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RəX Regent (349 KP) rated Big Hero 6 (2014) in Movies
Feb 20, 2019
Based on a short lived and obscure Marvel comic book series of the same name, Big Hero 6 was an attempt by Disney to develop a Disney feature from their newly acquired catalogue of Marvel properties after Disney's Marvel buy-out in 2010.
Popular though this movie is, I find it to be a little slow, plodding, patronising and trying too hard to evoke an emotional reaction from its audience. Focusing on Hiro, an orphan who's older brother is also killed in an accident, he ends up creating a team of superheroes from a group of geeks and his late brother's medical robot, B-Max.
Big Hero 6 was an attempt at blending Disney's brand of sentimental animation with that of Pixar's more imaginative stylised family action, The Incredibles springs to mind, along with Marvel's more family friendly action romps which make up the Avenger's franchise.
The result? Well, not so good. Entertaining? Sort of. Interesting? Okay if not derivative and what about innovative? No.
The 3-D was deep but also flat and uninteresting as was the story and the plodding pacing. The ideas were there but the execution was weak, with 2-D characters to make up a confused team. Was it supposed to be the X-Men or The Avengers? I believe that the Comic book the team was started not by Hiro but by an X-Man in the source material and the tone did lean towards X-Men: First Class (2010) at times, but overall, I found this to tick all the boxes in order to meet the expectation of fans of both superhero and Disney films.
As Hiro and B-Max fly across the city of San Fransokyo, I thought that I was watching How To Train Your Dragon (2010)! This borrows too much and offers too little to impress me and it was a shame as the notion of Disney producing an action hero movie is interesting but the results are nothing short of disappointing.
Popular though this movie is, I find it to be a little slow, plodding, patronising and trying too hard to evoke an emotional reaction from its audience. Focusing on Hiro, an orphan who's older brother is also killed in an accident, he ends up creating a team of superheroes from a group of geeks and his late brother's medical robot, B-Max.
Big Hero 6 was an attempt at blending Disney's brand of sentimental animation with that of Pixar's more imaginative stylised family action, The Incredibles springs to mind, along with Marvel's more family friendly action romps which make up the Avenger's franchise.
The result? Well, not so good. Entertaining? Sort of. Interesting? Okay if not derivative and what about innovative? No.
The 3-D was deep but also flat and uninteresting as was the story and the plodding pacing. The ideas were there but the execution was weak, with 2-D characters to make up a confused team. Was it supposed to be the X-Men or The Avengers? I believe that the Comic book the team was started not by Hiro but by an X-Man in the source material and the tone did lean towards X-Men: First Class (2010) at times, but overall, I found this to tick all the boxes in order to meet the expectation of fans of both superhero and Disney films.
As Hiro and B-Max fly across the city of San Fransokyo, I thought that I was watching How To Train Your Dragon (2010)! This borrows too much and offers too little to impress me and it was a shame as the notion of Disney producing an action hero movie is interesting but the results are nothing short of disappointing.
Charlie Cobra Reviews (1840 KP) rated Us (2019) in Movies
Jul 6, 2020
Damn Good Horror Film - 9/10
Us is a 2019 horror movie written, directed, and co-produced by Jordan Peele. It was also produced by Jason Blum, Ian Cooper, and Sean McKittrick; through Monkeypaw Productions and distributed by Universal. It stars Lupita Nyong'o, Winston Duke, Shahadi Wright Joseph, and Evan Alex.
In 1986, on vacation with her parents in Santa Cruz, one night Adelaide Thomas (Madison Curry) wanders off while at the boardwalk on the beach. Only a young girl at the time she enters a scary looking funhouse where she gets lost in the hall of mirrors. Panicking, afraid and looking for the exit, she encounters a doppelganger of herself, leaving her traumatized and unable to speak when she is reunited with her parents. Now an adult, Adelaide (Lupita Nyong'o) reluctantly heads with her family: husband Gabe Wilson (Winston Duke), daughter Zora Wilson (Shahadi Wright Joseph), and son Jason Wilson (Evan Alex) to their beach house in Santa Cruz. Adelaide is very apprehensive about the trip, remembering the traumatic incident from her youth, and becomes very discontent. Even during the day while meeting up with friends at the beach, she becomes very erratic for a moment when she cannot find her son who walked a way to use the restroom. She becomes increasingly concerned something bad is going to happen. Later that evening, back at the beach house, she confides in her husband the details of her childhood trauma, which he laughs off until four masked people storm the house forcing them to fight for their survival.
I cannot say how much I enjoyed this movie. It was an awesome horror movie. Jordan Peele knocked it out of the park with this film. It was masterfully done. I like how you can see a lot of the influences from other films yet it was still very original. This movie had me at the edge of my seat gripping the armrests of my chair with a lot of its scarier scenes. Yet it was still funny in a lot of parts. I thought the acting was great especially for so many actors playing duo roles, even the children. The cinematography was very good too with a lot of visuals that will stay with you and hidden meanings to things you will probably only notice or realize on your 2nd or 3rd viewing. I personally can't wait to watch it again. Another critic summed it up better than I ever could "originality in concept, physiological torment+twists, old-world suspense building, and one of the best scorings in modern Horror history"-(Cinema Lovers Club Gmail). I really loved the soundtrack and music in this movie. I give it a 9/10.
In 1986, on vacation with her parents in Santa Cruz, one night Adelaide Thomas (Madison Curry) wanders off while at the boardwalk on the beach. Only a young girl at the time she enters a scary looking funhouse where she gets lost in the hall of mirrors. Panicking, afraid and looking for the exit, she encounters a doppelganger of herself, leaving her traumatized and unable to speak when she is reunited with her parents. Now an adult, Adelaide (Lupita Nyong'o) reluctantly heads with her family: husband Gabe Wilson (Winston Duke), daughter Zora Wilson (Shahadi Wright Joseph), and son Jason Wilson (Evan Alex) to their beach house in Santa Cruz. Adelaide is very apprehensive about the trip, remembering the traumatic incident from her youth, and becomes very discontent. Even during the day while meeting up with friends at the beach, she becomes very erratic for a moment when she cannot find her son who walked a way to use the restroom. She becomes increasingly concerned something bad is going to happen. Later that evening, back at the beach house, she confides in her husband the details of her childhood trauma, which he laughs off until four masked people storm the house forcing them to fight for their survival.
I cannot say how much I enjoyed this movie. It was an awesome horror movie. Jordan Peele knocked it out of the park with this film. It was masterfully done. I like how you can see a lot of the influences from other films yet it was still very original. This movie had me at the edge of my seat gripping the armrests of my chair with a lot of its scarier scenes. Yet it was still funny in a lot of parts. I thought the acting was great especially for so many actors playing duo roles, even the children. The cinematography was very good too with a lot of visuals that will stay with you and hidden meanings to things you will probably only notice or realize on your 2nd or 3rd viewing. I personally can't wait to watch it again. Another critic summed it up better than I ever could "originality in concept, physiological torment+twists, old-world suspense building, and one of the best scorings in modern Horror history"-(Cinema Lovers Club Gmail). I really loved the soundtrack and music in this movie. I give it a 9/10.
Phillip McSween (751 KP) rated The Incredibles 2 (2018) in Movies
Dec 11, 2018
On Par With the Best
If The Incredibles isn’t one of the top five superhero films of all time, it’s definitely top ten. For awhile, I had it billed as the greatest. It has everything you need which created a tough act to follow. But follow it they did fourteen years later with The Incredibles 2. The sequel continues the story of the superhero family and their dealings with being abnormal in a normal world.
Acting: 10
Beginning: 10
Characters: 10
Jack-Jack. Just…Jack-Jack. I could go into sophisticated detail about the depth of each of these characters and their internal struggles, but all you really need to know is Jack-Jack.
Cinematography/Visuals: 10
The animation in this movie is, for lack of a better word, incredible. Pixar seems to age like a fine wine, constantly improving upon themselves. Facial features are crisp, colors are vivid leaving the screen bursting with life. It operates just like a big budget superhero film and, in some ways, even better. Animation has a leg up because it allows you to always capture the desired moment at the perfect time. Watching the family work in tandem and seeing all their powers come together on screen is reminiscent of the first Avengers film.
Conflict: 10
No good battles arise without a good villain and Incredibles 2 doesn’t disappoint here. The movie is action-packed beset with high stakes. There are a handful of slow points where the film hiccups, but the fight sequences more than make up for it. Any scene with Dash in it and you never know what’s going to happen! He’s growing in his powers but still has yet to realize his own strength which makes him fun to watch.
Genre: 8
Doesn’t quite rank in the upper echelon of top superhero movies of 2018 (Black Panther, Avengers: Infinity War), but it’s not too far behind. It makes you feel, it makes you laugh, it makes you wow. Three things that make it a top choice for the year.
Memorability: 10
Jack-Jack Vs. The Raccoon is a scene I could watch a million times. Never gets old. The attention to detail in that scene and the way it unfolds is flawless. I also liked the fact that this movie seemed even darker than the first appealing more to adults at times than children. The first one toed the line, but the sequel jumped right over.
Pace: 8
As I mentioned earlier, there were some points in the movie where things got slow and you were waiting for it to pick back up. It didn’t happen often but definitely enough to be noticeable. Nothing that derailed the movie too much however as the action and hilarity more than made up for the slow points.
Plot: 8
Resolution: 10
Solid ending that ties the film up perfectly. It leaves you wanting more but, at the same time, if the series concluded here, I’d be good with it. No spoilers, but I’ll just say you’ll be satisfied.
Overall: 94
Incredibles 2 gets off to a fast start and doesn’t let you go. There is a scene with Edna and Jack-Jack that just makes me happy as hell and sums up my feeling for the whole movie experience. See it and love it.
Acting: 10
Beginning: 10
Characters: 10
Jack-Jack. Just…Jack-Jack. I could go into sophisticated detail about the depth of each of these characters and their internal struggles, but all you really need to know is Jack-Jack.
Cinematography/Visuals: 10
The animation in this movie is, for lack of a better word, incredible. Pixar seems to age like a fine wine, constantly improving upon themselves. Facial features are crisp, colors are vivid leaving the screen bursting with life. It operates just like a big budget superhero film and, in some ways, even better. Animation has a leg up because it allows you to always capture the desired moment at the perfect time. Watching the family work in tandem and seeing all their powers come together on screen is reminiscent of the first Avengers film.
Conflict: 10
No good battles arise without a good villain and Incredibles 2 doesn’t disappoint here. The movie is action-packed beset with high stakes. There are a handful of slow points where the film hiccups, but the fight sequences more than make up for it. Any scene with Dash in it and you never know what’s going to happen! He’s growing in his powers but still has yet to realize his own strength which makes him fun to watch.
Genre: 8
Doesn’t quite rank in the upper echelon of top superhero movies of 2018 (Black Panther, Avengers: Infinity War), but it’s not too far behind. It makes you feel, it makes you laugh, it makes you wow. Three things that make it a top choice for the year.
Memorability: 10
Jack-Jack Vs. The Raccoon is a scene I could watch a million times. Never gets old. The attention to detail in that scene and the way it unfolds is flawless. I also liked the fact that this movie seemed even darker than the first appealing more to adults at times than children. The first one toed the line, but the sequel jumped right over.
Pace: 8
As I mentioned earlier, there were some points in the movie where things got slow and you were waiting for it to pick back up. It didn’t happen often but definitely enough to be noticeable. Nothing that derailed the movie too much however as the action and hilarity more than made up for the slow points.
Plot: 8
Resolution: 10
Solid ending that ties the film up perfectly. It leaves you wanting more but, at the same time, if the series concluded here, I’d be good with it. No spoilers, but I’ll just say you’ll be satisfied.
Overall: 94
Incredibles 2 gets off to a fast start and doesn’t let you go. There is a scene with Edna and Jack-Jack that just makes me happy as hell and sums up my feeling for the whole movie experience. See it and love it.
LeftSideCut (3776 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 16, 2021
Let me start of by saying Spider-Man: No Way Home is a true cinematic experience. In terms of the MCU, it's a fully fledged event movie, but it's one that had the screen I was in, cheering and clapping. I haven't seen that in a long long time.
I'll keep this fairly short as to not dive into spoiler territory. NWH manages to serve as many things. It's a fantastic third entry into Jon Watts Spider-Man trilogy. It's a story that really puts Peter Parker through the mill. The last two have been very fun adventures. This one feels like it has consequences, and has much heavier plot beats than before.
It's also a unabashed love letter to the past Spider-Man film franchises, with familiar villains pouring in from all corners. The respect this film shows to the narratives and characters of the past films is air tight, whilst poking fun at sillier elements, and even a few memes that have surfaced over the years.
It's also an extremely important chapter in the wider MCU narrative, dealing with the multiverse, and essentially setting up Doctor Strange 2. Needless to say, it feels that Phase 4 is truly in full swing.
It's brimming with wonderful character moments (I definitely nearly cried), thrilling set pieces, and it's pacing sees it's hefty runtime fly by.
No Way Home is nothing short of excellent. An exciting new step for the MCU, a veritable treat for fans of the older films, and is a triumph in every sense of the word. One of those movies that I wish I could experience for the first time again.
I'll keep this fairly short as to not dive into spoiler territory. NWH manages to serve as many things. It's a fantastic third entry into Jon Watts Spider-Man trilogy. It's a story that really puts Peter Parker through the mill. The last two have been very fun adventures. This one feels like it has consequences, and has much heavier plot beats than before.
It's also a unabashed love letter to the past Spider-Man film franchises, with familiar villains pouring in from all corners. The respect this film shows to the narratives and characters of the past films is air tight, whilst poking fun at sillier elements, and even a few memes that have surfaced over the years.
It's also an extremely important chapter in the wider MCU narrative, dealing with the multiverse, and essentially setting up Doctor Strange 2. Needless to say, it feels that Phase 4 is truly in full swing.
It's brimming with wonderful character moments (I definitely nearly cried), thrilling set pieces, and it's pacing sees it's hefty runtime fly by.
No Way Home is nothing short of excellent. An exciting new step for the MCU, a veritable treat for fans of the older films, and is a triumph in every sense of the word. One of those movies that I wish I could experience for the first time again.
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
Neon's Nerd Nexus (360 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 5, 2019 (Updated Aug 6, 2019)
Genocide, Shmenocide.
Hobbs and Shaw had an easy job, we have these two great characters that have already been set up for us in other movies so all they needed to do was let them loose in an over the top action spectacle that knows exactly what it is. So why does what we actually got feel like an overlong, overstuffed film with characters (the reason why we are here) that aren't likeable anymore?. Is it the banter thats either worn thin or feels like its trying to hard, the scenes full of characters constantly explaining the plot or whats going to happen, the paint by numbers villain with generic motives or the many random nods to pop culture and other popular things that people like that didnt do anything but make me feel like a carrot is being dangled in front of us the entire time or im watching a peter kay stand up. Answer is im not sure but i know one thing, for every part of this movie i found cool or fun two more things popped up and dragged my enjoyment down. Action set pieces are really cool and well very well filmed with great scale/destruction and the movie overall has a 90s/commando action movie style i really enjoyed which might of worked at an hour and a half but just when you think its over another useless 40 minutes are then tagged on the end and the film becomes basically a big Dwayne Johnson advertisement. Yes i get it he has roots and the tribe thing going on, he has big muscles, he was a wrestler and he has a big tribal tattoo but why does that have to be an integral part of every films plot that he's in nowadays?. I'm just bored of seeing it now and id rather they cut the movie shorter and had a tighter film overall or explored the villain a bit more to be honest. I really did say find some enjoyment in Hobbs and Shaw (especially the action) but it was let down to often elsewhere. Statham steals the show here and clearly tries to have fun with his character but Idris Elba feels wasted as a villain and theres no tension or threat at all when your two leads seem invincible. Ryan Reynolds and Kevin Heart were also totaly unnecessary as was that Italian Job connection. Id say see it for the action scene at about 1h 40m in but other than that is sadly very veru forgettable and a little boring.
Dean (6927 KP) rated Paranormal Activity (2007) in Movies
Nov 1, 2017
OK low budget horror
A true less is more film. In terms of budget and the scares. The film is more creepy than anything else, a lot is left to the viewers imagination, which probably adds to the intensity. Most of it is viewed from the cameras point of view and has that home made movie feel to it, which adds realism which also adds to the scare factor. At first I didn't know if this was suppose to based on true events or not, so with that at the back of my mind made it more creepy as well, but it turns out it just likes you to think that is the case. The build up to the bigger events will make you think OMG or make you jump a bit. You'll definitely be listening out for every creek and thud at night after watching!!
Andy K (10823 KP) rated The Godfather (1972) in Movies
Jun 2, 2018
Time for you to rewatch it!
Recently rewatching the original "The Godfather" with my son really supported again all the fame, longevity and praise the film has gotten over the years.
The movie does take its time telling its story of the daily life of the Corleone family and how the lives of the family interact with themselves and with stark contrast to the outside word, but the journey is worth the ride.
The characters are all so brilliantly, deeply written and acted, they are just a joy to watch. The cinematography is also a character in the film as it has such a unique look and feel, it transports you into their realm almost immediately.
If it has been awhile, time to give the film another viewing. If you haven't seen, shame on you and watch it now!!
The movie does take its time telling its story of the daily life of the Corleone family and how the lives of the family interact with themselves and with stark contrast to the outside word, but the journey is worth the ride.
The characters are all so brilliantly, deeply written and acted, they are just a joy to watch. The cinematography is also a character in the film as it has such a unique look and feel, it transports you into their realm almost immediately.
If it has been awhile, time to give the film another viewing. If you haven't seen, shame on you and watch it now!!
Andy K (10823 KP) rated Dead Alive (1993) in Movies
Jul 11, 2018
Have you seen the lawnmower scene? Gruesome!
Before Peter Jackson became the mega-awesome A-list director he is today, he made several small films in New Zealand including this one.
When a poisonous rat monkey gets brought to the mainland, its lethal bite causes mayhem in a young man's life. He know has to deal with the growing weirdness at his house while he pursues the girl of his dreams.
Saying this movie is over the top is one of the largest understatements of all time. If you combine Evil Dead, Dawn of the Dead and The Toxic Avenger you still wouldn't come close to the campy goodness of this film.
The gore is definitely extreme, but very cheeky and comical. The demon baby is also especially hilarious.
If you ask me nicely, you can come to my house and watch this with me!
When a poisonous rat monkey gets brought to the mainland, its lethal bite causes mayhem in a young man's life. He know has to deal with the growing weirdness at his house while he pursues the girl of his dreams.
Saying this movie is over the top is one of the largest understatements of all time. If you combine Evil Dead, Dawn of the Dead and The Toxic Avenger you still wouldn't come close to the campy goodness of this film.
The gore is definitely extreme, but very cheeky and comical. The demon baby is also especially hilarious.
If you ask me nicely, you can come to my house and watch this with me!
