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Charlie Cobra Reviews (1840 KP) rated Polar (2019) in Movies
Jul 5, 2020
The Black Kaiser - 8/10
Polar is a 2019 neo-noir/action movie based on the Dark Horse Comics, webcomic series Polar: Came From The Cold, written by Victor Santos. It is directed by Jonas Akerlund and written by Jayson Rothwell. Starring Mads Mikkelsen, Vanessa Hudgens, Katheryn Winnick, and Matt Lucas.
Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.
This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.
This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
The LEGO Ninjango Movie (2017)
5.9
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Bob Mann (459 KP) rated Denial (2016) in Movies
Sep 29, 2021
Jewry Trial.
It’s the mid-90’s and Deborah Lipstadt (Rachael Weisz, “The Lobster“), an American professor of Holocaust studies at a US university has written a book naming and shaming David Irving (Timothy Spall, “Mr Turner”) as a Nazi-apologist who denies that the Holocaust ever happened. Filing a law suit against Penguin Books and Lipstadt in the UK, Lipstadt chooses to fight rather than settle and takes the case to the High Courts in a much publicised trial.
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Help is required and Lipstadt is assigned a hot-shot solicitor (if that’s not an oxymoron) in the form of Anthony Julius (Andrew Scott, “Sherlock”) and top barrister Richard Rampton (Tom Wilkinson, “Selma“). The stage is set for an epic legal battle that will establish not just legal precedent but also historical precedent affecting the entire Jewish people.
This film’s trailer really appealed to me, and I was looking forward to this film. And that view clearly also got through to people of my age bracket (and older) since the cinema was pretty full. But ultimately I was disappointed by the film.
But first the good points.
The cinematography by Haris Zambarloukos (“Thor”, “Mamma Mia”) is memorable, particularly for the Auschwitz tour which is done in an impressively bleak way on an astoundingly bleak winter’s day.
Andrew Scott, so woefully miscast as “C” in “Spectre“, here is a nice shoo-in for the cocksure but aloof expert. And Tom Wilkinson, who can seldom put a movie foot wrong, is also perfectly cast as the claret-swigging defence-lead: passionless and analytical even when facing the horrors of a trip to Auschwitz.
Timothy Spall’s Irving is well portrayed as the intelligent and articulate – albeit deluded – eccentric he no doubt is.
There are also some nice cameo performances, including John Sessions (“Florence Foster Jenkins“) as an Oxbridge history boffin and Mark Gatiss (“Sherlock”) as an Auschwitz expert.
However, these positives don’t outweigh the big negative that the broader ensemble cast never really gels together well. The first time this is evident is in an office meeting of the defence team where the interactions have a sheen of falseness about them that is barely hidden behind some weak script and forced nervous laughter. Tea can’t help.
In particular, attractive Kiwi actress Caren Pistorius (“The Light Between Oceans“) seems to have been given a poor hand to play with as the junior member of the team. A late night interaction with her boyfriend, who whinges at her for having to work late, seems to be taken from a more sexist age: “the 70’s called and they want their script back”.
None of this is helped by Rachel Weisz, who I’m normally a fan of, but here she is hindered by some rather dodgy lines by David Hare (“The Reader”) and an unconvincing (well, to me at least) New York accent. For me I’m afraid she just doesn’t seem to adequately convey her passion for the cause.
While the execution of the court scenes are well done, the film is hampered by its opening five words: “Based on a True Story”. This is something of a disease at the moment in the movies, and whilst in many films (the recent “Lion” for example) the story is in the journey rather than the result, with “Denial” the story is designed to build to a tense result that unfortunately lacks any sort of tension – since the result is pre-ordained.
This is all a great shame, since director Mick Jackson (“LA Story”, in his first feature for nearly 15 years) has the potential here for a great movie. Perhaps a more fictionalised version (“vaguely based on a true story”) might have provided more of a foundation for a better film?
Madbatdan82 (341 KP) rated The Predator (2018) in Movies
Mar 24, 2019
What da the hell are you??
This movie is a mess! It doesn't know what it is which is unfortunate as it could have been really good - if it wasn't a predator film!!...let's start with what's good. It looks excellent and the action sequences are done well. The acting and comedy are also good BUT there in lies its downfall. This film is a comedy at heart and genuinely made me laugh a few times but the tone is wrong. This is a predator film! It's about massive alien hunters coming to kill us not ridiculous 'predator dogs' and 'your mumma' jokes. Now yes the original had the occasional 'pussy' joke BUT that was rare and was to show the connection between this 'family' of soldiers which then makes their eventual deaths more impactful. Here the jokes don't let up and what's annoying is (as I said) they're quite funny they just doesn't suit the tone of whst this film should be AND what a predator film should be. Finally this film has one of the worst final scenes and finally dialogue lines in cinema history - just awful!! Watch this for for a few laughs but DO NOT expect a predator film.
Sarah (7800 KP) rated Upgrade (2018) in Movies
May 20, 2019
Unexpectedly good
Well I have to say that this film was rather a pleasant surprise. I’d been expecting a rather low budget trashy sci-fi but instead I got an action packed, gory and strangely humorous film - which was a complete surprise until I saw it had been directed by Leigh Whannell, then it all made a little more sense.
Don’t get me wrong, this is quite like a good old B movie and does have a slightly dodgy script at times but the rest of the film more than makes up for it. The whole interaction between Grey and Stem is brilliant, very quick and witty and often pretty funny, and the camera work and robotic style of the fight scenes works really well, especially with the blood and gore thrown in too. The acting too from Logan Marshall Green is very good, and he isn’t an actor I’ve seen much from. My only criticism is the ending, I wouldn’t say it was entirely predictable but it didn’t come as a huge surprise. But then I’ve read far too many books and seen far too many films.
Also, was I the only one wishing Alan Tudyk did the voice of Stem? He’s such a good voiceover actor.
Don’t get me wrong, this is quite like a good old B movie and does have a slightly dodgy script at times but the rest of the film more than makes up for it. The whole interaction between Grey and Stem is brilliant, very quick and witty and often pretty funny, and the camera work and robotic style of the fight scenes works really well, especially with the blood and gore thrown in too. The acting too from Logan Marshall Green is very good, and he isn’t an actor I’ve seen much from. My only criticism is the ending, I wouldn’t say it was entirely predictable but it didn’t come as a huge surprise. But then I’ve read far too many books and seen far too many films.
Also, was I the only one wishing Alan Tudyk did the voice of Stem? He’s such a good voiceover actor.
Kevin Wilson (179 KP) rated The Impossible (2012) in Movies
Aug 12, 2018
A true story (3 more)
Amazing cast, incredible performances
Fantastic writing
Great effects
Wow, such a powerful, intense movie!
Wow this is 1 of the most intense and powerful movies I've seen in such a long time.
I love disaster movies and the fact this is actually a true story adds so much to it. You can feel a lot more emotion throughout knowing this actually happened to someone and the characters are a real family that this actually happened to.
This is also thanks to such an incredible cast with amazing writing and acting. There is not 1 actor that is not phenomenal. Naomi Watts, Ewan McGregor and a young Tom Holland are all fantastic. Their chemistry is natural and believable and give so much intensity and emotion to all their performances.
The effects are fantastic. The tsunami and the injuries all look great and real. Has a great score and it all makes you think and wonder what it must have been like for the people actually involved.
Absolutely fantastic and can definitely recommend. I paid £1 for the blu ray and it's 1 I will not get rid of and will watch again. If you get chance, watch it.
I love disaster movies and the fact this is actually a true story adds so much to it. You can feel a lot more emotion throughout knowing this actually happened to someone and the characters are a real family that this actually happened to.
This is also thanks to such an incredible cast with amazing writing and acting. There is not 1 actor that is not phenomenal. Naomi Watts, Ewan McGregor and a young Tom Holland are all fantastic. Their chemistry is natural and believable and give so much intensity and emotion to all their performances.
The effects are fantastic. The tsunami and the injuries all look great and real. Has a great score and it all makes you think and wonder what it must have been like for the people actually involved.
Absolutely fantastic and can definitely recommend. I paid £1 for the blu ray and it's 1 I will not get rid of and will watch again. If you get chance, watch it.
Not That Kind of Girl: A Young Woman Tells You What She's Learned
6.2
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Lena Dunham, acclaimed writer-director-star of HBO and Sky Atlantic's 'Girls' and the award-winning...
LeftSideCut (3776 KP) rated Suspiria (1977) in Movies
Dec 29, 2020
Dario Argento's body of work throughout the 70s and 80s is pretty damn solid, and Suspiria is arguably his strongest entry. It's a damn masterpiece.
The lighting, colours, and camerawork are all phenomenal. Throw them together, and you get one of the most visually striking horrors ever made.
It has excellent pacing - the opening ten minutes are incredibly intense, and culminate in a truly iconic horror cinema kill. The vast majority of what follows is a slower build up of plot, but in true Giallo fashion, keeps a sturdy mystery going for the whole time. The climax of the film ramps everything up again, as things take a supernatural turn, providing the audience with a solid reveal, disturbing imagery, and a decent helping of blood, all the while being backed by an absurd soundtrack courtesy of Italian prog band Goblin. The music goes from being enchanting, to downright jarring at the click of a finger, and just adds to Suspria's otherworldliness in spades.
Some memorable performances from the likes of Jessica Harper, Stefania Casini, Alida Valli and Joan Bennett also help in elevating this movie to horror greatness.
Suspiria is one of those films that you must see before you die. Horror at its weird, sense-assaulting best!
The lighting, colours, and camerawork are all phenomenal. Throw them together, and you get one of the most visually striking horrors ever made.
It has excellent pacing - the opening ten minutes are incredibly intense, and culminate in a truly iconic horror cinema kill. The vast majority of what follows is a slower build up of plot, but in true Giallo fashion, keeps a sturdy mystery going for the whole time. The climax of the film ramps everything up again, as things take a supernatural turn, providing the audience with a solid reveal, disturbing imagery, and a decent helping of blood, all the while being backed by an absurd soundtrack courtesy of Italian prog band Goblin. The music goes from being enchanting, to downright jarring at the click of a finger, and just adds to Suspria's otherworldliness in spades.
Some memorable performances from the likes of Jessica Harper, Stefania Casini, Alida Valli and Joan Bennett also help in elevating this movie to horror greatness.
Suspiria is one of those films that you must see before you die. Horror at its weird, sense-assaulting best!