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Justin Long recommended Boogie Nights (1997) in Movies (curated)
Bo Burnham recommended A Woman Under the Influence (1975) in Movies (curated)
Matthew Krueger (10051 KP) rated Paranormal Activity (2007) in Movies
Oct 28, 2019 (Updated Jan 27, 2020)
The Found-Footage Rebirth
After the huge sucess of the blair witch project, Paramount pitcures and blumhouse decided many years later to rebirth the found-footage movies. And this result was this and so many god damn sequels later.
Here's how confusing the timeline is and how many sequels this movie has...
The film is the first (chronologically, the third) entry in the Paranormal Activity film series. A parallel sequel and prequel, Paranormal Activity 2, was released in 2010. The success of the first two films would spawn additional films in the series: the prequel Paranormal Activity 3 in 2011, and Paranormal Activity 4 (the sequel to the second installment) in 2012. The fifth installment, The Marked Ones, was released in 2014, and the sixth installment, The Ghost Dimension, was released in 2015.
So really this is the third movie in the franchise, but it came out first, than a prequel/sequel with the 2nd one, than the prequel with the 3d one, than the sequel to the 2nd one which is actually the 4th movie. Makes any sense, no!!!!! Confusing fuck yes!!!!!
Anyways the plot: Soon after moving into a suburban tract home, Katie (Katie Featherston) and Micah (Micah Sloat) become increasingly disturbed by what appears to be a supernatural presence. Hoping to capture evidence of it on film, they set up video cameras in the house but are not prepared for the terrifying events that follow.
Its very slow, its not that scary, nothing really happens, just people watching footage on a computer, repeat that couple of times, make sure who ever is holding the camera make it shake and out of focus. Also Cameras!!!!! So Many Cameras.
This movie was so overhyped and in the end that was its downfall. That and not being actaully really scary. Makes this film, really not good.
Lastly shout out to @Sarah for getting the hints/clues for this movie correct.
Here's how confusing the timeline is and how many sequels this movie has...
The film is the first (chronologically, the third) entry in the Paranormal Activity film series. A parallel sequel and prequel, Paranormal Activity 2, was released in 2010. The success of the first two films would spawn additional films in the series: the prequel Paranormal Activity 3 in 2011, and Paranormal Activity 4 (the sequel to the second installment) in 2012. The fifth installment, The Marked Ones, was released in 2014, and the sixth installment, The Ghost Dimension, was released in 2015.
So really this is the third movie in the franchise, but it came out first, than a prequel/sequel with the 2nd one, than the prequel with the 3d one, than the sequel to the 2nd one which is actually the 4th movie. Makes any sense, no!!!!! Confusing fuck yes!!!!!
Anyways the plot: Soon after moving into a suburban tract home, Katie (Katie Featherston) and Micah (Micah Sloat) become increasingly disturbed by what appears to be a supernatural presence. Hoping to capture evidence of it on film, they set up video cameras in the house but are not prepared for the terrifying events that follow.
Its very slow, its not that scary, nothing really happens, just people watching footage on a computer, repeat that couple of times, make sure who ever is holding the camera make it shake and out of focus. Also Cameras!!!!! So Many Cameras.
This movie was so overhyped and in the end that was its downfall. That and not being actaully really scary. Makes this film, really not good.
Lastly shout out to @Sarah for getting the hints/clues for this movie correct.
Gareth von Kallenbach (980 KP) rated The Man From U.N.C.L.E. (2015) in Movies
Aug 6, 2019
I have to admit, I knew nothing about The Man from U.N.C.L.E going into the movie, other than it was based on a TV show from the 60’s. It had flown under my radar for most of the year, overshadowed by highly-anticipated titles with colons, i.e., Avengers: Age of Ultron, Mad Max: Fury Road, Mission Impossible: Rogue Nation. When the screener was scheduled I was actually tempted to assign it to another reviewer. Then I watched the trailer and saw Henry Cavill (Superman) was one of the stars. At the risk of sounding shallow, that changed my mind.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.
As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.
I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.
This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
starwarsluvr (236 KP) rated The Hedgerows of June in Books
Jan 30, 2018
Hmm... so I don't do much in the way of wars and all that but this one was very interesting. The love story between the man and woman but also the love of the children. The war was also very interesting to read about. The mission was secret and important. The characters held my attention and made me love them and what they were going through. The writing was very well done. It was graphic and mysterious. It was love and heartache. It was very well done because I knew what and how everyone was feeling and what everyone was doing. I could see how it was going down and what was happening in my head because the writing made everything appear as if watching a movie. Very interesting story.
Phillip McSween (751 KP) rated Roma (2018) in Movies
Feb 22, 2019
Thought-Provoking
Roma follows the story of Cleo, a domestic worker for a middle class family in Mexico. who is dealing with the strife of classism in the 70’s.
Acting: 10
Beautiful acting here in a number of strong roles. Yalitza Aparicio is phenomenal in her role as Cleo. She plays the part in a shy and withrdawn matter, someone who loves the family she works for but knows it’s duty above all else. Aparicio makes you feel what Cleo feels in powerful moments like the traffic scene and the final scene on the beach, neither of which I will give away. I loved her relationship between her and Adela played by Nancy Garcia Garcia (not a typo) who shined in her role as well. They had a true synergy that worked for the movie as a whole.
Beginning: 4
Characters: 10
Cinematography/Visuals: 10
The film is shot in black and white which I appreciated. It give you a sense of a “then and now” kind of feel: You know it takes place in the 70’s, but it feels like director Alfonso Cuaron was able to capture a piece of life that could still exist today. Beautiful pans of the Mexican landscape somehow give me a nostalgic vibe and I’m not even from Mexico. The movie sprawls across a number of different locations that are beautiful in their own right. From old-school movie theaters to desert valleys, it’s feels like you are on a journey.
Conflict: 8
The conflict is created as a result of Cleo’s class. There are hardships that come with her place in society in addition to the typical crap that life might throw your way. She finds herself tiptoeing around a home with a disgruntled wife who is ready to bite Cleo’s head off at any moment. Meanwhile, things aren’t much better in Cleo’s personal life as she finds herself in situations that not only make her life more difficult but bring shame to her family. As the viewer, you understand this is the way life is for Cleo and things probably won’t get much better by the end of it. But you hope she beats it anyway.
Genre: 7
I originally scored this slightly lower, but I quickly changed it as I started to peel back more and more layers of Roma. My wife and I were dead tired after viewing the film, but we found ourselves laying around talking about it for thirty minutes after it was over. A solid movie is one you can discuss long after you watch it and Roma is definitely one of those movies.
Memorability: 10
There are a number of scenes that I think about even now and say, “Wow, that was extremely powerful.” I don’t want to ruin them for fear of ruining the impact, but one scene includes a powerful confession that is beyond heartfelt. It hits you right in the gut and you think, “How could someone say that?” while also thinking, “I understand exactly where she is coming from.” Cleo’s struggles, including her battles with honor and love, leave a lasting impact that makes you want to watch the film again to reexamine it.
Pace: 6
Plot: 6
Resolution: 5
Overall: 76
Roma is the kind of movie that the artsy-fartsy nuts go crazy over. I thought it was good, but it fell just short of Best Picture worthy in my opinion due to a slow start and pace, and a meh ending. A few tweaks and I definitely could see this movie being a classic.
Acting: 10
Beautiful acting here in a number of strong roles. Yalitza Aparicio is phenomenal in her role as Cleo. She plays the part in a shy and withrdawn matter, someone who loves the family she works for but knows it’s duty above all else. Aparicio makes you feel what Cleo feels in powerful moments like the traffic scene and the final scene on the beach, neither of which I will give away. I loved her relationship between her and Adela played by Nancy Garcia Garcia (not a typo) who shined in her role as well. They had a true synergy that worked for the movie as a whole.
Beginning: 4
Characters: 10
Cinematography/Visuals: 10
The film is shot in black and white which I appreciated. It give you a sense of a “then and now” kind of feel: You know it takes place in the 70’s, but it feels like director Alfonso Cuaron was able to capture a piece of life that could still exist today. Beautiful pans of the Mexican landscape somehow give me a nostalgic vibe and I’m not even from Mexico. The movie sprawls across a number of different locations that are beautiful in their own right. From old-school movie theaters to desert valleys, it’s feels like you are on a journey.
Conflict: 8
The conflict is created as a result of Cleo’s class. There are hardships that come with her place in society in addition to the typical crap that life might throw your way. She finds herself tiptoeing around a home with a disgruntled wife who is ready to bite Cleo’s head off at any moment. Meanwhile, things aren’t much better in Cleo’s personal life as she finds herself in situations that not only make her life more difficult but bring shame to her family. As the viewer, you understand this is the way life is for Cleo and things probably won’t get much better by the end of it. But you hope she beats it anyway.
Genre: 7
I originally scored this slightly lower, but I quickly changed it as I started to peel back more and more layers of Roma. My wife and I were dead tired after viewing the film, but we found ourselves laying around talking about it for thirty minutes after it was over. A solid movie is one you can discuss long after you watch it and Roma is definitely one of those movies.
Memorability: 10
There are a number of scenes that I think about even now and say, “Wow, that was extremely powerful.” I don’t want to ruin them for fear of ruining the impact, but one scene includes a powerful confession that is beyond heartfelt. It hits you right in the gut and you think, “How could someone say that?” while also thinking, “I understand exactly where she is coming from.” Cleo’s struggles, including her battles with honor and love, leave a lasting impact that makes you want to watch the film again to reexamine it.
Pace: 6
Plot: 6
Resolution: 5
Overall: 76
Roma is the kind of movie that the artsy-fartsy nuts go crazy over. I thought it was good, but it fell just short of Best Picture worthy in my opinion due to a slow start and pace, and a meh ending. A few tweaks and I definitely could see this movie being a classic.
Andy K (10827 KP) rated Howard the Duck (1986) in Movies
Feb 23, 2019
Not as bad as all that.
Before he was an upcoming maybe movie, maybe TV series and part of the Disney/Marvel juggernaut, he was a cheesy 80s movie with one of my serious 80s crushes, Lea Thompson (from Back to the Future).
When Howard is pulled through a "wormhole" from his duck planet to Earth, he has to try and not only figure out what is going on and how he came to know this extremely hot chick (and nerd Tim Robbins) but he also has to save the world from the "Dark Overlord of the universe" (Ferris Bueller and Beetlejuice alum, Jeffrey Jones).
I think the biggest problem with the film was filmmakers (George Lucas among them) didn't get the tone right. It was too racy to be for kids which was probably their target audience. The "duck out of water" element was my favorite part the ways his world was different than ours and how he tried to fit in.
It's a charming 80s romp I've probably seen too often.
When Howard is pulled through a "wormhole" from his duck planet to Earth, he has to try and not only figure out what is going on and how he came to know this extremely hot chick (and nerd Tim Robbins) but he also has to save the world from the "Dark Overlord of the universe" (Ferris Bueller and Beetlejuice alum, Jeffrey Jones).
I think the biggest problem with the film was filmmakers (George Lucas among them) didn't get the tone right. It was too racy to be for kids which was probably their target audience. The "duck out of water" element was my favorite part the ways his world was different than ours and how he tried to fit in.
It's a charming 80s romp I've probably seen too often.
Kim Pook (101 KP) rated Searching (2018) in Movies
Sep 20, 2020
The movie is in the same format as the unfriended movies, it takes place entirely through social media.
At the beginning we see a montage of clips and photos from the Kim family's life where we learn that the mum (pam) passes away from cancer. Fast forward a few years later and Margot - pam and David's daughter- is all grown up and everything seems to be going fine, that is until Margot goes missing.
David starts frantically searching on social media only to discover he didn't know Margot as much as he thought he did, and finds out some unusual information about her.
For a one time watch I did enjoy this movie, it shows how things can develop online from parent blaming to people pretending to be the missing persons friend, and writing 'heartfelt' messages. It also shows the hidden dangers of the online community such as how easy it is to obtain information. It was very gripping and kept me glued right to the twist at the end which I was not at expecting.
At the beginning we see a montage of clips and photos from the Kim family's life where we learn that the mum (pam) passes away from cancer. Fast forward a few years later and Margot - pam and David's daughter- is all grown up and everything seems to be going fine, that is until Margot goes missing.
David starts frantically searching on social media only to discover he didn't know Margot as much as he thought he did, and finds out some unusual information about her.
For a one time watch I did enjoy this movie, it shows how things can develop online from parent blaming to people pretending to be the missing persons friend, and writing 'heartfelt' messages. It also shows the hidden dangers of the online community such as how easy it is to obtain information. It was very gripping and kept me glued right to the twist at the end which I was not at expecting.
David McK (3921 KP) rated Murder on the Orient Express (2017) in Movies
Apr 21, 2022
Adaptation of perhaps Agatha Christie's most famous murder mystery, which I had previously read even if I had not seen any of the previous TV or movie adaptations.
I also watched this after recently watching the semi-sequel 'Death in the Nile' on Disney+, thinking then that - as that was a sequel of sorts - I might as well go back and watch the original.
The problem, of course, as with all murder mysteries is that once they are solved (in either print or on screen), then they lose nearly all sense of drama or suspense. That, I think, is a fault of the genre as a whole and is perhaps the reason why it is generally not my favourite type of story: I prefer works that you can rewatch or re-read and discover something new each time through.
Anyway, the fact that I already knew the ending might have spoiled my enjoyment of this movie, even if I'm aware it takes liberties with the source material. Not obvious liberties, though! (Or, at least I didn't think they were).
I also watched this after recently watching the semi-sequel 'Death in the Nile' on Disney+, thinking then that - as that was a sequel of sorts - I might as well go back and watch the original.
The problem, of course, as with all murder mysteries is that once they are solved (in either print or on screen), then they lose nearly all sense of drama or suspense. That, I think, is a fault of the genre as a whole and is perhaps the reason why it is generally not my favourite type of story: I prefer works that you can rewatch or re-read and discover something new each time through.
Anyway, the fact that I already knew the ending might have spoiled my enjoyment of this movie, even if I'm aware it takes liberties with the source material. Not obvious liberties, though! (Or, at least I didn't think they were).
Matthew Krueger (10051 KP) rated The Nightmare Before Christmas (1993) in Movies
Oct 29, 2019
Classic
Everything about this movie i love. The amimated, the visuals, the story, the songs, the charcters and so much more. It is both a halloween and christmas movie. It is not just one, but its both. Thats what i love. So lets talk about it...
The Plot: The film follows the misadventures of Jack Skellington, Halloweentown's beloved pumpkin king, who has become bored with the same annual routine of frightening people in the "real world." When Jack accidentally stumbles on Christmastown, all bright colors and warm spirits, he gets a new lease on life -- he plots to bring Christmas under his control by kidnapping Santa Claus and taking over the role. But Jack soon discovers even the best-laid plans of mice and skeleton men can go seriously awry.
Danny Elfman wrote the songs and score, and provided the singing voice of Jack.
The charcters are so memorable, you remember what their look like, what lines their say, who their are.
Even though Henry selick directed this film, it is Tim Burton's film. Everything about this movie is a Tim Burton film- the charcters, the setting, the story, the darkness and so much more. Makes this film a tim burton film. Its also called Tim Burtons: The Nightmare Before Christmas.
It is a classic animated fantasy stop motion horror film, that is loved by all. A must see film.
Lastly shout out to @LeftSideCut for getting the hints/clues for this review right.
The Plot: The film follows the misadventures of Jack Skellington, Halloweentown's beloved pumpkin king, who has become bored with the same annual routine of frightening people in the "real world." When Jack accidentally stumbles on Christmastown, all bright colors and warm spirits, he gets a new lease on life -- he plots to bring Christmas under his control by kidnapping Santa Claus and taking over the role. But Jack soon discovers even the best-laid plans of mice and skeleton men can go seriously awry.
Danny Elfman wrote the songs and score, and provided the singing voice of Jack.
The charcters are so memorable, you remember what their look like, what lines their say, who their are.
Even though Henry selick directed this film, it is Tim Burton's film. Everything about this movie is a Tim Burton film- the charcters, the setting, the story, the darkness and so much more. Makes this film a tim burton film. Its also called Tim Burtons: The Nightmare Before Christmas.
It is a classic animated fantasy stop motion horror film, that is loved by all. A must see film.
Lastly shout out to @LeftSideCut for getting the hints/clues for this review right.