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Calum (17 KP) rated Tenacious D in The Pick of Destiny (2006) in Movies
Jul 10, 2018
Catchy music/songs (3 more)
Good range of characters
Fun special effects
That museum scene
Story drags a little bit (2 more)
Somewhat predictable
Range of locations aren't very exciting
Great musical, okay everything else
Back in the summer of 2007 I was at a friends house. I was 10 years old and did not have much previous experience of music but decided to watch this. Looking back, I was probably a little too young for the language and adult themes but I can safely say that this movie single handedly got me into music. Even to this day I could recite every song word for word.
Aside from the amazing range of songs, it is quite a simple musical comedy. There are a good few funny moments but also a lot of jokes that just fall flat.. Let's be honest though, if you're a fan of Tenacious D, you aren't here for the comedy but for the music which I have to say again is simply brilliant! As long as you aren't too easily offended by some of the more vulgar scenes, this is a must watch!
Aside from the amazing range of songs, it is quite a simple musical comedy. There are a good few funny moments but also a lot of jokes that just fall flat.. Let's be honest though, if you're a fan of Tenacious D, you aren't here for the comedy but for the music which I have to say again is simply brilliant! As long as you aren't too easily offended by some of the more vulgar scenes, this is a must watch!
Awix (3310 KP) rated The Dead Don't Die (2019) in Movies
Jul 20, 2019 (Updated Jul 20, 2019)
Bemusingly inert zombie pastiche/comedy. The good people of Centerville, USA, find themselves besieged when 'polar fracking' shifts the world off its orbit and raises the dead. Is anyone going to make it through the night?
Sounds like a knowing pastiche of B-movie tropes (there indeed appears to be a nod to Plan Nine from Outer Space at one point), and indeed it is, but if this is really a comedy they forgot to add any jokes. There are some amusing moments and the zombie-pocalypse is certainly well staged, but the film seems more concerned with cultivating a baffling, deadpan weirdness than actually telling a coherent story. For instance: Tilda Swinton plays the town's undertaker, a sword-swinging eccentric with a Highland Scots accent. The punchline? Tilda Swinton's character is called Zelda Winston! Oh, my sides. Various other bits of self-aware cleverness also intrude. Characters appear, don't do much, and then exit; Romero is referenced without any new angles being taken on his ideas; there is no conclusion worthy of the name. If the film is trying to send a message about pointlessness and futility, it needn't have taken it quite so much to heart.
Sounds like a knowing pastiche of B-movie tropes (there indeed appears to be a nod to Plan Nine from Outer Space at one point), and indeed it is, but if this is really a comedy they forgot to add any jokes. There are some amusing moments and the zombie-pocalypse is certainly well staged, but the film seems more concerned with cultivating a baffling, deadpan weirdness than actually telling a coherent story. For instance: Tilda Swinton plays the town's undertaker, a sword-swinging eccentric with a Highland Scots accent. The punchline? Tilda Swinton's character is called Zelda Winston! Oh, my sides. Various other bits of self-aware cleverness also intrude. Characters appear, don't do much, and then exit; Romero is referenced without any new angles being taken on his ideas; there is no conclusion worthy of the name. If the film is trying to send a message about pointlessness and futility, it needn't have taken it quite so much to heart.
Erika (17789 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 9, 2020
First, this film is better than Suicide Squad (I rated that film a 2); it wasn't a hard bar to pass though.
A more apt title for the film would be Harley Quinn and the Birds of Prey. I'm definitely a fan of Birds of Prey, and not really a Harley Quinn fan. I find Harley Quinn kind of annoying, and the storytelling structure was headache inducing at times.
The positives: The fight choreography, that was basically it's saving grace. Ewan McGregor didn't have a lot of story to work with, it was all on the surface. I did think it was hilarious when he joined the dance number for 'Diamonds are a Girl's Best Friend', that just made me want to go and watch Moulin Rouge again. He also reused his general American accent from Men Who Stare at Goats, which marks the second movie I thought about watching while I was in this film.
The overall plot was basic and it was very predictable. What made this film even worse was that I did a double-feature and saw Ford v Ferrari afterwards, and there's simply no comparison.
A more apt title for the film would be Harley Quinn and the Birds of Prey. I'm definitely a fan of Birds of Prey, and not really a Harley Quinn fan. I find Harley Quinn kind of annoying, and the storytelling structure was headache inducing at times.
The positives: The fight choreography, that was basically it's saving grace. Ewan McGregor didn't have a lot of story to work with, it was all on the surface. I did think it was hilarious when he joined the dance number for 'Diamonds are a Girl's Best Friend', that just made me want to go and watch Moulin Rouge again. He also reused his general American accent from Men Who Stare at Goats, which marks the second movie I thought about watching while I was in this film.
The overall plot was basic and it was very predictable. What made this film even worse was that I did a double-feature and saw Ford v Ferrari afterwards, and there's simply no comparison.
Awix (3310 KP) rated Educating Rita (1983) in Movies
May 18, 2020
Julie Walters makes a memorable movie debut in this surprisingly moving comedy-drama. Caine plays Frank, a boozy lecturer and (he thinks) awful teacher who is slightly baffled by Rita, a bright but uncultured new student who wanders into his office one day. She wants more out of life, and thinks studying literature will help her get it. But is she right? And what can they learn from one another?
Very well written and extremely well-played, the heart of the film is the relationship between the two of them and how it slowly changes over time: not really a romance or a friendship, but something still powerful and very affecting. As well as the shifting dynamic between them, the film is also about many other things: snobbery, both standard and reversed; class; the purpose of education; what it means to be a teacher, and much more. The origins of the piece as a two-handed stage play are fairly obvious, and funding issues mean it is set (distractingly) somewhere in the little-known Liverpool-Oxbridge-Dublin region, but the story and performances are strong enough for these not to be serious issues. A very fine film.
Very well written and extremely well-played, the heart of the film is the relationship between the two of them and how it slowly changes over time: not really a romance or a friendship, but something still powerful and very affecting. As well as the shifting dynamic between them, the film is also about many other things: snobbery, both standard and reversed; class; the purpose of education; what it means to be a teacher, and much more. The origins of the piece as a two-handed stage play are fairly obvious, and funding issues mean it is set (distractingly) somewhere in the little-known Liverpool-Oxbridge-Dublin region, but the story and performances are strong enough for these not to be serious issues. A very fine film.
David McK (3562 KP) rated Enola Holmes 2 (2022) in Movies
Dec 8, 2022
Enola Holmes, as a character, was someone I had never heard of before the 2020 Netflix film of the same name.
Unlike her older brother Sherlock . Or even the oldest child of the family (she's the youngest) Mycroft Holmes.
Yes, as in *that* Sherlock Holmes.
Anyway, I do remember watching that first film and finding it entertaining enough, even if I don't remember all the particulars (aside from a lot of 4th-wall breaking talking to the screen going on).
That's not really that much of a hindrance to this one, with the key events given a quick recap at the start of the film - I also have to say that the frequency of the 4th wall breaking seems to have been cut back a bit (thankfully).
This movie takes the (real) story of the matchstick girls strike of 1888 as its basis, with Enola investigating the disappearance of a worker from that factory in a case that, as time progresses, starts to entwine more and more with that which her brother Sherlock is working on, eventually culminating in a (very) famous antagonist coming to light ...
(even if I did call it roughly 3/4s of the way through)
Unlike her older brother Sherlock . Or even the oldest child of the family (she's the youngest) Mycroft Holmes.
Yes, as in *that* Sherlock Holmes.
Anyway, I do remember watching that first film and finding it entertaining enough, even if I don't remember all the particulars (aside from a lot of 4th-wall breaking talking to the screen going on).
That's not really that much of a hindrance to this one, with the key events given a quick recap at the start of the film - I also have to say that the frequency of the 4th wall breaking seems to have been cut back a bit (thankfully).
This movie takes the (real) story of the matchstick girls strike of 1888 as its basis, with Enola investigating the disappearance of a worker from that factory in a case that, as time progresses, starts to entwine more and more with that which her brother Sherlock is working on, eventually culminating in a (very) famous antagonist coming to light ...
(even if I did call it roughly 3/4s of the way through)
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Neon's Nerd Nexus (360 KP) rated Captain Marvel (2019) in Movies
May 13, 2019
Captain Mehvel
#captainmarvel isnt a bad movie its just not a very #super one, instead feeling hollow & lacking in excitement & wow factor. I was actually really #hyped for this movie but at just 40 minutes in I was not only bored but feeling extreamly exhausted. Feeling like a strange mix of #powerrangers, #buffythevampireslayer & a #startrek episode from the #90s Captain Marvel certainly feels tone wise very different to other #marvel films. This i found to be a blessing & a curse leading to the style a lot of the time coming across as outdated/low budget & also made the film seem silly ruining all the serious plot points & making characters feel very out of place. Another problem i had was the #nostalgia bombardment it becomes so distracting to the point where i felt like i was watching a #PeterKay stand up show "remember this? remember that? wasnt this good?" etc. #brielarson & #judelaw stand out acting wise yet i feel we dont really get to know their characters intricately enough, meaning when the films final act hits i wasnt emotionally invested in either of them or the struggles they have overcome & internal progress they had made felt a bit flat/less exciting. Theres a cool theme explored about people & how we never give up no matter how many times we are knocked down but this was possibly the only time i felt the #film going deeper or in a unique direction. Action is done well with some awesome sound design but again there's nothing incredible or that memorable its all just ok completly watchable stuff really. Now don't get me wrong it is very well made (as you would expect) the special effects are stellar as are the fantastic costume designs, the score is electrifying & the soundtrack is really #fun. I think the problem with this movie is that it has to fit & tie all the other movies together while bringing us this cool character & because of this it suffers as a #film feeling more like filler until #avengersendgame. Theres no omph, wowness, interesting relationships, engrossing story or high stake moments that make you stand up & shout HELL YEAH! its just very Captain Meh-vel. #wonderwoman did it better. #disney #mcu #avengers #stanlee #superhero #nationalwomensday
Bob Mann (459 KP) rated Dune (2021) in Movies
Oct 28, 2021
“He’s Not The Messiah – He’s a Very Naughty Boy!”
Certain works of fiction have been labelled with the tag of “unfilmable”, and Frank Herbert’s 1965 novel “Dune” is one of those. It’s full of exposition done as internal monologues – which screams “movie voiceover”. And regular readers will know my hatred of those!
Amazingly, Denis Villeneuve manages to pull off the impossible with his version of Dune (part 1), which I saw last night as part of a Cineworld Unlimited preview event. It’s close to being a movie masterpiece.
Plot Summary:
The desert planet of Arrakis is home to the Freman tribe but is a political battleground since it is the only known source of ‘Spice’: a substance that enables interplanetary travel.
Paul (Timothée Chalamet) is the heir to the throne of the House of Atreides, headed by his father Duke Leto Atreides (Oscar Isaac). His mother (Rebecca Ferguson) is Leto’s concubine and possessed with hereditary gifts: mystical powers that make her part of a sect of galactic ‘witches’ with mystical powers. But the House of Atreides is gaining in power, and the Emperor throws a political spanner into the works by evicting the vicious House of Harkonnen from Arrakis and giving it to Atreides. This puts both Houses on the path of war.
Certification:
US: PG-13. UK: 12A.
Talent:
Starring: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Zendaya, Jason Momoa, Stellan Skarsgård, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling.
Directed by: Denis Villeneuve.
Written by: Jon Spaihts, Denis Villeneuve and Eric Roth. (Based on the novel by Frank Herbert).
“Dune” Review: Positives:
My 5*’s for this one goes for the overall vision, which is grandiose with scenes that stick in the brain. As he demonstrated in “Arrival“, Villeneuve likes to go for huge spacecraft that hang “in the sky in much the same way that bricks don’t”*. And the ships in this vision are just HUGE.
The ensemble cast does a great job, with Chalamet, Isaac and Ferguson being particularly impressive. Stellan Skarsgård (looking like he is about to tell “a very amusing story about a goat”, if you get that movie reference!) looks to have the most gruelling acting job, having to emerge from, and descend into, a bath of black goo!
Much like Villeneuve’s “Blade Runner 2049“, this movie has cinematography that is worthy of framing and sticking on your wall. (Greig Fraser is the man behind the camera here).
Hans Zimmer‘s music is phenomenal. I’m not sure it’s a good ‘sit down and listen to’ sort of soundtrack, but it fits the movie beautifully.
* I used this Douglas Adams quote for my “Arrival” review, and then Mark Kermode used the same quote: I like to think he read my review!
Negatives:
It wasn’t a problem for me, but I expect some will consider the movie to be too much mood and not enough action. I’ve seen some comment that the film was “emotionally empty”: but I really didn’t feel that, and am well-invested in the story ready for “Part 2”.
This is probably faithful to the books, but given all of the advanced spacecraft technology on show, and laser/blaster technology, it seems bonkers that when we get to hand-to-hand combat between the armies that we get into “swords and sandals” territory.
Observation:
There’s nothing new under the Tatooine suns. And so much of this film has you linking the concepts back to “Star Wars”:
“The Force” is now “The Way”
The Jedi are the ‘Ben and Jerry Set’. (Well, that’s what it sounded like to me… and I don’t even like Ice Cream!)
Both films centre on a Messiah-like “chosen one”, foretold by legend
“Spice” also features in “Star Wars” with “spice runners” (as in the Millenium Falcon doing the ‘Kessel Run’)
There’s even a ‘pit of sarlaac’ moment in “Dune”.
Of course, since Frank Herbert wrote “Dune” in 1965, there’s a significant question as to who is plagiarising who here!
Summary Thoughts on “Dune”
At 2 hours 35 minutes, it’s YET ANOTHER long movie: cementing October 2021 as the month of long movies. (I just did a quick tally, and of the six films I’ve seen this month they average 139 minutes in length: and that’s with “Venom: Let There Be Carnage” dragging the average down!)
But this is a movie that MUST be seen on the big screen. It’s a memorable movie experience and highly recommended.
I can’t wait for Villeneuve’s “Part 2”, currently in pre-production.
Amazingly, Denis Villeneuve manages to pull off the impossible with his version of Dune (part 1), which I saw last night as part of a Cineworld Unlimited preview event. It’s close to being a movie masterpiece.
Plot Summary:
The desert planet of Arrakis is home to the Freman tribe but is a political battleground since it is the only known source of ‘Spice’: a substance that enables interplanetary travel.
Paul (Timothée Chalamet) is the heir to the throne of the House of Atreides, headed by his father Duke Leto Atreides (Oscar Isaac). His mother (Rebecca Ferguson) is Leto’s concubine and possessed with hereditary gifts: mystical powers that make her part of a sect of galactic ‘witches’ with mystical powers. But the House of Atreides is gaining in power, and the Emperor throws a political spanner into the works by evicting the vicious House of Harkonnen from Arrakis and giving it to Atreides. This puts both Houses on the path of war.
Certification:
US: PG-13. UK: 12A.
Talent:
Starring: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Zendaya, Jason Momoa, Stellan Skarsgård, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling.
Directed by: Denis Villeneuve.
Written by: Jon Spaihts, Denis Villeneuve and Eric Roth. (Based on the novel by Frank Herbert).
“Dune” Review: Positives:
My 5*’s for this one goes for the overall vision, which is grandiose with scenes that stick in the brain. As he demonstrated in “Arrival“, Villeneuve likes to go for huge spacecraft that hang “in the sky in much the same way that bricks don’t”*. And the ships in this vision are just HUGE.
The ensemble cast does a great job, with Chalamet, Isaac and Ferguson being particularly impressive. Stellan Skarsgård (looking like he is about to tell “a very amusing story about a goat”, if you get that movie reference!) looks to have the most gruelling acting job, having to emerge from, and descend into, a bath of black goo!
Much like Villeneuve’s “Blade Runner 2049“, this movie has cinematography that is worthy of framing and sticking on your wall. (Greig Fraser is the man behind the camera here).
Hans Zimmer‘s music is phenomenal. I’m not sure it’s a good ‘sit down and listen to’ sort of soundtrack, but it fits the movie beautifully.
* I used this Douglas Adams quote for my “Arrival” review, and then Mark Kermode used the same quote: I like to think he read my review!
Negatives:
It wasn’t a problem for me, but I expect some will consider the movie to be too much mood and not enough action. I’ve seen some comment that the film was “emotionally empty”: but I really didn’t feel that, and am well-invested in the story ready for “Part 2”.
This is probably faithful to the books, but given all of the advanced spacecraft technology on show, and laser/blaster technology, it seems bonkers that when we get to hand-to-hand combat between the armies that we get into “swords and sandals” territory.
Observation:
There’s nothing new under the Tatooine suns. And so much of this film has you linking the concepts back to “Star Wars”:
“The Force” is now “The Way”
The Jedi are the ‘Ben and Jerry Set’. (Well, that’s what it sounded like to me… and I don’t even like Ice Cream!)
Both films centre on a Messiah-like “chosen one”, foretold by legend
“Spice” also features in “Star Wars” with “spice runners” (as in the Millenium Falcon doing the ‘Kessel Run’)
There’s even a ‘pit of sarlaac’ moment in “Dune”.
Of course, since Frank Herbert wrote “Dune” in 1965, there’s a significant question as to who is plagiarising who here!
Summary Thoughts on “Dune”
At 2 hours 35 minutes, it’s YET ANOTHER long movie: cementing October 2021 as the month of long movies. (I just did a quick tally, and of the six films I’ve seen this month they average 139 minutes in length: and that’s with “Venom: Let There Be Carnage” dragging the average down!)
But this is a movie that MUST be seen on the big screen. It’s a memorable movie experience and highly recommended.
I can’t wait for Villeneuve’s “Part 2”, currently in pre-production.
Phillip McSween (751 KP) rated Gifted (2017) in Movies
Jan 13, 2019
Good Stuff
After the death of his sister, Frank (Chris Evans) opts to take in his extremely intelligent niece Mary (McKenna Grace) and raise her like he thought his sister would have wanted. His hope is to protect her from growing up too fast, particularly from ending up in the clutches of his mom Evelyn (Lindsay Duncan) who would prefer to hole Mary up in a private institution.
Acting: 10
Beginning: 10
Characters: 10
When I look at characters and how they impact a movie, it’s not just about how intriguing they are, but also about how real they are. I love characters that are flawed and you get that with Frank. He’s just trying to do the right thing by his sister and his niece while still trying to live his own life as well. There are oftentimes where he’s wondering if he’s making the right decision and you’re wondering right along with him. I really appreciate the relationship between him and Mary as it wasn’t all rainbows and lollipops. They’ve clearly had some disagreements, but they love each other through it.
The supporting characters helped to hold the movie up as well. Bonnie (Jenny Slate) was probably my personal favorite as the warm caring teacher who genuinely wants the best for Mary. Both encouraging and sweet, she is another character whose story you get to unpack more and more as the movie progresses.
Cinematography/Visuals: 7
Great imagery and shots of a sleepy town in coastal Florida. There isn’t much to blow you away in the way of cinematography, but I appreciate the consistency at the very least. They keep the scenery fresh throughout which was good enough for me.
Conflict: 8
Genre: 7
Memorability: 8
Pace: 10
Plot: 10
Resolution: 8
Overall: 88
I’ve seen Gifted quite a few times, whether all the way through or in bits and pieces. Everytime I watch it, I find someting different to appreciate it. Solid surprise of a movie.
Acting: 10
Beginning: 10
Characters: 10
When I look at characters and how they impact a movie, it’s not just about how intriguing they are, but also about how real they are. I love characters that are flawed and you get that with Frank. He’s just trying to do the right thing by his sister and his niece while still trying to live his own life as well. There are oftentimes where he’s wondering if he’s making the right decision and you’re wondering right along with him. I really appreciate the relationship between him and Mary as it wasn’t all rainbows and lollipops. They’ve clearly had some disagreements, but they love each other through it.
The supporting characters helped to hold the movie up as well. Bonnie (Jenny Slate) was probably my personal favorite as the warm caring teacher who genuinely wants the best for Mary. Both encouraging and sweet, she is another character whose story you get to unpack more and more as the movie progresses.
Cinematography/Visuals: 7
Great imagery and shots of a sleepy town in coastal Florida. There isn’t much to blow you away in the way of cinematography, but I appreciate the consistency at the very least. They keep the scenery fresh throughout which was good enough for me.
Conflict: 8
Genre: 7
Memorability: 8
Pace: 10
Plot: 10
Resolution: 8
Overall: 88
I’ve seen Gifted quite a few times, whether all the way through or in bits and pieces. Everytime I watch it, I find someting different to appreciate it. Solid surprise of a movie.
