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LeftSideCut (3776 KP) rated Resident Evil: Welcome to Raccoon City (2021) in Movies
Dec 4, 2021
Well then, colour me surprised because I didn't absolutely hate this.
I'm a big fan of the Resident Evil games. So much so that the entirety of the original movie franchise actively annoyed me with every passing entry. This reboot makes a decent effort to stay faithful to the source material, and that alone commands some semblance of respect. The general atmosphere is very Resident Evil, many of the set pieces seem familiar, but there's just something missing. The cast boasts some great talent - Donal Logue, Hannah John-Kamen, and Neal McDonough are amongst the ranks - but all of them seem to be doing the best they can with a poor script, a script which is pretty much all the characters saying their names to eachother, and spouting exposition like there's no tomorrow. There's also the issue of the narrative content. Honestly, I'm just longing for a straight up adaption of the first game, a minimilast tense-as-hell thriller set in the original mansion. Welcome to Raccoon City sort of delivers in that respect, but also opts to cram in the plot of the second game, and even smatterings of the third. For a film that seems to be setting up a new series, that's a whole lot of content to burn through in one film. It results in a narrative that comes across as choppy. There's a little too much going on for it to flow properly. I also hated how Leon Kennedy was portrayed as a big dumb fuck. Show the man some respect! On top of this, the CGI is pretty damn atrocious throughout. The practical effects here and there look genuinely great, but there's a lot of undercooked effects work that managed to pull me out proceedings, especially in the final set piece.
Despite its shortcomings however, WTRC is a pretty entertaining video game adaption. It can be underwhelming at times, but it's aesthetic is pretty spot on, and it's so far removed from the initial film series that I can't help but kind of dig it, and I'll happily take it over any of those movies. Genuinely hoping a sequel happens.
I'm a big fan of the Resident Evil games. So much so that the entirety of the original movie franchise actively annoyed me with every passing entry. This reboot makes a decent effort to stay faithful to the source material, and that alone commands some semblance of respect. The general atmosphere is very Resident Evil, many of the set pieces seem familiar, but there's just something missing. The cast boasts some great talent - Donal Logue, Hannah John-Kamen, and Neal McDonough are amongst the ranks - but all of them seem to be doing the best they can with a poor script, a script which is pretty much all the characters saying their names to eachother, and spouting exposition like there's no tomorrow. There's also the issue of the narrative content. Honestly, I'm just longing for a straight up adaption of the first game, a minimilast tense-as-hell thriller set in the original mansion. Welcome to Raccoon City sort of delivers in that respect, but also opts to cram in the plot of the second game, and even smatterings of the third. For a film that seems to be setting up a new series, that's a whole lot of content to burn through in one film. It results in a narrative that comes across as choppy. There's a little too much going on for it to flow properly. I also hated how Leon Kennedy was portrayed as a big dumb fuck. Show the man some respect! On top of this, the CGI is pretty damn atrocious throughout. The practical effects here and there look genuinely great, but there's a lot of undercooked effects work that managed to pull me out proceedings, especially in the final set piece.
Despite its shortcomings however, WTRC is a pretty entertaining video game adaption. It can be underwhelming at times, but it's aesthetic is pretty spot on, and it's so far removed from the initial film series that I can't help but kind of dig it, and I'll happily take it over any of those movies. Genuinely hoping a sequel happens.
Allison Anders recommended Dazed and Confused (1993) in Movies (curated)
Phillip McSween (751 KP) rated See You Yesterday (2019) in Movies
Oct 23, 2019
Highly Entertaining and Thought-Provoking
After successfully creating a time machine, high school scientist CJ Walker (Eden Duncan-Smith) decides to go back in time and save her brother from being gunned down by police. She soon learns that it’s harder to change the past than she once thought.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
Awix (3310 KP) rated Green Lantern (2011) in Movies
May 18, 2018
Boxing Glove ends up as Punch Line
Yet more proof that DC was capable of making slightly shoddy movies even before Zach Snyder was put in charge of their operation, Green Lantern may end up being better remembered as the butt of a whole series of jokes now that Ryan Reynolds has been much more successful playing a character for the opposition. Test pilot is given magic ring by dying alien which initiates him into universal police force (the 'Green Lanterns'); ring allows him to convert his willpower into giant green boxing gloves and anything else he can think of.
Too much blatant CGI, obviously, and also the storytelling is botched - the film is frontloaded with stuff about the Guardians of the Universe, Space Sector 2814, and many other things that could have been introduced more gradually in the course of the movie. Generally tries too hard to do too much and doesn't make enough use of Reynolds and Blake Lively (but, hey, they have kids now, so it wasn't like the movie was a total waste of time for them). Fingers crossed that DC get past this sometime soon and put a proper Green Lantern in one of their JLA-related films.
Too much blatant CGI, obviously, and also the storytelling is botched - the film is frontloaded with stuff about the Guardians of the Universe, Space Sector 2814, and many other things that could have been introduced more gradually in the course of the movie. Generally tries too hard to do too much and doesn't make enough use of Reynolds and Blake Lively (but, hey, they have kids now, so it wasn't like the movie was a total waste of time for them). Fingers crossed that DC get past this sometime soon and put a proper Green Lantern in one of their JLA-related films.
Matthew Krueger (10051 KP) rated Venom (2018) in Movies
Feb 14, 2020 (Updated Feb 14, 2020)
They Ain't Gonna Know What Hit 'em
Venom- was okay, i mean we finally got a venom movie. We finally got a good looking venom. We got a small cameo by she-venom which was nice, but hopefully in the sequel we get more than 5-10 seconds of screen time of she-venom. Also in the sequel we are getting carange, which was teased in the post-credit sence at the end of this movie, with Woody Harrison weird and fake red wig. Tom Hardy was a better eddie brock than Topher Grace. So thats good. Just feel like both Tom Hardy and Michelle Williams were both wasted in this film. Their are such both great/excellent actors, and their just wasted in this film.
The plot: Journalist Eddie Brock is trying to take down Carlton Drake, the notorious and brilliant founder of the Life Foundation. While investigating one of Drake's experiments, Eddie's body merges with the alien Venom -- leaving him with superhuman strength and power. Twisted, dark and fueled by rage, Venom tries to control the new and dangerous abilities that Eddie finds so intoxicating.
I cant really anything else about Venom, its just okay overall and hopefullt venom 2 is better.
The plot: Journalist Eddie Brock is trying to take down Carlton Drake, the notorious and brilliant founder of the Life Foundation. While investigating one of Drake's experiments, Eddie's body merges with the alien Venom -- leaving him with superhuman strength and power. Twisted, dark and fueled by rage, Venom tries to control the new and dangerous abilities that Eddie finds so intoxicating.
I cant really anything else about Venom, its just okay overall and hopefullt venom 2 is better.
Colin O'Donoghue recommended 12 Angry Men (1957) in Movies (curated)
Fred (860 KP) rated Close Encounters of the Third Kind (1977) in Movies
Jan 22, 2019
Spielberg's best
When people think of Spielberg's best, they'll either jump straight to Jaws or Schindler's List. While both are fantastic movies, there is one movie in my opinion, that is often forgotten & is truly his best. Close Encounters of the Third Kind. I first saw this as a kid, when I forced my parents to take me to see it on their movie night, while my 5 brothers were stuck at home being babysat by my Grandma.
Anyway, let's talk about the movie. From the beginning scene with the planes in the desert, you know you're in for something special. At the time I saw the movie, I was big into UFOs. I knew all the stories, all the alien types, all the photos. I even knew who Dr. Allen Hynek, who ran Project Blue Book, was & recognized him at the end of the film, where he makes a cameo. My dad, who was not into sci-fi & didn't believe in the supernatural, told me many times that this was one of his favorite films because "It could happen".
And that's part of the movie's appeal. It could happen. But it's Spielberg's direction of the actors that makes it seem even more real. The way Roy's family acts when all together is all too real & much like real people would act. Everyone in the film is great. If I had only one complaint about the movie, it would be that Roy's wife leaves him too quickly. It's almost like she doesn't even like him & is so quick to give up on him. In any case, she is played very well by Teri Garr. We meet a lot of strange people on the way too, who also have seen these UFOs, like the whistling guy, who saw Bigfoot once too. And he's believable. Again, it all seems like it could happen.
Then there are the special effects. Done by ILM, who had no peers at the time. The UFOs look like they're there & the Mothership at the end still drops my jaw. Throw in John Williams memorable score & you got movie magic. Whenever I think of this film, I get in the mood to watch it right away. And I usually do. I probably have seen this movie over 50 times & will watch it again & again. Close Encounters is Spielberg's best & my third favorite of all time
Anyway, let's talk about the movie. From the beginning scene with the planes in the desert, you know you're in for something special. At the time I saw the movie, I was big into UFOs. I knew all the stories, all the alien types, all the photos. I even knew who Dr. Allen Hynek, who ran Project Blue Book, was & recognized him at the end of the film, where he makes a cameo. My dad, who was not into sci-fi & didn't believe in the supernatural, told me many times that this was one of his favorite films because "It could happen".
And that's part of the movie's appeal. It could happen. But it's Spielberg's direction of the actors that makes it seem even more real. The way Roy's family acts when all together is all too real & much like real people would act. Everyone in the film is great. If I had only one complaint about the movie, it would be that Roy's wife leaves him too quickly. It's almost like she doesn't even like him & is so quick to give up on him. In any case, she is played very well by Teri Garr. We meet a lot of strange people on the way too, who also have seen these UFOs, like the whistling guy, who saw Bigfoot once too. And he's believable. Again, it all seems like it could happen.
Then there are the special effects. Done by ILM, who had no peers at the time. The UFOs look like they're there & the Mothership at the end still drops my jaw. Throw in John Williams memorable score & you got movie magic. Whenever I think of this film, I get in the mood to watch it right away. And I usually do. I probably have seen this movie over 50 times & will watch it again & again. Close Encounters is Spielberg's best & my third favorite of all time
Britt Smith (36 KP) rated Dredd (2012) in Movies
Mar 12, 2018 (Updated Mar 12, 2018)
Pure action (2 more)
True to the comic
MaMa
Yeah.
What's not to love here? A fan of the comic, I had the chance to see the movie in 3D and it is one of the best cinema experiences ever (and the best action to date). Carl Urban does absolute justice to the character, and the movie itself does Mega-City 1 right. If you haven't seen it, do yourself a favor.
Also, favorite female villain of all time goes to Ma-Ma. Best put by Lena Headey when she said "I think of her like an old great white shark who is just waiting for someone bigger and stronger to show up and kill her. She's ready for it. In fact, she can't wait for it to happen. And yet no one can get the job done. She's an addict, so she's dead in that way, but that last knock just hasn't come. This big, fat, scarred shark moving through the sea and everyone flees and she's like, 'Will someone just have the balls to do it? Please?'"
Also, favorite female villain of all time goes to Ma-Ma. Best put by Lena Headey when she said "I think of her like an old great white shark who is just waiting for someone bigger and stronger to show up and kill her. She's ready for it. In fact, she can't wait for it to happen. And yet no one can get the job done. She's an addict, so she's dead in that way, but that last knock just hasn't come. This big, fat, scarred shark moving through the sea and everyone flees and she's like, 'Will someone just have the balls to do it? Please?'"
LoganCrews (2861 KP) rated Anchorman 2: The Legend Continues (2013) in Movies
Sep 21, 2020
On par with the first movie, with the added benefit of looking like an actual film production and not a basement eyesore. Maintains the loose schema but ups the joke consistency and jovial absurdity at least five, maybe ten-fold. So if you had to pull me on it, I'd say this one is better. My biggest quibble is that it needed to shave off around fifteen minutes, and truthfully I have less qualms about the actual length as opposed to the steam all but fizzling out in the last act. Also helps that this leans much more into its setting and subject matter, aiming for some admittedly broad satire but no less accurate. A way better comedy movie let alone sequel than it has any right to be, and you all scared McKay away to mostly dull-arrowed political farces because he had the heart to offer us this. For shame. Funny as fuck most of the time, and I just love how lived-in and learned these performances are by actors who know their characters inside and out.
Hidden in Plain Sight: An Archaeology of Magic and the Cinema
Book
What does it mean to deWhat does it mean to describe cinematic effects as "movie magic," to compare...








