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Phillip McSween (751 KP) rated Captain Marvel (2019) in Movies
Mar 20, 2019
A Solid Taster Before the Main Event
Set in the 1990’s, Captain Marvel follows the story of Carol Danvers (Brie Larson), a powerful woman caught in the middle of an intergalactic war.
Acting: 10
Beginning: 5
The beginning doesn’t necessarily hook you right away as it focuses more on immersing you in the world. You come to learn that all of this intro info was an important setup, but it really is just “meh” when you’re watching it. Thor: Ragnarok beginning, this is not.
Characters: 10
Danvers/Captain Marvel is a strong embodiment of a kick-ass superhero. This is not your typical you’re-pretty-good-for-a-girl type of hero. She tears enemies and whole scenes apart and does it in such a cool stylish way. I love how she comes into her own throughout the film.
Marvel is flanked by some other stars that keep the movie interesting (Sam Jackson’s Fury is always a treat), but I must take a moment to recognize the true hero of the film: Goose the cat. I’m not even a cat guy, but this little guy truly won my heart. With a personality all his own, he makes you love every scene he’s in. Goose is life.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
Pace: 10
The story moves in a non-linear fashion forcing you to pay attention for fear of missing something. Because it’s constantly jumping back and forth between past and present, you’re constantly unraveling new things in the mystery of Carol’s life. The action doesn’t let up for long enough for boredom to onset. Plus, how can you be bored with Goose on the loose?
Plot: 10
While you can kind of see the outcome from a mile away, at least they got to the final destination in unique fashion. Carol’s story is told with a special flare that seems to fit her perfectly. Origin stories can be hard to pull off, especially when they have been done and re-done and, sometimes (Spider-Man, I’m looking at you) done again. This one not just sets up a powerful hero but also leaves a powerful impact.
Resolution: 10
Overall: 93
Captain Marvel is easily one of my favorite MCU films and that’s high praise considering how many solid movies they have put out. It’s not just a blockbuster film, but one with heart and a solid message. Want to know something else: I actually like the movie more than Wonder Woman. There. I said it.
Acting: 10
Beginning: 5
The beginning doesn’t necessarily hook you right away as it focuses more on immersing you in the world. You come to learn that all of this intro info was an important setup, but it really is just “meh” when you’re watching it. Thor: Ragnarok beginning, this is not.
Characters: 10
Danvers/Captain Marvel is a strong embodiment of a kick-ass superhero. This is not your typical you’re-pretty-good-for-a-girl type of hero. She tears enemies and whole scenes apart and does it in such a cool stylish way. I love how she comes into her own throughout the film.
Marvel is flanked by some other stars that keep the movie interesting (Sam Jackson’s Fury is always a treat), but I must take a moment to recognize the true hero of the film: Goose the cat. I’m not even a cat guy, but this little guy truly won my heart. With a personality all his own, he makes you love every scene he’s in. Goose is life.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
Pace: 10
The story moves in a non-linear fashion forcing you to pay attention for fear of missing something. Because it’s constantly jumping back and forth between past and present, you’re constantly unraveling new things in the mystery of Carol’s life. The action doesn’t let up for long enough for boredom to onset. Plus, how can you be bored with Goose on the loose?
Plot: 10
While you can kind of see the outcome from a mile away, at least they got to the final destination in unique fashion. Carol’s story is told with a special flare that seems to fit her perfectly. Origin stories can be hard to pull off, especially when they have been done and re-done and, sometimes (Spider-Man, I’m looking at you) done again. This one not just sets up a powerful hero but also leaves a powerful impact.
Resolution: 10
Overall: 93
Captain Marvel is easily one of my favorite MCU films and that’s high praise considering how many solid movies they have put out. It’s not just a blockbuster film, but one with heart and a solid message. Want to know something else: I actually like the movie more than Wonder Woman. There. I said it.
Gareth von Kallenbach (980 KP) rated Miss Bala (2019) in Movies
Jul 2, 2019
Gloria (Gina Rodriguez), a makeup artist in Los Angeles, heads to Tijuana for a fun weekend with her best friend, Suzu (Cristina Rodlo). Gloria is going to help Suzu prepare for the Miss Baja California beauty pageant. They decide to head to a club to rub elbows with one of the more important judges, Chief Saucedo (Damian Alcazar). That is when a fun trip turns into a nightmare, several members of a local cartel, Estrella (Spanish for star), break in and start shooting up the club. The leader of Estrella, Leno (Ismael Cruz Cordova), believes that Chief Saucedo is trying to cut into his business and is there to assassinate him. Gloria escapes but gets separated from Suzu. She searches all night and calls the hospitals but can’t find her friend. She finds a police officer to have him help search and tells him he saw the attackers. Instead of taking her to the police station he delivers her to Estrella and Leno. He agrees to help her find her friend but there is a price. Now Gloria will have go to great lengths to find her friend and survive a deadly battle between a cartel and the police from right in the middle of the chaos.
Gina Rodriguez is really good in this film. I thought her performance was definitely the best part of this film. Otherwise the performances were a mix bag of good and bad. Cruz Cordova in particular failed to really come across as a scary, but sensitive, cartel leader. The cameo by Anthony Mackie was a surprise. The story is really interesting and there were times that were suspenseful. The action was decent with some good scenes. The issue was there were also some campy performances and scene set ups that felt rushed. The film was shot decently and the music fit well. The end, which I would not dare spoil, really fell short of all of the buildup.
Before looking for a trailer for this movie I did not know that this was a remake of a 2012 film of the same name. I would be interested to see this film to compare the two because I enjoyed the story. This film missed on some points but really did entertain me for the hour and forty-four minutes. I would say that you could save this for streaming or rental. I don’t think that it would be a movie I would watch again in the theater.
Gina Rodriguez is really good in this film. I thought her performance was definitely the best part of this film. Otherwise the performances were a mix bag of good and bad. Cruz Cordova in particular failed to really come across as a scary, but sensitive, cartel leader. The cameo by Anthony Mackie was a surprise. The story is really interesting and there were times that were suspenseful. The action was decent with some good scenes. The issue was there were also some campy performances and scene set ups that felt rushed. The film was shot decently and the music fit well. The end, which I would not dare spoil, really fell short of all of the buildup.
Before looking for a trailer for this movie I did not know that this was a remake of a 2012 film of the same name. I would be interested to see this film to compare the two because I enjoyed the story. This film missed on some points but really did entertain me for the hour and forty-four minutes. I would say that you could save this for streaming or rental. I don’t think that it would be a movie I would watch again in the theater.
Daniel Boyd (1066 KP) rated Glass (2019) in Movies
Feb 1, 2019 (Updated Feb 1, 2019)
First 2 acts are interesting (1 more)
MacAvoy is great
A Textbook Example On How Not To End A Trilogy
Contains spoilers, click to show
Glass is the 3rd movie in M. Night Shyamalan's pseudo superhero trilogy following Unbreakable and Split. Unfortunately it is probably the worst movie out of the three and doesn't live up to the twenty years of build-up it has had going into it. Full spoilers will be present through this review as it's kind of hard to discuss the film without spoiling anything.
The movie opens with what is essentially a condensed version of both Unbreakable and Split. We see Bruce Willis' Dennis Dunn stalking criminals in his poncho and we see James MacAvoy's Kevin Wendell Crumb keeping four young girls captured in an abandoned warehouse. The old 'unstoppable force meets immovable object,' trope plays out and the two of them wind up getting caught by Sarah Paulson and her team, who apparently specialise in investigating those who have delusions about having superhuman powers.
She brings the two of them to a mental hospital where she is keeping Samuel L Jackson's Mr Glass. Sarah Paulson's character then spends the next chunk of the movie trying to convince the three that the powers that they believe they possess is actually in their heads and there is a real-world, logical explanation to everything that they can do. This part of the film is actually pretty interesting in the ideas that it poses and I liked where the film was going at this point.
Then the third act happens and we are reminded why Shyamalan so desperately needs an editor to keep his ideas in check. There is this huge build up that takes place teasing an epic fight between Dunn and The Beast at the top of some huge brand new building in the middle of the city. Unfortunately we never get there and instead we just get some mediocre action choreography in a medium sized car park between the two. The whole thing ends with the fairly contrived retcon twist that Kevin's dad was in the same train crash that Dunn survived and Mr Glass caused, thus making Mr Glass the 'creator,' of both superheroes. Then the three characters die in an extremely anticlimactic fashion. The Beast breaks a couple of Mr Glass' bones and he falls out of his wheelchair and dies, (even though this is something that we have seen happen to him in Unbreakable and he survived it.) Then a sniper randomly shoots Kevin even though the beast is tamed by the appearance of Anya Taylor-Joy's character, Casey from Split. He just gets shot once and dies with hardly any fanfare. Then David Dunn is drowned in a puddle as Sarah Paulson explains that she is part of a secret organisation that hunts people who believe that they are superheroes, determines whether or not they really are superheroes through a pretty drawn-out process and then proceeds to kill them if they do in fact possess superpowers. We also see that for some reason this group apparently only meets in crowded public restaurants in the middle of the city centre in broad daylight and have to wait until any non members of this super secret club, (that just killed 3 people in a public car park in broad daylight in front of cops and family members,) have left the restaurant before they can discuss business. Then it turns out that Mr Glass leaked the footage from the hospital security cameras online so that people would see that superheroes really do exist.
If you are someone that hasn't seen the movie and doesn't care about spoilers so you just read this review anyway; your brain is probably falling out of your ear after reading my description of the third act and that's because on paper this whole sequence of events is absolutely ludicrous and the fact that no one pointed this out during the movie's production is mind-boggling.
What a waste after two solid movies and a decent two first acts worth of build up...
There are some positives I took away though. It is as much of an absolute joy to watch James MacAvoy play so many totally different characters convincingly in one scene as it was in Split, maybe even more so here as we get to see even more personalities emerge and in even quicker succession. He is an utterly phenomenal actor. It is also cool to see Mr Glass and David Dunn after twenty years to see where they are at in their lives and how they have been spending their time since the events of Unbreakable. There are also some nice shots and camera angles in the film, (more so in the first two acts of the story,) and some nice colour scheme aesthetics going on in certain compositions that made some shots more interesting to look at.
Overall, this movie could have been so much more and in the end it throws away some really potentially interesting plot threads in favour for a few tacked on twists and gives us nothing more than a half arsed conclusion to an otherwise solid trilogy.
The movie opens with what is essentially a condensed version of both Unbreakable and Split. We see Bruce Willis' Dennis Dunn stalking criminals in his poncho and we see James MacAvoy's Kevin Wendell Crumb keeping four young girls captured in an abandoned warehouse. The old 'unstoppable force meets immovable object,' trope plays out and the two of them wind up getting caught by Sarah Paulson and her team, who apparently specialise in investigating those who have delusions about having superhuman powers.
She brings the two of them to a mental hospital where she is keeping Samuel L Jackson's Mr Glass. Sarah Paulson's character then spends the next chunk of the movie trying to convince the three that the powers that they believe they possess is actually in their heads and there is a real-world, logical explanation to everything that they can do. This part of the film is actually pretty interesting in the ideas that it poses and I liked where the film was going at this point.
Then the third act happens and we are reminded why Shyamalan so desperately needs an editor to keep his ideas in check. There is this huge build up that takes place teasing an epic fight between Dunn and The Beast at the top of some huge brand new building in the middle of the city. Unfortunately we never get there and instead we just get some mediocre action choreography in a medium sized car park between the two. The whole thing ends with the fairly contrived retcon twist that Kevin's dad was in the same train crash that Dunn survived and Mr Glass caused, thus making Mr Glass the 'creator,' of both superheroes. Then the three characters die in an extremely anticlimactic fashion. The Beast breaks a couple of Mr Glass' bones and he falls out of his wheelchair and dies, (even though this is something that we have seen happen to him in Unbreakable and he survived it.) Then a sniper randomly shoots Kevin even though the beast is tamed by the appearance of Anya Taylor-Joy's character, Casey from Split. He just gets shot once and dies with hardly any fanfare. Then David Dunn is drowned in a puddle as Sarah Paulson explains that she is part of a secret organisation that hunts people who believe that they are superheroes, determines whether or not they really are superheroes through a pretty drawn-out process and then proceeds to kill them if they do in fact possess superpowers. We also see that for some reason this group apparently only meets in crowded public restaurants in the middle of the city centre in broad daylight and have to wait until any non members of this super secret club, (that just killed 3 people in a public car park in broad daylight in front of cops and family members,) have left the restaurant before they can discuss business. Then it turns out that Mr Glass leaked the footage from the hospital security cameras online so that people would see that superheroes really do exist.
If you are someone that hasn't seen the movie and doesn't care about spoilers so you just read this review anyway; your brain is probably falling out of your ear after reading my description of the third act and that's because on paper this whole sequence of events is absolutely ludicrous and the fact that no one pointed this out during the movie's production is mind-boggling.
What a waste after two solid movies and a decent two first acts worth of build up...
There are some positives I took away though. It is as much of an absolute joy to watch James MacAvoy play so many totally different characters convincingly in one scene as it was in Split, maybe even more so here as we get to see even more personalities emerge and in even quicker succession. He is an utterly phenomenal actor. It is also cool to see Mr Glass and David Dunn after twenty years to see where they are at in their lives and how they have been spending their time since the events of Unbreakable. There are also some nice shots and camera angles in the film, (more so in the first two acts of the story,) and some nice colour scheme aesthetics going on in certain compositions that made some shots more interesting to look at.
Overall, this movie could have been so much more and in the end it throws away some really potentially interesting plot threads in favour for a few tacked on twists and gives us nothing more than a half arsed conclusion to an otherwise solid trilogy.
LeftSideCut (3776 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Movie Metropolis (309 KP) rated The Good Dinosaur (2015) in Movies
Jun 10, 2019
Is it as good as Inside Out?
2015 has been a great year for film. From long-awaited sequels to the conclusion of epic franchises, it’s been one of the best and most successful movie seasons in recent memory, and with Star Wars: the Force Awakens out in December, it can only finish on a high.
It also marks the first time that Pixar has released two films in the same year. Summer saw the release of instant-classic Inside Out and now animation fans get to enjoy another movie from the studio, The Good Dinosaur, but has Pixar bitten of more than it can chew?
The Good Dinosaur follows the story of a young Apatosaurus named Arlo, voiced beautifully by Raymond Ochoa, as he comes to terms with growing up in an ever-changing world where dinosaurs never met their well-documented fates.
He, alongside human child Spot suddenly find themselves embroiled in a dangerous journey after getting lost a long way from their homes.
If this all sounds a little formulaic to you, then that’s because it is. The Good Dinosaur has a plot more akin to Paramount animation, rather than the exceptional storytelling we have come to expect from Pixar. There’s nothing particularly special or unique about the plot and this is a real shame.
Thankfully, Pixar’s usual gut-punches are out in full force and The Good Dinosaur is among one of the emotional films in the studio’s roster. Personal tragedy is never an easy thing to convey in a movie meant to be enjoyed by the whole family, but here it is dealt with in a beautiful and tasteful manner.
Scenes in which Arlo and Spot share their circumstances with each other hit home hard and are deeply saddening to watch.
The cinematography too is absolutely exceptional. The breath-taking prehistoric landscapes are rendered in such stunning animation, they almost feel real. From raging white-water to beautiful sun-flooded forests, everything is a joy to behold and this is where The Good Dinosaur excels – a firefly swarm in particular is spectacular and propels the film into How to Train Your Dragon territory for sheer spectacle.
However, the entire film feels like a show reel, albeit a mesmerising one, for the talents at Pixar. Each shot of scenery is lingered on for a little too long and agoraphobic Arlo’s plight can sometimes take a backseat to this beauty.
Nevertheless, there are some wonderful characters here. A trio of T-Rex, who turn out to be cowboys – or should that be cowdinos, provide The Good Dinosaur with some of its more standout moments and it’s the lack of these sequences where the film is found wanting.
Overall, Pixar has created another excellent piece of animation with The Good Dinosaur. Though not quite at their ‘gold standard,’ the film is a wonder to behold and shows just how gorgeous animated features can be.
Unfortunately, the lack of an original story ensures it’ll prove second best to Inside Out in this year’s battle despite its deeper emotional resonance.
https://moviemetropolis.net/2015/11/29/is-it-as-good-as-inside-out-the-good-dinosaur-review/
It also marks the first time that Pixar has released two films in the same year. Summer saw the release of instant-classic Inside Out and now animation fans get to enjoy another movie from the studio, The Good Dinosaur, but has Pixar bitten of more than it can chew?
The Good Dinosaur follows the story of a young Apatosaurus named Arlo, voiced beautifully by Raymond Ochoa, as he comes to terms with growing up in an ever-changing world where dinosaurs never met their well-documented fates.
He, alongside human child Spot suddenly find themselves embroiled in a dangerous journey after getting lost a long way from their homes.
If this all sounds a little formulaic to you, then that’s because it is. The Good Dinosaur has a plot more akin to Paramount animation, rather than the exceptional storytelling we have come to expect from Pixar. There’s nothing particularly special or unique about the plot and this is a real shame.
Thankfully, Pixar’s usual gut-punches are out in full force and The Good Dinosaur is among one of the emotional films in the studio’s roster. Personal tragedy is never an easy thing to convey in a movie meant to be enjoyed by the whole family, but here it is dealt with in a beautiful and tasteful manner.
Scenes in which Arlo and Spot share their circumstances with each other hit home hard and are deeply saddening to watch.
The cinematography too is absolutely exceptional. The breath-taking prehistoric landscapes are rendered in such stunning animation, they almost feel real. From raging white-water to beautiful sun-flooded forests, everything is a joy to behold and this is where The Good Dinosaur excels – a firefly swarm in particular is spectacular and propels the film into How to Train Your Dragon territory for sheer spectacle.
However, the entire film feels like a show reel, albeit a mesmerising one, for the talents at Pixar. Each shot of scenery is lingered on for a little too long and agoraphobic Arlo’s plight can sometimes take a backseat to this beauty.
Nevertheless, there are some wonderful characters here. A trio of T-Rex, who turn out to be cowboys – or should that be cowdinos, provide The Good Dinosaur with some of its more standout moments and it’s the lack of these sequences where the film is found wanting.
Overall, Pixar has created another excellent piece of animation with The Good Dinosaur. Though not quite at their ‘gold standard,’ the film is a wonder to behold and shows just how gorgeous animated features can be.
Unfortunately, the lack of an original story ensures it’ll prove second best to Inside Out in this year’s battle despite its deeper emotional resonance.
https://moviemetropolis.net/2015/11/29/is-it-as-good-as-inside-out-the-good-dinosaur-review/
Neon's Nerd Nexus (360 KP) rated The Addams Family (2019) in Movies
Nov 1, 2019 (Updated Nov 1, 2019)
Everyone knows pink is a gateway colour
addams family attempts to bring the classic family into modern day and while not a bad little film it doesnt do nearly enough to make them as memorable for a new generation of kids/teens as it did for people my age growing up. I must say I quite admire this film for trying to differentiate its self from the constant barrage of animated features weve had this year. Its colour pallet is mostly drab, cold and dark colours which I enjoyed and fit well with the gothic/spooky vibe of the film. Theres also a lot of cool halloween things to look at in the scenes that are set inside the familys house and humor at times can be incredibly gross or darkly adult too which really made me giggle (most of which children are thankfuly to young to understand). Animation while not overly detailed was nice to look at also be it the warts on an old hags nose, spiders crawling the walls or the way the bottom of Morticias dress squirms around the floor as she walks are just some of the neat little attentions to detail making this world a little more strange and alive. Plot and story wise its a little dull and while I found some clever ideas implemented here they really are not executed very interestingly. I did find some of the ideas fun however like the way the movie pokes fun at current trends eg all the girls at the school wednesday goes to have those hidious duck lips, all look identical to one another and obsess over instagram. Everyone in the town also has odd habbits of thier own and the seemingly nicest person also has a much darker side to her, not to mention the entire town is filled with hatred for anything diffrent, easily influenced by social media, full of fake happiness and coated in hidiously garish colour choices which makes you question who the 'ugly' and 'strange' ones really are here. Subtle themes of child abuse, belonging, acceptance, being yourself, death, honour, pressure, loneliness as well as other heavy subjects strangely fit well here making the film a little darker than I expected too. Sadly theres not much here for kids who will undoubtedly be bored quick because big spectacle set pieces are few and far between/not very exciting either and what I found enjoyable ie the subbtle violence, gross adult humour, adult themes and gothic visuals wont likely intrest them either. Oscar isaac and Charlize theron voice work for Morticia and Gomez I found very enjoyable and the score at times really stood out to me a lot at times creating a nice eerie atmosphere. Not nearly as bad as people make out Adams Family may be a tad forgettable, have an extreamly rushed third act, story arcs that go nowhere its creepy, kooky, spooky, and enjoyable enough to warrent seeing at the cinema for sure.
Mark @ Carstairs Considers (2466 KP) rated The Subject of Malice in Books
Jul 29, 2019
A Study in Malice
English professor Lila Maclean is attending an academic conference she has helped organize near her university in Colorado, and she is looking forward to presenting a paper, attending panels, and rubbing elbows with the publisher that has accepted her book. The downside is that her rival, Simone, and Simone’s twin sister, Selene, are also attending the conference and trying to make life miserable for her. The conference organizers have some surprises up their sleeves, but the dead body after the opening night dinner wasn’t one of them. Did someone’s academic rivalry boil over to murder?
In this book, Lila is approached by her boyfriend, police detective Lex Archer, about helping investigate because she knows the players and the motives. That stretched credibility a bit for me, but I was having so much fun I didn’t let it bother me too much. There is plenty of malice at the conference, not all of it connected to the murder, and that was enough to keep me turning the pages as quickly as possible until I reached the satisfying climax. Lila is once again a great main character who faces a couple of twists in her personal life in this book. We don’t see all of the supporting cast, but the ones we do see are great as usual, and the suspects are strong as well. The setting of the conference, an old movie studio turned into a resort, added a layer of fun to things as well. All told, I give this book a grade of A+.
In this book, Lila is approached by her boyfriend, police detective Lex Archer, about helping investigate because she knows the players and the motives. That stretched credibility a bit for me, but I was having so much fun I didn’t let it bother me too much. There is plenty of malice at the conference, not all of it connected to the murder, and that was enough to keep me turning the pages as quickly as possible until I reached the satisfying climax. Lila is once again a great main character who faces a couple of twists in her personal life in this book. We don’t see all of the supporting cast, but the ones we do see are great as usual, and the suspects are strong as well. The setting of the conference, an old movie studio turned into a resort, added a layer of fun to things as well. All told, I give this book a grade of A+.
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Erika (17789 KP) rated Captain Marvel (2019) in Movies
Mar 9, 2019 (Updated Mar 9, 2019)
The Stan Lee Marvel opening title (1 more)
Ben Mendelsohn
Firstly, this was a typical, Marvel origin story movie. They didn't exactly reinvent the wheel. BUT, who really expected them to?
I've been a fan of Carol Danvers in the comics since she was Ms. Marvel. For one, I was glad they kept her personality close to the comics. I've seen complaints that Larson's delivery of some jokes was flat, but, Carol tells bad jokes all the time and no one laughs (or, she did, I'm not into the new teen-centric Capt Marvel comics). Honestly, a lot of the story wouldn't make sense straight away for people that have never read a comic about Danvers.
Ben Mendelsohn was absolutely fantastic as 'the villain', and completely had fun in the role. Also, thank you Marvel for allowing him to use his real accent. SLJ was fantastic as the younger Nick Fury, and his interactions with Chewie...sorry, Goose (dumb name change) were hilarious.
The Kree weren't really in the film much, and, of course, anyone who knows anything about the Kree can figure out what's going on.
The ONLY thing that was a bit of a groaner for me was the source of Carol's powers.
Definitely stay for the credit scenes, that mid-credit scene made me hyped for Endgame.
I've been a fan of Carol Danvers in the comics since she was Ms. Marvel. For one, I was glad they kept her personality close to the comics. I've seen complaints that Larson's delivery of some jokes was flat, but, Carol tells bad jokes all the time and no one laughs (or, she did, I'm not into the new teen-centric Capt Marvel comics). Honestly, a lot of the story wouldn't make sense straight away for people that have never read a comic about Danvers.
Ben Mendelsohn was absolutely fantastic as 'the villain', and completely had fun in the role. Also, thank you Marvel for allowing him to use his real accent. SLJ was fantastic as the younger Nick Fury, and his interactions with Chewie...sorry, Goose (dumb name change) were hilarious.
The Kree weren't really in the film much, and, of course, anyone who knows anything about the Kree can figure out what's going on.
The ONLY thing that was a bit of a groaner for me was the source of Carol's powers.
Definitely stay for the credit scenes, that mid-credit scene made me hyped for Endgame.
Kaz (232 KP) rated I Am Mother (2019) in Movies
Jun 14, 2019
A Great Sci-Fi Thriller
I watched this yesterday afternoon and I thought is was a very enjoyable sci-fi thriller.
I'm a fan of films which explore interesting ideas and have twists and turns and so 'I am Mother' ,was just my kind of film.
The acting was very good, particularly by the young actress who plays 'daughter'. At first, because the actress is younger, I thought this was going to be a stereotypical teen dystopian movie with some cheesy teen romance through in for good measure, but I was pleasantly surprised how it was more mature than that.
The interesting relationship 'daughter' has with 'Mother' was really interesting. Even though 'Mother' is a machine, the two main characters have some real emotion in their relationship. I think that might have something to do with 'Mother' voice not being metallic, but more 'human'.
This film explores thought provoking ideas, as well has having great tension and action. I also liked the twist towards the end of the film.
The only slight complaint that I had with this film, was that the ending was a tad predictable. However, I still feel that this is satisfactory.
This film is really thought provoking sci-fi film and I would definitely recommend watching it.
I'm a fan of films which explore interesting ideas and have twists and turns and so 'I am Mother' ,was just my kind of film.
The acting was very good, particularly by the young actress who plays 'daughter'. At first, because the actress is younger, I thought this was going to be a stereotypical teen dystopian movie with some cheesy teen romance through in for good measure, but I was pleasantly surprised how it was more mature than that.
The interesting relationship 'daughter' has with 'Mother' was really interesting. Even though 'Mother' is a machine, the two main characters have some real emotion in their relationship. I think that might have something to do with 'Mother' voice not being metallic, but more 'human'.
This film explores thought provoking ideas, as well has having great tension and action. I also liked the twist towards the end of the film.
The only slight complaint that I had with this film, was that the ending was a tad predictable. However, I still feel that this is satisfactory.
This film is really thought provoking sci-fi film and I would definitely recommend watching it.