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LoganCrews (2861 KP) rated Fletch (1985) in Movies
Mar 9, 2021 (Updated Mar 9, 2021)
𝘋𝘢𝘥 𝘏𝘶𝘮𝘰𝘳: 𝘛𝘩𝘦 𝘔𝘰𝘷𝘪𝘦. This does what it does fine enough but has been essentially rendered obsolete by even the weakest entry of the 𝘕𝘢𝘬𝘦𝘥 𝘎𝘶𝘯 trilogy (2 1/2, btw). Surprisingly I think this works better as a crime film than a full-on comedy; it's just so damn atmospheric what with the fun-as-hell (very) 80s synth soundtrack, intriguing mystery, kicky cinematography and all - qualities that all the best crime thrillers of the era have. But the comedy is shockingly inconsistent, you'd think having Chase as essentially a mile-a-minute quip machine for his signature dry smugness would be shoe-in but the jokes work at about a 40/60 hit-to-miss ratio. Maybe a generous 50/50? And there's a fine line between deadpan and downright dull - speaking as a usual Chase defender I find this performance leans to the latter a little too much, there's just not a lot to value in it over the countless other renditions of this character out there. Also it's an automatic crime that a movie in which Chevy Chase dons a metric ton of comical disguises and fake identities actively chooses not to lean into his legendary physical comedy. He only does like one funny dance and one paltry pratfall... what the fuck is up with that? Somehow still a blast in what should be its mediocrity. Utter fluff, but it'll do.
Kim Pook (101 KP) rated Holidate (2020) in Movies
Dec 24, 2020
A young woman, Sloane comes home for the holidays to see her critical family who always brings up that she's still single. Meanwhile a guy called Jackson is meeting the family of a crazy woman after just the second date. He walks out of their house when things get weird and uncomfortable.
Both Sloane and Jackson bump into each other whilst returning unwanted gifts in a longer than neccessary but pretty entertaining scene. They end up talking and hanging out at the mall, the idea of a holidate comes up which is something Sloanes aunty participates in in the holidays, meaning you get together with a random stranger specifically for a holiday, just a date with no commitments. Jackson gives sloane his number, at first she refuses to text him but after her mum tries to set her up with a guy she phones Jackson to arrange a no commitment holidate for new years. They get on well and have a good evening despite a dirty dancing inspired hilarious injury.
Fast forward to valentines, sloane is still dateless and once again bumps into Jackson who saves her from an awkward encounter with her ex. This is when they agree to be each others dates for every holiday.
As a lover of rom coms I really enjoyed this movie from beginning to end. Admittedly it was highly predictable but also highly entertaining, I howled with laughter multiple times.
Highly recommended.
Both Sloane and Jackson bump into each other whilst returning unwanted gifts in a longer than neccessary but pretty entertaining scene. They end up talking and hanging out at the mall, the idea of a holidate comes up which is something Sloanes aunty participates in in the holidays, meaning you get together with a random stranger specifically for a holiday, just a date with no commitments. Jackson gives sloane his number, at first she refuses to text him but after her mum tries to set her up with a guy she phones Jackson to arrange a no commitment holidate for new years. They get on well and have a good evening despite a dirty dancing inspired hilarious injury.
Fast forward to valentines, sloane is still dateless and once again bumps into Jackson who saves her from an awkward encounter with her ex. This is when they agree to be each others dates for every holiday.
As a lover of rom coms I really enjoyed this movie from beginning to end. Admittedly it was highly predictable but also highly entertaining, I howled with laughter multiple times.
Highly recommended.
Bob Mann (459 KP) rated The Mauritanian (2021) in Movies
Apr 14, 2021
Great acting from all four leads, especially Tahar Rahim (2 more)
Great use of screen ratios for flashbacks
Very thought provoking
War crimes don't just happen on the battlefield
It’s 2001. Bush and Rumsfeld seek vengeance on the perpetrators of 9/11. Quite right too. But rounding up hundreds of suspects and incarcerating them for years, without charge, in Guantánamo Bay in Cuba was an appalling act for a supposedly first-world country.
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
“The Mauritanian” then is the true story of one such unfortunate – Mohamedou Ould Slahi, played by Tahar Rahim. We first join Slahi at a family wedding in Nouakchott (good “Pointless” answer for the capital of Mauritania people!). ‘Invited for questioning’ by the American authorities, we next see Slahi in the Cuban stronghold.
Pro-bono lawyer Nancy Hollander (Jodie Foster) becomes a pariah by picking up his defence. Supporting her is assistant Teri Duncan (Shailene Woodley). Hollander is very formal and professionally aloof, not assuming his guilt or innocence. After meeting the man, and assuming his innocence, Duncan though is more emotionally involved. The man opposing them at trial is US Army prosecutor Stuart Couch (Benedict Cumberbatch). Couch, having lost one of his best friends aboard the South Tower plane, has an axe to grind.
As the pair battle unseen forces for access to documentation, they uncover more and more of the truth about life in Guantánamo Bay.
Positives:
- I've not read the book so I found the story gripping. As the related legal information is divulged, the movie drip-feeds flashbacks of Slahia's story, which is clever.
- Acting wise, "The Mauritanian" has top notch stuff. Tahir Rahim is excellent as Slahia. He portrays charismatic and confident businessman, brought down to earth with a bump. Not recognizing him with an Oscar nomination feels like a minor crime. He will have to make do with the BAFTA nomination. Also brilliant is Jodie Foster. As the illustrious Mrs Movie Man pointed out, it's so nice to see an actress acting her age with confidence. The ever-watchable Shailene Woodley is also great, especially in a dramatic 'dismissal' scene. She adds some much needed warmth to the legal team. The southern drawl from Cumberbatch is a bit of a surprise and takes some getting used to. But it's still a strong performance from him.
- After ranting on last time at Zack Snyder's use of 4:3 screen ratios in "Justice League", here is an intelligent use of the technique. The film is in 16:9 ratio, but then pivots to 4:3 for all of the Guantanamo flashback scenes, reflecting the claustrophobia of Slahia's position.
- Real-life footage over the closing titles is absolutely fascinating.
Negatives:
- I personally didn't find this a particular negative, but I went into the film knowing it to be a "legal drama". So there would be lots of scenes, as in "The Trial of the Chicago 7", with courtroom debate and gavel-banging, right? Actually, there is almost none of that. Most of the legal action is in terms of the preparation of the case and the paperwork involved. (If this makes the movie sound excruciatingly dull... think again!)
- The Guantanamo story ends quite abruptly (with the above-mentioned jolt), and left me wanting to see more of the intervening time. It's not often that I complain about a film running too short, but here is one where just a little of "the Snyder treatment" might have been welcomed!
Additional Note for the squeamish: For those worried about seeing distressing scenes of torture (e.g. Fingernail extraction, etc), these are - although disturbing - more of the "psychological torment" type. So those of a squeamish disposition can still watch this one.
Summary Thoughts:
The fact that "The Mauritanian" is a true story hammers home just what the US has been up to over the last 20 years. War crimes are not only committed on the battlefield.
Director Kevin Macdonald is no stranger to documentaries ("Touching the Void", "Whitney"). He's also proved adept at bringing gripping true stories to the screen (having previously given us "The Last King of Scotland"). Here, the emotional journeys of the key characters are well observed making the movie 'highly recommended'.
For the full One Mann's Movies review see here - https://bob-the-movie-man.com/2021/04/09/the-mauritanian-america-are-you-squirming-with-embarrassment/
Ben Howkins (7 KP) rated Alita: Battle Angel (2019) in Movies
Feb 17, 2019
Muddled plot (1 more)
Forced ending
Alita's more mortal than angel
The basic plot of the film is: about 300 years after a large war called “The Fall” a cyborg repairer/ doctor called Dr Dyson Ido finds the dismembered but still functioning body of a young girl in the scrapheap of rubbish dumped from Zalem, the last remaining sky city from before “The Fall”. After Ido is able to connect the remains to a cyborg body he had made for his late daughter, the girl awakes with no memories of who or what she is. To help her, Ido decides to look after, treating her as if she had a new start in life, even giving her a new name, Alita, after his late daughter whose body she had. Unfortunately though whilst creating her new life in Iron City, Alita starts to remember things about her past and who she truly is, learns that some of the people who she thinks she knows aren’t quite what they seem and most worryingly starting to attract the attention of some bad people.
If I am going, to be honest, both the movie and performances are on a hit and miss scale. Rosa Salazar who is the face and performance of the leading lady is quite good. She portrays Alita’s emotional and mental journey/ life cycle throughout the film to a high standard, evolving from the naive young girl at the very start when she knows and is nothing, through her lovesick and difficult middle period (teenage years if you will) and finishing with starts to truly knowing who she is and what she must do. Christoph Waltz is like always very good as Dr Dyson Ido. The different sides he showed of his character, sometimes switching and showing multiple in a single scene, is quite impressive. These include lighter ones like the loving father figure towards Alita and the doctor who is willing to help everyone sometimes for nothing in return, to his darker side like his secret “night job” and his hatred and disdain towards Zalem and their murderous entertainment “Motorball”. I will also give an honourable mention to Ed Skrein who plays bounty hunter Zapan. Out of the multiple known names who have middle to lower importance parts he was definitely the best as his (what I would say) known style of emotionless bad guy fits perfectly to his character.
But as I said there were definite misses to these hits, biggest one being Keean Johnson who plays Alita’s first friend turned love interest Hugo. The problem with Hugo isn’t all Johnson’s performance, though that is quite flat and unengaging, but that Hugo was unfortunately terribly written and just doesn’t really have anything about him. Another miss, performance wise, was the fact that there were a few big well-known actors and actresses who they didn’t use to their potential, again due to poor writing. An example is Mahershala Ali who plays Vector, an entrepreneur linked into “Motorball”. Though he is what I would regard as a “B Level Character”, nothing is done with him to use or explore his story, which I believe could have helped a bit with the story.
Like the performances, the film itself is also hit and miss, unfortunately with the later are bigger in weight than the former. Start with the good, Visually this movie is as stunning as it is billed. Though you can tell it’s mostly CGI, Alita still looks absolutely beautiful and some of the other cyborg/ robotic characters look just as good, particularly Zapan. Also, the performances I said were good were very good.
For all the lovely visuals and good performances, the biggest problem for the movie is the script. It is incredibly muddled up, jumping from one thing to the next at such a quick rate that it is hard to follow and even sometimes see the link between scenes. The movie also, in my opinion, finishes without a true ending. It is clear it was set up for a sequel but I feel there could have been at least another 10-20 minutes more to tie it up/ tide us properly over.
Overall I was really disappointed with Alita. With the team involved, I believed it had potential to be this decade “Avatar” but instead just ended up being another mediocre futuristic action drama.
If I am going, to be honest, both the movie and performances are on a hit and miss scale. Rosa Salazar who is the face and performance of the leading lady is quite good. She portrays Alita’s emotional and mental journey/ life cycle throughout the film to a high standard, evolving from the naive young girl at the very start when she knows and is nothing, through her lovesick and difficult middle period (teenage years if you will) and finishing with starts to truly knowing who she is and what she must do. Christoph Waltz is like always very good as Dr Dyson Ido. The different sides he showed of his character, sometimes switching and showing multiple in a single scene, is quite impressive. These include lighter ones like the loving father figure towards Alita and the doctor who is willing to help everyone sometimes for nothing in return, to his darker side like his secret “night job” and his hatred and disdain towards Zalem and their murderous entertainment “Motorball”. I will also give an honourable mention to Ed Skrein who plays bounty hunter Zapan. Out of the multiple known names who have middle to lower importance parts he was definitely the best as his (what I would say) known style of emotionless bad guy fits perfectly to his character.
But as I said there were definite misses to these hits, biggest one being Keean Johnson who plays Alita’s first friend turned love interest Hugo. The problem with Hugo isn’t all Johnson’s performance, though that is quite flat and unengaging, but that Hugo was unfortunately terribly written and just doesn’t really have anything about him. Another miss, performance wise, was the fact that there were a few big well-known actors and actresses who they didn’t use to their potential, again due to poor writing. An example is Mahershala Ali who plays Vector, an entrepreneur linked into “Motorball”. Though he is what I would regard as a “B Level Character”, nothing is done with him to use or explore his story, which I believe could have helped a bit with the story.
Like the performances, the film itself is also hit and miss, unfortunately with the later are bigger in weight than the former. Start with the good, Visually this movie is as stunning as it is billed. Though you can tell it’s mostly CGI, Alita still looks absolutely beautiful and some of the other cyborg/ robotic characters look just as good, particularly Zapan. Also, the performances I said were good were very good.
For all the lovely visuals and good performances, the biggest problem for the movie is the script. It is incredibly muddled up, jumping from one thing to the next at such a quick rate that it is hard to follow and even sometimes see the link between scenes. The movie also, in my opinion, finishes without a true ending. It is clear it was set up for a sequel but I feel there could have been at least another 10-20 minutes more to tie it up/ tide us properly over.
Overall I was really disappointed with Alita. With the team involved, I believed it had potential to be this decade “Avatar” but instead just ended up being another mediocre futuristic action drama.
365Flicks (235 KP) rated Admins (2017) in Movies
Nov 20, 2019
Glengarry Glen Ross, Clerks, A Few Good Men, The Big Short, Office Space and Waiting, What do these flicks have in common? No matter the genre they fall in they all have great writing, great dialogue and superb execution of both these factors from there core cast. While Admins may be a Low Budget independent movie it has all these key ingredients and deserves your attention.
Since Movies like Clerks and Office Space hit our screens and gave us a real good look into work life culture, well many movies have came and went since that tried to capture that magic but more often than not they fail because they lack the witty dialogue or lead cast delivery. Aaron Goodmiller and Eric Espejo have achieved a rare feat and brought us a movie that holds many similarity’s to the movies they (and we) love but also expertly elaborates becoming not only a love letter to the genre but an excellent reminder that there is still life in this genre yet.
Admins is a day in the life story of Dan and Randy. Dan and Randy are a couple of systems admins at a “government company” and much like your normal average Joe, spend most of there days figuring out how exactly to fill there work time. So yeah that’s pretty much all I can say plot wise other than what follows is a string of interesting, candid, funny as hell conversations (most notably the “Rape Card” conversation) as Dan is trying his damned hardest to better his position in the company and Randy just calls it like he sees it.
For me this flick lives in its performances and I don’t just mean from our two leads. Lets for a second talk about them though Jay Saunders as Dan the put upon employee who has the intelligence and the aspirations of making it, well I thought Saunders nailed this. Playing off him was Doug Henderson as Randy, please please please please someone pick this guy up and take him all the way. Henderson is an absolute scene stealing son of a bitch, his effortless delivery of some fairly complex dialogue makes him a joy to watch. I see a bright future for this guy. Just check out this delivery…
Both the leads are utterly brilliant but I cant take anything away from the supporting cast, Rebecca Wahls and Devon Brookshire in particular shine in there scenes as Vera and Kathy respectively, both playing very strongly off the cocky confident leads.
This recommend couldn’t be any stronger, I want you all to go check this flick out. Aaron Goodmiller has done a fantastic job on directing duties considering he was thrown into it at short notice after writer Eric Espejo had to bow out. Yes it is low budget, but this is a movie that knows where it lives and what its strengths are, complex witty dialogue and a brilliant cast that can deliver. Admins uses those strengths to there fullest and truly is a gem of a movie not to be missed.
So with that in mind here is where you can get a hold of it, and I suggest you do…
Since Movies like Clerks and Office Space hit our screens and gave us a real good look into work life culture, well many movies have came and went since that tried to capture that magic but more often than not they fail because they lack the witty dialogue or lead cast delivery. Aaron Goodmiller and Eric Espejo have achieved a rare feat and brought us a movie that holds many similarity’s to the movies they (and we) love but also expertly elaborates becoming not only a love letter to the genre but an excellent reminder that there is still life in this genre yet.
Admins is a day in the life story of Dan and Randy. Dan and Randy are a couple of systems admins at a “government company” and much like your normal average Joe, spend most of there days figuring out how exactly to fill there work time. So yeah that’s pretty much all I can say plot wise other than what follows is a string of interesting, candid, funny as hell conversations (most notably the “Rape Card” conversation) as Dan is trying his damned hardest to better his position in the company and Randy just calls it like he sees it.
For me this flick lives in its performances and I don’t just mean from our two leads. Lets for a second talk about them though Jay Saunders as Dan the put upon employee who has the intelligence and the aspirations of making it, well I thought Saunders nailed this. Playing off him was Doug Henderson as Randy, please please please please someone pick this guy up and take him all the way. Henderson is an absolute scene stealing son of a bitch, his effortless delivery of some fairly complex dialogue makes him a joy to watch. I see a bright future for this guy. Just check out this delivery…
Both the leads are utterly brilliant but I cant take anything away from the supporting cast, Rebecca Wahls and Devon Brookshire in particular shine in there scenes as Vera and Kathy respectively, both playing very strongly off the cocky confident leads.
This recommend couldn’t be any stronger, I want you all to go check this flick out. Aaron Goodmiller has done a fantastic job on directing duties considering he was thrown into it at short notice after writer Eric Espejo had to bow out. Yes it is low budget, but this is a movie that knows where it lives and what its strengths are, complex witty dialogue and a brilliant cast that can deliver. Admins uses those strengths to there fullest and truly is a gem of a movie not to be missed.
So with that in mind here is where you can get a hold of it, and I suggest you do…
Lee (2222 KP) rated Avengers: Infinity War (2018) in Movies
May 1, 2018 (Updated May 1, 2018)
A truly epic culmination of 10 years
10 years and it's all been leading to this. And so much has happened in this last decade too, both in the Marvel universe and outside of it, in every day life. I remember watching the very first Iron Man with my brother-in-law, who sadly passed away just a few years later. I remember watching many other Marvel movies with the biggest Marvel geek of them all, my youngest brother, who also tragically passed away before Age of Ultron was released. On-screen we've been gradually introduced to countless wonderful characters, each one continuing to expand and enrich the cinematic universe, and each movie touching upon the bigger battle yet to come. Infinity War is the culmination of everything. Expectation and excitement were through the roof for me, as they would be for any Marvel fan, but at the same time I was feeling pretty emotional about it all too. Avoiding reviews and spoilers was agonising, and I can't remember ever heading into a movie feeling the way I was when heading into Infinity War.
I'm not sure what to say, other than it doesn't disappoint. And if you've followed the Marvel movies and enjoy them in any way at all, you won't be disappointed either. Every character gets their moment to shine. Every scene draws you in, thrills you to the point where you just don't want it to stop, then cuts to another scene where that feeling kicks off again - yet another epic moment of threat, action and joy. Characters are spread so far around the universe that many don't even cross paths, yet they all share one common goal. It never gets boring, the lengthy run time flies by, and it all just works.
In Thanos we finally have a worthy villain. A villain with a purpose you can believe in, a villain that brings credible threat to the universe, and even humour at times. A villain you can even empathise with.
And Marvel also have the balls to pull off the most intense, dramatic, gut wrenchingly final act. One that leaves you traumatised yet wanting more. A truly epic achievement.
I'm not sure what to say, other than it doesn't disappoint. And if you've followed the Marvel movies and enjoy them in any way at all, you won't be disappointed either. Every character gets their moment to shine. Every scene draws you in, thrills you to the point where you just don't want it to stop, then cuts to another scene where that feeling kicks off again - yet another epic moment of threat, action and joy. Characters are spread so far around the universe that many don't even cross paths, yet they all share one common goal. It never gets boring, the lengthy run time flies by, and it all just works.
In Thanos we finally have a worthy villain. A villain with a purpose you can believe in, a villain that brings credible threat to the universe, and even humour at times. A villain you can even empathise with.
And Marvel also have the balls to pull off the most intense, dramatic, gut wrenchingly final act. One that leaves you traumatised yet wanting more. A truly epic achievement.
Lee (2222 KP) rated I Feel Pretty (2018) in Movies
May 21, 2018
Pretty Average
Renee Bennett (Amy Schumer) feels average, and anything but pretty in this world. Clothing store workers sneer at her choice of fashion, suggesting that she should instead venture in the direction of the plus size clothing. Supermarket customers mistake her as just a downtrodden employee, focusing instead on the 'perfect' girl standing beside her. In busy bars, workers favour the pretty girls ordering drinks over her, and in her exercise class she's made to feel uncomfortable at her larger than average footwear needs. She's also part of a small group of 3 friends, who all struggle to attract dates in this superficial world, and wish they were prettier.
Then one day, Renee falls off her exercise bike and bangs her head. When she comes round, she believes that magic has made her beautiful, and she thinks that all her friends are seeing someone completely different. Only they're not, they're seeing exactly the same person as before.
This perceived change gives Renee a new found confidence. She believes that men are trying to hit on her, and in one of the movies funnier moments, she believes she can win a bikini competition. She also pursues her dream of becoming receptionist for the large cosmetics company she works for, moving from the dull, dark office of their online division all the way up to their big shiny head office where all the beautiful people work. And where her idol and boss, Avery LeClaire (Michelle Williams) works. Eventually, another bang to the head reverses the 'spell' and Renee has to try and deal with the sudden realisation that beauty really is only skin deep.
With Amy Schumer onboard for this, I guess I was expecting it to be a lot funnier than it actually is. While I didn't not like it, I've got to say I was pretty disappointed overall. There's obviously a strong message to this movie, but it gradually becomes muddled as the movie progresses and isn't effectively executed, which is a real shame considering. I wondered if being a man, I was maybe missing the message and failing to appreciate it as much as a woman might, but my wife actually felt the same way.
Then one day, Renee falls off her exercise bike and bangs her head. When she comes round, she believes that magic has made her beautiful, and she thinks that all her friends are seeing someone completely different. Only they're not, they're seeing exactly the same person as before.
This perceived change gives Renee a new found confidence. She believes that men are trying to hit on her, and in one of the movies funnier moments, she believes she can win a bikini competition. She also pursues her dream of becoming receptionist for the large cosmetics company she works for, moving from the dull, dark office of their online division all the way up to their big shiny head office where all the beautiful people work. And where her idol and boss, Avery LeClaire (Michelle Williams) works. Eventually, another bang to the head reverses the 'spell' and Renee has to try and deal with the sudden realisation that beauty really is only skin deep.
With Amy Schumer onboard for this, I guess I was expecting it to be a lot funnier than it actually is. While I didn't not like it, I've got to say I was pretty disappointed overall. There's obviously a strong message to this movie, but it gradually becomes muddled as the movie progresses and isn't effectively executed, which is a real shame considering. I wondered if being a man, I was maybe missing the message and failing to appreciate it as much as a woman might, but my wife actually felt the same way.
Lilyn G - Sci-Fi & Scary (91 KP) rated The Devil's Well (2017) in Movies
Jan 31, 2018
It made me think, which is more than I expected.
A ‘documentary’ film consisting mostly of found footage, capped with interviews on either end, The Devil’s Well attempts to convince viewers that there is still something interesting in the subgenre to be had. Sometimes, it nearly succeeds, but most of the time it just falls a bit flat.
I will say this for The Devil’s Well, it made me think about it. Some of the things that I initially found as flaws in the movie I wondered about later. Like was the lack of ‘forboding’ sound effects that you generally hear right before something happens. I also did like the interaction between the team members in regards to the reality of their situation. It is very clear that while some people have a definite motivation for coming to The Devil’s Well, the others are not exactly on board.
I liked the bluntness with which the cameras overseer of the Signs group (Kurtis Spieler) speaks to Bryan Marks (played by Bryan Manley Davis). The conversation felt exactly like one that would really have happened. I found myself rooting for him to survive. I also found myself hoping for the reveal that everything had been a huge hoax. (Though, speaking of the cameras, why were some in black and white and some weren’t?)
I think the weakest point is with the actress that played Karla Marks, but I’m unsure if I think it was the dialogue or the acting that failed. All I know is that while I was semi-engaged with most of the film, her scenes had me rolling my eyes a bit.
The Devil’s Well was well-shot and the acting was decent, but other than a few thought provoking moments, it really brings nothing new to the table. I wish there had been a bit more explanation about what had happened to Karla during the year that she was missing. The fact that it’s almost completely open ended drives me a bit bonkers.
Disclaimer: I received a screener link of this movie for review consideration from October Coast Media.
I will say this for The Devil’s Well, it made me think about it. Some of the things that I initially found as flaws in the movie I wondered about later. Like was the lack of ‘forboding’ sound effects that you generally hear right before something happens. I also did like the interaction between the team members in regards to the reality of their situation. It is very clear that while some people have a definite motivation for coming to The Devil’s Well, the others are not exactly on board.
I liked the bluntness with which the cameras overseer of the Signs group (Kurtis Spieler) speaks to Bryan Marks (played by Bryan Manley Davis). The conversation felt exactly like one that would really have happened. I found myself rooting for him to survive. I also found myself hoping for the reveal that everything had been a huge hoax. (Though, speaking of the cameras, why were some in black and white and some weren’t?)
I think the weakest point is with the actress that played Karla Marks, but I’m unsure if I think it was the dialogue or the acting that failed. All I know is that while I was semi-engaged with most of the film, her scenes had me rolling my eyes a bit.
The Devil’s Well was well-shot and the acting was decent, but other than a few thought provoking moments, it really brings nothing new to the table. I wish there had been a bit more explanation about what had happened to Karla during the year that she was missing. The fact that it’s almost completely open ended drives me a bit bonkers.
Disclaimer: I received a screener link of this movie for review consideration from October Coast Media.
Victoria Green (34 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 11, 2019
Wow
Contains spoilers, click to show
This movie wasn't given enough credit. From start to finish I was pulled in and was on the edge of my seat.
When raven died I was in shock. But I'm the first X-Men movies she is alive and well in the future so this confused me and also what happened to jean at the end. Obviously, she was taken over by the Phoenix force and became a powerful cosmic being. Another thing was that Charles no longer is the head teacher of the Academy and again, in the future, still is. But I'm not complaining cause it was amazing anyway.
I will probably go to see it again soon because once won't be enough for me.
When raven died I was in shock. But I'm the first X-Men movies she is alive and well in the future so this confused me and also what happened to jean at the end. Obviously, she was taken over by the Phoenix force and became a powerful cosmic being. Another thing was that Charles no longer is the head teacher of the Academy and again, in the future, still is. But I'm not complaining cause it was amazing anyway.
I will probably go to see it again soon because once won't be enough for me.
