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LeftSideCut (3776 KP) rated Jennifer's Body (2009) in Movies
Nov 1, 2020
The best way to describe Jennifer's Body is that it's pretty middle of the road. Nothing spectacular, but still pretty entertaining, and a would-be standard demonic posession horror-comedy if it wasn't for some good turns from the cast.
The plot revolves around popular high school teen Jennifer (Megan Fox) becoming possessed after a satanic ritual goes awry. Her best friend Needy (Amanda Seyfried) is caught in the crossfire as she tries to find a way to stop Jennifer's murderous Succubus ways.
The movie misses a trick in its titular character. Megan Fox is good at the whole evil schtick, but Jennifer is possessed for about 95% of the runtime, and for that entire duration, she's an absolute douche. We don't see enough of Jennifer beforehand to feel much sympathy towards her. A flashback sequence dealing with how she ended up possessed starts to lean in that direction, but it's an opportunity that's not explored enough. It feels like there's a message in here about the pressures put on women in today's culture to always look the part. An important message indeed, but it's gets lost somewhat in this oversight.
Amanda Seyfried is the real lead here, and her character is wholly sympathetic, and a huge bonus for the overall film. The relationship between her and her boyfriend Chip (Johnny Simmons) is believable and often humourous, and together, they add so much to this movie.
It's also worth mentioning that Adam Brody and J.K. Simmons are both great, and definitely provide the best comedic moments.
The scares are spread pretty thin, but there are a few creepy moments here and there, and some decent gore for good measure. A lot of it seemed practical as well which is always a plus. The little CGI on display is a bit dodgy, but a minor gripe.
Overall then, Jennifer's Body is an imperfect, but solidly entertaining splatter film that tries to capture the struggles of being a teenager, and kind of succeeds, and is certainly worth a watch.
The plot revolves around popular high school teen Jennifer (Megan Fox) becoming possessed after a satanic ritual goes awry. Her best friend Needy (Amanda Seyfried) is caught in the crossfire as she tries to find a way to stop Jennifer's murderous Succubus ways.
The movie misses a trick in its titular character. Megan Fox is good at the whole evil schtick, but Jennifer is possessed for about 95% of the runtime, and for that entire duration, she's an absolute douche. We don't see enough of Jennifer beforehand to feel much sympathy towards her. A flashback sequence dealing with how she ended up possessed starts to lean in that direction, but it's an opportunity that's not explored enough. It feels like there's a message in here about the pressures put on women in today's culture to always look the part. An important message indeed, but it's gets lost somewhat in this oversight.
Amanda Seyfried is the real lead here, and her character is wholly sympathetic, and a huge bonus for the overall film. The relationship between her and her boyfriend Chip (Johnny Simmons) is believable and often humourous, and together, they add so much to this movie.
It's also worth mentioning that Adam Brody and J.K. Simmons are both great, and definitely provide the best comedic moments.
The scares are spread pretty thin, but there are a few creepy moments here and there, and some decent gore for good measure. A lot of it seemed practical as well which is always a plus. The little CGI on display is a bit dodgy, but a minor gripe.
Overall then, Jennifer's Body is an imperfect, but solidly entertaining splatter film that tries to capture the struggles of being a teenager, and kind of succeeds, and is certainly worth a watch.
Gareth von Kallenbach (980 KP) rated Rise of the Guardians (2012) in Movies
Aug 7, 2019
Remember what it was like when you were in elementary school and it snowed? Remember that feeling of anticipation waiting for your mom to say, “No school today kids”, and once she did you just knew you were going to have a blast? If not, you will when you see “Rise of the Guardians”, The newest animated movie from Dreamworks casts Jack Frost (Chris Pine), the Sand Man, Santa Claus (Alec Baldwin), the Tooth Fairy (Isla Fisher), the Easter Bunny (Hugh Jackman), and the Boogie Man (Jude Law). The later four, except the Boogie Man, all fulfill their individual roles and come together as a group to protect children as the Guardians.
Cast out centuries ago; Pitch (Law) concocts a plan to bring fear back into children’s hearts by turning their dreams into nightmares. This fear will make him more powerful and, as the Guardian’s lose children’s belief, they become less powerful and are not as able to fight him off. Around the same time that Pitch was cast out, the Man in the Moon picks Jack to be the newest Guardian. Jack is literally left out in the cold for the next 300 years which he spends having fun, creating mischief, and causing snow days. However, he is also on a search for what he is meant to do in life, and why he is here. Something that people of all ages can understand. Through helping the Guardians he finds his purpose.
You know you are at a good show when you sit in an audience consisting mostly of children and hear nothing but the movie. This was a great movie for kids of all ages; I laughed through the whole thing! I loved Santa Claus and his Yetis. They added comic relief that any adult will enjoy. The voice casting was spot on, and each character is relatable in some way. The story of finding one’s self will capture children’s attention and remind adults that they are always on that journey, but it is supposed to be fun. Both children and adults alike will be captivated by the dreams, wonder, memories, hope, and fun this movie provides.
Cast out centuries ago; Pitch (Law) concocts a plan to bring fear back into children’s hearts by turning their dreams into nightmares. This fear will make him more powerful and, as the Guardian’s lose children’s belief, they become less powerful and are not as able to fight him off. Around the same time that Pitch was cast out, the Man in the Moon picks Jack to be the newest Guardian. Jack is literally left out in the cold for the next 300 years which he spends having fun, creating mischief, and causing snow days. However, he is also on a search for what he is meant to do in life, and why he is here. Something that people of all ages can understand. Through helping the Guardians he finds his purpose.
You know you are at a good show when you sit in an audience consisting mostly of children and hear nothing but the movie. This was a great movie for kids of all ages; I laughed through the whole thing! I loved Santa Claus and his Yetis. They added comic relief that any adult will enjoy. The voice casting was spot on, and each character is relatable in some way. The story of finding one’s self will capture children’s attention and remind adults that they are always on that journey, but it is supposed to be fun. Both children and adults alike will be captivated by the dreams, wonder, memories, hope, and fun this movie provides.
The Sword: Myth & Reality: Technology, History, Fighting, Forging, Movie Swords
Book
The history, manufacture, and ancient and modern uses of swords in Europe from the 5th century to...
David McK (3921 KP) rated Odyssey (Stephen Fry's Greek myths #4) in Books
Mar 9, 2025
The final(?) part in [author:Stephen Fry|10917]'s retelling of the Greek myths, with this one - as in the name! - mainly concerning itself with what happened after the fall of Troy.
Indeed, I was surprised at how late into the tale it was before it stated focusing on Odysseus and his epic (10 years) trip to get home to Ithica and his wife Penelope!
Said legendary journey is what I was expecting the novel (retelling) to be about: I was unaware that it also concerned what happened to Menaleus (amongst other Greek victors) or to his Trojan captive Cassandra - fated to never have her prophesies believed but always to become true - amongst others.
I was also unaware, prior to reading/listening (I did both, switching back and forth), that the Latin name for Odysseus was Ulysses, or that - shall we say - Odysseus could be a randy old so-and-so ...
Looking forward to the forthcoming Christopher Nolan movie, now, to see how much is changed!
Indeed, I was surprised at how late into the tale it was before it stated focusing on Odysseus and his epic (10 years) trip to get home to Ithica and his wife Penelope!
Said legendary journey is what I was expecting the novel (retelling) to be about: I was unaware that it also concerned what happened to Menaleus (amongst other Greek victors) or to his Trojan captive Cassandra - fated to never have her prophesies believed but always to become true - amongst others.
I was also unaware, prior to reading/listening (I did both, switching back and forth), that the Latin name for Odysseus was Ulysses, or that - shall we say - Odysseus could be a randy old so-and-so ...
Looking forward to the forthcoming Christopher Nolan movie, now, to see how much is changed!
Gareth von Kallenbach (980 KP) rated A Haunting In Cawdor (2016) in Movies
Aug 6, 2019
The psychological thriller is another genre that seems to have taken a ‘back seat’ to the big budget action films, horror, and comedies in recent years. Or if there were any good psychological thrillers to hit the theater or the internet I either didn’t hear about them or they didn’t really make much of an impact. Personally when I think of that genre the first name to come to mind is Alfred Hitchcook. I’m sure if I sat down and thought about it, I could think of a movie that falls into that category I’ve seen since then but I don’t have that kind of time. What I do have time for is to tell you about a movie that is certainly a step in the right direction.
Uncork’ed Entertainment’s ‘A Haunting In Cawdor’ available March 11th, is written and directed by Phil Wurtzel and revisits this genre of film with an impressive cast in attempt to breathe new life into psychological terror. Vivian Miller (Shelby Young of American Horror Story) is a young troubled woman who is serving out her jail sentence along with a group of convicts with a work release program in a small Midwestern town. Specifically, at the Cawdor Barn Theater. A rundown seasonal summer run by Lawrence O’Neil (Cary Elwes of A Princess Bride and The X-Files) a failed Broadway director who has taken it upon himself to stage amateur productions with young parolees.
It doesn’t take long once the movie starts for the quote ‘madness’ to begin. The moment Vivian sets foot in town, she starts to hallucinate. A local boy Roddy (Michael Welch of The Twilight Saga, Z Nation, Scandal) takes an immediate interest in her but disappears shortly thereafter. Once the group arrives at the theater they are told that along with helping with the theater’s upkeep part of the group’s probation is to put on a stage production of William Shakespeare’s ‘MacBeth’ which has not been performed at the theater in 15 years. While the everyone is preparing to upgrade the theater and rehearse for the play Vivian finds an old VHS cassette with a recording of the theater’s last performance of ‘MacBeth’. As it turns out the young girl that was cast in the lead for that performance Jeanette (Alexandria Deberry), the same role Vivian has been cast in, was found dead not long after and upon viewing the tape unintentionally releases an evil force that has some sort of connection to Lawrence who has begun to act superstitiously. At first Vivian tries to write these instances off as hallucinations brought about by her own personal demons and a lack of medication which her psychiatrist Dr. Lazarus (Peter Floch) readily agrees with. Things take an even more otherworldly turn though when the spirit of the dead girl begins to communicate with Vivian through the tape and the mystery surrounding her death and that of her mysterious admirer Roddy and his connection to Lawrence and the play all converge just days before the play.
This film is definitely the kind of thing you’d want to watch in the dark and preferably on a stormy night as well. You had a great cast composed of veterans and up-and-comers combined with a basic premise. The movie did seem to lack something though. There was very little regarding the interpersonal relationships between the characters in the movie and how they got along with one another. Mostly just a few scenes of the group presumably drinking alcohol which they were not supposed to have to begin with. There was also the fact that you learn Vivian’s crime but not why she did it and they continually poke at the subject in the brief flashbacks. There were also the ending of the film which, after the grand finale, makes no sense whatsoever. There’s no resolution and not in the sense that it was written that way purposely. There were a few directions the movie could’ve explored in that hour and 40 minutes but didn’t which would added more to the film. It could almost be compared to having a bunch of people run every path in a maze except the one path that would lead you out of it.
The one thing that saved the film was the cast and their performances. I can give this film 2 1/2 stars because of that. It’s worth watching once for that aspect alone.
Uncork’ed Entertainment’s ‘A Haunting In Cawdor’ available March 11th, is written and directed by Phil Wurtzel and revisits this genre of film with an impressive cast in attempt to breathe new life into psychological terror. Vivian Miller (Shelby Young of American Horror Story) is a young troubled woman who is serving out her jail sentence along with a group of convicts with a work release program in a small Midwestern town. Specifically, at the Cawdor Barn Theater. A rundown seasonal summer run by Lawrence O’Neil (Cary Elwes of A Princess Bride and The X-Files) a failed Broadway director who has taken it upon himself to stage amateur productions with young parolees.
It doesn’t take long once the movie starts for the quote ‘madness’ to begin. The moment Vivian sets foot in town, she starts to hallucinate. A local boy Roddy (Michael Welch of The Twilight Saga, Z Nation, Scandal) takes an immediate interest in her but disappears shortly thereafter. Once the group arrives at the theater they are told that along with helping with the theater’s upkeep part of the group’s probation is to put on a stage production of William Shakespeare’s ‘MacBeth’ which has not been performed at the theater in 15 years. While the everyone is preparing to upgrade the theater and rehearse for the play Vivian finds an old VHS cassette with a recording of the theater’s last performance of ‘MacBeth’. As it turns out the young girl that was cast in the lead for that performance Jeanette (Alexandria Deberry), the same role Vivian has been cast in, was found dead not long after and upon viewing the tape unintentionally releases an evil force that has some sort of connection to Lawrence who has begun to act superstitiously. At first Vivian tries to write these instances off as hallucinations brought about by her own personal demons and a lack of medication which her psychiatrist Dr. Lazarus (Peter Floch) readily agrees with. Things take an even more otherworldly turn though when the spirit of the dead girl begins to communicate with Vivian through the tape and the mystery surrounding her death and that of her mysterious admirer Roddy and his connection to Lawrence and the play all converge just days before the play.
This film is definitely the kind of thing you’d want to watch in the dark and preferably on a stormy night as well. You had a great cast composed of veterans and up-and-comers combined with a basic premise. The movie did seem to lack something though. There was very little regarding the interpersonal relationships between the characters in the movie and how they got along with one another. Mostly just a few scenes of the group presumably drinking alcohol which they were not supposed to have to begin with. There was also the fact that you learn Vivian’s crime but not why she did it and they continually poke at the subject in the brief flashbacks. There were also the ending of the film which, after the grand finale, makes no sense whatsoever. There’s no resolution and not in the sense that it was written that way purposely. There were a few directions the movie could’ve explored in that hour and 40 minutes but didn’t which would added more to the film. It could almost be compared to having a bunch of people run every path in a maze except the one path that would lead you out of it.
The one thing that saved the film was the cast and their performances. I can give this film 2 1/2 stars because of that. It’s worth watching once for that aspect alone.
Logan Eccles (135 KP) rated Brightburn (2019) in Movies
Oct 1, 2020 (Updated Oct 2, 2020)
A reimagination of Super-Man you diddnt know you needed
Contains spoilers, click to show
I am shocked by how many bad reviews this masterpiece has on here! The story, the filming, and the acting is outstanding. I love the idea of what if Super-Man was in the horror/suspenseful thriller instead of superhero/action. The comparison between the two stories is so good but it's still just different enough not to be dismissed as a bad rip off. A married couple on a farm finds a baby in a spaceship. Baby grows up and has superpowers. Now, this is where it gets different, the child develops psychopath type tendencies. Collecting pictures of organs, stalking, obsessing over guns, and excessive knowledge of animals.
This cast guys is so good and so right for this story. Elizabeth Banks and David Denman are a sweet convincing couple and bring the emotion and realities of if this happened. Elizabeths take on how a mother would respond to her child being a psychopathic killer is so raw and realistic. Throughout the movie, she reacts as if she knows but doesn't want to accept it and of course that's how a mother would react, mother knows Best but mother also protects. David Denmans take on a protective husband and suspicious father is so unique in storytelling. I mean of course he's going to let his sterile wife keep the baby from the woods but that's not his baby he don't know where that thing came from, but it makes his wife happy. Last but not least Jackson A. Dunn is bound to rise in stardom after his stellar performance.
Also, I usually don't like spoiling but watch the credits please cause it sets up a possible sequel and universe. Micheal Rooker pops up mid-credits as like a crazy youtube theorist guy. He starts going off about superpower being sightings and how they are out there killing people and terrorizing the world. It even shows a line up of potential super-powered horror villains for possible movies.
This cast guys is so good and so right for this story. Elizabeth Banks and David Denman are a sweet convincing couple and bring the emotion and realities of if this happened. Elizabeths take on how a mother would respond to her child being a psychopathic killer is so raw and realistic. Throughout the movie, she reacts as if she knows but doesn't want to accept it and of course that's how a mother would react, mother knows Best but mother also protects. David Denmans take on a protective husband and suspicious father is so unique in storytelling. I mean of course he's going to let his sterile wife keep the baby from the woods but that's not his baby he don't know where that thing came from, but it makes his wife happy. Last but not least Jackson A. Dunn is bound to rise in stardom after his stellar performance.
Also, I usually don't like spoiling but watch the credits please cause it sets up a possible sequel and universe. Micheal Rooker pops up mid-credits as like a crazy youtube theorist guy. He starts going off about superpower being sightings and how they are out there killing people and terrorizing the world. It even shows a line up of potential super-powered horror villains for possible movies.
Man Caves: Create the Ultimate Male Sanctuary to Get Away from it All
Book
Whether you're sports crazy, a petrolhead, a movie buff or a have a record collection that could...
Kirk Bage (1775 KP) rated High and Low (1963) in Movies
Jan 28, 2021
This movie is often touted as one of the finest non-American crime thrillers out there. It appears on many top 10 lists from renowned directors, and stands untouchable in the pantheon of post WWII Japanese cinema dealing with 20th century issues rather than samurai or traditional religious concepts. Kurasawa is known for masterpieces in both genres, and in this sphere is very much the Hitchcock of the East. The story sees self made entrepreneur Kingo Gondo, played by the ubiquitous Toshirô Mifune, being blackmailed by a kidnapper who believes he has his son, but has taken his chauffeur’s son by mistake. Cue huge moral intrigue and dilemma, leading to a chase and an unexpectedly symbolical climax and resolution.
It plays like two films for the price of one, the first a claustrophobic mood piece with a staged feel, reminding me of Hitchcock’s Rope, and the second a frantic chase movie where the forensic evidence is picked apart in intricate detail, like a less graphic Seven. The print on BFI is not great, so it actually feels older than it is. It is also pretty long at 143 minutes, and feels like it takes an age to get going. Therefore, although some moments and key images have stayed with me, I can’t honestly say I felt gripped or tense in any way. The stakes didn’t feel as high as I would have hoped for, and tonally it is a little uneven. In conclusion, it has much to offer and details in isolation are very impressive, but for me it was something of a let down.
It plays like two films for the price of one, the first a claustrophobic mood piece with a staged feel, reminding me of Hitchcock’s Rope, and the second a frantic chase movie where the forensic evidence is picked apart in intricate detail, like a less graphic Seven. The print on BFI is not great, so it actually feels older than it is. It is also pretty long at 143 minutes, and feels like it takes an age to get going. Therefore, although some moments and key images have stayed with me, I can’t honestly say I felt gripped or tense in any way. The stakes didn’t feel as high as I would have hoped for, and tonally it is a little uneven. In conclusion, it has much to offer and details in isolation are very impressive, but for me it was something of a let down.
LoganCrews (2861 KP) rated Happy Feet (2006) in Movies
Sep 3, 2021
Gets a pass exclusively on how weird it is - seriously, this thing is bananas. In fact, it's theoretically amazing: a cutesy dancing penguin movie gradually morphs into a surreal trek through racism, religion, existentialism, and environmentalism where Robin Williams has a thick Mexican accent and I'm still not sure how I feel about them giving the lady penguins those pseudo-titty mounds. For all intents and purposes this should be something I sing the praises of as a great, underappreciated freakish gem... but its oddness is all it has, since there's approximately zero emotional thrust to anything else here. Elijah Wood is totally nondescript as Mumble and I don't really care about any of the other characters either; not to mention it has no sense of pacing so the last act comes and goes in an anticlimactic flash. Miller's signature visual kinetic energy is cool as hell at least, but then the story is also utterly naïve - I'm pretty sure a viral video of a bunch of penguins dancing isn't going to stop humans from pillaging their ecosystem. And at this point I know I'm looking too deeply into this shit but in this happy penguin world where singing makes them who they are and keeps them alive or whatever that was all about, is it so hard to fathom that these things should be way less bigoted towards dancing? Like you're all out here jamming to Fat Joe but then tap dancing is where you draw the line? Okay I'm done now, still a nice movie for what is essentially the more eccentric 𝘚𝘪𝘯𝘨 (2016) with not-as-good animation (but better cinematography).
Lee (2222 KP) rated Venom (2018) in Movies
Oct 5, 2018 (Updated Oct 16, 2018)
A bit rough around the edges, but pretty enjoyable overall
Contains spoilers, click to show
The run up to seeing Venom has followed what seems to be a bit of a growing trend for me recently - tickets go on sale for a movie that I'm very excited to see and despite the slightly average trailers, I grab a ticket and hope for the best. Then in the days beforehand, a load of negative reviews appear online and I really hope that they're all wrong, like they all were with Hereditary. Recently we've had The Nun, then The Predator, and now Venom. I was really hoping this wasn't going to be three in a row!
A space probe is returning to Earth. We hear the astronauts communicating with a team back home. They're talking about some 'specimens' that they're bringing back, and then something goes wrong onboard and the rocket crashes to Earth, landing somewhere in Malaysia. The probe belongs to bio-engineering company Life Foundation, and the specimens they're carrying are symbiotic lifeforms. Life Foundation are all over the crash site, with only one of the astronauts surviving, barely. Meanwhile, CEO Carlton Drake (Riz Ahmed) is very excited by the symbiotes and returns them to the lab, becoming obsessed with assimilating them into animals. Obviously he has plans to eventually (as quickly as possible) try this out on humans. Apparently, it's all for the good of the planet or some guff like that.
Meanwhile, we're introduced to investigative journalist Eddie Brock (Tom Hardy) and his girlfriend Anne (Michelle Williams). He's basically the most unconvincing journalist I've ever seen in a movie, but the montage of clips seems determined to tell us otherwise. He has his own TV show! It's great! He's helped to uncover injustice, righted wrongs, and is apparently a nice down to earth guy. When he secures an interview with Carlton Drake from Life Foundation, he's ready to uncover some dirt, but his boss warns him not to overstep the mark. Of course, he doesn't listen, stepping over the line and getting himself fired. He also manages to lose girlfriend Anne in the process.
The next chunk of the movie is just Tom Hardy moping around, and it's not that great. I don't know if it's the script, the acting, or both. It's interspersed occasionally with scenes involving Carlton Drake looking to expose the symbiotes to human subjects - the homeless, the poor or the just plain stupid - and you start wishing they'd just hurry up and bring Venom and Eddie together, in the hopes that things will pick up a bit. Luckily, once that does happen things do pick up considerably and Tom Hardy is so much better suited as the crazy man who's feeling a little bit unwell than the sad, boring journalist. There's a good level of humour from that point on too, along with some fairly decent action.
Unfortunately though, Venom suffers from some of the same dreadful editing that The Predator did. Scenes that seem to just prematurely end suddenly and successions of rapid cuts during some of the action, making it difficult to see just what the hell is going on. Overall it's a bit rough around the edges, and definitely not as slick as your standard Marvel movie (this one is just 'in association with Marvel'). That being said, this was in no way the car crash movie that many of the reviews had lead me to believe, and on the whole I actually really enjoyed it.
A decent mid credits scene sets up some exciting potential for a further movie, but I feel they really need to tighten things up a bit in order to make another one worth seeing.
A space probe is returning to Earth. We hear the astronauts communicating with a team back home. They're talking about some 'specimens' that they're bringing back, and then something goes wrong onboard and the rocket crashes to Earth, landing somewhere in Malaysia. The probe belongs to bio-engineering company Life Foundation, and the specimens they're carrying are symbiotic lifeforms. Life Foundation are all over the crash site, with only one of the astronauts surviving, barely. Meanwhile, CEO Carlton Drake (Riz Ahmed) is very excited by the symbiotes and returns them to the lab, becoming obsessed with assimilating them into animals. Obviously he has plans to eventually (as quickly as possible) try this out on humans. Apparently, it's all for the good of the planet or some guff like that.
Meanwhile, we're introduced to investigative journalist Eddie Brock (Tom Hardy) and his girlfriend Anne (Michelle Williams). He's basically the most unconvincing journalist I've ever seen in a movie, but the montage of clips seems determined to tell us otherwise. He has his own TV show! It's great! He's helped to uncover injustice, righted wrongs, and is apparently a nice down to earth guy. When he secures an interview with Carlton Drake from Life Foundation, he's ready to uncover some dirt, but his boss warns him not to overstep the mark. Of course, he doesn't listen, stepping over the line and getting himself fired. He also manages to lose girlfriend Anne in the process.
The next chunk of the movie is just Tom Hardy moping around, and it's not that great. I don't know if it's the script, the acting, or both. It's interspersed occasionally with scenes involving Carlton Drake looking to expose the symbiotes to human subjects - the homeless, the poor or the just plain stupid - and you start wishing they'd just hurry up and bring Venom and Eddie together, in the hopes that things will pick up a bit. Luckily, once that does happen things do pick up considerably and Tom Hardy is so much better suited as the crazy man who's feeling a little bit unwell than the sad, boring journalist. There's a good level of humour from that point on too, along with some fairly decent action.
Unfortunately though, Venom suffers from some of the same dreadful editing that The Predator did. Scenes that seem to just prematurely end suddenly and successions of rapid cuts during some of the action, making it difficult to see just what the hell is going on. Overall it's a bit rough around the edges, and definitely not as slick as your standard Marvel movie (this one is just 'in association with Marvel'). That being said, this was in no way the car crash movie that many of the reviews had lead me to believe, and on the whole I actually really enjoyed it.
A decent mid credits scene sets up some exciting potential for a further movie, but I feel they really need to tighten things up a bit in order to make another one worth seeing.