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Adam Savage’s Tested
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Host of Discovery Channel's long-running series MythBusters, Adam Savage has spent his life making...
David McK (3857 KP) rated The Kid Who Would Be King (2019) in Movies
Feb 26, 2022
The Sword in the Stone.
Excalibur.
I always thought they were two different blades, but not according to this movie, which transplants the action from ye-olde medieval England to modern-day times, with young Alex discovering the sword and setting off on a quest (alongside his best friend Badders, and two of his former bullies Lance and Kay) to stop the evil Sorceress Morgana from reawakening.
So, yes, it does follow pretty much the standard quest trope, complete with enemies who become friends and the battle against evil. I also found it to drag somewhat, and was sitting - for large portions - watching it with my mouth hanging open.
Unfortunately, that's not in a good way - just at the sheer plain ridiculousness of it all!
Then again, that may be simply because I'm not really it's target audience ... ?
Excalibur.
I always thought they were two different blades, but not according to this movie, which transplants the action from ye-olde medieval England to modern-day times, with young Alex discovering the sword and setting off on a quest (alongside his best friend Badders, and two of his former bullies Lance and Kay) to stop the evil Sorceress Morgana from reawakening.
So, yes, it does follow pretty much the standard quest trope, complete with enemies who become friends and the battle against evil. I also found it to drag somewhat, and was sitting - for large portions - watching it with my mouth hanging open.
Unfortunately, that's not in a good way - just at the sheer plain ridiculousness of it all!
Then again, that may be simply because I'm not really it's target audience ... ?
Joe Swanberg recommended Crumb (1994) in Movies (curated)
Emma @ The Movies (1786 KP) rated The Suicide Squad (2021) in Movies
Aug 15, 2021
Much like the recent Justice League redo we have Suicide Squad... sorry, The Suicide Squad.
The bad guys (and gals) club together to protect America... and by default, the world.
So it's not really a sequel, it's not really a reboot, but it's sort of a rebooted sequel while being a standalone film in the same universe. I've got no idea, but what we've got doesn't really bring out the same character dynamics as we've had previously.
Harley, Flag, Boomerang and Waller make repeat visits to the franchise. Harley and Boomerang are their usual, slightly off the wall, selves to bring the outlandish humour element. But Flag and Waller aren't anywhere near the versions they were in their last outing. Flag isn't sceptical, and that could be acceptance after the previous missions, but he's less of a leader and altogether more... bland. Waller on the other hand is still a hardass, but on a much different level. Before, she was sinister evil with a smidge of understated terrifying. Now... she's just shouty. It didn't make for a good viewing experience.
The dynamic change also left me cold. Harley and Boomerang have great chemistry together, what they did to her and Flag though, that was an odd mood. At least last time he was firm and decisive, now we're getting lingering camera shots that feel like they have romantic undertones. They also took Harley out of a lot of group activity, for a storyline that could easily have been summed up in another way.
Supporting the old familiars are a lot of new faces. In fact, there are over a dozen new named characters in The Suicide Squad.
Idris Elba is obviously a big pull in the advertising of this. Bloodsport isn't a character I know well, but it's handy that there are several, almost identical, characters they could swap in for Deadshot in case they want to bring Will Smith back later. But whether or not the comic book characters are the same, the story on the screen comes across almost identical.
And then there's Peacemaker, played by John Cena... another highly trained marksman. But this one with a penchant for tighty-whities. With this and F9, I'm not sure I have enough words. This is the last in a string of roles for him that I really haven't enjoyed. I'm even more distressed now that I know there's an 8 episode Peacemaker series coming in 2022. Heavy "do not want" vibes.
I couldn't go through this review without talking about King Shark... that would be criminal. Sylvester Stallone did this perfectly. Nanaue has humour, vulnerability, anger, wonder... and that was all conveyed with animation and a minimal script. I will not apologise for saying he was the best thing about the whole movie.
The rest of the characters are a steep learning curve. There was a lot of opportunity, but some rash decisions meant there was also a lot of wasted IP.
Our bad guys were a little all over the place. Front and centre we had Peter Capaldi as Thinker. He's not exactly a force to be reckoned with though, and honestly, I kind of expected more considering his prominence in the trailer. Starro was more of a challenger as a baddie, but they did ignore a lot of his abilities and left him as more of a novelty... and those armpits... *shudder*
Effects were as you'd expect for a DC film, not bad, but nothing that blows your mind. Animating a giant starfish is never going to look all that believable though, so there's a certain amount of leeway you need to give them for that.
The vibrant colours felt very on brand for James Gunn, and almost made this a bit of a companion piece to Birds of Prey... but those flowers... Yes, Harley has her hallucinatory moments, those flowers felt entirely pointless and out of place.
While The Suicide Squad was watchable, I really didn't find it to be the redemption that a lot of people are praising it to be. In fact, it felt like a solid step back for some characters and an excessive waste of others. Had they made the entire movie from King Shark's point of view then this obviously would have been a 5 star film, but as it was I didn't like the tone it had, and a lot of the action felt way too lighthearted for me. This wasn't an improvement on the previous iteration.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-suicide-squad-movie-review.html
The bad guys (and gals) club together to protect America... and by default, the world.
So it's not really a sequel, it's not really a reboot, but it's sort of a rebooted sequel while being a standalone film in the same universe. I've got no idea, but what we've got doesn't really bring out the same character dynamics as we've had previously.
Harley, Flag, Boomerang and Waller make repeat visits to the franchise. Harley and Boomerang are their usual, slightly off the wall, selves to bring the outlandish humour element. But Flag and Waller aren't anywhere near the versions they were in their last outing. Flag isn't sceptical, and that could be acceptance after the previous missions, but he's less of a leader and altogether more... bland. Waller on the other hand is still a hardass, but on a much different level. Before, she was sinister evil with a smidge of understated terrifying. Now... she's just shouty. It didn't make for a good viewing experience.
The dynamic change also left me cold. Harley and Boomerang have great chemistry together, what they did to her and Flag though, that was an odd mood. At least last time he was firm and decisive, now we're getting lingering camera shots that feel like they have romantic undertones. They also took Harley out of a lot of group activity, for a storyline that could easily have been summed up in another way.
Supporting the old familiars are a lot of new faces. In fact, there are over a dozen new named characters in The Suicide Squad.
Idris Elba is obviously a big pull in the advertising of this. Bloodsport isn't a character I know well, but it's handy that there are several, almost identical, characters they could swap in for Deadshot in case they want to bring Will Smith back later. But whether or not the comic book characters are the same, the story on the screen comes across almost identical.
And then there's Peacemaker, played by John Cena... another highly trained marksman. But this one with a penchant for tighty-whities. With this and F9, I'm not sure I have enough words. This is the last in a string of roles for him that I really haven't enjoyed. I'm even more distressed now that I know there's an 8 episode Peacemaker series coming in 2022. Heavy "do not want" vibes.
I couldn't go through this review without talking about King Shark... that would be criminal. Sylvester Stallone did this perfectly. Nanaue has humour, vulnerability, anger, wonder... and that was all conveyed with animation and a minimal script. I will not apologise for saying he was the best thing about the whole movie.
The rest of the characters are a steep learning curve. There was a lot of opportunity, but some rash decisions meant there was also a lot of wasted IP.
Our bad guys were a little all over the place. Front and centre we had Peter Capaldi as Thinker. He's not exactly a force to be reckoned with though, and honestly, I kind of expected more considering his prominence in the trailer. Starro was more of a challenger as a baddie, but they did ignore a lot of his abilities and left him as more of a novelty... and those armpits... *shudder*
Effects were as you'd expect for a DC film, not bad, but nothing that blows your mind. Animating a giant starfish is never going to look all that believable though, so there's a certain amount of leeway you need to give them for that.
The vibrant colours felt very on brand for James Gunn, and almost made this a bit of a companion piece to Birds of Prey... but those flowers... Yes, Harley has her hallucinatory moments, those flowers felt entirely pointless and out of place.
While The Suicide Squad was watchable, I really didn't find it to be the redemption that a lot of people are praising it to be. In fact, it felt like a solid step back for some characters and an excessive waste of others. Had they made the entire movie from King Shark's point of view then this obviously would have been a 5 star film, but as it was I didn't like the tone it had, and a lot of the action felt way too lighthearted for me. This wasn't an improvement on the previous iteration.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-suicide-squad-movie-review.html
Movie Metropolis (309 KP) rated Big Hero 6 (2014) in Movies
Jun 11, 2019
Genuinely Moving
The Marvel Studios movie train has been non-stop over the last few years, from Iron Man to The Avengers, it shows no signs of slowing. Now though, a take-over by Disney has ensured both studios enter into rather unknown territory.
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
Andy K (10826 KP) rated Snowpiercer (2013) in Movies
Jan 5, 2018
Interesting premise (2 more)
Fantastic visuals
Compelling
Director Joon-ho Bong brings us his vision of a post-apocalyptic world where most of humanity has been destroyed and the remaining humans are left to circle the globe in a relentless train called the Snowpiercer.
The cast is led by Chris Evans, but also features Kang-ho Song, Ed Harris, John Hurt, Tilda Swinton, Octavia Spencer and Jamie Bell.
Humanity has evolved similar to what I have read about the Titanic, meaning, the lower classes at the back of the train suffering to survive and the upper classes more forward living in luxury.
There is an uprising within the squalor and the inhabitants attempt to ascertain their situation by taking the cars ahead one-by-one. The story is very interesting and the people and situations the rebels meet along their way to the engine keep you surprised.
The engine also contains an interesting character who is eluded to within the beginning of the film.
The ending was somewhat controversial when the movie was first released; however, I find it more than satisfactory to tie up the story.
Check it out for yourself.
The cast is led by Chris Evans, but also features Kang-ho Song, Ed Harris, John Hurt, Tilda Swinton, Octavia Spencer and Jamie Bell.
Humanity has evolved similar to what I have read about the Titanic, meaning, the lower classes at the back of the train suffering to survive and the upper classes more forward living in luxury.
There is an uprising within the squalor and the inhabitants attempt to ascertain their situation by taking the cars ahead one-by-one. The story is very interesting and the people and situations the rebels meet along their way to the engine keep you surprised.
The engine also contains an interesting character who is eluded to within the beginning of the film.
The ending was somewhat controversial when the movie was first released; however, I find it more than satisfactory to tie up the story.
Check it out for yourself.
Ivana A. | Diary of Difference (1171 KP) rated The Fault in Our Stars in Books
Aug 21, 2018
I don't know how to start. I assume that everything I say will make the special effect of this book to disappear. There's one thing I learned from this book. We all have to die. It's the way it is. We can't change our Judgment Day. But we can define all our days before that day. The girl, Heizel, made me think about what it looks like to be diagnosed with cancer. I can't imagine it. She made me realize how lucky I am to be 17 and to be perfectly fine. It also made me think and not to forget that it all can actually change. As the teacher in the movie ,,Dead Poets Society'' said: Carpe diem - Seize the day. I realized I have to spend everyday like it is my last. But not to try to be remembered by all the people, but to be loved by the people that I also love. This is not a perfect Hollywood love story ok.. This is a reality show, it's exactly described as it is - painful and awful life. The one we all have to live...
Veronica Pena (690 KP) rated As Good as It Gets (1997) in Movies
Apr 20, 2020
I have no idea what I just watched. Seriously, I feel like I wasted 2 hours of my life on a run around film that made literally no sense. Not only was Melvin just a horrible person, but he was also racist, and homophobic, and sexist, and THAT'S the ending they went with? I'm so confused.
You ever just watch those films and you get an eerie feeling because you know it didn't age well? This is one of those. I can't imagine it did that good when it came out, but now? Now it's just painful and bad. I'm so confused as to how this film has an 8. Someone, please explain where they saw an 8 in this movie. Did we watch the same one? God help me.
Also, Jack Nicholson looks like he could be Helen Hunt's dad. I have some questions for the casting director, the writers, the director, honestly the whole staff. Did they think this film was going to be good when they made it? The dog was the best part of the film. I feel like that's saying something.
You ever just watch those films and you get an eerie feeling because you know it didn't age well? This is one of those. I can't imagine it did that good when it came out, but now? Now it's just painful and bad. I'm so confused as to how this film has an 8. Someone, please explain where they saw an 8 in this movie. Did we watch the same one? God help me.
Also, Jack Nicholson looks like he could be Helen Hunt's dad. I have some questions for the casting director, the writers, the director, honestly the whole staff. Did they think this film was going to be good when they made it? The dog was the best part of the film. I feel like that's saying something.
Alex Wolff recommended Taxi Driver (1976) in Movies (curated)
LoganCrews (2861 KP) rated Ratchet & Clank (2016) in Movies
Sep 21, 2020
The accompanying ps4 game sucked but this somehow sucks way more. Absolutely guts the video games of their charisma, nuance, wit, humor, lively visuals, world-building, sense of wonderment, good characters, memorability, fun, and solid writing until it eventually whittles away and lays waste to nearly everything which made them what they were in the first place - leaving behind a shallow, barren husk of another throwaway film for babies with no sense of object permanence yet. Can't say it's completely laugh free, and it is cool to see Jim Ward's lovable doofus Captain Qwark (albeit a watered-down version) sharing the screen with cinematic heavyweights like Sylvester Stallone and Paul Giamatti - but otherwise it's a profoundly nothing experience. Also pretty ironic that they attempted to reboot a story where capital ran rampant and turned everybody into selfish, greedy assholes into one of the most bastardized corporate attempts at appealing to a broader demographic by shucking away all its personality and slapping on the most overused trite template that all of these dumbass cash-grab children's dumps which do little more than insult kids' intelligence use. If I have to see one more movie about a bland wide-eyed dreamer who dreams of being something more and they get it for no reason I'm going to sue. For the record I also do not side with the people complimenting this cold, soulless, chintzy animation. The new characters reek and it's boring as fuck. Even the weaker games are miles better than this dirt.