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Matthew Krueger (10051 KP) rated Mission: Impossible 2 (2000) in Movies
Apr 8, 2020
Flaming Birds
Mission: impossible II- this is a strange sequel, on one hand its good, on the other its bad. So lets call it in the middle, good but bad. Tom Cruise and Ving Rhames both return. I like how each movie is directed by a different director. The first one was Brain De Palma so his take was putting spy, suspense and thrills in the first one. In this one John Woo directs it. That means alot of slow-mo, birds, and that pretty much it.
The plot: Tom Cruise returns to his role as Ethan Hunt in the second installment of "Mission: Impossible." This time Ethan Hunt leads his IMF team on a mission to capture a deadly German virus before it is released by terrorists. His mission is made impossible due to the fact that he is not the only person after samples of the disease. He must also contest with a gang of international terrorists headed by a turned bad former IMF agent who has already managed to steal the cure.
Its good, but the first one was better.
The plot: Tom Cruise returns to his role as Ethan Hunt in the second installment of "Mission: Impossible." This time Ethan Hunt leads his IMF team on a mission to capture a deadly German virus before it is released by terrorists. His mission is made impossible due to the fact that he is not the only person after samples of the disease. He must also contest with a gang of international terrorists headed by a turned bad former IMF agent who has already managed to steal the cure.
Its good, but the first one was better.
David McK (3632 KP) rated The Lone Ranger (2013) in Movies
Sep 15, 2019 (Updated Feb 14, 2021)
"Hi Ho Silver away!"
Gore Verbinski (Pirates of the Carribean) take on the classic Western for Disney, with Johnny Depp's Tonto pretty much playing the same character as his Captain Jack Sparrow, and with Armie Hammer taking on the role of The Lone Ranger.
Set as an elderly Tonto telling the story to a child visitor in a fairground in 1930s San Fransisco, this takes a while to get going (2hour 20 running time!), with a large part of the story settign the scene and the background to how the Lone Ranger came to be who he is/was.
Indeed, apart from a slight refrain at the beginning the stirring William Tell overture doesn't even get used until near the end of the movie (probably for the best, as an overuse would dilute its impact).
I also have to say that this is probably one for the big screen: the sweeping majestic shots of the Wild West do kind of lose their impact on a smaller TV screen!
Gore Verbinski (Pirates of the Carribean) take on the classic Western for Disney, with Johnny Depp's Tonto pretty much playing the same character as his Captain Jack Sparrow, and with Armie Hammer taking on the role of The Lone Ranger.
Set as an elderly Tonto telling the story to a child visitor in a fairground in 1930s San Fransisco, this takes a while to get going (2hour 20 running time!), with a large part of the story settign the scene and the background to how the Lone Ranger came to be who he is/was.
Indeed, apart from a slight refrain at the beginning the stirring William Tell overture doesn't even get used until near the end of the movie (probably for the best, as an overuse would dilute its impact).
I also have to say that this is probably one for the big screen: the sweeping majestic shots of the Wild West do kind of lose their impact on a smaller TV screen!
Daniel Boyd (1066 KP) rated The Dirt (2019) in Movies
Apr 4, 2019 (Updated Apr 4, 2019)
Brainless Fun
The Dirt is a Motley Crue biopic that debuted on Netflix last month. It is Jeff Tremaine's, (the director of the Jackass movies,) first narrative feature film. This should maybe give you some idea of what to expect within the movie. If Bohemian Rhapsody, Wayne's World and Jackass had a baby, this would most likely be the result.
Your enjoyment of this movie will probably depend on what you are wanting out of it going in. I am a casual Motely Crue fan, I only know a few of their songs and have a very surface level knowledge of their history. I was watching this movie for a bit of dumb fun after I had seen the trailer and it delivered exactly what I expected it to. If however, you are a die hard Motley Crue fan looking for an in-depth biopic with a sense of grit and realism, you will most likely be sorely disappointed.
The plot to this thing plays out like a Wikipedia article, in the sense that it hits all of the major beats of the band's history, but glosses over so much more and leaves any sense of nuance at the door. It is also incredibly cartoonish and cheesy, at no point in the film do you ever feel that you are watching the actual members of Motley Crue and it is always painfully clear that you are watching a group of actors in bad wigs playing faux, characterture versions of real people.
Don't get me wrong, I don't think that the cast have anything to do with how shallow or glossy this thing is. I think that Daniel Webber did a decent job as Vince Neil and Douglas Booth is okay as Nikki Sixx. For some reason, Machine Gun Kelly plays Tommy Lee as a goofy, lovable rogue, as apposed to the aggressive violent abuser he is in real life. Iwan Rheon is by far the stand out as Mick Mars, the older, more jaded member of the group who totally dismisses the immature 'sex drugs and rock and roll,' bullshit mentality of his band-mates and comes away with some of the driest, funniest lines in the movie.
Overall, I gave this a 7 based on the brainless fun I had watching it, but it by no means feels accurate or realistic, nor does it feel like it's trying to be. Hardcore Motely Crue fans will probably feel like they were let down by this biopic, but I got exactly what I wanted out of it and enjoyed it for what it was.
Your enjoyment of this movie will probably depend on what you are wanting out of it going in. I am a casual Motely Crue fan, I only know a few of their songs and have a very surface level knowledge of their history. I was watching this movie for a bit of dumb fun after I had seen the trailer and it delivered exactly what I expected it to. If however, you are a die hard Motley Crue fan looking for an in-depth biopic with a sense of grit and realism, you will most likely be sorely disappointed.
The plot to this thing plays out like a Wikipedia article, in the sense that it hits all of the major beats of the band's history, but glosses over so much more and leaves any sense of nuance at the door. It is also incredibly cartoonish and cheesy, at no point in the film do you ever feel that you are watching the actual members of Motley Crue and it is always painfully clear that you are watching a group of actors in bad wigs playing faux, characterture versions of real people.
Don't get me wrong, I don't think that the cast have anything to do with how shallow or glossy this thing is. I think that Daniel Webber did a decent job as Vince Neil and Douglas Booth is okay as Nikki Sixx. For some reason, Machine Gun Kelly plays Tommy Lee as a goofy, lovable rogue, as apposed to the aggressive violent abuser he is in real life. Iwan Rheon is by far the stand out as Mick Mars, the older, more jaded member of the group who totally dismisses the immature 'sex drugs and rock and roll,' bullshit mentality of his band-mates and comes away with some of the driest, funniest lines in the movie.
Overall, I gave this a 7 based on the brainless fun I had watching it, but it by no means feels accurate or realistic, nor does it feel like it's trying to be. Hardcore Motely Crue fans will probably feel like they were let down by this biopic, but I got exactly what I wanted out of it and enjoyed it for what it was.
Lee (2222 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 12, 2018
It's Victorian London, Christmas time, and a family mourning the recent loss of their mother is preparing to go to a Christmas party. Their father hands out some gifts left to them by their mother and eldest daughter Clara (Mackenzie Foy) receives an egg shaped box, locked and with the keys whereabouts unknown. Disappointed, they head off to the lavish Christmas party hosted by Claras godfather (Morgan Freeman) and while there, Clara discovers a hidden world consisting of four realms. War is brewing and in the absence of her mother, who discovered this world and became its queen, it's up to Clara to bring everyone together once more.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
Mekhi Phifer recommended The Godfather: Part II (1974) in Movies (curated)
Kim Pook (101 KP) rated Freaks (2018) in Movies
Jun 3, 2022
A young girl is seing looking through the window, everything looks to be at a stand still including the birds in the sky which appear to be paused mid flight. Her dad stops her and tells her that being seen would not be safe. Their house appears run down, there's no electricity and chloe and her dad keep practicing random scenarios on staying safe. There's not much going on but clearly something isn't right.
One day a young girl called Harper brings chloe an ice cream, but because she somehow knew chloes name, chloes dad assumed she had been outside and punishes her by locking her in the closet where chloe seemingly now has harper as an imaginary friend.
Chloes dad promises to get her ice cream if she never opens the door again, but when he returns he is injured and passes out. Chloe takes this opportunity to leave the house and befriends the ice cream man parked outside who turns out to be her grandfather, he informs chloe that she is special and her and him are going to try and bring her mum back.
From then on the movie gets weirder and weirder, chloe keeps seing different people in her closet including a sleep over at harpers House, and her mum chained up, she is also able to get inside peoples heads and force them to do things.
I found the movie took far too long to get to a point, 40 minutes to find out what freaks were and about an hour to find out about the powers and what they're capable of, and the ending...... Well I don't even understand what was going on there. If you don't like your brain to hurt during a movie I would stay clear.
One day a young girl called Harper brings chloe an ice cream, but because she somehow knew chloes name, chloes dad assumed she had been outside and punishes her by locking her in the closet where chloe seemingly now has harper as an imaginary friend.
Chloes dad promises to get her ice cream if she never opens the door again, but when he returns he is injured and passes out. Chloe takes this opportunity to leave the house and befriends the ice cream man parked outside who turns out to be her grandfather, he informs chloe that she is special and her and him are going to try and bring her mum back.
From then on the movie gets weirder and weirder, chloe keeps seing different people in her closet including a sleep over at harpers House, and her mum chained up, she is also able to get inside peoples heads and force them to do things.
I found the movie took far too long to get to a point, 40 minutes to find out what freaks were and about an hour to find out about the powers and what they're capable of, and the ending...... Well I don't even understand what was going on there. If you don't like your brain to hurt during a movie I would stay clear.
David McK (3632 KP) rated John Wick. Chapter 4 (2023) in Movies
Jun 18, 2023
The longest John Wick movie to date, clocking in at just under 3 hours, with Keanu Reeves once again the focal point for some inventive action scenes.
Even if, by this point, all the assassins are operating at a level just below that of superheroes: bouncing off cars, falling out upper storey windows (and then getting up and dusting themselves off), shrugging off wounds that would incapacitate you or me ...
I also have to say, just where is the police when all this is going on?!
Anyway, that's all by the by: here, John is still out for revenge on the High Table that branded him 'excommunicado', with the bounty on his head growing ever and ever larger all the time. This film also moves that action - largely - away from New York, instead relocating to Japan (Osako) and France (Paris), with the last hour or so pretty much an extended action scene as John (fist)fights, shoots, brawls, stabs and crawls his way to a dawn appointment for a duel like something out of the 18th century that he hopes will finally close his ledger.
Even if, by this point, all the assassins are operating at a level just below that of superheroes: bouncing off cars, falling out upper storey windows (and then getting up and dusting themselves off), shrugging off wounds that would incapacitate you or me ...
I also have to say, just where is the police when all this is going on?!
Anyway, that's all by the by: here, John is still out for revenge on the High Table that branded him 'excommunicado', with the bounty on his head growing ever and ever larger all the time. This film also moves that action - largely - away from New York, instead relocating to Japan (Osako) and France (Paris), with the last hour or so pretty much an extended action scene as John (fist)fights, shoots, brawls, stabs and crawls his way to a dawn appointment for a duel like something out of the 18th century that he hopes will finally close his ledger.
Steven Sklansky (231 KP) rated Live By Night (2017) in Movies
Sep 10, 2017
Cast (2 more)
Gun play
Costumes and Sets
Gangsters, Guns and Money. What more is there?
To me Ben Affleck has always been a good actor. It doesn't matter if it is a good movie or a bad one, he seems to make his acting ability known. Live by Night was no different, he played gangster very well. It might be because he was also directing himself. Some movies you can tell that the movie is being directed by the actor in the movie, but in this one you could not see that line. The senses he was in you could tell they were done with the same quality as a director sitting in a chair.
Ben Affleck really does love Boston, because once again that where this whole thing begins. I didn't live in the 20's but the Boston accent must not have been established yet. It was quite refreshing not to hear it in a movie. I really didn't know Boston's backstory but I guess like everywhere on the East Coast there was a mob presence. They did a really good job showing the life of someone in the mob. It wasn't just the killing and booze. It really went deep with the love story of both women and what he had to go though to keep the love and them alive. Even though one of them turned out to be a backstabbing bitch.
When the story progressed to Tampa it was interesting to see something that I don't think has been portrayed in movies. Or I have never seen it. The mob in Florida. The interactions between the Irish and Italian mob in a world of Mexicans and Cubans was done very well. There was a lot going on and it never got boring. The only part of the story that got a little off was rivalry of the mob in Tampa and Miami. You never saw the fights between them until the end. I just thought it was over and done with after the Italians were run out of town. Or maybe I just missed it.
I won't tell you what happened to anyone at the end but the gun fight was amazing. So may parts put in and the chirography was done very well. I think the very end could have been done differently. To me it was very off putting and didn't understand why they choose to go that direction. Granted it was based off a book that I never read and maybe that's the way it had to be. But it could have been written better in the book too. Books seem to get the point across better anyway.
If you like gangster movies, see it. If you like Ben Affleck, see it. If you just want to watch a movie not to be bored, see it.
Ben Affleck really does love Boston, because once again that where this whole thing begins. I didn't live in the 20's but the Boston accent must not have been established yet. It was quite refreshing not to hear it in a movie. I really didn't know Boston's backstory but I guess like everywhere on the East Coast there was a mob presence. They did a really good job showing the life of someone in the mob. It wasn't just the killing and booze. It really went deep with the love story of both women and what he had to go though to keep the love and them alive. Even though one of them turned out to be a backstabbing bitch.
When the story progressed to Tampa it was interesting to see something that I don't think has been portrayed in movies. Or I have never seen it. The mob in Florida. The interactions between the Irish and Italian mob in a world of Mexicans and Cubans was done very well. There was a lot going on and it never got boring. The only part of the story that got a little off was rivalry of the mob in Tampa and Miami. You never saw the fights between them until the end. I just thought it was over and done with after the Italians were run out of town. Or maybe I just missed it.
I won't tell you what happened to anyone at the end but the gun fight was amazing. So may parts put in and the chirography was done very well. I think the very end could have been done differently. To me it was very off putting and didn't understand why they choose to go that direction. Granted it was based off a book that I never read and maybe that's the way it had to be. But it could have been written better in the book too. Books seem to get the point across better anyway.
If you like gangster movies, see it. If you like Ben Affleck, see it. If you just want to watch a movie not to be bored, see it.
Bob Mann (459 KP) rated Cruella (2021) in Movies
Jun 11, 2021
The two Emmas (2 more)
The rest of the ensemble cast
The technical team: cinematography, hair & make-up; costuming
An astonishing attack on the senses as Disney goes to the dark side.
Positives:
- The battle of the Emmas! It's really difficult to say who wins, since both Emma Thompson and Emma Stone give such fabulous performances here. You might think that Thompson steals a scene at one minute, only for Stone to come surfing in on a garbage truck and outdo her! I think it would be a surprise if both were not nominated for Actress and Supporting Actress Oscars for this.
- The supporting cast is also very strong. Paul Walter Hauser picks up the 'comedy villain' role as Horace Badun, and is so entertaining I could just about forgive his 'gor-blimey-guvnor' cockney accent: one that gives Dick Van Dyke a run for his money. Joel Fry - most recognisable to me as the useless roadie from "Yesterday" - plays the straight man in the duo, and does it very well. Mark Strong, cast against type as an evil henchman (#humour) is as good as always. And Kirby Howell-Baptiste and John McCrea round off the strong ensemble cast. But a particular shout-out I think should go to young Tipper Seifert-Cleveland who plays the young Estrella: she's way down the cast list, but I thought she gave a knock-out performance to ground the dramatic opening scenes of the movie.
- Technically, the film is marvellous and surely in line for a slew of technical Oscars next awards season. In fact, I think - even at this early point in the year - you would be a VERY brave person to bet against Cruella picking up the awards for Hair and Makeup (Nadia Stacey), Costume (Jenny Beavan and Tom Davies) and Production Design (Fiona Crombie). It's a stunning technical achievement - a real attack on the senses.
- The cinematography (Nicholas Karakatsanis) is also spectacular. A 'single-take' fly-through of the Liberty store from top to bottom is a tour-de-force, worthy of "1917"-style applause.
- And we should also add to this list a truly banging soundtrack from Nicholas Britell. Many of the tracks chosen - although regular visitors to cinema screen - catch the mood of the movie brilliantly and add to what is a joy-ride of a flick.
- The script is deliciously dark in places for a Disney film. Definitely NOT one for young children. Perhaps - given that it went down some of the roads it did, it could have been made EVEN BLACKER in places. (Did we REALLY need to see the Dalmatians again!) But some of the twists are delightful, especially 'mothageddon' which made me howl with laughter (even though I rather saw a variation of it coming).
Negatives:
- At 134 minutes, I felt the movie was a bit too long. There's a point (at about 100 minutes, where Emma Stone does her "I am Cruella" speech) which felt to me like the perfect end to a (first) film. I was delighted, happy and very content with the movie, thank-you very much. But then we dived back into the third reel. And, don't get me wrong, the ending was really entertaining. But, given that I suspect Disney KNEW that this was likely to be a big hit, I think a shorter film teasing for the sequel would have worked better.
Additional Notes:
- It's 12A certificate for a reason. Although a Disney, this is the dark-side of Disney and is not suitable for younger children.
- Yes, this one has a mid-credit scene - and for once its worth staying for: an introduction to two of the stars of the original cartoon that we haven't met yet, and for a rendition of a well-known tune (a TERRIBLE ear-worm that I've been quietly humming to myself ever since!).
Summary Thoughts on "Cruella": The cinema summer's still young, but it's already had some tricks up its sleeve. First "Nobody" came out of nowhere to delight me. And now, what a surprise! "Cruella" is a blisteringly funny, gloriously colourful and hugely entertaining blockbuster.
You'll know I'm not a fan of these Disney live-action re-imaginings of classic cartoons (although of course this one has previously had the Glenn Close treatment in two previous films in 1996 and 2000). But this is an origin story I really thought I didn't want... but now feel that I was wrong.
I've seen it described as "Devil Wears Prada meets Joker". The Prada analogy is well-deserved. But I'm not sure I agree with the Joker analogy. In Joker, our anti-hero was an everyman (albeit a disturbed one) driven to madness and anarchy by others. In Cruella, it's all inbred and that makes it perhaps even more deliciously dark. The fact that Disney released this - forewarned by a distinctly sombre and stormy castle logo at the start - is a minor miracle, and hopefully signs of more spice and adventure to come.
If you haven't caught it yet, it's highly recommended. As well as being in cinemas, its also available to buy on Disney+ streaming.
(Please check out the full graphical review at One Mann's Movies here - https://bob-the-movie-man.com/2021/06/11/cruella-an-astonishing-attack-on-the-senses-as-disney-goes-to-the-dark-side/. Thanks).
- The battle of the Emmas! It's really difficult to say who wins, since both Emma Thompson and Emma Stone give such fabulous performances here. You might think that Thompson steals a scene at one minute, only for Stone to come surfing in on a garbage truck and outdo her! I think it would be a surprise if both were not nominated for Actress and Supporting Actress Oscars for this.
- The supporting cast is also very strong. Paul Walter Hauser picks up the 'comedy villain' role as Horace Badun, and is so entertaining I could just about forgive his 'gor-blimey-guvnor' cockney accent: one that gives Dick Van Dyke a run for his money. Joel Fry - most recognisable to me as the useless roadie from "Yesterday" - plays the straight man in the duo, and does it very well. Mark Strong, cast against type as an evil henchman (#humour) is as good as always. And Kirby Howell-Baptiste and John McCrea round off the strong ensemble cast. But a particular shout-out I think should go to young Tipper Seifert-Cleveland who plays the young Estrella: she's way down the cast list, but I thought she gave a knock-out performance to ground the dramatic opening scenes of the movie.
- Technically, the film is marvellous and surely in line for a slew of technical Oscars next awards season. In fact, I think - even at this early point in the year - you would be a VERY brave person to bet against Cruella picking up the awards for Hair and Makeup (Nadia Stacey), Costume (Jenny Beavan and Tom Davies) and Production Design (Fiona Crombie). It's a stunning technical achievement - a real attack on the senses.
- The cinematography (Nicholas Karakatsanis) is also spectacular. A 'single-take' fly-through of the Liberty store from top to bottom is a tour-de-force, worthy of "1917"-style applause.
- And we should also add to this list a truly banging soundtrack from Nicholas Britell. Many of the tracks chosen - although regular visitors to cinema screen - catch the mood of the movie brilliantly and add to what is a joy-ride of a flick.
- The script is deliciously dark in places for a Disney film. Definitely NOT one for young children. Perhaps - given that it went down some of the roads it did, it could have been made EVEN BLACKER in places. (Did we REALLY need to see the Dalmatians again!) But some of the twists are delightful, especially 'mothageddon' which made me howl with laughter (even though I rather saw a variation of it coming).
Negatives:
- At 134 minutes, I felt the movie was a bit too long. There's a point (at about 100 minutes, where Emma Stone does her "I am Cruella" speech) which felt to me like the perfect end to a (first) film. I was delighted, happy and very content with the movie, thank-you very much. But then we dived back into the third reel. And, don't get me wrong, the ending was really entertaining. But, given that I suspect Disney KNEW that this was likely to be a big hit, I think a shorter film teasing for the sequel would have worked better.
Additional Notes:
- It's 12A certificate for a reason. Although a Disney, this is the dark-side of Disney and is not suitable for younger children.
- Yes, this one has a mid-credit scene - and for once its worth staying for: an introduction to two of the stars of the original cartoon that we haven't met yet, and for a rendition of a well-known tune (a TERRIBLE ear-worm that I've been quietly humming to myself ever since!).
Summary Thoughts on "Cruella": The cinema summer's still young, but it's already had some tricks up its sleeve. First "Nobody" came out of nowhere to delight me. And now, what a surprise! "Cruella" is a blisteringly funny, gloriously colourful and hugely entertaining blockbuster.
You'll know I'm not a fan of these Disney live-action re-imaginings of classic cartoons (although of course this one has previously had the Glenn Close treatment in two previous films in 1996 and 2000). But this is an origin story I really thought I didn't want... but now feel that I was wrong.
I've seen it described as "Devil Wears Prada meets Joker". The Prada analogy is well-deserved. But I'm not sure I agree with the Joker analogy. In Joker, our anti-hero was an everyman (albeit a disturbed one) driven to madness and anarchy by others. In Cruella, it's all inbred and that makes it perhaps even more deliciously dark. The fact that Disney released this - forewarned by a distinctly sombre and stormy castle logo at the start - is a minor miracle, and hopefully signs of more spice and adventure to come.
If you haven't caught it yet, it's highly recommended. As well as being in cinemas, its also available to buy on Disney+ streaming.
(Please check out the full graphical review at One Mann's Movies here - https://bob-the-movie-man.com/2021/06/11/cruella-an-astonishing-attack-on-the-senses-as-disney-goes-to-the-dark-side/. Thanks).
Joe Julians (221 KP) rated The Disaster Artist (2017) in Movies
Jan 30, 2018
James Franco (1 more)
The tone
Far from a disaster
If you haven't seen The Room, then I urge you to do so at once. It's a bemusing, confusing, unintentionally hilarious 90 odd minutes that fully deserves all the cult screenings and bewildered wonder that it has garnered over the years. It's without question a perfect awful movie. And here with The Disaster Artist, based on the book of the same name, we get to see the story of just went on to get this film made.
To start with, James Franco is perfect as the mysterious and downright bonkers Tommy Wiseau. His voice, his mannerisms, his almost childlike tantrum throwing approach to life, he manages to make an almost unbelievable man fully believable. He's backed up by a cast that commit to the roles, but other than Dave Franco, don't get a huge amount of time in the spotlight. That's not a criticism as such, by design the two central figures in this are Tommy and Greg Sistero- his friend and fellow budding actor.
I suspect if you are a "fan" of The Room, you'll likely get a lot more out of this than if you had little to know knowledge of the film it depicts the making of. It's a blast getting to see certain iconic scenes recreated for this and to hear the origin stories behind key lines- "you're tearing me apart, Lisa" being one such moment that took me by surprise. The original film is a messy nonsensical experience and it's fun to see that almost everyone working on it viewed it as such even when it was being made. Everyone except Tommy that is.
Where things get a little murky for me is with how you are supposed to feel by the time the brilliant end credits roll (there's exact recreations of certain moments played side by side that are great fun.) It seems as though we are meant to be inspired by Tommy and what he has achieved, like in the end this is supposed to be a feel-good movie about never giving up on your dreams. That's all well and good, but Tommy Wiseau doesn't come across particularly well in this. He's a temper tantrum throwing and at times scary man to be around. One scene in particular during the shooting of the 'belly button sex scene' portrays him as a pretty horrible man, one that gets his way by being somewhat of a bully. This isn't addressed again fully and it's hard to feel like cheering him on by the time the big premiere screening rolls round. There's also his about face when it comes to claiming the movie was meant to be a comedy- something nobody believes. On the one hand, it's a smart move to take what he has and run with it, but there's also something sad about him not having something he cared so passionately about be received in the way it was intended. This is something else that is glossed over, but then Wiseau would never speak so candidly to give the writers anything to work with.
Overall this is a great movie and a fascinating watch. Would highly recommend.
To start with, James Franco is perfect as the mysterious and downright bonkers Tommy Wiseau. His voice, his mannerisms, his almost childlike tantrum throwing approach to life, he manages to make an almost unbelievable man fully believable. He's backed up by a cast that commit to the roles, but other than Dave Franco, don't get a huge amount of time in the spotlight. That's not a criticism as such, by design the two central figures in this are Tommy and Greg Sistero- his friend and fellow budding actor.
I suspect if you are a "fan" of The Room, you'll likely get a lot more out of this than if you had little to know knowledge of the film it depicts the making of. It's a blast getting to see certain iconic scenes recreated for this and to hear the origin stories behind key lines- "you're tearing me apart, Lisa" being one such moment that took me by surprise. The original film is a messy nonsensical experience and it's fun to see that almost everyone working on it viewed it as such even when it was being made. Everyone except Tommy that is.
Where things get a little murky for me is with how you are supposed to feel by the time the brilliant end credits roll (there's exact recreations of certain moments played side by side that are great fun.) It seems as though we are meant to be inspired by Tommy and what he has achieved, like in the end this is supposed to be a feel-good movie about never giving up on your dreams. That's all well and good, but Tommy Wiseau doesn't come across particularly well in this. He's a temper tantrum throwing and at times scary man to be around. One scene in particular during the shooting of the 'belly button sex scene' portrays him as a pretty horrible man, one that gets his way by being somewhat of a bully. This isn't addressed again fully and it's hard to feel like cheering him on by the time the big premiere screening rolls round. There's also his about face when it comes to claiming the movie was meant to be a comedy- something nobody believes. On the one hand, it's a smart move to take what he has and run with it, but there's also something sad about him not having something he cared so passionately about be received in the way it was intended. This is something else that is glossed over, but then Wiseau would never speak so candidly to give the writers anything to work with.
Overall this is a great movie and a fascinating watch. Would highly recommend.