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What Just Happened?: Bitter Hollywood Tales from the Front Line
Book
Forget everything you've heard about Hollywood. What Just Happened: Bitter Hollywood Tales from the...
Nicole Kidman: Anatomy of an Actor
Book
A comprehensive study of Nicole Kidman's work through the lens of ten of her most iconic roles...
LoganCrews (2861 KP) rated Swallow (2019) in Movies
Jan 13, 2021 (Updated Jan 13, 2021)
To be fair, I'd rather swallow a screwdriver than hang out with rich white people too. Gorgeous, nasty, and mean - but never disrespectful. Medically accurate? Perhaps not, but these seldom ever are anyhow so what can you do? In fact I found this to be much more compelling and satisfying as a depiction of obnoxious old-money business whities having their perfect little synthetic image destroyed by people who refuse to shape themselves around it than a portrait of pica. As everyone has already pointed out, Austin Stowell and in particular Haley Bennett are just astounding - easily not only her best performance to date, but the type of galvanizing role that should propel her star-power vastly beyond just Jennifer Lawrence comparisons considering that this is way better work than anything J-Law has done in years anyhow (excluding š®š°šµš©š¦š³! [I'm a simp for stupid, manic arthouse cinema I know you don't have to tell me]). Deeply, deeply, *deeply* unsettling - can pleasantly report that its reputation is as airtight as claimed. Super messy but I think that gives it more character tbh, and what an excellent use of music. A bit too on-the-nose at times but also the type of movie that's destined to be misinterpreted by morons everywhere.
David McK (3684 KP) rated Black Adam (2022) in Movies
Jul 2, 2023
Dwayne 'The Rock' Johnson did a lot of cheerleading for this movie.
Like, a lot.
I was still completely unaware, however, that it would include Pierce Brosnan's Dr Fate nor Hawkman not Atom Smasher nor Cyclone (all of which, for me, were the first time I had seen any of them on the big screen).
It also fits into the - current - DCEU - with Black Adam getting his powers from the same council of Wizards as Shazam (and using the same word), alongside cameos by Viola Davis' version of Amanda Waller and - in possibly the worst kept secret - a certain superhero during the end credits (the actor for who was told he would be returning to that role, then told not).
Anyway, this sees The Rock's Black Adam released from his tomb 5 centuries after being imprisoned within it, to modern-day Kahndaq which is now occupied by foreign invaders with some very advanced weaponry. The plot is then your usual run-of-the-mill softening of Adam's hard edges, teaming up with his supposed enemies to fight his real enemies, lots of destruction and a few general quips thrown in ...
The result? Somewhat messy; not as good (or surreal) as, say, Aquaman or Wonder Woman. Maybe a B+.
Like, a lot.
I was still completely unaware, however, that it would include Pierce Brosnan's Dr Fate nor Hawkman not Atom Smasher nor Cyclone (all of which, for me, were the first time I had seen any of them on the big screen).
It also fits into the - current - DCEU - with Black Adam getting his powers from the same council of Wizards as Shazam (and using the same word), alongside cameos by Viola Davis' version of Amanda Waller and - in possibly the worst kept secret - a certain superhero during the end credits (the actor for who was told he would be returning to that role, then told not).
Anyway, this sees The Rock's Black Adam released from his tomb 5 centuries after being imprisoned within it, to modern-day Kahndaq which is now occupied by foreign invaders with some very advanced weaponry. The plot is then your usual run-of-the-mill softening of Adam's hard edges, teaming up with his supposed enemies to fight his real enemies, lots of destruction and a few general quips thrown in ...
The result? Somewhat messy; not as good (or surreal) as, say, Aquaman or Wonder Woman. Maybe a B+.
Gareth von Kallenbach (980 KP) rated Rings (2017) in Movies
Jul 12, 2019
Going in I have to admit I had the lowest expectations for this movie. And indeed it starts off seeming like a complete joke with a scene on a plane that is reminiscent of āSnakes on Planeā but with an evil spirit, flies, and black sludge instead of snakes. The theater filled with laughter for the first five minutes.
A plot about a film that kills people who watch it is in itself offputtingly hokey. Previously I was never a fan of āThe Ringā or āThe Ring 2,ā and I did not find either of them memorable to say the least. But, this sequel starts off in such a comedic fashion that most people will no longer have expectations to be scared. But this may not be a bad thing at all.
After the first few scenes something happens, and the film begins to be more artsy rather than hokey. Trippy effects like rain flowing upward or weird black liquid that almost looks like melted latex flowing out each time the evil spirit is coming, make this a surreal piece of entertainment. This film is actually best described as a modern day dark fairy tale and not a horror film.
Parts of the plot are very dark as you learn the complete story of Samara. Themes of captivity, murder, infanticide, and child molestation subtly peak into the plot. But it does not delve too far into these aspects which could have been truly twisted, instead it veers off into a more modern theme.
A college professor, Gabriel (Johnny Galecki), who teaches an experimental biology course and studies the afterlife, discovers the deadly film when he buys an old VCR. After watching it himself he comes up with a creative way of keeping himself and others who watch it alive. Hint ā it involves a selfish pattern of sacrifice, which is a bit darkly comedic but also a realistic and shadowy reflection of human nature.
āRingsā is no horror masterpiece, but it is entertaining, unique, and a tad bit creepy.
A plot about a film that kills people who watch it is in itself offputtingly hokey. Previously I was never a fan of āThe Ringā or āThe Ring 2,ā and I did not find either of them memorable to say the least. But, this sequel starts off in such a comedic fashion that most people will no longer have expectations to be scared. But this may not be a bad thing at all.
After the first few scenes something happens, and the film begins to be more artsy rather than hokey. Trippy effects like rain flowing upward or weird black liquid that almost looks like melted latex flowing out each time the evil spirit is coming, make this a surreal piece of entertainment. This film is actually best described as a modern day dark fairy tale and not a horror film.
Parts of the plot are very dark as you learn the complete story of Samara. Themes of captivity, murder, infanticide, and child molestation subtly peak into the plot. But it does not delve too far into these aspects which could have been truly twisted, instead it veers off into a more modern theme.
A college professor, Gabriel (Johnny Galecki), who teaches an experimental biology course and studies the afterlife, discovers the deadly film when he buys an old VCR. After watching it himself he comes up with a creative way of keeping himself and others who watch it alive. Hint ā it involves a selfish pattern of sacrifice, which is a bit darkly comedic but also a realistic and shadowy reflection of human nature.
āRingsā is no horror masterpiece, but it is entertaining, unique, and a tad bit creepy.
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LeftSideCut (3776 KP) rated Doctor Strange (2016) in Movies
Feb 3, 2021
On the surface, you could argue that Doctor Strange isn't all that different from Iron Man in terms of structure. Rich, white dude with a goatee lives out his life, arrogantly full of himself until a life altering incident forces him to fight to survive, setting him on a path of betterment and redemption. Whilst this is unarguably true, the fact is that this movie is so much more than retreading familiar ground. Gone are the times where superhero movies play it safe. Guardians of the Galaxy may have knocked down the doors, but Doctor Strange takes the cosmic concept, and runs full speed with it. Marvel Studios have got to the point where they can make a movie about the Dark Dimension, the Mirror Dimension, the Sorcerer Supreme, Dormammu, the multiverse, and audiences will still lap it up, and I'm here for it.
Sinister director Scott Derrickson proves to be a smart choice, as he provides us a story that's humourous, full of heart, brimming with new lore, and is visually mind bending. The aesthetic if this movie is what sets it apart from its kin. Sure it doesn't stray too far from the Marvel formula, but it does something different. Many have compared it to Inception, which isn't an unfair note, and it makes for some wonderful looking set pieces.
Benedict Cumberbatch is picture perfect as Stephen Strange himself and is joined by a stellar supporting cast. Chiwetel Ejiofor, Tilda Swinton, Mads Mikkelsen, Benedict Wong, and Rachel McAdams are all great in their respective roles. Mikkelsen gives us a compelling villain in Kaecilius, jaded by an order he's followed for years and turning tail to pursue what he thinks is right (not to dissimilar to Thanos in that respect). We're also introduced briefly to Dormammu, which is certainly exciting to any fans of the comics. With the Infinity Saga all wrapped up, this could prove to be seed planting for a future big bad.
Doctor Strange could have easily just been another run of the mill origin story (which some believe it is, and that's ok!) but for me, it's so much more. It manages to build on Marvel lore, whilst teasing future story lines by flirting with the Multiverse and the Dark Dimension, all while never losing focus on its very human story. It's a fantastic first outing for one of Marvel's more out there characters and one of my favourites of the whole franchise.
Sinister director Scott Derrickson proves to be a smart choice, as he provides us a story that's humourous, full of heart, brimming with new lore, and is visually mind bending. The aesthetic if this movie is what sets it apart from its kin. Sure it doesn't stray too far from the Marvel formula, but it does something different. Many have compared it to Inception, which isn't an unfair note, and it makes for some wonderful looking set pieces.
Benedict Cumberbatch is picture perfect as Stephen Strange himself and is joined by a stellar supporting cast. Chiwetel Ejiofor, Tilda Swinton, Mads Mikkelsen, Benedict Wong, and Rachel McAdams are all great in their respective roles. Mikkelsen gives us a compelling villain in Kaecilius, jaded by an order he's followed for years and turning tail to pursue what he thinks is right (not to dissimilar to Thanos in that respect). We're also introduced briefly to Dormammu, which is certainly exciting to any fans of the comics. With the Infinity Saga all wrapped up, this could prove to be seed planting for a future big bad.
Doctor Strange could have easily just been another run of the mill origin story (which some believe it is, and that's ok!) but for me, it's so much more. It manages to build on Marvel lore, whilst teasing future story lines by flirting with the Multiverse and the Dark Dimension, all while never losing focus on its very human story. It's a fantastic first outing for one of Marvel's more out there characters and one of my favourites of the whole franchise.
Bob Mann (459 KP) rated The Wife (2017) in Movies
Sep 28, 2021 (Updated Sep 28, 2021)
Glenn Close ā¦ #robbed.
I missed āThe Wifeā when it came out in September, but finally caught it a few weeks ago. (Been a busy time at work so have a bit of a backlog of reviews!).
The Plot.
Joan Castleman (Glenn Close) is the doting wife of internationally renowned writer Joe Castleman (Jonathan Pryce). As we start the film, Joe has just received a call from Stockholm. No, itās not an āamusing story about a goatā (for any MM2 fans out there). Itās notification that he is to receive the Nobel prize for literature. As Joan listens to the news on the extension, there is something in her eyes that betrays mixed emotions.
They travel to Sweden (on Concorde, obviously) with their son Max (Max Irons) ā a writer at the start of his career. Max and Joe have a strained relationship.
Also in Stockholm is Nathanial Bone (Christian Slater) ā the bane of Joeās life, since he seems insistent on writing the biography of the great man. As Nathanial picks through the history of the couple, things start to unravel in unexpected ways.
What a performance!
The heart of this film, and the main reason for watching what is really a bit of a pot-boiler, is the performance by Glenn Close. Itās a remarkable demonstration of the acting craft and 110% Oscar worthy.
Donāt get me wrongā¦. as I watched the Oscars live in the wee-hours of Monday morning I let out a WHOOP of joy when our own national treasure Olivia Colman picked up the award. But I have to say that I think Glenn Close was rather robbed. Close can act brilliantly without saying a single word. In fact most of her best scenes are reaction shots to what she is listening to.
In comparison I found Jonathan Pryce to be a soupƧon over-the-top as the feted writer, and I didnāt find the portrayal of Bone by Slater to be terribly convincing. So itās a very mixed acting bag in my view.
Utterly gorgeous in a way that only Swedish women can be is Karin Franz Kƶrlof as the personal photographer Linnea. She can also act!
A perfectly pleasant movie
Directed by Swedish director Bjƶrn Runge and with a screenplay by Jane Anderson, itās a perfectly pleasant way to spend a couple of hours. The story is intriguing enough to keep your interest, although it plays its hand so early that the simmering suspense element ebbs out of the film. A final āSixth Senseā style of reveal might have been much more effective.
But this is above all a film to relish the performance of Close: the facial acting during the speech at the awards ceremony is something that should be studied at acting schools for years to come.
The Plot.
Joan Castleman (Glenn Close) is the doting wife of internationally renowned writer Joe Castleman (Jonathan Pryce). As we start the film, Joe has just received a call from Stockholm. No, itās not an āamusing story about a goatā (for any MM2 fans out there). Itās notification that he is to receive the Nobel prize for literature. As Joan listens to the news on the extension, there is something in her eyes that betrays mixed emotions.
They travel to Sweden (on Concorde, obviously) with their son Max (Max Irons) ā a writer at the start of his career. Max and Joe have a strained relationship.
Also in Stockholm is Nathanial Bone (Christian Slater) ā the bane of Joeās life, since he seems insistent on writing the biography of the great man. As Nathanial picks through the history of the couple, things start to unravel in unexpected ways.
What a performance!
The heart of this film, and the main reason for watching what is really a bit of a pot-boiler, is the performance by Glenn Close. Itās a remarkable demonstration of the acting craft and 110% Oscar worthy.
Donāt get me wrongā¦. as I watched the Oscars live in the wee-hours of Monday morning I let out a WHOOP of joy when our own national treasure Olivia Colman picked up the award. But I have to say that I think Glenn Close was rather robbed. Close can act brilliantly without saying a single word. In fact most of her best scenes are reaction shots to what she is listening to.
In comparison I found Jonathan Pryce to be a soupƧon over-the-top as the feted writer, and I didnāt find the portrayal of Bone by Slater to be terribly convincing. So itās a very mixed acting bag in my view.
Utterly gorgeous in a way that only Swedish women can be is Karin Franz Kƶrlof as the personal photographer Linnea. She can also act!
A perfectly pleasant movie
Directed by Swedish director Bjƶrn Runge and with a screenplay by Jane Anderson, itās a perfectly pleasant way to spend a couple of hours. The story is intriguing enough to keep your interest, although it plays its hand so early that the simmering suspense element ebbs out of the film. A final āSixth Senseā style of reveal might have been much more effective.
But this is above all a film to relish the performance of Close: the facial acting during the speech at the awards ceremony is something that should be studied at acting schools for years to come.
Edgar Wright recommended This Is Spinal Tap (1984) in Movies (curated)
Bookapotamus (289 KP) rated The Art of Escaping in Books
May 29, 2018
Oh, how I do NOT miss high school!
I really enjoyed this book - It is so fun, and kept me entertained throughout the whole thing! There were some seriously nail-biting moments with daredevil Mattie, and I can totally see this becoming a movie that I would go see in a second!
Mattie is a high school junior who has some pretty quirky aspirations of becoming an escapologist. She's obsessed with Houdini and the like, but especially Akiko - an elite escapologist gone way before her time. But Mattie is determined to find Akiko's daughter and find out as much as she can. All the while, no-0ne in her life knows her secrets or desires to become this really cool performance artist. Not her parents or her family, or even her best, closest friend.
The story also has some snippets of Akikos past, the life she led, and the birth of her daughter, giving you some insight of the life of this mysterious performer and her equally closed-off daughter. We also meet Will, another one with some secrets, and several other really cool high school kids who are so well-developed, mature but fun. It pains me to think of how tough high school was, and how hard it is for kids just t be themselves.
The art of escapology is front and center, through training and Mattie's stage performances that literally have you holding your breath! But the art of escape is evident is other ways, with a lot of hiding from reality and fear of being found out.
This book is such a delight and hope it gets the attention it deserves.
I really enjoyed this book - It is so fun, and kept me entertained throughout the whole thing! There were some seriously nail-biting moments with daredevil Mattie, and I can totally see this becoming a movie that I would go see in a second!
Mattie is a high school junior who has some pretty quirky aspirations of becoming an escapologist. She's obsessed with Houdini and the like, but especially Akiko - an elite escapologist gone way before her time. But Mattie is determined to find Akiko's daughter and find out as much as she can. All the while, no-0ne in her life knows her secrets or desires to become this really cool performance artist. Not her parents or her family, or even her best, closest friend.
The story also has some snippets of Akikos past, the life she led, and the birth of her daughter, giving you some insight of the life of this mysterious performer and her equally closed-off daughter. We also meet Will, another one with some secrets, and several other really cool high school kids who are so well-developed, mature but fun. It pains me to think of how tough high school was, and how hard it is for kids just t be themselves.
The art of escapology is front and center, through training and Mattie's stage performances that literally have you holding your breath! But the art of escape is evident is other ways, with a lot of hiding from reality and fear of being found out.
This book is such a delight and hope it gets the attention it deserves.