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Kim Pook (101 KP) rated Love you to death (2019) in Movies
Jun 2, 2022
Police arrive at a house in 2013, The door is unlocked so they enter to find a dead body on the bed. We are shown a montage of pictures of a sick teen girl called Esme and her mum, it seems they had been raising a lot of money because of her illness.
Rewind to a few months before the death, it's Esmes 16th birthday and then her routine appointment, but sadly she is showing no signs of improving. During a shopping trip they bump into Esmes estranged dad, and it's clear there is hostility between him and Esmes mum. We soon discover that Esme has had the illness since she was 4 years old and also has a learning disability which just adds to the sadness of her illness.
It soon becomes evident how controlling her mother is though, she refuses to let anyone take Esme anywhere, controls what she eats as well as which doctors are allowed to treat her. After Esme is attacked at a gaming convention, the mother purchases a gun for protection and it isn't long before she's using it against an intruder.
About half an hour into the movie, we are thrown back to 2005, and we see Esmes side of the story. Esmes mum has a conversation with a nurse who confirms that Esme was misdiagnosed and she was fine, I won't go into that too much incase you want to watch it, but basically Esmes mum continues to fake Esmes illness. You will have to watch the movie to see how she achieves this, by tricking everyone including medical staff.
I enjoyed the movie but I was so shocked to find out it was based on a true story, I immediately went on to watch the documentary to compare and I felt they did do the true story justice, they included Esmes mum always holding her hand and hitting her if she didn't do as she was expected to do. The way Esme (gypsy rose) meets her boyfriend was different in real life, I felt the movie made him out to be this sweet guy trying to save Esme but in real life he was very disturbed, but then again it was told through Esmes eyes, so it was probably to show what she saw at the time.
Rewind to a few months before the death, it's Esmes 16th birthday and then her routine appointment, but sadly she is showing no signs of improving. During a shopping trip they bump into Esmes estranged dad, and it's clear there is hostility between him and Esmes mum. We soon discover that Esme has had the illness since she was 4 years old and also has a learning disability which just adds to the sadness of her illness.
It soon becomes evident how controlling her mother is though, she refuses to let anyone take Esme anywhere, controls what she eats as well as which doctors are allowed to treat her. After Esme is attacked at a gaming convention, the mother purchases a gun for protection and it isn't long before she's using it against an intruder.
About half an hour into the movie, we are thrown back to 2005, and we see Esmes side of the story. Esmes mum has a conversation with a nurse who confirms that Esme was misdiagnosed and she was fine, I won't go into that too much incase you want to watch it, but basically Esmes mum continues to fake Esmes illness. You will have to watch the movie to see how she achieves this, by tricking everyone including medical staff.
I enjoyed the movie but I was so shocked to find out it was based on a true story, I immediately went on to watch the documentary to compare and I felt they did do the true story justice, they included Esmes mum always holding her hand and hitting her if she didn't do as she was expected to do. The way Esme (gypsy rose) meets her boyfriend was different in real life, I felt the movie made him out to be this sweet guy trying to save Esme but in real life he was very disturbed, but then again it was told through Esmes eyes, so it was probably to show what she saw at the time.
LeftSideCut (3776 KP) rated Hereditary (2018) in Movies
Oct 25, 2020
As a person who watches a respectable chunk of horror, it's not often that a genre film comes along that manages to get under my skin, something that Hereditary definitely does.
The first full length feature by Ari Aster is many things - it's heart wrenching, it's unsettling, definitely disturbing, frequently terrifying, but also carries a weight of beauty. It's wonderfully realised - Aster has a keen eye for striking visuals, something he proved doubly with Midsommar, and Hereditary boasts a brag worthy amount of fantastic shots and clever edits. A lot of the tracking shots centred around the characters add to the uneasiness, and has you constantly scanning the frame for something hidden away, leering at the viewer from the darkness. (A few shots legit just make me want to watch something else)
There are multiple moments that gave me chills, and a lovely fear-soaked amount of visual cues that will stick with me for some time. The whole atmosphere of Hereditary is unpleasant, quite sinister, and brimming with emotion.
The whole cast are great without a doubt, but Toni Collette is the true star. She's an absolute powerhouse throughout this movie, and is arguably her best performance ever put to screen. Her portrayal of the sheer trauma she experiences is harrowing at times, managing to give us a hugely sympathetic and human character (whilst occasionally being nightmare fuel herself)
That's a good word to use actually - Hereditary feels like a nightmare put onto screen. The whole movie is dripping with tension, and never lets up on making the viewer feel uncomfortable. Ari Aster will surely play a huge part in the future of the genre. Not only is Hereditary a masterclass in modern horror, but it's a genuinely fantastic cinematic experience, which I would consider essential viewing.
The first full length feature by Ari Aster is many things - it's heart wrenching, it's unsettling, definitely disturbing, frequently terrifying, but also carries a weight of beauty. It's wonderfully realised - Aster has a keen eye for striking visuals, something he proved doubly with Midsommar, and Hereditary boasts a brag worthy amount of fantastic shots and clever edits. A lot of the tracking shots centred around the characters add to the uneasiness, and has you constantly scanning the frame for something hidden away, leering at the viewer from the darkness. (A few shots legit just make me want to watch something else)
There are multiple moments that gave me chills, and a lovely fear-soaked amount of visual cues that will stick with me for some time. The whole atmosphere of Hereditary is unpleasant, quite sinister, and brimming with emotion.
The whole cast are great without a doubt, but Toni Collette is the true star. She's an absolute powerhouse throughout this movie, and is arguably her best performance ever put to screen. Her portrayal of the sheer trauma she experiences is harrowing at times, managing to give us a hugely sympathetic and human character (whilst occasionally being nightmare fuel herself)
That's a good word to use actually - Hereditary feels like a nightmare put onto screen. The whole movie is dripping with tension, and never lets up on making the viewer feel uncomfortable. Ari Aster will surely play a huge part in the future of the genre. Not only is Hereditary a masterclass in modern horror, but it's a genuinely fantastic cinematic experience, which I would consider essential viewing.
Charlie Cobra Reviews (1840 KP) rated Captain Marvel (2019) in Movies
Jul 3, 2020
Hate It or Love It: Captain Marvel Has Arrived - 8/10
Captain Marvel is a 2019 superhero action/sci-fi movie based on the Marvel Comics character Carol Danvers/Captain Marvel. It was produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. The movie was written and directed by Anna Boden and Ryan Fleck, with the screenplay also being contributed on by Geneva Robertson-Dworet. Starring Brie Larson, Samuel L. Jackson, and Jude Law.
On planet Hala, the capital of the Kree Empire, a female warrior named Vers/Captain Marvel (Brie Larson) suffers from nightmares involving a woman she doesn't recognize. She doesn't remember much from before her time on Hala. With assistance from her commander and mentor, Yon-Rogg (Jude Law), she's learning to control her powers and emotions during battle as is the Kree way. Her unit, Starforce, are given a mission to rescue an undercover Kree operative who might be compromised by enemies called the Skrull, a race of shape-shifting aliens. They must act quickly or the information the operative has will fall into the wrong hands. During the mission things don't go well and Vers/Captain Marvel is captured by the Skrulls who use a device to scour her memories which include the lady from her nightmares. She learns the woman's name is Dr. Wendy Lawson (Annette Bening), and that her memories from her past suggest that she has spent some time on Earth. She is escapes to Earth 1995, where she must find the woman and the secrets to her past.
This movie was pretty awesome. I really liked it and enjoyed it very much. I thought it went by smoothly and the writers had a clear plot, but might not be the most engaging for some people. I know this movie got a lot of hate before it even came out but honestly I didn't see a lot to complain about. Yes it is empowering for females but I didn't feel like it was forced; save for maybe a couple of scenes. It was rated PG-13 so some of the themes might be beyond what children can fully understand but definitely a good fit for the Marvel Cinematic Universe. I really like the chemistry between Captain Marvel and Nick Fury (Samuel L. Jackson). To me there was an exclusively entertaining character in the Skrull Talos (Ben Mendelsohn). He was a pleasant surprise and pretty funny. I thought the casting was very well too, even for the supporting characters like other Kree, Skrulls, and even Captain Marvel/Carol Danvers b.f.f. Movie was generally fun and pretty action-packed. I give it an 8/10.
On planet Hala, the capital of the Kree Empire, a female warrior named Vers/Captain Marvel (Brie Larson) suffers from nightmares involving a woman she doesn't recognize. She doesn't remember much from before her time on Hala. With assistance from her commander and mentor, Yon-Rogg (Jude Law), she's learning to control her powers and emotions during battle as is the Kree way. Her unit, Starforce, are given a mission to rescue an undercover Kree operative who might be compromised by enemies called the Skrull, a race of shape-shifting aliens. They must act quickly or the information the operative has will fall into the wrong hands. During the mission things don't go well and Vers/Captain Marvel is captured by the Skrulls who use a device to scour her memories which include the lady from her nightmares. She learns the woman's name is Dr. Wendy Lawson (Annette Bening), and that her memories from her past suggest that she has spent some time on Earth. She is escapes to Earth 1995, where she must find the woman and the secrets to her past.
This movie was pretty awesome. I really liked it and enjoyed it very much. I thought it went by smoothly and the writers had a clear plot, but might not be the most engaging for some people. I know this movie got a lot of hate before it even came out but honestly I didn't see a lot to complain about. Yes it is empowering for females but I didn't feel like it was forced; save for maybe a couple of scenes. It was rated PG-13 so some of the themes might be beyond what children can fully understand but definitely a good fit for the Marvel Cinematic Universe. I really like the chemistry between Captain Marvel and Nick Fury (Samuel L. Jackson). To me there was an exclusively entertaining character in the Skrull Talos (Ben Mendelsohn). He was a pleasant surprise and pretty funny. I thought the casting was very well too, even for the supporting characters like other Kree, Skrulls, and even Captain Marvel/Carol Danvers b.f.f. Movie was generally fun and pretty action-packed. I give it an 8/10.
Gareth von Kallenbach (980 KP) rated Chronicle (2012) in Movies
Aug 7, 2019
Walking into the theatre to see Chronicle I was pretty excited. I had not heard much about this movie, in fact I’ll be honest here… I heard a small amount of info about two months ago and then it dropped off my radar before a trailer appeared last Sunday.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
Neon's Nerd Nexus (360 KP) rated Underwater (2020) in Movies
Feb 13, 2020
Under Pressure
Underwater is basically Alien underwater but without a doubt proves that sometimes you just cant go wrong when you just borrow from the best. From the moment it starts the nostalgia that hit me watching this was insane, its like all my favourite scifi movies from growing up got mashed together and came back just to surprise me. In a sense its The Abyss, Alien, Deep Rising, Virus, Prometheus and Doom all rolled into one movie and I just couldnt help but smile as the film played out in front of me. Right off the get go we are thrown straight into the action and ive read so much criticism from people on this part of the movie saying that it doesnt give us time to get to know the characters. Personally I quite liked this approach as I felt we didnt really need to get to know everyone because in a random catastrophic situation such as this it really doesnt matter about who people are, everyone is a blank slate and they must all put aside thier differences and band together to fight solely for survival. Yes it does mean to an extent we aren't as attached to them but when tension and panic is created so well here not knowing these characters adds way more unpredictability and also helps make you the viewer step into thier shoes easier too. While the story is also fairly basic its way of story telling is subtle using the environment or small character actions so you can piece together a deeper story for yourself. Getting a hold on your mind/mental state is a big theme here and I loved the way the film subjects our already unstable characters to extremely traumatic events but forces them to learn how to subdue or tame thier emotions if if they are to maintain focus and survive. Kristen Stewart is fantastic as always and probably could of carried the film on her own if she had to. Her character is clearly already suffering with trauma and anxiety of her own and watching her have to hold together and stay strong to help motivate others is riveting as every now and then we see small glimpses of her cracking under the pressure. What an absolute joy it also is to see Vincent Cassel back in movies again, the guy is just awesome in what ever he is in and its no different here. Oh and TJ Miller isnt anoying and unlikable for once either, how about that. Visualls are also great and combine with nice sets they help create a creepy, claustrophobic, tense and unnerving sence of dread constantly. Creature design is really nice too (reminded me of the creatures from the recent Doom games) and theres some scenes that are absolutely chilling to watch too. Score wise its is also noticeably good really helping to ramp up the dread and fear elements nicely. To sum everything up I found this movie so much fun and while it doesnt do anything new I lost count of the times I just sat there thinking to myself "Daaamn thats so friggin cool". I do miss movies like this and its nice to see Underwater dare to bring back the good old 90s scifi monster movie vibe.
Matthew Krueger (10051 KP) rated Beetlejuice (1988) in Movies
Nov 7, 2020
Micheal Keaton (1 more)
Tim Burton
Say His Name
Beetlejuice- is a halloween classic. Its also a tim burton classic. The cast is really good, the fantasy gothic horror element is really good. Its also a dark film, and its PG and it does have some not PG moments. Its a excellent movie.
The plot: After Barbara (Geena Davis) and Adam Maitland (Alec Baldwin) die in a car accident, they find themselves stuck haunting their country residence, unable to leave the house. When the unbearable Deetzes (Catherine O'Hara, Jeffrey Jones) and teen daughter Lydia (Winona Ryder) buy the home, the Maitlands attempt to scare them away without success. Their efforts attract Beetlejuice (Michael Keaton), a rambunctious spirit whose "help" quickly becomes dangerous for the Maitlands and innocent Lydia.
Burton cast Ryder upon seeing her in Lucas. O'Hara quickly signed on, while Burton claimed it took a lot of time to convince other cast members to sign, as "they didn't know what to think of the weird script.
Warner Bros. disliked the title Beetlejuice and wanted to call the film House Ghosts. As a joke, Burton suggested the name Scared Sheetless and was horrified when the studio actually considered using it.
Beetlejuice Goes Hawaiian is in development hell and now its shelved. So the likely chance of it coming out is unlikely, but who knows.
Like i said before Beetlejuice is a excellent Halloween Classic.
The plot: After Barbara (Geena Davis) and Adam Maitland (Alec Baldwin) die in a car accident, they find themselves stuck haunting their country residence, unable to leave the house. When the unbearable Deetzes (Catherine O'Hara, Jeffrey Jones) and teen daughter Lydia (Winona Ryder) buy the home, the Maitlands attempt to scare them away without success. Their efforts attract Beetlejuice (Michael Keaton), a rambunctious spirit whose "help" quickly becomes dangerous for the Maitlands and innocent Lydia.
Burton cast Ryder upon seeing her in Lucas. O'Hara quickly signed on, while Burton claimed it took a lot of time to convince other cast members to sign, as "they didn't know what to think of the weird script.
Warner Bros. disliked the title Beetlejuice and wanted to call the film House Ghosts. As a joke, Burton suggested the name Scared Sheetless and was horrified when the studio actually considered using it.
Beetlejuice Goes Hawaiian is in development hell and now its shelved. So the likely chance of it coming out is unlikely, but who knows.
Like i said before Beetlejuice is a excellent Halloween Classic.
Bubba Gee (147 KP) rated Baby Driver (2017) in Movies
Jun 27, 2019
Driving, music and heists
Contains spoilers, click to show
I went onto this thinking it was just a film about a heist crew getaway driver, in truth it is much deeper.
Baby, a talented driver (played by Ansel Elgort) is a quirky likeable slightly weird character.
We quickly come to learn he is in debt to a crime boss Doc (played creepily by Kevin Spacey) for a mistake made several years earlier.
He is used as the driver for every one of Doc's planned heists with colourful criminals (played by Jon Bernthal, Jon Hamm, Eiza Gonzalez and Jamie Foxx), this is unusual as Doc changes the whole crew for each heist except for Baby whom is used again and again due to his driving talent.
From here there is lots of action and crime, we also however learn about Baby's difficult upbringing and love of music and how that all ties in with the movie.
There is of course the awkward introduction of a love interest Debora (played by Lily James). In the later scenes there is more crime, action and death with twists of revenge.
All in this is a complex and deeply moving take on a crime film where we find ourselves rooting for the main character and hoping he makes it, if he does or not, you will have to see for yourself.
The soundtrack is also very good.
Baby, a talented driver (played by Ansel Elgort) is a quirky likeable slightly weird character.
We quickly come to learn he is in debt to a crime boss Doc (played creepily by Kevin Spacey) for a mistake made several years earlier.
He is used as the driver for every one of Doc's planned heists with colourful criminals (played by Jon Bernthal, Jon Hamm, Eiza Gonzalez and Jamie Foxx), this is unusual as Doc changes the whole crew for each heist except for Baby whom is used again and again due to his driving talent.
From here there is lots of action and crime, we also however learn about Baby's difficult upbringing and love of music and how that all ties in with the movie.
There is of course the awkward introduction of a love interest Debora (played by Lily James). In the later scenes there is more crime, action and death with twists of revenge.
All in this is a complex and deeply moving take on a crime film where we find ourselves rooting for the main character and hoping he makes it, if he does or not, you will have to see for yourself.
The soundtrack is also very good.
Lee (2222 KP) rated Wonder Woman (2017) in Movies
Jul 14, 2017
After a pretty lengthy drought, we finally get another decent DC movie
As the DC TV universe continues to go from strength to strength, the DC movie universe is gradually going downhill. Don’t get me wrong, I really liked Man of Steel, despite the overloaded CGI destruction at the end. I didn’t mind Batman Vs Superman either, even with Jesse Eisenberg doing his very best to try and ruin it. But, despite successfully introducing two other major DC heavyweight characters (and not so successfully introducing a few others) and picking up steam in the final act, the movie struggled. Suicide Squad then managed to take bad to a completely new level, and was just a complete train-wreck.
Batman Vs Superman was our first introduction to Wonder Woman in the DC movie universe, and she was the most entertaining and promising aspect of the whole movie. As a child of the 70s, I grew up watching and enjoying the Wonder Woman TV show, along with re-runs of the Batman 60s show and of course the Christopher Reeve Superman movies. After all these years of countless Batman and Superman movies, it was great to not only see Wonder Woman finally on the big screen, but also to see her being portrayed so well. Now, with her standalone movie coming out a few months before the mediocre looking Justice League movie, this is not only an important movie for DC but also an important first step in finally bringing strong female superheroes to the big screen. Paving the way for Captain Marvel, a Black Widow standalone movie, and more. This had to be good.
Thankfully, it is. Although there’s still a long way to go in order to reach the level that Marvel already managed to achieve many movies ago, this is indeed a serious step up for DC. Opening with a brief scene set in present day, Wonder Woman then takes us back to Themyscira. A paradise island, hidden from view from the rest of the world, where a young Diana lives peacefully among her Amazon tribe. Despite their peaceful existence though, the Amazons are constantly preparing themselves for the return of Ares, God of War. Archery and combat training is undertaken daily on the island, under the guidance of Dianas aunt, General Antiope (Robin Wright). Diana is keen to train too and her reluctant mother, Queen Hippolyta (Connie Nielsen), eventually agrees, requesting that General Antiope train her hard and make her the best. As Diana grows into a woman, training has clearly gone well and she’s even managing to give her aunt a good run for her money! Just in time too as World War 1 pilot Steve Trevor (Chris Pine) crashes through the invisible barrier cloaking the island and crash lands into the sea, closely followed by a bunch of Germans who are on his tail. Time for the Amazon women to put their training to good use, but not without some casualties…
Steve tells Diana of the great war that’s raging throughout the world and Diana believes this to be the return of Ares. She decides to leave her home and travel with Steve to put an end to Ares once and for all. So, she grabs her shield and lasso of truth and ‘borrows’ the sacred ‘God Killer’ sword from the tower it rests in and off they go. Leaving behind the bright, vibrant island of Themyscira and returning to the traditional, dark grey pallet of colours that we’re used to seeing in our DC movies as they head to war-torn London.
Steve takes over as charming tour guide as Diana enters the human world for the first time. Her innocence and curiosity of the modern world are played beautifully by Gadot, with plenty of fish-out-of-water style humour too. But she’s also never afraid to question and stand up for what she believes in and tackle those who try and oppose her, giving an interesting perspective on aspects of humanity which deserve to be questioned. Her drive to get to the front-line of war, to seek out Ares and supposedly end all war by defeating him, constantly driving her forward. Romance eventually blossoms between Diana and Steve, but it feels natural and believable and helps to hold the movie together during some of its slower moments.
When Wonder Woman manages to get to the front line and steps out into no-mans land, ignoring the advice of Steve and those around her, it’s magnificent. It heralds the first in a series of magnificent action sequences involving German soldiers as she puts her training to good use. Initially shielding herself from the onslaught of bullets before moving onto the offensive with some bad-ass combat moves, slo-mo back-flips, jumps, whip action and displays of pure power and strength. Everything we got a glimpse of in Batman Vs Superman, ramped up to the max, perfectly executed and accompanied by a rocking soundtrack!
Where Wonder Woman doesn’t work so well is in the handling of its villains. Whenever we switch to General Ludendorff and Doctor Poison, busily developing deadly gases to unleash, momentum seems to be lost. And as for Ares, when we do finally meet him he’s pretty laughable, with no clearly defined motivation or character. Following a bit of villain monologue, we get the general gist of what his beef is and then the last 20 minutes or so descend into the over the top CG destruction that we’re so used to seeing now in these movies. It’s a minor gripe, and not handled as badly as some previous movies, but along with the pacing issues it does affect the overall enjoyment of the movie somewhat.
None of this detracts from Wonder Woman herself though. Gal Gadot has truly made this role her own and displays the perfect mix of strength, beauty, brains, confidence, determination and general all-round girl power. She can more than hold her own in the DC universe and should hopefully be a prominent force in the upcoming Justice League movie and beyond.
Batman Vs Superman was our first introduction to Wonder Woman in the DC movie universe, and she was the most entertaining and promising aspect of the whole movie. As a child of the 70s, I grew up watching and enjoying the Wonder Woman TV show, along with re-runs of the Batman 60s show and of course the Christopher Reeve Superman movies. After all these years of countless Batman and Superman movies, it was great to not only see Wonder Woman finally on the big screen, but also to see her being portrayed so well. Now, with her standalone movie coming out a few months before the mediocre looking Justice League movie, this is not only an important movie for DC but also an important first step in finally bringing strong female superheroes to the big screen. Paving the way for Captain Marvel, a Black Widow standalone movie, and more. This had to be good.
Thankfully, it is. Although there’s still a long way to go in order to reach the level that Marvel already managed to achieve many movies ago, this is indeed a serious step up for DC. Opening with a brief scene set in present day, Wonder Woman then takes us back to Themyscira. A paradise island, hidden from view from the rest of the world, where a young Diana lives peacefully among her Amazon tribe. Despite their peaceful existence though, the Amazons are constantly preparing themselves for the return of Ares, God of War. Archery and combat training is undertaken daily on the island, under the guidance of Dianas aunt, General Antiope (Robin Wright). Diana is keen to train too and her reluctant mother, Queen Hippolyta (Connie Nielsen), eventually agrees, requesting that General Antiope train her hard and make her the best. As Diana grows into a woman, training has clearly gone well and she’s even managing to give her aunt a good run for her money! Just in time too as World War 1 pilot Steve Trevor (Chris Pine) crashes through the invisible barrier cloaking the island and crash lands into the sea, closely followed by a bunch of Germans who are on his tail. Time for the Amazon women to put their training to good use, but not without some casualties…
Steve tells Diana of the great war that’s raging throughout the world and Diana believes this to be the return of Ares. She decides to leave her home and travel with Steve to put an end to Ares once and for all. So, she grabs her shield and lasso of truth and ‘borrows’ the sacred ‘God Killer’ sword from the tower it rests in and off they go. Leaving behind the bright, vibrant island of Themyscira and returning to the traditional, dark grey pallet of colours that we’re used to seeing in our DC movies as they head to war-torn London.
Steve takes over as charming tour guide as Diana enters the human world for the first time. Her innocence and curiosity of the modern world are played beautifully by Gadot, with plenty of fish-out-of-water style humour too. But she’s also never afraid to question and stand up for what she believes in and tackle those who try and oppose her, giving an interesting perspective on aspects of humanity which deserve to be questioned. Her drive to get to the front-line of war, to seek out Ares and supposedly end all war by defeating him, constantly driving her forward. Romance eventually blossoms between Diana and Steve, but it feels natural and believable and helps to hold the movie together during some of its slower moments.
When Wonder Woman manages to get to the front line and steps out into no-mans land, ignoring the advice of Steve and those around her, it’s magnificent. It heralds the first in a series of magnificent action sequences involving German soldiers as she puts her training to good use. Initially shielding herself from the onslaught of bullets before moving onto the offensive with some bad-ass combat moves, slo-mo back-flips, jumps, whip action and displays of pure power and strength. Everything we got a glimpse of in Batman Vs Superman, ramped up to the max, perfectly executed and accompanied by a rocking soundtrack!
Where Wonder Woman doesn’t work so well is in the handling of its villains. Whenever we switch to General Ludendorff and Doctor Poison, busily developing deadly gases to unleash, momentum seems to be lost. And as for Ares, when we do finally meet him he’s pretty laughable, with no clearly defined motivation or character. Following a bit of villain monologue, we get the general gist of what his beef is and then the last 20 minutes or so descend into the over the top CG destruction that we’re so used to seeing now in these movies. It’s a minor gripe, and not handled as badly as some previous movies, but along with the pacing issues it does affect the overall enjoyment of the movie somewhat.
None of this detracts from Wonder Woman herself though. Gal Gadot has truly made this role her own and displays the perfect mix of strength, beauty, brains, confidence, determination and general all-round girl power. She can more than hold her own in the DC universe and should hopefully be a prominent force in the upcoming Justice League movie and beyond.
James P. Sumner (65 KP) rated Brightburn (2019) in Movies
Jun 27, 2019
A dark, dark twist on the superhero genre.
Before I start, a disclaimer: I drastically misinterpreted the story of this movie from the trailer.
Another disclaimer: I really don't like horror movies!
Yes, this is a horror movie. Not the scariest, I imagine. Having not seen many to compare it to, I can only guess. But it had its jump-scares, and its gory scenes, and a constant, overwhelming tension that made you feel like the next second will contain something that will make you leap from your seat.
The story is an interesting one, that hasn't yet been done to death. What if Superman grew up evil? At no point does this film act like, or compare itself to, a superhero film, but that's the basic premise.
This ticks all the boxes for a standard horror flick - strong, beautiful female, slightly annoying husband punching above his weight, and a creepy-looking kid who you just know is going to be evil.
Some scenes are graphically violent, some were uncomfortably creepy, others were just kinda funny. Fans of horror movies will probably feel a little underwhelmed here, because as much as I was scared out of my mind for most of it, true horror aficionados will likely expect more scares for their money. Similarly, if you enjoy comic book movies, this REALLY isn't the film for you. The premise might have its roots in the superhero genre, but Superman, it isn't!
Unexpected scares aside, it wasn't a bad movie, really. The ending had a nice spin to it that you don't see all that often. There's also footage over the early credits that suggests this film may be the beginning of a larger universe - a concept begun with the MCU and since adopted by a number of studios and franchises. While few have seen even a glimpse of Marvel's success, this has the same amount of potential as Godzilla's Monsterverse, at least.
If you pay for your cinema tickets, save your money for something more worthy. If you have a monthly pass and can see whatever you want, catch this one if you're bored sometime. Failing that, watch it at home so you can leave the lights on and not look like a baby!
Another disclaimer: I really don't like horror movies!
Yes, this is a horror movie. Not the scariest, I imagine. Having not seen many to compare it to, I can only guess. But it had its jump-scares, and its gory scenes, and a constant, overwhelming tension that made you feel like the next second will contain something that will make you leap from your seat.
The story is an interesting one, that hasn't yet been done to death. What if Superman grew up evil? At no point does this film act like, or compare itself to, a superhero film, but that's the basic premise.
This ticks all the boxes for a standard horror flick - strong, beautiful female, slightly annoying husband punching above his weight, and a creepy-looking kid who you just know is going to be evil.
Some scenes are graphically violent, some were uncomfortably creepy, others were just kinda funny. Fans of horror movies will probably feel a little underwhelmed here, because as much as I was scared out of my mind for most of it, true horror aficionados will likely expect more scares for their money. Similarly, if you enjoy comic book movies, this REALLY isn't the film for you. The premise might have its roots in the superhero genre, but Superman, it isn't!
Unexpected scares aside, it wasn't a bad movie, really. The ending had a nice spin to it that you don't see all that often. There's also footage over the early credits that suggests this film may be the beginning of a larger universe - a concept begun with the MCU and since adopted by a number of studios and franchises. While few have seen even a glimpse of Marvel's success, this has the same amount of potential as Godzilla's Monsterverse, at least.
If you pay for your cinema tickets, save your money for something more worthy. If you have a monthly pass and can see whatever you want, catch this one if you're bored sometime. Failing that, watch it at home so you can leave the lights on and not look like a baby!
Gareth von Kallenbach (980 KP) rated Guardians of the Galaxy (2014) in Movies
Aug 6, 2019
Wow. Just wow. It feels like there are no words that could describe how great Guardians of the Galaxy is. This is the first movie in a while where I walked in with high expectations, and yet they still managed to exceed them. OK. Enough gushing. Time to get to the dirt.
Guardians, while a movie about a group of people, follows Peter Quill (Chris Pratt) as he loses his mother and then is suddenly whisked away (kidnapped) by an (at first) unknown space ship. Then we fast forward 26 years later and we see what the young kid who couldn’t handle the death of his mother has become. A quick-witted, sort of goofy, outlaw who likes to refer to himself as Star Lord. He double crosses the same people who have helped raise him to be the man he has become, and so sets off a series of events that brings Star Lord, Rocket Raccoon (Bradley Cooper), Groot (Vin Diesel), Gamora (Zoe Saldana) and Drax (Dave Bautista) together to go an insane adventure in an attempt to save the galaxy. In order to do this, they must stop Ronan, a Lieutenant in Thanos’ army, from obtaining a mysterious orb. The gang comes together through unlikely circumstances, and ultimately work very well together as a team, but do they have what it takes to get the job done?
This movie is all around genius. While I did have high expectations for the film, I was a little reticent about James Gunn directing. He has not had anything on this scale in the past, but man did he knock it out of the park. Every element of this world was working together perfectly… the soundtrack and score helped set the quirky, adventurous tone of the film. The cinematography combined with the visual effects was captivating. The acting was superb, with the standout being Dave Bautista as Drax. Who knew he had it in him? Apparently James Gunn did. But every actor played their part as if it were meant for them specifically. If I have one gripe in the department, it’s that Nebula (Karen Gillan) did not have as much screen time as she should have. You also some surprise supporting cast in their too with the likes of Michael Rooker, Djimon Hounsou, Glenn Close and Benicio Del Toro, the movie is definitely Gunn-ing for gold. (I am so sorry. That was cheesy I know).
We saw this movie in 3D. I am not a big fan of “everything has to be 3D”, and typically space-based movies tend to overdo the 3D effects. However, I think that the 3D in this movie was slightly understated, which is a definite good thing. Sure, there were scenes that you could tell were made specifically because it would be shown in 3D, but they didn’t make you sick of the effect 5 seconds into the scene. It was very artfully done, and not too overwhelming for a space film.
This is definitely the film to see this summer. Great action, good story arch, great setup for the next movie, and a multitude of tie-ins to the other Marvel universe films. I am definitely going to be seeing this in theaters again, especially since we did not get the bonus scene at the press screening, and it will be a definite buy on Blu-Ray. Even in 3D.
I also wanted to address the rumor of Nathan Fillion being in this film. No, he is not Nova. However, he is in the film. But blink… and you will miss it. I am curious to see if anyone else can find him in the film. Please let us know in the comments!
Guardians, while a movie about a group of people, follows Peter Quill (Chris Pratt) as he loses his mother and then is suddenly whisked away (kidnapped) by an (at first) unknown space ship. Then we fast forward 26 years later and we see what the young kid who couldn’t handle the death of his mother has become. A quick-witted, sort of goofy, outlaw who likes to refer to himself as Star Lord. He double crosses the same people who have helped raise him to be the man he has become, and so sets off a series of events that brings Star Lord, Rocket Raccoon (Bradley Cooper), Groot (Vin Diesel), Gamora (Zoe Saldana) and Drax (Dave Bautista) together to go an insane adventure in an attempt to save the galaxy. In order to do this, they must stop Ronan, a Lieutenant in Thanos’ army, from obtaining a mysterious orb. The gang comes together through unlikely circumstances, and ultimately work very well together as a team, but do they have what it takes to get the job done?
This movie is all around genius. While I did have high expectations for the film, I was a little reticent about James Gunn directing. He has not had anything on this scale in the past, but man did he knock it out of the park. Every element of this world was working together perfectly… the soundtrack and score helped set the quirky, adventurous tone of the film. The cinematography combined with the visual effects was captivating. The acting was superb, with the standout being Dave Bautista as Drax. Who knew he had it in him? Apparently James Gunn did. But every actor played their part as if it were meant for them specifically. If I have one gripe in the department, it’s that Nebula (Karen Gillan) did not have as much screen time as she should have. You also some surprise supporting cast in their too with the likes of Michael Rooker, Djimon Hounsou, Glenn Close and Benicio Del Toro, the movie is definitely Gunn-ing for gold. (I am so sorry. That was cheesy I know).
We saw this movie in 3D. I am not a big fan of “everything has to be 3D”, and typically space-based movies tend to overdo the 3D effects. However, I think that the 3D in this movie was slightly understated, which is a definite good thing. Sure, there were scenes that you could tell were made specifically because it would be shown in 3D, but they didn’t make you sick of the effect 5 seconds into the scene. It was very artfully done, and not too overwhelming for a space film.
This is definitely the film to see this summer. Great action, good story arch, great setup for the next movie, and a multitude of tie-ins to the other Marvel universe films. I am definitely going to be seeing this in theaters again, especially since we did not get the bonus scene at the press screening, and it will be a definite buy on Blu-Ray. Even in 3D.
I also wanted to address the rumor of Nathan Fillion being in this film. No, he is not Nova. However, he is in the film. But blink… and you will miss it. I am curious to see if anyone else can find him in the film. Please let us know in the comments!