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Phillip McSween (751 KP) rated The Incredibles 2 (2018) in Movies
Dec 11, 2018
On Par With the Best
If The Incredibles isn’t one of the top five superhero films of all time, it’s definitely top ten. For awhile, I had it billed as the greatest. It has everything you need which created a tough act to follow. But follow it they did fourteen years later with The Incredibles 2. The sequel continues the story of the superhero family and their dealings with being abnormal in a normal world.
Acting: 10
Beginning: 10
Characters: 10
Jack-Jack. Just…Jack-Jack. I could go into sophisticated detail about the depth of each of these characters and their internal struggles, but all you really need to know is Jack-Jack.
Cinematography/Visuals: 10
The animation in this movie is, for lack of a better word, incredible. Pixar seems to age like a fine wine, constantly improving upon themselves. Facial features are crisp, colors are vivid leaving the screen bursting with life. It operates just like a big budget superhero film and, in some ways, even better. Animation has a leg up because it allows you to always capture the desired moment at the perfect time. Watching the family work in tandem and seeing all their powers come together on screen is reminiscent of the first Avengers film.
Conflict: 10
No good battles arise without a good villain and Incredibles 2 doesn’t disappoint here. The movie is action-packed beset with high stakes. There are a handful of slow points where the film hiccups, but the fight sequences more than make up for it. Any scene with Dash in it and you never know what’s going to happen! He’s growing in his powers but still has yet to realize his own strength which makes him fun to watch.
Genre: 8
Doesn’t quite rank in the upper echelon of top superhero movies of 2018 (Black Panther, Avengers: Infinity War), but it’s not too far behind. It makes you feel, it makes you laugh, it makes you wow. Three things that make it a top choice for the year.
Memorability: 10
Jack-Jack Vs. The Raccoon is a scene I could watch a million times. Never gets old. The attention to detail in that scene and the way it unfolds is flawless. I also liked the fact that this movie seemed even darker than the first appealing more to adults at times than children. The first one toed the line, but the sequel jumped right over.
Pace: 8
As I mentioned earlier, there were some points in the movie where things got slow and you were waiting for it to pick back up. It didn’t happen often but definitely enough to be noticeable. Nothing that derailed the movie too much however as the action and hilarity more than made up for the slow points.
Plot: 8
Resolution: 10
Solid ending that ties the film up perfectly. It leaves you wanting more but, at the same time, if the series concluded here, I’d be good with it. No spoilers, but I’ll just say you’ll be satisfied.
Overall: 94
Incredibles 2 gets off to a fast start and doesn’t let you go. There is a scene with Edna and Jack-Jack that just makes me happy as hell and sums up my feeling for the whole movie experience. See it and love it.
Acting: 10
Beginning: 10
Characters: 10
Jack-Jack. Just…Jack-Jack. I could go into sophisticated detail about the depth of each of these characters and their internal struggles, but all you really need to know is Jack-Jack.
Cinematography/Visuals: 10
The animation in this movie is, for lack of a better word, incredible. Pixar seems to age like a fine wine, constantly improving upon themselves. Facial features are crisp, colors are vivid leaving the screen bursting with life. It operates just like a big budget superhero film and, in some ways, even better. Animation has a leg up because it allows you to always capture the desired moment at the perfect time. Watching the family work in tandem and seeing all their powers come together on screen is reminiscent of the first Avengers film.
Conflict: 10
No good battles arise without a good villain and Incredibles 2 doesn’t disappoint here. The movie is action-packed beset with high stakes. There are a handful of slow points where the film hiccups, but the fight sequences more than make up for it. Any scene with Dash in it and you never know what’s going to happen! He’s growing in his powers but still has yet to realize his own strength which makes him fun to watch.
Genre: 8
Doesn’t quite rank in the upper echelon of top superhero movies of 2018 (Black Panther, Avengers: Infinity War), but it’s not too far behind. It makes you feel, it makes you laugh, it makes you wow. Three things that make it a top choice for the year.
Memorability: 10
Jack-Jack Vs. The Raccoon is a scene I could watch a million times. Never gets old. The attention to detail in that scene and the way it unfolds is flawless. I also liked the fact that this movie seemed even darker than the first appealing more to adults at times than children. The first one toed the line, but the sequel jumped right over.
Pace: 8
As I mentioned earlier, there were some points in the movie where things got slow and you were waiting for it to pick back up. It didn’t happen often but definitely enough to be noticeable. Nothing that derailed the movie too much however as the action and hilarity more than made up for the slow points.
Plot: 8
Resolution: 10
Solid ending that ties the film up perfectly. It leaves you wanting more but, at the same time, if the series concluded here, I’d be good with it. No spoilers, but I’ll just say you’ll be satisfied.
Overall: 94
Incredibles 2 gets off to a fast start and doesn’t let you go. There is a scene with Edna and Jack-Jack that just makes me happy as hell and sums up my feeling for the whole movie experience. See it and love it.
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
Neon's Nerd Nexus (360 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 5, 2019 (Updated Aug 6, 2019)
Genocide, Shmenocide.
Hobbs and Shaw had an easy job, we have these two great characters that have already been set up for us in other movies so all they needed to do was let them loose in an over the top action spectacle that knows exactly what it is. So why does what we actually got feel like an overlong, overstuffed film with characters (the reason why we are here) that aren't likeable anymore?. Is it the banter thats either worn thin or feels like its trying to hard, the scenes full of characters constantly explaining the plot or whats going to happen, the paint by numbers villain with generic motives or the many random nods to pop culture and other popular things that people like that didnt do anything but make me feel like a carrot is being dangled in front of us the entire time or im watching a peter kay stand up. Answer is im not sure but i know one thing, for every part of this movie i found cool or fun two more things popped up and dragged my enjoyment down. Action set pieces are really cool and well very well filmed with great scale/destruction and the movie overall has a 90s/commando action movie style i really enjoyed which might of worked at an hour and a half but just when you think its over another useless 40 minutes are then tagged on the end and the film becomes basically a big Dwayne Johnson advertisement. Yes i get it he has roots and the tribe thing going on, he has big muscles, he was a wrestler and he has a big tribal tattoo but why does that have to be an integral part of every films plot that he's in nowadays?. I'm just bored of seeing it now and id rather they cut the movie shorter and had a tighter film overall or explored the villain a bit more to be honest. I really did say find some enjoyment in Hobbs and Shaw (especially the action) but it was let down to often elsewhere. Statham steals the show here and clearly tries to have fun with his character but Idris Elba feels wasted as a villain and theres no tension or threat at all when your two leads seem invincible. Ryan Reynolds and Kevin Heart were also totaly unnecessary as was that Italian Job connection. Id say see it for the action scene at about 1h 40m in but other than that is sadly very veru forgettable and a little boring.
Dean (6927 KP) rated Paranormal Activity (2007) in Movies
Nov 1, 2017
OK low budget horror
A true less is more film. In terms of budget and the scares. The film is more creepy than anything else, a lot is left to the viewers imagination, which probably adds to the intensity. Most of it is viewed from the cameras point of view and has that home made movie feel to it, which adds realism which also adds to the scare factor. At first I didn't know if this was suppose to based on true events or not, so with that at the back of my mind made it more creepy as well, but it turns out it just likes you to think that is the case. The build up to the bigger events will make you think OMG or make you jump a bit. You'll definitely be listening out for every creek and thud at night after watching!!
Andy K (10823 KP) rated The Godfather (1972) in Movies
Jun 2, 2018
Time for you to rewatch it!
Recently rewatching the original "The Godfather" with my son really supported again all the fame, longevity and praise the film has gotten over the years.
The movie does take its time telling its story of the daily life of the Corleone family and how the lives of the family interact with themselves and with stark contrast to the outside word, but the journey is worth the ride.
The characters are all so brilliantly, deeply written and acted, they are just a joy to watch. The cinematography is also a character in the film as it has such a unique look and feel, it transports you into their realm almost immediately.
If it has been awhile, time to give the film another viewing. If you haven't seen, shame on you and watch it now!!
The movie does take its time telling its story of the daily life of the Corleone family and how the lives of the family interact with themselves and with stark contrast to the outside word, but the journey is worth the ride.
The characters are all so brilliantly, deeply written and acted, they are just a joy to watch. The cinematography is also a character in the film as it has such a unique look and feel, it transports you into their realm almost immediately.
If it has been awhile, time to give the film another viewing. If you haven't seen, shame on you and watch it now!!
Andy K (10823 KP) rated Dead Alive (1993) in Movies
Jul 11, 2018
Have you seen the lawnmower scene? Gruesome!
Before Peter Jackson became the mega-awesome A-list director he is today, he made several small films in New Zealand including this one.
When a poisonous rat monkey gets brought to the mainland, its lethal bite causes mayhem in a young man's life. He know has to deal with the growing weirdness at his house while he pursues the girl of his dreams.
Saying this movie is over the top is one of the largest understatements of all time. If you combine Evil Dead, Dawn of the Dead and The Toxic Avenger you still wouldn't come close to the campy goodness of this film.
The gore is definitely extreme, but very cheeky and comical. The demon baby is also especially hilarious.
If you ask me nicely, you can come to my house and watch this with me!
When a poisonous rat monkey gets brought to the mainland, its lethal bite causes mayhem in a young man's life. He know has to deal with the growing weirdness at his house while he pursues the girl of his dreams.
Saying this movie is over the top is one of the largest understatements of all time. If you combine Evil Dead, Dawn of the Dead and The Toxic Avenger you still wouldn't come close to the campy goodness of this film.
The gore is definitely extreme, but very cheeky and comical. The demon baby is also especially hilarious.
If you ask me nicely, you can come to my house and watch this with me!
Space Jam (1996)
7.8
Rate It
Movie Watch
Basketball superstar Michael Jordan and cartoon favorite Bugs Bunny team up with other basketball...
Jeremy Workman recommended Macbeth (2015) in Movies (curated)
Jacob Reese (14 KP) rated Ex Machina (2015) in Movies
Jun 14, 2020
A Look at the Possibilities of AI
Contains spoilers, click to show
This movie is a fantastic look at the possibilities of artificial intelligence. While Ava is questionable about the full extent of her intelligence as she was merely programmed to make Caleb fall in love with her. I'm not sure that there is any difference between her and another person. She wanted freedom and while she did everything she could to gain that freedom. Her final decision to leave Caleb is the ultimate test of her intelligence. While she certainly used him to gain freedom that showed her intelligence. However, it also showed her lack of humanity. This does show that she has true artificial intelligence she has no humanity which means that she is not the same as a human and never will be. She failed Nathan's true purpose for her though succeeding in her own purpose.
365Flicks (235 KP) rated Pandorica (2016) in Movies
Nov 20, 2019
Now that Chris and I have handed back the reigns of Another Damn Wrestling Show to its original hosts Matt, Joe and the other one. I no longer have to watch 12 hours of Wrestling each week so I decided to tackle my backlog of Movie reviews that some awesome very kind people have been sending. Today was the turn of Pandorica, a movie that to be fair had me at the trailer because its tells you everything without giving anything away. Best type of Trailer really (Yes that was a pop at Terminator Genisys).
I had no real expectations going into Pandorica and I came out of it very pleasantly surprised by Tom Paton’s Genre busting Futuristic Dystopian , Sci-Fi horror, Suspense, Action Filled tale of what happens when Humanity is De-Volved into its most basic instincts. Well I did say Genre Busting. One of the best things about this movie is that you really cant put it in any bracket (no matter how hard you try for the purpose of reviewing).
Set somewhere in the future we meet a small group of Natives from the Varosha tribe. Tribe leader Nus (Luke D’Silva) has brought his three bravest and best to take part in a Violent trial to determine who should be leader of the Tribe when Nus expires. As is always the way, the three in question have very differing personalities. Eiren (Jade Hobday) is as deadly as she is determined and somewhat sexy (think Milla Jovovich in Resident Evil, Keira Knightley in King Arthur, Rhona Mitra in Doomsday). She is up against the wreckless headstrong bad ass Ares (Marc Zammit) who believes he is the only man fit enough to lead, rounding off the trio is Thade (Adam Bond) a very loyal confidant to the tribe but its all a bit over his head. Once the trial begins everything really turns to shit as the 3 discover a strange woman being chased by band of Vicious Lunatics in creepy masks. They must band to together to stay alive, all the while trying to prove they are the best candidate for leader, Winner is left standing at daybreak… Hopefully.
It is hard for me to believe that this is Tom Paton’s first full length feature film. He has a very clear idea of what he is doing with getting the best out of his strong leading cast, the Cinematography in this movie is gorgeous at times showing Paton is well aware of his on location surroundings and can direct his movie as such to show us this. Sometimes just the swooping shots over the top of the trees keep make you pause to admire. He has taken a number of Genres mashed them up and made a solid as hell flick that not only stands on its own but also serves as what could potentially be a great intro to a new series of flicks hat breath new life into some of these Genres, especially the Dystopian World End-y ones in the same vein as Neil Marshalls Doomsday.
I don’t want to keep raving on too much because you guys should really see this flick. It is available on all good streaming sites and video on demand services and I guarantee you will get a kick out of it, even if only for the Bitchin as hell soundtrack. I wont lie the music alone sucks you right in. I really enjoyed the movie and can easily see a sequel in fact if you do enjoy the movie, I recommend you stick around till the end of the credits (No Spoilers).
I had no real expectations going into Pandorica and I came out of it very pleasantly surprised by Tom Paton’s Genre busting Futuristic Dystopian , Sci-Fi horror, Suspense, Action Filled tale of what happens when Humanity is De-Volved into its most basic instincts. Well I did say Genre Busting. One of the best things about this movie is that you really cant put it in any bracket (no matter how hard you try for the purpose of reviewing).
Set somewhere in the future we meet a small group of Natives from the Varosha tribe. Tribe leader Nus (Luke D’Silva) has brought his three bravest and best to take part in a Violent trial to determine who should be leader of the Tribe when Nus expires. As is always the way, the three in question have very differing personalities. Eiren (Jade Hobday) is as deadly as she is determined and somewhat sexy (think Milla Jovovich in Resident Evil, Keira Knightley in King Arthur, Rhona Mitra in Doomsday). She is up against the wreckless headstrong bad ass Ares (Marc Zammit) who believes he is the only man fit enough to lead, rounding off the trio is Thade (Adam Bond) a very loyal confidant to the tribe but its all a bit over his head. Once the trial begins everything really turns to shit as the 3 discover a strange woman being chased by band of Vicious Lunatics in creepy masks. They must band to together to stay alive, all the while trying to prove they are the best candidate for leader, Winner is left standing at daybreak… Hopefully.
It is hard for me to believe that this is Tom Paton’s first full length feature film. He has a very clear idea of what he is doing with getting the best out of his strong leading cast, the Cinematography in this movie is gorgeous at times showing Paton is well aware of his on location surroundings and can direct his movie as such to show us this. Sometimes just the swooping shots over the top of the trees keep make you pause to admire. He has taken a number of Genres mashed them up and made a solid as hell flick that not only stands on its own but also serves as what could potentially be a great intro to a new series of flicks hat breath new life into some of these Genres, especially the Dystopian World End-y ones in the same vein as Neil Marshalls Doomsday.
I don’t want to keep raving on too much because you guys should really see this flick. It is available on all good streaming sites and video on demand services and I guarantee you will get a kick out of it, even if only for the Bitchin as hell soundtrack. I wont lie the music alone sucks you right in. I really enjoyed the movie and can easily see a sequel in fact if you do enjoy the movie, I recommend you stick around till the end of the credits (No Spoilers).