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RəX Regent (349 KP) rated The Black Pirate (1926) in Movies
Feb 18, 2019
Two-tone Techncolor milestone
Two Tone Technicolor in all its glory! This is it. The first widely distributed Technicolor movie back before we even had sound. This was hardly the first foray into colour, in fact colour almost goes as far back as film itself, as does sound, but it was not until the mid-1920’s that breakthroughs in both mediums would bring them into mainstream.
Sound would take first, with Technicolor taking just a little longer, mainly due to the technical issues of using it both in front and behind the camera. But as time went on, these issues were gradually dealt with with the rest is cinema history.
So, having gotten the technical bit out of the way, on to the Douglas Fairbanks Jr. blockbuster. And that is precisely want this was. A by-the-numbers acrobatic action movie by the undisputed star of the day, Fairbanks.
The plot follows a Duke (Fairbanks) whose ship is attacked and destroyed by a Pirates. He is the soul survivor and vows revenge. He soon finds himself in the company of the very pirates he is looking for and infiltrates their crew by being the best god-damn pirate there ever was!
He meets a princess (Billie Dove) and saves the day, gets the girl and the evil pirates are dispatched. All, amidst lots of colourful blood, to emphasise the Technicolor I suppose and slides down a few sails with his dagger along the way.
The performances are typical for a Hollywoodland movie of the day, but besides the outstanding physicality of Douglas, I would not say that there was anything particularly noteworthy about the acting, let alone the production on the whole. Having said that, the tone and cliche’s which this film has brought to the genre as whole are legendary and there is that foray into colour of course.
This were it all began folks…
The DVD
Unfortunately my copy was just the cheap R-0 version, whcih was clearly (ironically) taken from a old VHS recording. The colour is vivid but wrong. Greens have replaced blacks and the overall print quality was poor but watchable. I have seen bit s of the KINO HD Blu-ray edition and this looks great.
It also has the original score by Mortimer Wilson, something whcih this bargain basement DVD does not. The music supplied is okay; a mix of classical pieces on a loop but none this is cued and rarely suits the scenes let alone the action on screen. Further proof that there never was such a thing as silent cinema, just no synchronised sound.
For the real experience, get the Blu-ray, though it is very expensive at the moment, but if you just want to see what all the fuss is about, this DVD is quite watchable, at least as an entry version.
Me, I am after the upgrade!
Sound would take first, with Technicolor taking just a little longer, mainly due to the technical issues of using it both in front and behind the camera. But as time went on, these issues were gradually dealt with with the rest is cinema history.
So, having gotten the technical bit out of the way, on to the Douglas Fairbanks Jr. blockbuster. And that is precisely want this was. A by-the-numbers acrobatic action movie by the undisputed star of the day, Fairbanks.
The plot follows a Duke (Fairbanks) whose ship is attacked and destroyed by a Pirates. He is the soul survivor and vows revenge. He soon finds himself in the company of the very pirates he is looking for and infiltrates their crew by being the best god-damn pirate there ever was!
He meets a princess (Billie Dove) and saves the day, gets the girl and the evil pirates are dispatched. All, amidst lots of colourful blood, to emphasise the Technicolor I suppose and slides down a few sails with his dagger along the way.
The performances are typical for a Hollywoodland movie of the day, but besides the outstanding physicality of Douglas, I would not say that there was anything particularly noteworthy about the acting, let alone the production on the whole. Having said that, the tone and cliche’s which this film has brought to the genre as whole are legendary and there is that foray into colour of course.
This were it all began folks…
The DVD
Unfortunately my copy was just the cheap R-0 version, whcih was clearly (ironically) taken from a old VHS recording. The colour is vivid but wrong. Greens have replaced blacks and the overall print quality was poor but watchable. I have seen bit s of the KINO HD Blu-ray edition and this looks great.
It also has the original score by Mortimer Wilson, something whcih this bargain basement DVD does not. The music supplied is okay; a mix of classical pieces on a loop but none this is cued and rarely suits the scenes let alone the action on screen. Further proof that there never was such a thing as silent cinema, just no synchronised sound.
For the real experience, get the Blu-ray, though it is very expensive at the moment, but if you just want to see what all the fuss is about, this DVD is quite watchable, at least as an entry version.
Me, I am after the upgrade!
Movie Metropolis (309 KP) rated Final Destination 5 (2011) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Did we really need another Final Destination film? After the last, merely average movie, the answer on everyone’s lips was a firm and resounding no. However, a surprising return to form for the franchise has ensured that even this old goat has life in it yet.
Gone are the cheap, cheesy shocks that littered Final Destination 3 and 4. In their place are the genuine thrills and spills from the first two films. The movie returns the guessing game element to its audience and for that I am thoroughly grateful.
Newcomer Steven Quale helms this instalment which combines excellent 3D with fantastic special effects and a dazzling set of opening credits which showcase the deaths from the films that preceded it. I wasn’t expecting much from this film, I have to admit, but the credits really are a highlight as you try and remember which film each death is from.
As with any film in the Final Destination franchise, an epic opening disaster is the norm. Whilst the motorway pileup from Final Destination 2 has been the best up until now, the bridge collapse in this film is utterly mesmerising and edge of your seat thrilling. From the flawless special effects to the scale of the production, it surpasses anything seen before in the series.
The deaths have also returned to form too. Instead of out and out cheese, they’re shocking to the point of jaw-dropping. It’ll have you checking every loose nut and bolt from now on and probably have you resisting that fashionable laser eye surgery too. Thankfully though, away from the deaths, it errs on the side of humorous without delving into slapstick.
Nicholas D’Agosto leads a small cast as they try and find a way to cheat death after surviving that epic bridge disaster. An interesting storyline this time around has the cast told that they are able to cheat death by killing someone else, therefore having their life swapped with yours. The acting from all corners leaves a lot to be desired and the dialogue and performances are unashamedly wooden but this is a small point in a film that really does shock and surprise.
However, perhaps the best part of the film and the reason why it’s so enjoyable is the final twist, a twist that will leave you shouting at the screen in dismay. It’s practically impossible to see it coming until the last 5 minutes and in these last minutes you realise just how clever director Steven Quale has been in creating this film.
It may not be the most original movie to ever grace the big screen and the cast aren’t going to trouble the Oscars but Final Destination 5 returns a lifeless franchise to what it once was, bloody good fun and as such it is by far, the best in the series.
So, the question now is; do we need Final Destination 6?
https://moviemetropolis.net/2011/09/21/review-final-destination-5-2011/
Gone are the cheap, cheesy shocks that littered Final Destination 3 and 4. In their place are the genuine thrills and spills from the first two films. The movie returns the guessing game element to its audience and for that I am thoroughly grateful.
Newcomer Steven Quale helms this instalment which combines excellent 3D with fantastic special effects and a dazzling set of opening credits which showcase the deaths from the films that preceded it. I wasn’t expecting much from this film, I have to admit, but the credits really are a highlight as you try and remember which film each death is from.
As with any film in the Final Destination franchise, an epic opening disaster is the norm. Whilst the motorway pileup from Final Destination 2 has been the best up until now, the bridge collapse in this film is utterly mesmerising and edge of your seat thrilling. From the flawless special effects to the scale of the production, it surpasses anything seen before in the series.
The deaths have also returned to form too. Instead of out and out cheese, they’re shocking to the point of jaw-dropping. It’ll have you checking every loose nut and bolt from now on and probably have you resisting that fashionable laser eye surgery too. Thankfully though, away from the deaths, it errs on the side of humorous without delving into slapstick.
Nicholas D’Agosto leads a small cast as they try and find a way to cheat death after surviving that epic bridge disaster. An interesting storyline this time around has the cast told that they are able to cheat death by killing someone else, therefore having their life swapped with yours. The acting from all corners leaves a lot to be desired and the dialogue and performances are unashamedly wooden but this is a small point in a film that really does shock and surprise.
However, perhaps the best part of the film and the reason why it’s so enjoyable is the final twist, a twist that will leave you shouting at the screen in dismay. It’s practically impossible to see it coming until the last 5 minutes and in these last minutes you realise just how clever director Steven Quale has been in creating this film.
It may not be the most original movie to ever grace the big screen and the cast aren’t going to trouble the Oscars but Final Destination 5 returns a lifeless franchise to what it once was, bloody good fun and as such it is by far, the best in the series.
So, the question now is; do we need Final Destination 6?
https://moviemetropolis.net/2011/09/21/review-final-destination-5-2011/
Lee (2222 KP) rated The Incredibles 2 (2018) in Movies
Jul 16, 2018 (Updated Jul 17, 2018)
Worthy sequel, although a bit patchy in places
Contains spoilers, click to show
It's hard to believe that the original Incredibles movie is now 14 years old. It was, and still is, a fun, original and highly enjoyable superhero movie that was always deserving of a sequel. I re-watched it recently with my daughter who had never seen it, and despite it's age, and the fact that we've now had a decade of non-stop Marvel superhero movies since it was made, it still holds up 'incredibly' well.
The sequel picks up right where the original finished off, with The Incredibles battling supervillain The Underminer. It's the first of many impressive battle sequence, and does a good job of reminding us of the skills and abilities of each individual family member, not to mention how well they all work together as a team. The advances in animation quality over the last 14 years are obvious, while still managing to retain the unique look and feel of the original.
Unfortunately, the Parr's attempts to save the city don't quite go to plan, leading once again to their helpfulness being questioned by the US Government. They find themselves in a motel, contemplating their futures, until they are approached by Winston Deavor (Bob Odenkirk). He claims that the public have only seen the negative side of superheroes that is portrayed by the government, and wants to provide microscopic cameras embedded within the superhero costumes so that they can capture what they see. By showing the hero's side of the story, Winston plans to generate enough good publicity to start winning over the general public once again and hopefully reverse the law that makes superheroes illegal. Elastigirl is chosen to kick things off, largely due to the minimal government damage she's likely to cause in comparison to her husband! As a result, Mr Incredible is left at home to care for the kids, while Elastigirl is out having fun and saving the world.
The domestic comedy with Mr Incredible stuck at home is just brilliant. Not only does he have to try and get to grips with 'New Math' homework for son Dash, but also with daughter Violet and her boyfriend trouble. Not to mention the discovery that baby Jack-Jack has a set of impressive and highly unpredictable superpowers of his own. Meanwhile, the plan involving Elastigirl is working so well, that plans to make superheroes legal again get underway. But then mysterious new villain Screenslaver begins causing hypnotic chaos around town, and the family must band together once again in order to save the day.
Aside from the impressive action, and the hilarious scenes involving Jack-Jack, the rest of the movie in comparison does feel a little flat in places. In my opinion it falls slightly short of matching the original, although still a highly enjoyable and worthy sequel.
The sequel picks up right where the original finished off, with The Incredibles battling supervillain The Underminer. It's the first of many impressive battle sequence, and does a good job of reminding us of the skills and abilities of each individual family member, not to mention how well they all work together as a team. The advances in animation quality over the last 14 years are obvious, while still managing to retain the unique look and feel of the original.
Unfortunately, the Parr's attempts to save the city don't quite go to plan, leading once again to their helpfulness being questioned by the US Government. They find themselves in a motel, contemplating their futures, until they are approached by Winston Deavor (Bob Odenkirk). He claims that the public have only seen the negative side of superheroes that is portrayed by the government, and wants to provide microscopic cameras embedded within the superhero costumes so that they can capture what they see. By showing the hero's side of the story, Winston plans to generate enough good publicity to start winning over the general public once again and hopefully reverse the law that makes superheroes illegal. Elastigirl is chosen to kick things off, largely due to the minimal government damage she's likely to cause in comparison to her husband! As a result, Mr Incredible is left at home to care for the kids, while Elastigirl is out having fun and saving the world.
The domestic comedy with Mr Incredible stuck at home is just brilliant. Not only does he have to try and get to grips with 'New Math' homework for son Dash, but also with daughter Violet and her boyfriend trouble. Not to mention the discovery that baby Jack-Jack has a set of impressive and highly unpredictable superpowers of his own. Meanwhile, the plan involving Elastigirl is working so well, that plans to make superheroes legal again get underway. But then mysterious new villain Screenslaver begins causing hypnotic chaos around town, and the family must band together once again in order to save the day.
Aside from the impressive action, and the hilarious scenes involving Jack-Jack, the rest of the movie in comparison does feel a little flat in places. In my opinion it falls slightly short of matching the original, although still a highly enjoyable and worthy sequel.
BankofMarquis (1832 KP) rated Bohemian Rhapsody (2018) in Movies
Nov 4, 2018
Come for the music, stay...for the music
My musical tastes end somewhere in the late 1970's/early 1980's. Billy Joel, ELO and, especially, Queen were in constant rotation on my turntable. So it was with a mixture of excitement and nervousness that I checked out BOHEMIAN RHAPSODY, the "Queen movie".
Fortunately, this film rekindled my love for the music of Queen. I gotta admit, I was cranking Queen tunes in the car on the ride home. Unfortunately, the storytelling is weak, so I really did not gain any insight into Freddy, his family, the group, his marriage, his bi-sexuality, his drug use, the times they lived in or the AIDS epidemic of the '80's. All these items were touched upon in the movie, but not delved into, leaving a void in the part of my brain that craves a good, meaningful and touching story with my movie/musicals. It certainly doesn't help this story that I have the wonderful A STAR IS BORN sitting in my recent memory.
But the music, the musical performances and the acting performances of all involved almost make up for this void, leaving a very satisfying experience at the movies.
BOHEMIAN RHAPSODY follows young Farrokh Bulsara as he joins the band SMILE, changes the bands name to QUEEN, changes his name to Freddie Mercury and becomes an International Superstar leading up to the inevitable fall and resurgence at the Live Aid concert in the 1980's.
In the lead, Rami Malik is wonderful. He has the essence of the superstar we know down well. He is a winning, watchable presence on screen and I wouldn't be surprised if he is mentioned when Oscar nominations roll around. Joining him as members of the band are Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Gwilym Lee as Brian May. All are effective enough in their roles - and believable in the musical scenes - with Lee standing out just a bit more than the others.
Also along for the ride are Lucy Boyton as Freddy's wife, Mary Austin and Tom Hollander, Mike Myers and Aidan Gillen as music execs aiding and attempting to guide Queen to the top. Only Allen Leech as Paul Prenter is unconvincing on the screen. But, I blame this more to the decisions of the screenwriters and directors for Paul is the "villain" of this piece - and a not-too-subtle villain at that.
But, Director Bryan Singer (X-MEN, THE USUAL SUSPECTS) is forgiven his lapses in content and subtlety as the music scenes are strong - and the film finishes with a 20 minute recreation of Queen at the Live Aid concert that is worth the price of admission all on it's own.
All in all, a good time at the movies. If you like Queen, you'll be entertained by this film.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Fortunately, this film rekindled my love for the music of Queen. I gotta admit, I was cranking Queen tunes in the car on the ride home. Unfortunately, the storytelling is weak, so I really did not gain any insight into Freddy, his family, the group, his marriage, his bi-sexuality, his drug use, the times they lived in or the AIDS epidemic of the '80's. All these items were touched upon in the movie, but not delved into, leaving a void in the part of my brain that craves a good, meaningful and touching story with my movie/musicals. It certainly doesn't help this story that I have the wonderful A STAR IS BORN sitting in my recent memory.
But the music, the musical performances and the acting performances of all involved almost make up for this void, leaving a very satisfying experience at the movies.
BOHEMIAN RHAPSODY follows young Farrokh Bulsara as he joins the band SMILE, changes the bands name to QUEEN, changes his name to Freddie Mercury and becomes an International Superstar leading up to the inevitable fall and resurgence at the Live Aid concert in the 1980's.
In the lead, Rami Malik is wonderful. He has the essence of the superstar we know down well. He is a winning, watchable presence on screen and I wouldn't be surprised if he is mentioned when Oscar nominations roll around. Joining him as members of the band are Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Gwilym Lee as Brian May. All are effective enough in their roles - and believable in the musical scenes - with Lee standing out just a bit more than the others.
Also along for the ride are Lucy Boyton as Freddy's wife, Mary Austin and Tom Hollander, Mike Myers and Aidan Gillen as music execs aiding and attempting to guide Queen to the top. Only Allen Leech as Paul Prenter is unconvincing on the screen. But, I blame this more to the decisions of the screenwriters and directors for Paul is the "villain" of this piece - and a not-too-subtle villain at that.
But, Director Bryan Singer (X-MEN, THE USUAL SUSPECTS) is forgiven his lapses in content and subtlety as the music scenes are strong - and the film finishes with a 20 minute recreation of Queen at the Live Aid concert that is worth the price of admission all on it's own.
All in all, a good time at the movies. If you like Queen, you'll be entertained by this film.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
David McK (3767 KP) rated Tribune of Rome in Books
Jan 30, 2019
Ever since (roughly) about a decade ago - when the movie 'Gladiator' first came out - I've been noticing more and more Roman-themed books, from Simon Scarrow's 'Macro and Cato' series to Conn Iggulden's 'Emperor' quartet to Ben Kane's 'Forgotten Legion Chronicles' (and now 'Enemy of Rome' series) to John Stack's 'Masters of the Sea' series to Anthony Riches' 'Empire' series to Harry Sidebottom's 'Warrior of Rome' series to ...
... you get the picture.
To that list, we can now also add Robert Fabbri with his planned 'Vespasian' series of books, of which this is the first. In the interest of full disclosure, I'm also going to state that (from the above list of authors) I've read at least one book in their respective series. Of those all - and, including, now, this book - I have to say, I've found Scarrow's novels to be the most entertaining.
As a novel, I found this one could be split into three distinct sections: the beginning was set during Vespasians early years in the Roman country-side and mainly concerning the relationship between him and his brother, before the setting moves to Rome proper when the two brothers get embroiled in Roman politics, and then (in the latter half of the book), following Vespasians early military career. It was probably this latter aspect of the book that is the most enjoyable, even if it does still suffer from seemingly stilted conversations that are used to move the plot along - that, and some 'Oh, come on! As if ...' moments (one in particular!).
While I read some more of this series? Possibly, but also I'm not going to be going out of my way to look for them.
... you get the picture.
To that list, we can now also add Robert Fabbri with his planned 'Vespasian' series of books, of which this is the first. In the interest of full disclosure, I'm also going to state that (from the above list of authors) I've read at least one book in their respective series. Of those all - and, including, now, this book - I have to say, I've found Scarrow's novels to be the most entertaining.
As a novel, I found this one could be split into three distinct sections: the beginning was set during Vespasians early years in the Roman country-side and mainly concerning the relationship between him and his brother, before the setting moves to Rome proper when the two brothers get embroiled in Roman politics, and then (in the latter half of the book), following Vespasians early military career. It was probably this latter aspect of the book that is the most enjoyable, even if it does still suffer from seemingly stilted conversations that are used to move the plot along - that, and some 'Oh, come on! As if ...' moments (one in particular!).
While I read some more of this series? Possibly, but also I'm not going to be going out of my way to look for them.
Andy K (10823 KP) rated The Mountain Between Us (2017) in Movies
Feb 18, 2018
I liked it more than most it seems
The survival in the wilderness aspect of this film is what it does best, but it seems like I liked the developing love more than most people based on their ratings and comments.
Yeah fine no one wants the dog to die, but the movie was more than that. The Idris Elba character slowly reveals aspects of his personal like to Kate Winslet in a unique way. You expect them being found to be the end of the film, but it isn't and I was all right with that.
As far as the ending goes, there weren't too many ways it could go and the director picked one. Didn't bother me and I actually enjoyed it.
I also love Kate. Have since her "Introducing Kate Winslet" card in Heavenly Creatures. Make sure everone watched that too.
Yeah fine no one wants the dog to die, but the movie was more than that. The Idris Elba character slowly reveals aspects of his personal like to Kate Winslet in a unique way. You expect them being found to be the end of the film, but it isn't and I was all right with that.
As far as the ending goes, there weren't too many ways it could go and the director picked one. Didn't bother me and I actually enjoyed it.
I also love Kate. Have since her "Introducing Kate Winslet" card in Heavenly Creatures. Make sure everone watched that too.
David McK (3767 KP) rated The Star Wars in Books
Jan 30, 2019
Based on George Lucas' original rough-draft for 'Star Wars', this is an interesting read not so much for the (somewhat disconnected) story, but to see how the movies grew out of the original rough draft: this is very different from those movie(s), albeit with some of the characters and place names still showing up but in a different manner - most noticeable, perhaps, in the characters of Han Solo and Darth Vader (and 'May the Force of Others be with you' just doesn't sound right, does it?).
Having read this, it's also now VERY clear that Lucas was to re-use elements of his original rough draft in the Prequel trilogy, particularly in the whole Princess-in-hiding section(s) that are included in both The Phantom Menace and Attack of the Clones.
The art is impressive, but the dialogue/story? Not so much.
Having read this, it's also now VERY clear that Lucas was to re-use elements of his original rough draft in the Prequel trilogy, particularly in the whole Princess-in-hiding section(s) that are included in both The Phantom Menace and Attack of the Clones.
The art is impressive, but the dialogue/story? Not so much.
Kevin Phillipson (10072 KP) rated Death on the Nile (2022) in Movies
Feb 24, 2022
Kenneth branagh (1 more)
Tom Bateman
Watched today at cineworld after watching murder on the orient express couple of weeks ago that I would the sequel to see if it was any good I would say it’s better than murder. On too the film this isn’t the first time I’ve seen a version of death on Nile this is third one Kenneth Branagh is back poirot with the tache back as well we get an origin of the moustache at the beginning of the movie also hos lost love who was mentioned in the first film which was nice. Nice to see Tom Bateman back as his friend from murder on the orient express then the list of suspects including French and sanders and Russell brand any of them could have done it. Anyway will there be third film who knows there’s so many more poirot story’s still out there good film
David McK (3767 KP) rated Bill & Ted Face The Music (2020) in Movies
Aug 27, 2021 (Updated Sep 27, 2022)
I can't believe it's been over 30 years since the first Bill & Ted movie
Man, I feel old.
This is the long-mooted capper to the trilogy, with Bill & Ted's band Wyld Stallyns still waiting for that one song that (as per both 'Amazing Adventure' and 'Bogus Journey') will unite humanity. No, that one at the end of the last film didn't do it.
Now older - but no wiser - and with their kids grown up, the duo find themselves summoned to the future and told that all of space and time will be destroyed if they don't write that song in the next couple of hours.
Cue more time (and afterlife) -travelling idiocy as they decide to steal said song from their future selves, while their daughters also try to put together a band of musical prodigies from throughout history.
Good natured fun, in effect.
Man, I feel old.
This is the long-mooted capper to the trilogy, with Bill & Ted's band Wyld Stallyns still waiting for that one song that (as per both 'Amazing Adventure' and 'Bogus Journey') will unite humanity. No, that one at the end of the last film didn't do it.
Now older - but no wiser - and with their kids grown up, the duo find themselves summoned to the future and told that all of space and time will be destroyed if they don't write that song in the next couple of hours.
Cue more time (and afterlife) -travelling idiocy as they decide to steal said song from their future selves, while their daughters also try to put together a band of musical prodigies from throughout history.
Good natured fun, in effect.