key target in their sites is Lowrey.
Burnett is newly a grandparent and hell-bent on retirement. But with Lowrey and his associates with a target on their backs, will there be one last chance to "Ride Together, Die Together"?
Not seen the first two movies? Not to worry! There are movies, like LOTR, where if you've missed the first two movies in the series you will be left in serious "WTF" territory in trying to watch the third. This is not one of those movies. The story is entirely self-contained, and refers to events never seen prior to the first film in the series.
But whether the movie is for you will depend on your tolerance for loud and brash visuals and music with the knob turned up to 12. Directors Adil and Bilall (Adil El Arbi and Bilall Fallah - Belgian film school buddies best known for the critically acclaimed 2015 feature "Black") - don't do anything by halves.
There is a scene in "Lost Series 3" in which Sawyer, Kate, and Alex have to bust young Karl out of the mysterious room 23 where he is being tortured by having his eyes kept open while watching a collage of images continually smashed into his eyeballs. This movie feels a little like that after a while.
This is not by any means a criticism that it's poorly done. There is some truly stunning cinematography of the Miami skyline by Belgian cinematographer Robrecht Heyvaert, including a 'pull-back' drone shot from a conversation on the top of a building that is quite AWESOME! And there are more than enough "fast action - then slo-mo - then fast again" shots to keep music-video junkies happy!
The music score by Lorne Balfe is also pumping, adding a dynamism to the frantic action scenes that keeps you entertained.
The screenplay by Chris Bremner, Peter Craig and Joe Carnahan is assuredly familiar: it's not going to win any prizes for originality. We've seen the cartel/revenge plotline played out in multiple movies over the years. And we've also seen the "buddy cops with aging partner taking retirement" angle from the "Lethal Weapon" series. This just sticks them together.
Will Smith and Martin Lawrence wise-crack their way through the comedy well-enough, though for me it never reaches the heights of the pairing of Smith and Tommy Lee Jones from MiB (or indeed Mel Gibson and Danny Glover from Lethal Weapon). Elsewhere we have Vanessa Hudgens as a cute cop, still trying to break through from "Disneyfication" into mainstream flicks. For one horrible moment, when I saw her name on the cast, I thought she might be the love interest to Smith. But no. That honour goes to Mexican beauty Paola Nuñez who, with only a 10 year age gap, becomes a less gag-worthy pairing. She plays a female leadership role (every 20's film now needs one) as the head of a new crime division.
Also good value is Joe Pantoliano reprising his role as Captain Howard - Lowrie's exasperated boss. Playing it by the numbers, every film like this has to have one!
Where the plot does add some interest is in a surprising scene mid-film and a twist that I didn't see coming. But this twist felt - in the context of the release date or the film - like a mistake (a "Spoiler Section" in my review on the One Mann's Movies web site discusses this).
All of this happens of course against a backdrop of a body count of bad guys being killed in ever more graphic and gory ways, while the good guys generally dodge every bullet, grenade and crashing helicopter heading their way.
It's that time of year when films are released to die. Where studios drop their movies that are never going to trouble the Academy and are not deemed worthy of summer or even late spring release. But they should have had more faith in this one, for it's not half bad. True, you may need a couple of paracetamols afterwards, but if your corneas and ear-drums can stand the pace, its not short on entertainment value.
(For the full graphical review, check out the One Mann's Movies link here - https://bob-the-movie-man.com/2020/03/08/one-manns-movies-film-review-bad-boys-for-life-2020/ ).
Perhaps it's for this reason that Smith reached for an old and reliable property to dust off for another outing.
And, do you know, it's not half bad.
I only recently saw this one, right at the end of its UK cinema run, because frankly it appealed to me like being hit round the head with a cold fish. Martin Lawrence is an actor who just grates on me enormously. I'm sure he's a lovely chap; kind to animals; donates to charity; etc - but I generally just don't find him funny. (Here though he has a killer line about condom use that made me chuckle.) It feels to me like he is on implausible ground here re-treading the role of aging detective Marcus Burnett. One look at Burnett lumbering along and you would think "well, he'd never pass the medical" for the on-street role he's portrayed doing. His buddy is detective Mike Lowrey (Will Smith), who has a sordid past that is set to catch up on him.
Since we start the story in Colombia, where Isabel Aretas (Kate Del Castillo), the witchy wife of a notorious deceased drug baron, is sprung from prison by her son Armando (Jacob Scipio) in what I admit is a clever and novel way. The Aretas family is bent on revenge - - and a key target in their sites is Lowrey.
Burnett is newly a grandparent and hell-bent on retirement. But with Lowrey and his associates with a target on their backs, will there be one last chance to "Ride Together, Die Together"?
Not seen the first two movies? Not to worry! There are movies, like LOTR, where if you've missed the first two movies in the series you will be left in serious "WTF" territory in trying to watch the third. This is not one of those movies. The story is entirely self-contained, and refers to events never seen prior to the first film in the series.
But whether the movie is for you will depend on your tolerance for loud and brash visuals and music with the knob turned up to 12. Directors Adil and Bilall (Adil El Arbi and Bilall Fallah - Belgian film school buddies best known for the critically acclaimed 2015 feature "Black") - don't do anything by halves.
There is a scene in "Lost Series 3" in which Sawyer, Kate, and Alex have to bust young Karl out of the mysterious room 23 where he is being tortured by having his eyes kept open while watching a collage of images continually smashed into his eyeballs. This movie feels a little like that after a while.
This is not by any means a criticism that it's poorly done. There is some truly stunning cinematography of the Miami skyline by Belgian cinematographer Robrecht Heyvaert, including a 'pull-back' drone shot from a conversation on the top of a building that is quite AWESOME! And there are more than enough "fast action - then slo-mo - then fast again" shots to keep music-video junkies happy!
The music score by Lorne Balfe is also pumping, adding a dynamism to the frantic action scenes that keeps you entertained.
The screenplay by Chris Bremner, Peter Craig and Joe Carnahan is assuredly familiar: it's not going to win any prizes for originality. We've seen the cartel/revenge plotline played out in multiple movies over the years. And we've also seen the "buddy cops with aging partner taking retirement" angle from the "Lethal Weapon" series. This just sticks them together.
Will Smith and Martin Lawrence wise-crack their way through the comedy well-enough, though for me it never reaches the heights of the pairing of Smith and Tommy Lee Jones from MiB (or indeed Mel Gibson and Danny Glover from Lethal Weapon). Elsewhere we have Vanessa Hudgens as a cute cop, still trying to break through from "Disneyfication" into mainstream flicks. For one horrible moment, when I saw her name on the cast, I thought she might be the love interest to Smith. But no. That honour goes to Mexican beauty Paola Nuñez who, with only a 10 year age gap, becomes a less gag-worthy pairing. She plays a female leadership role (every 20's film now needs one) as the head of a new crime division.
Also good value is Joe Pantoliano reprising his role as Captain Howard - Lowrie's exasperated boss. Playing it by the numbers, every film like this has to have one!
Where the plot does add some interest is in a surprising scene mid-film and a twist that I didn't see coming. But this twist felt - in the context of the release date or the film - like a mistake (a "Spoiler Section" in my review on the One Mann's Movies web site discusses this).
All of this happens of course against a backdrop of a body count of bad guys being killed in ever more graphic and gory ways, while the good guys generally dodge every bullet, grenade and crashing helicopter heading their way.
It's that time of year when films are released to die. Where studios drop their movies that are never going to trouble the Academy and are not deemed worthy of summer or even late spring release. But they should have had more faith in this one, for it's not half bad. True, you may need a couple of paracetamols afterwards, but if your corneas and ear-drums can stand the pace, its not short on entertainment value.
(For the full graphical review, check out the One Mann's Movies link here - https://bob-the-movie-man.com/2020/03/08/one-manns-movies-film-review-bad-boys-for-life-2020/ ).
Kristy H (1252 KP) rated Two Kinds of Truth (Harry Bosch #20) in Books
Jan 10, 2018
Another wonderful mystery novel featuring Connelly's excellently developed lead detective
Michael Connelly's iconic detective, Harry Bosch, is back again. Harry's basically a volunteer for the San Fernando police department, working cold cases for the tiny force and mentoring their three young detectives. When they are called out for a murder of a father and son at a local pharmacy, Harry assists the inexperienced team in trying to track down the killers. The case leads Harry and his detectives into the dark world of opiates--both the big money of pill mills and the sad, cold side of addiction. Meanwhile, Harry hears from his former employer, the LAPD, when one of his thirty-year-old cases is reopened based on new evidence. Even worse, the killer is claiming Harry framed him. The case threatens Harry's most prized possession: his reputation as a cop, and he knows that no one will fight to clear his name like himself. The two unrelated cases pull at different sides of Bosch as he works to discover all different facets of the truth.
I love Harry Bosch so much, and there will be a hole in my heart when Connelly no longer writes about him. I actually moved this book up in my rotation (something I rarely ever do!) so I could read it on a weekend trip to Chicago, and my only regret is that it meant I finished it in about 48 hours, and now it's over. Per usual, Connelly gives us yet another wonderful mystery novel featuring his excellently developed lead detective. This one covers the timely topic of the opiate crisis, which looms fairly large in America today. It's well-researched, as always.
Reading a Bosch novel is like picking up with an old friend, and this one is no different. Our Bosch is aging, which this book acknowledges well. We see Bosch still grappling with having left the LAPD--who can he trust, what can he do with his life now. We even get some appearances from previous characters in earlier novels. Perhaps the best thing is a fairly large role for Bosch's half brother Mickey Haller, the famed "Lincoln Lawyer." These two are still figuring out their own relationship, but it's a treat for us readers to get a glimpse of Mickey; we even get to see some of his enjoyable courtroom antics. There's even an appearance from Mickey's investigator, Cisco! (See, it's like being old friends!)
And, of course, we can't forget the actual story, which, in usual Connelly style is excellent and tracks along flawlessly along Bosch's own journey. The opiate tale is both fascinating and depressing, while Bosch's unraveling of the backstory behind the reopened cold case will certainly keep you reading. There's never really any crazy twists or turns, but the novel moves along steadily and easily. There's both growth and angst with Bosch--I have to admit, I worry about the end of his arc, but I will still enjoy every moment I get with him until them.
Another enjoyable one for the Bosch canon--certainly recommend!
I love Harry Bosch so much, and there will be a hole in my heart when Connelly no longer writes about him. I actually moved this book up in my rotation (something I rarely ever do!) so I could read it on a weekend trip to Chicago, and my only regret is that it meant I finished it in about 48 hours, and now it's over. Per usual, Connelly gives us yet another wonderful mystery novel featuring his excellently developed lead detective. This one covers the timely topic of the opiate crisis, which looms fairly large in America today. It's well-researched, as always.
Reading a Bosch novel is like picking up with an old friend, and this one is no different. Our Bosch is aging, which this book acknowledges well. We see Bosch still grappling with having left the LAPD--who can he trust, what can he do with his life now. We even get some appearances from previous characters in earlier novels. Perhaps the best thing is a fairly large role for Bosch's half brother Mickey Haller, the famed "Lincoln Lawyer." These two are still figuring out their own relationship, but it's a treat for us readers to get a glimpse of Mickey; we even get to see some of his enjoyable courtroom antics. There's even an appearance from Mickey's investigator, Cisco! (See, it's like being old friends!)
And, of course, we can't forget the actual story, which, in usual Connelly style is excellent and tracks along flawlessly along Bosch's own journey. The opiate tale is both fascinating and depressing, while Bosch's unraveling of the backstory behind the reopened cold case will certainly keep you reading. There's never really any crazy twists or turns, but the novel moves along steadily and easily. There's both growth and angst with Bosch--I have to admit, I worry about the end of his arc, but I will still enjoy every moment I get with him until them.
Another enjoyable one for the Bosch canon--certainly recommend!