Search
Search results
Gareth von Kallenbach (980 KP) rated The little mermaid (2023) in Movies
May 26, 2023
(By my wife Genevieve)I must admit that I may be biased about this movie, being a huge fan of all things Disney. However, the popular and beloved original The Little Mermaid was released in November 1989, about 6 months before I graduated high school. Not really the age to be that interested in an animated movie about a mermaid who trades her voice away to be able to live where the people are. But of course, I still watched it and I, like many, definitely loved the songs. The storyline? Not so much.
When I first heard a live-action version was in the works, my initial response was tepid, "That's nice." Only when I heard a person of color would play Ariel was my curiosity really piqued. As a minority, when many asked, "Why?", I thought, "Why not?" I was very moved when I saw the videos of young Black girls reacting excitedly to the first trailer when they discovered Ariel looked like them, further answering the many still asking "Why?" with "This. This is why."
If you've seen the animated version, then you know the gist of the story - young mermaid Ariel, played beautifully by Halle Bailey, is fascinated by the world above the water and collects all the human thingamabobs that litter the sea floor. She rebels against her father, King Triton, the handsome Javier Bardem, by giving in to her curiosity and ends up rescuing the merchant Prince Eric from drowning when the ship he's sailing is caught in a treacherous storm. Ariel is instantly smitten and Prince Eric, played by the perfectly-cast Jonah Hauer-King, is equally obsessed with the voice he heard as he was revived by Ariel’s siren song.
While obviously geared towards a younger audience, I found much to love about this movie. Jodi Benson’s original version will always be perfection, but Halle Bailey’s emotional rendition of “Part of Your World”, coupled with her luminous and expressive face, was just phenomenal. I had to temper my applause after her performance while a few appreciative “Whooo!” sounded through the audience. Melissa McCarthy’s Ursula and her iconic “Poor Unfortunate Souls” was definitely a highlight. Daveed Diggs as Sebastian (also inspired casting) and Awkwafina as Scuttle need their own spinoff. They’re hilarious together.
Alan Menken’s classic songs from the original were given new life by McCarthy, Bailey, and Diggs, and Lin Manuel Miranda’s signature touch is easily identifiable in the new ballads for Ariel and Prince Eric, and a Hamilton-style rap by Awkwafina and Diggs.
I appreciated the parallel stories with the prince just as curious about the world beyond his island as Ariel is about the world beyond her ocean, both bound by duty to their parents and their people, while yearning to explore the great “out there”. In all my Disney and Pixar movie-watching experiences, it has consistently been Pixar movies that get me emotionally compromised, so I was a bit surprised to find myself reaching for a napkin at the end of this movie, after a scene between Ariel and her dad. I will blame it on the nostalgia.
4 out of 5 stars just for the musical performances alone.
When I first heard a live-action version was in the works, my initial response was tepid, "That's nice." Only when I heard a person of color would play Ariel was my curiosity really piqued. As a minority, when many asked, "Why?", I thought, "Why not?" I was very moved when I saw the videos of young Black girls reacting excitedly to the first trailer when they discovered Ariel looked like them, further answering the many still asking "Why?" with "This. This is why."
If you've seen the animated version, then you know the gist of the story - young mermaid Ariel, played beautifully by Halle Bailey, is fascinated by the world above the water and collects all the human thingamabobs that litter the sea floor. She rebels against her father, King Triton, the handsome Javier Bardem, by giving in to her curiosity and ends up rescuing the merchant Prince Eric from drowning when the ship he's sailing is caught in a treacherous storm. Ariel is instantly smitten and Prince Eric, played by the perfectly-cast Jonah Hauer-King, is equally obsessed with the voice he heard as he was revived by Ariel’s siren song.
While obviously geared towards a younger audience, I found much to love about this movie. Jodi Benson’s original version will always be perfection, but Halle Bailey’s emotional rendition of “Part of Your World”, coupled with her luminous and expressive face, was just phenomenal. I had to temper my applause after her performance while a few appreciative “Whooo!” sounded through the audience. Melissa McCarthy’s Ursula and her iconic “Poor Unfortunate Souls” was definitely a highlight. Daveed Diggs as Sebastian (also inspired casting) and Awkwafina as Scuttle need their own spinoff. They’re hilarious together.
Alan Menken’s classic songs from the original were given new life by McCarthy, Bailey, and Diggs, and Lin Manuel Miranda’s signature touch is easily identifiable in the new ballads for Ariel and Prince Eric, and a Hamilton-style rap by Awkwafina and Diggs.
I appreciated the parallel stories with the prince just as curious about the world beyond his island as Ariel is about the world beyond her ocean, both bound by duty to their parents and their people, while yearning to explore the great “out there”. In all my Disney and Pixar movie-watching experiences, it has consistently been Pixar movies that get me emotionally compromised, so I was a bit surprised to find myself reaching for a napkin at the end of this movie, after a scene between Ariel and her dad. I will blame it on the nostalgia.
4 out of 5 stars just for the musical performances alone.
Bob Mann (459 KP) rated The Last Duel (2021) in Movies
Oct 28, 2021
Three nuanced perspectives on a winter’s tale.
In Ridley Scott’s new movie “The Last Duel” we are in the late 14th century in France. And – apart from in one scene – it appears to be perpetual winter!
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Awix (3310 KP) rated That Good Night (2018) in Movies
Jun 23, 2018 (Updated Jun 23, 2018)
It would be lovely to report that John Hurt's valedictory screen performance appears in a worthy production, but sadly this one is no better than functional. Crabby old git who has spent his life being feted for his writing while treating everyone around him appallingly gets bad news from his specialist, is forced to reassess his life and his attitudes to death. I mean, as premises go it's not dreadful, but the realisation of the story is just clunky - long, talky scenes in which characters articulate their issues with each other at great length are interspaced with ones where Hurt and Dance debate the ethics of euthanasia.
The theatrical origins of the piece are never in doubt, and it all feels very trite and tips over into sentimentality before the conclusion. There's also a plot twist, of sorts, which I think you would have to work very hard not to guess in advance. Nevertheless, there are very good performances from Hurt and Dance, also Helin - even if one can't help feeling she doesn't really get material worthy of her talents. Looks nice, but the bland score is annoyingly intrusive - if this came on the telly on a Sunday night it would pass the time inoffensively enough, it's just not much of a movie when you watch it on the big screen.
The theatrical origins of the piece are never in doubt, and it all feels very trite and tips over into sentimentality before the conclusion. There's also a plot twist, of sorts, which I think you would have to work very hard not to guess in advance. Nevertheless, there are very good performances from Hurt and Dance, also Helin - even if one can't help feeling she doesn't really get material worthy of her talents. Looks nice, but the bland score is annoyingly intrusive - if this came on the telly on a Sunday night it would pass the time inoffensively enough, it's just not much of a movie when you watch it on the big screen.
David McK (3687 KP) rated Thor (2011) in Movies
Sep 12, 2021
One of the earliest movies in the Marvel Cinematic Universe (MCU), - I think it's the 4th - way back in Phase 1, with what was seemingly an odd choice of director in our very own (I'm from Northern Ireland, as he is) Kenneth Branagh.
However, you can soon see why he was chosen, with this film - in particular - having a very Shakespearian feel to it, what with the whole plot of two brothers to the throne (as an aside, also the first film to leave Earth for large portions) and the whole familial drama going on ...
I also remember, prior to this, that my whole recollection of the character came from the old 70s/80s 'The Incredible Hulk' tv show and mini movies, where Thor was more-or-less somewhat similar to Jekyll and Hyde, in that he shared a body with the lead character ('who-so-ever be so worthy') of the crippled doctor Donald Blake - a name dropped in this movie as an Easter egg, as Jane Foster's ex boyfriend, and - temporarily - borrowed by this version of Thor.
Unlike many of the later MCU movies, this has a surprisingly small finale, and the scene with Thor breaking into the SHIELD camp in his attempt to recover Mjolnir is still the best bit of the whole thing.
However, you can soon see why he was chosen, with this film - in particular - having a very Shakespearian feel to it, what with the whole plot of two brothers to the throne (as an aside, also the first film to leave Earth for large portions) and the whole familial drama going on ...
I also remember, prior to this, that my whole recollection of the character came from the old 70s/80s 'The Incredible Hulk' tv show and mini movies, where Thor was more-or-less somewhat similar to Jekyll and Hyde, in that he shared a body with the lead character ('who-so-ever be so worthy') of the crippled doctor Donald Blake - a name dropped in this movie as an Easter egg, as Jane Foster's ex boyfriend, and - temporarily - borrowed by this version of Thor.
Unlike many of the later MCU movies, this has a surprisingly small finale, and the scene with Thor breaking into the SHIELD camp in his attempt to recover Mjolnir is still the best bit of the whole thing.
Awix (3310 KP) rated Dawn of the Dead (1978) in Movies
Mar 12, 2018
The big daddy of modern zombie movies builds on the micro-budget charms of Romero's own Night of the Living Dead to create its own sub-genre. World is gripped by zombopocalypse; survivors flee the city in search of refuge, come across a vast mall filled with provisions (also many luxury items). They decide to stay and fortify the place, but is this really wise...?
Few films depict society on the verge of collapse quite as convincingly as this one; the relatively low budget just makes the scale of Romero's achievement more impressive. The film plays with gory B-movie tropes with cheery abandon, and you're seldom more than a few minutes away from the next grisly set-piece, but its ability to quietly engage with more serious and mature themes is also striking. Romero seems equally in love with having zombies' heads blasted off their shoulders and making serious points about the toxic effects of consumerism and the human predilection for unchecked violence. Even the parts of the film which feel a little primitive are still somehow just right for it, and couldn't really be improved upon. One of those virtually perfect films; the reason the scale goes up to 10.
Few films depict society on the verge of collapse quite as convincingly as this one; the relatively low budget just makes the scale of Romero's achievement more impressive. The film plays with gory B-movie tropes with cheery abandon, and you're seldom more than a few minutes away from the next grisly set-piece, but its ability to quietly engage with more serious and mature themes is also striking. Romero seems equally in love with having zombies' heads blasted off their shoulders and making serious points about the toxic effects of consumerism and the human predilection for unchecked violence. Even the parts of the film which feel a little primitive are still somehow just right for it, and couldn't really be improved upon. One of those virtually perfect films; the reason the scale goes up to 10.
Neon's Nerd Nexus (360 KP) rated Jojo Rabbit (2019) in Movies
Jan 6, 2020 (Updated Jan 6, 2020)
F*ck Off Hittler!
Jo Jo Rabbit while by no means a bad movie its just one that I think would of worked better as a short instead. Think Son Of Rambow meets Wes Anderson and Jo Jo sits somewhere in between, its not bad but its also not greatness either. Containing way more serious drama and a much darker tone than the trailer has you believe what I found most interesting of all were the bleakest parts of the story which hit home way more than the comedy side. I just felt the humour took away from the films more serious messages of manipulation and the mind poluting of the naive. A good job is done of showing how fragile, young and inocent minds are easily lead astray/influenced by propaganda, stories, lies, the spread of hatred and how the excitement of holding a weapon, fighting in a war or wearing a uniform almost takes away from the overall bigger picture for them as children. Most of these kids see probably grew up without a dad as a role model so seeing hittler praised by all, hearing cool fables about him and seeing him on tv/posters to them at that age is almost like how kids are today with superheros, then to think thats actually what probably happened sends chills up your spine in horror. Sadly these scenes are always dampened with comedy killing the impact of them for me and while I do get what type of film its going for I think id rather of just seen a movie on the darker stuff. Acting is great especially by the boy playing Jo Jo however accents do slip constantly all round again breaking the illusion. Couple this with a middle act that I really struggled with losing intrest frequently and looking at my watch. While it does have the heart and certainly the depth in places I cant help but feel really let down by this movie and sadly I left wanting more. Far too serious for teens and not serious enough for adults Jo Jo Rabbit is an alright watch with definitely a few good messages at its muddled heart 'love will always defeat hate' and 'even if you are ugly on skin you still can be lovely from within' so I guess its not all bad.
Phillip McSween (751 KP) rated The Golem (2019) in Movies
Mar 8, 2019
Had Potential But Came Up Short
The more movies I watch, the more I want to find those hidden gems. You know, that movie you know no one else has seen that actually turns out to be really good. I was hoping The Golem would be one of those movies. Nope.
The Plot: Set in a Jewish community in the 1600’s, a woman invokes a powerful entity to help save her village from invaders.
Acting: 10
Despite other glaring issues with the film, performances was not one of them. I was impressed with Hani Furstenberg in her lead role as Hanna. Hani breathes pain and frustration into her character and really makes the audience sympathize with the character. She plays a character that’s seemingly dead inside because of the monotonous life she lives. I also enjoyed young Konstantin Anikienko as The Golem. Talk about creepy. I’m sure he spent a lot of time practicing his slow, deliberate movements and calculating gaze. Definitely gave me a shiver a time or two.
Beginning: 5
Characters: 6
Outside of Hanna and The Golem, there are not really any other characters to care about. There were even times where I found it hard to even care for Hanna. Some of the things that happened were out of her control, but some of it was totally her fault and I’m thinking, “Yeah, you kinda did this to yourself.” While her character was solid, it seemed like they dumped the full emotional load on her and I feel like more time could have been taken to develop other characters as well.
Cinematography/Visuals: 7
Conflict: 4
Genre: 5
Memorability: 3
Pace: 4
Plot: 6
Not the worst story but it definitely left me with a few questions. Unfortunately the plot didn’t leave room for much character development which left me unsatisfied. Sometimes linear can be good. Other times, that line is just a little bit too long…
Resolution: 5
Overall: 55
While some of the cinematic work is cool especially as it relates to the action sequences with the Golem, this movie left me entirely too underwhelmed. Guess I’ll have to look elsewhere for my sneaky good movie.
The Plot: Set in a Jewish community in the 1600’s, a woman invokes a powerful entity to help save her village from invaders.
Acting: 10
Despite other glaring issues with the film, performances was not one of them. I was impressed with Hani Furstenberg in her lead role as Hanna. Hani breathes pain and frustration into her character and really makes the audience sympathize with the character. She plays a character that’s seemingly dead inside because of the monotonous life she lives. I also enjoyed young Konstantin Anikienko as The Golem. Talk about creepy. I’m sure he spent a lot of time practicing his slow, deliberate movements and calculating gaze. Definitely gave me a shiver a time or two.
Beginning: 5
Characters: 6
Outside of Hanna and The Golem, there are not really any other characters to care about. There were even times where I found it hard to even care for Hanna. Some of the things that happened were out of her control, but some of it was totally her fault and I’m thinking, “Yeah, you kinda did this to yourself.” While her character was solid, it seemed like they dumped the full emotional load on her and I feel like more time could have been taken to develop other characters as well.
Cinematography/Visuals: 7
Conflict: 4
Genre: 5
Memorability: 3
Pace: 4
Plot: 6
Not the worst story but it definitely left me with a few questions. Unfortunately the plot didn’t leave room for much character development which left me unsatisfied. Sometimes linear can be good. Other times, that line is just a little bit too long…
Resolution: 5
Overall: 55
While some of the cinematic work is cool especially as it relates to the action sequences with the Golem, this movie left me entirely too underwhelmed. Guess I’ll have to look elsewhere for my sneaky good movie.
Fred (860 KP) rated Tomb Raider (2018) in Movies
Jul 10, 2018
The acting is top notch (2 more)
Lots of action
Very loyal to the game series
The Story of Lara Croft is an interesting one
Watched this last night. As usual, I try not to see any reviews until I see it, so I'm not swayed by other's opinions. And so, not knowing if the movie was liked or disliked, I was able to watch it & make my own opinion.
I am a fan of the game series & love the new entries. I'm very glad they decided to follow the new games for this film & I found Lara's "origin" to be real interesting. I was not a fan of the Angelina Jolie movies. I found her too snooty & arrogant to like the character. But Alicia Vikander plays the characters perfectly. She plays a young Lara, who's tough, but has some vulnerability to her. She's an underdog we can root for, but she can hold her own too. A perfect balance.
Daniel Wu & Dominic West play their parts well. Although I would have liked to have seen Wu pull off some martial arts moves, like his character on "Into the Badlands", but I'm also glad they didn't fall for the stereotypical Asian.
But. a movie is only as good as it's main villain. And this movie has a great one. Played by Walton Goggins, who doesn't get the credit he deserves. This guy is great. He can make you love him & he can make you hate him too. I've never seen him in a bad role.
There's really not much to say about the story, as it's practically a live-action remake of the last 2 video games stories mashed together. You know what to expect, lots of action, lots of raiding of tombs. I kind of wish there would have been more puzzle solving in it. Some of the puzzles were solved without even showing them. Lara just solves them. I kind of wish I could have figured them out. But I guess I'm just used to playing the game & doing everything myself.
Anyway, the bottom line, it's a fun film, well worth watching.
I am a fan of the game series & love the new entries. I'm very glad they decided to follow the new games for this film & I found Lara's "origin" to be real interesting. I was not a fan of the Angelina Jolie movies. I found her too snooty & arrogant to like the character. But Alicia Vikander plays the characters perfectly. She plays a young Lara, who's tough, but has some vulnerability to her. She's an underdog we can root for, but she can hold her own too. A perfect balance.
Daniel Wu & Dominic West play their parts well. Although I would have liked to have seen Wu pull off some martial arts moves, like his character on "Into the Badlands", but I'm also glad they didn't fall for the stereotypical Asian.
But. a movie is only as good as it's main villain. And this movie has a great one. Played by Walton Goggins, who doesn't get the credit he deserves. This guy is great. He can make you love him & he can make you hate him too. I've never seen him in a bad role.
There's really not much to say about the story, as it's practically a live-action remake of the last 2 video games stories mashed together. You know what to expect, lots of action, lots of raiding of tombs. I kind of wish there would have been more puzzle solving in it. Some of the puzzles were solved without even showing them. Lara just solves them. I kind of wish I could have figured them out. But I guess I'm just used to playing the game & doing everything myself.
Anyway, the bottom line, it's a fun film, well worth watching.
Nick Beaty (70 KP) rated The Irishman (2019) in Movies
Jan 26, 2020 (Updated Jan 26, 2020)
De Niro is the best he has been in a long time...
First off any movie that has Robert De Niro, Al Pacino, Joe Pesci and Martin Scorsese connected to it has me from the get go.
De Niro is the best he has been in a long time as mob hitman Frank Sheeran, Joe Pesci is excellent in a much more reserved role as Russell Bufalino and Al Pacino is superb as the loud and brash Jimmy Hoffa. All the buzz is around the three lead actors, as all have been nominated for Oscars. Although for me Stephen Graham more than holds his own alongside these legends, as the cocky and destructive 'Tony Pro'. Some of the best scenes are with him and Pacino not seeing eye to eye on various occasions.
Personally I felt it wasn't as Scorsese as I expected, it didn't have the same narrative or feel as say Goodfellas or Casino, I'm not saying that is a bad thing as it's still a very good movie, it's just not on their level in my opinion.
There has been a lot of talk about the 3 hour 29 minutes running time. I personally don't understand all the fuss, as there have been many classic, award winning movies even longer than this. Gone with the Wind took home the Oscar in 1940 and ran a whopping 3h 58m. Ben Hur won best picture in 1960 at 3h 32m and more recently Titanic in 1998 was slightly less at 3h 14m.
I also feel the need to mention a couple of scenes that felt very reminiscent of one of my favourite movies Pulp Fiction. The opening sequence when the words 'I heard you paint houses' flash on the screen felt very Tarantino and the whole car scene with Jesse Plemons & Louis Cancelmi talking about the fish, was very Jule's & Vincent like. I'm not sure if that is just me or whether other people agree.
Overall I get that it is a long movie and people have very busy lives but if you get the chance you really should watch it, just to see these big screen legends at work and doing what they do best.
De Niro is the best he has been in a long time as mob hitman Frank Sheeran, Joe Pesci is excellent in a much more reserved role as Russell Bufalino and Al Pacino is superb as the loud and brash Jimmy Hoffa. All the buzz is around the three lead actors, as all have been nominated for Oscars. Although for me Stephen Graham more than holds his own alongside these legends, as the cocky and destructive 'Tony Pro'. Some of the best scenes are with him and Pacino not seeing eye to eye on various occasions.
Personally I felt it wasn't as Scorsese as I expected, it didn't have the same narrative or feel as say Goodfellas or Casino, I'm not saying that is a bad thing as it's still a very good movie, it's just not on their level in my opinion.
There has been a lot of talk about the 3 hour 29 minutes running time. I personally don't understand all the fuss, as there have been many classic, award winning movies even longer than this. Gone with the Wind took home the Oscar in 1940 and ran a whopping 3h 58m. Ben Hur won best picture in 1960 at 3h 32m and more recently Titanic in 1998 was slightly less at 3h 14m.
I also feel the need to mention a couple of scenes that felt very reminiscent of one of my favourite movies Pulp Fiction. The opening sequence when the words 'I heard you paint houses' flash on the screen felt very Tarantino and the whole car scene with Jesse Plemons & Louis Cancelmi talking about the fish, was very Jule's & Vincent like. I'm not sure if that is just me or whether other people agree.
Overall I get that it is a long movie and people have very busy lives but if you get the chance you really should watch it, just to see these big screen legends at work and doing what they do best.
Lee (2222 KP) rated Crawl (2019) in Movies
Aug 24, 2019
Florida is preparing itself for the arrival of a category five hurricane. As competitive swimmer Haley Keller (Kaya Scodelario) changes after a session in the pool, she takes a video call from her sister, concerned that she can't get through to their father (Barry Pepper) by phone. Dad still lives in their old hometown, right in the path of the incoming storm, and Haley agrees to go check on him.
As she approaches the town, the authorities try to turn her back as everyone is currently being evacuated from their homes. But Haley slips through via a side road, determined to check on dad, and when she does find him, he's in a spot of trouble - injured and in the crawl space beneath their house. Turns out dad wasn't alone though and a couple of gators, having found their way in with the storm, are preventing Haley and Dad from getting out. As the storm intensifies and the flood waters rise, the father and daughter must outwit the predators and try to escape to safety before they either drown or get eaten.
And that is pretty much it. At just 87 minutes long, Crawl wastes no time in getting to the action and manages to keep the suspense and thrills going right to the very end. The gators are terrifyingly realistic, as are the flood and hurricane effects, and I was just on the edge of my seat throughout.
Apart from the occasional human showing up to provide the gators with something to munch on, Haley and her dad are pretty much the only characters in the movie, with Haley making good use of her swimming skills and proving herself to be a real badass. The family dog is also on hand, getting himself into the odd scrape too. Spoiler alert: the doggy survives, so don't worry.
I absolutely loved this movie. It had me gripped throughout, with a real gut wrenching intensity, and I love it when a movie does that to me. Crawl is definitely in my top 5 movies this year.
As she approaches the town, the authorities try to turn her back as everyone is currently being evacuated from their homes. But Haley slips through via a side road, determined to check on dad, and when she does find him, he's in a spot of trouble - injured and in the crawl space beneath their house. Turns out dad wasn't alone though and a couple of gators, having found their way in with the storm, are preventing Haley and Dad from getting out. As the storm intensifies and the flood waters rise, the father and daughter must outwit the predators and try to escape to safety before they either drown or get eaten.
And that is pretty much it. At just 87 minutes long, Crawl wastes no time in getting to the action and manages to keep the suspense and thrills going right to the very end. The gators are terrifyingly realistic, as are the flood and hurricane effects, and I was just on the edge of my seat throughout.
Apart from the occasional human showing up to provide the gators with something to munch on, Haley and her dad are pretty much the only characters in the movie, with Haley making good use of her swimming skills and proving herself to be a real badass. The family dog is also on hand, getting himself into the odd scrape too. Spoiler alert: the doggy survives, so don't worry.
I absolutely loved this movie. It had me gripped throughout, with a real gut wrenching intensity, and I love it when a movie does that to me. Crawl is definitely in my top 5 movies this year.