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Sophia (Bookwyrming Thoughts) (530 KP) rated When Dimple Met Rishi in Books
Jan 23, 2020
Cute contemporaries might be my downfall this year - there are so many amazing ones, and I am on a contemporary spree of sorts. (I hopped back to fantasy, but I'll be back for more cute ones, contemporary!)
Sandhya Menon’s debut novel has got to be one of my favorite contemporaries - and that says a lot since I'm not exactly a contemporary person. If anything, I avoid the genre like the plague.
Sit back, grab some Pocky Sticks, and allow me to gently shove this wonderful book in your face.
<b>Four Reasons to Pick Up When Dimple Met Rishi</b>
Rishi and Dimple are the cutest beans together - After the early hiccup between the two of them, I loved seeing their interactions together. I'm pretty sure my heart eyes emoji went a little out of control. Also can I please adopt them?
Women in STEM - I'll admit it: we need more females in the STEM fields - in both reality and in the literature we read. Dimple has a passion for coding, and the book is set around Dimple’s aspirations to win Insomnia Con (where coders spend several weeks creating an app of their own) in addition to her developing romance with Rishi.
Dimple doesn't care for romance - Dimple cares more about other things (like coding), and I really loved Menon included this because I can definitely relate. I prefer no makeup, and I suppose if I were in Dimple’s place, my mother would say no boy would want to talk to me because I look like I'm going to bite a boy. (Good.)
Iced coffee being thrown - I don't care what some peeps think about Dimple throwing iced coffee at Rishi, but I think it was A+, and it is one of my favorite scenes in the book. I was looking forward for this scene to happen, and if this book becomes a movie, this scene has GOT to be in there.
If you’re looking for a cute romance, definitely give When Dimple Met Rishi a try! If not for the cute romance, at least for the iced coffee being thrown?
<a href="https://thenovelistics.blogspot.com/2017/09/when-dimple-met-rishi-by-sandhya-menon.html">This review is originally posted on The Novelistics</a>
Sandhya Menon’s debut novel has got to be one of my favorite contemporaries - and that says a lot since I'm not exactly a contemporary person. If anything, I avoid the genre like the plague.
Sit back, grab some Pocky Sticks, and allow me to gently shove this wonderful book in your face.
<b>Four Reasons to Pick Up When Dimple Met Rishi</b>
Rishi and Dimple are the cutest beans together - After the early hiccup between the two of them, I loved seeing their interactions together. I'm pretty sure my heart eyes emoji went a little out of control. Also can I please adopt them?
Women in STEM - I'll admit it: we need more females in the STEM fields - in both reality and in the literature we read. Dimple has a passion for coding, and the book is set around Dimple’s aspirations to win Insomnia Con (where coders spend several weeks creating an app of their own) in addition to her developing romance with Rishi.
Dimple doesn't care for romance - Dimple cares more about other things (like coding), and I really loved Menon included this because I can definitely relate. I prefer no makeup, and I suppose if I were in Dimple’s place, my mother would say no boy would want to talk to me because I look like I'm going to bite a boy. (Good.)
Iced coffee being thrown - I don't care what some peeps think about Dimple throwing iced coffee at Rishi, but I think it was A+, and it is one of my favorite scenes in the book. I was looking forward for this scene to happen, and if this book becomes a movie, this scene has GOT to be in there.
If you’re looking for a cute romance, definitely give When Dimple Met Rishi a try! If not for the cute romance, at least for the iced coffee being thrown?
<a href="https://thenovelistics.blogspot.com/2017/09/when-dimple-met-rishi-by-sandhya-menon.html">This review is originally posted on The Novelistics</a>
Cruising the Movies: A Sexual Guide to Oldies on TV
William E. Jones and Boyd McDonald
Book
Ronnie Reagan's bizarre legs are sufficient reason to watch John Loves Mary (1949), a picture so...
LoganCrews (2861 KP) rated Divergent (2014) in Movies
Sep 20, 2020
𝘋𝘪𝘷𝘦𝘳𝘵𝘪𝘯𝘨. Unabashed (better) 𝘏𝘶𝘯𝘨𝘦𝘳 𝘎𝘢𝘮𝘦𝘴 ripoff which doesn't just have nothing to say - but worse - it has nothing to say yet *thinks* it has something to say. A fucking terrible metaphor about conformity depicted through surface-level teenage angst and wince-worthy 2014 YA genre tropes while deliberately (and frustratingly) refusing to provide any world-building above routine exposition, but sometimes it's fun! Woodley is pretty crappy but everyone else is solidly engaging, Teller is great as a piece of shit and James is shockingly one of the better 'faceless white beefcake' roles - but of course the winner goes to evil Kate Winslet in full Hillary Clinton mode, pantsuit and all. I fully admit to being enchanted by this movie's stupid little world and it's never unwatchable either, often quite enjoyable - but can we talk about how idiotic of a system this is? You're telling me in order to stop discrimination and foster peace (from some conveniently absent events just known as "the war" [ugh]) they thought it'd be a good idea to make distinctly unconnected factions based on - essentially - a Buzzfeed "What's Your Personality Type" quiz, which aren't allowed to communicate and all of whom evidently hate each other that they then force a bunch of moody TEENAGERS to choose which one they want to be in - the single MOST IMPORTANT AND PERMANENT LIFE DECISION they'll ever make - and AREN'T ALLOWED a single switch EVER (because... reasons, ostensibly you aren't allowed to change as a person); and if they fail or want to choose a different path they just become HOMELESS FOR LIFE. (A sadly close unintentional riff on capitalism, actually). Anyway I like when this gets trippy and when it acts as a slideshow of these supposedly helpful organizations (which don't serve their respective purposes here at all) just start doing a bunch of fucked up things to their new recruits literally from day one but all its non-politics aside I'm sick of when movies like these make the blandest character in the movie not only lead the whole thing, but also make their only discernable personality feature that they're "not like the rest of us". Yeah, no shit they aren't - they're way less interesting.
Bob Mann (459 KP) rated Live By Night (2017) in Movies
Sep 29, 2021
“Sleep by day…”.
Ben Affleck’s new movie could best be described as “sprawling”. In both directing and writing the screenplay (based on a novel by Dennis Lehane), Affleck has aimed for a “Godfather” style gangster epic and missed: not missed by a country mile, but missed nonetheless.
Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV’s “Hustle”), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father (“Harry Potter”’s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White’s moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.
Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don’t feel invested in a ‘journey’ from the beginning of the film to the (unsatisfactory) ending. In my experience it’s never a good sign when the writer considers it necessary to add a voiceover to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.
The sheer volume of players in the piece (there are about three film’s worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an “oh” than an “OH!”.
Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I’ve got the wrong film…. I’m thinking about “The Accountant”. I don’t know whether he filmed these films in parallel. I generally enjoy Ben Affleck’s work (he was excellent in “The Town”) but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a “2” on the scale. Given the double problem that he is barely credible as the “young man” returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin’s shoes.
That’s not to say there is not some good acting present in the rest of the cast’s all too brief supporting roles. Elle Fanning (“Trumbo”, “Maleficent”) in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, “The Bourne Identity”) to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.
Sienna Miller (“Foxcatcher”) delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana (“Star Trek”) is equally effective as a Cuban humanitarian.
In summary, it’s sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another “Godfather”, “Goodfellas” or “Untouchables”. Although this has its moments, unfortunately it’s more towards the “Public Enemies” end of the genre spectrum.
Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV’s “Hustle”), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father (“Harry Potter”’s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White’s moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.
Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don’t feel invested in a ‘journey’ from the beginning of the film to the (unsatisfactory) ending. In my experience it’s never a good sign when the writer considers it necessary to add a voiceover to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.
The sheer volume of players in the piece (there are about three film’s worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an “oh” than an “OH!”.
Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I’ve got the wrong film…. I’m thinking about “The Accountant”. I don’t know whether he filmed these films in parallel. I generally enjoy Ben Affleck’s work (he was excellent in “The Town”) but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a “2” on the scale. Given the double problem that he is barely credible as the “young man” returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin’s shoes.
That’s not to say there is not some good acting present in the rest of the cast’s all too brief supporting roles. Elle Fanning (“Trumbo”, “Maleficent”) in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, “The Bourne Identity”) to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.
Sienna Miller (“Foxcatcher”) delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana (“Star Trek”) is equally effective as a Cuban humanitarian.
In summary, it’s sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another “Godfather”, “Goodfellas” or “Untouchables”. Although this has its moments, unfortunately it’s more towards the “Public Enemies” end of the genre spectrum.
Lee (2222 KP) rated A Series of Unfortunate Events - Season 1 in TV
Jul 26, 2017
The latest adaptation of the thirteen books comprising ‘A Series of Unfortunate Events’ makes its way onto Netflix, the last being the 2004 film starring Jim Carrey. I haven’t read any of the books, or seen the movie. However my daughter has, and she loves them (the books, not so much the movie). So, we sat down together to watch season 1, which covers the first four books in the series, with two episodes devoted to each book.
The unfortunate events all involve three children – Violet, Klaus and Sunny Baudelaire, whose parents are killed in a fire at the beginning of the story. They inherit a vast fortune, which will not come into their possession until Violet comes of age, and are placed in the care of Count Olaf, supposedly their only living relative. Olaf is only concerned with getting his hands on the Baudelaire fortune though and the story covers his hilarious attempts to do so, quite often involving ridiculous disguises and usually involving further unfortunate unpleasantness for the children. The children initially escape Olaf, moving between a succession of guardians and locations for each book, only for him to catch up with them once more.
Quite simply, the show is excellent. I have to admit that the first episode took me a little while to settle into but from the opening credits, urging you to ‘look away’, through to the big budget Burtonesque sets and vibrant colours, the attention to detail is simply incredible. Partick Warburton is Lemony Snickett, our narrator, wryly and brilliantly interjecting at various points to explain details and guide us through the story. Neil Patrick Harris is Count Olaf, in full on pantomime villain mode, and I absolutely loved the humour he brought to every single scene he’s in, whether he’s as himself or disguised as a scientist/sailor/woman! My only gripe is that he’s never quite villainous or evil enough, more along the lines of a harmless Dick Dastardly as each desperately elaborate scheme is so easily foiled. He’s aided along the way by a group of oddball goons, who are all part of his theatre group – more creepy than scary – but it doesn’t detract from the shows overall enjoyment, and I guess this is a family show after all! There are also a few good cameos along the way – Don Johnson as owner of the Miserable Mill, and Rhys Darby as his downtrodden partner, for example. All of the supporting cast are all brilliant, however the main stars of the show are the children. Superb young actors, right down to little baby Sunny who cutely talks in baby speak (subtitled for us to understand!), gnawing her way through anything she can get her hands on and surviving all manner of unfortunate events the children find themselves in.
Things get a little formulaic after a while – the children settle in with a new guardian, Count Olaf appears in a new guise and with a new plot, the children foil his plan and move on again. However, things change slightly for the final few episodes and throughout the season we gradually discover a deep background of secrets and conspiracies, which I’m sure will help keep the story moving for the remainder of the seasons to come. And there are a few twists and turns along the way too. Overall I was hugely impressed with the show, as was my daughter. It appears to be a very faithful adaptation of what is a hugely popular series of books, and I’m very much looking forward to what’s to come next.
The unfortunate events all involve three children – Violet, Klaus and Sunny Baudelaire, whose parents are killed in a fire at the beginning of the story. They inherit a vast fortune, which will not come into their possession until Violet comes of age, and are placed in the care of Count Olaf, supposedly their only living relative. Olaf is only concerned with getting his hands on the Baudelaire fortune though and the story covers his hilarious attempts to do so, quite often involving ridiculous disguises and usually involving further unfortunate unpleasantness for the children. The children initially escape Olaf, moving between a succession of guardians and locations for each book, only for him to catch up with them once more.
Quite simply, the show is excellent. I have to admit that the first episode took me a little while to settle into but from the opening credits, urging you to ‘look away’, through to the big budget Burtonesque sets and vibrant colours, the attention to detail is simply incredible. Partick Warburton is Lemony Snickett, our narrator, wryly and brilliantly interjecting at various points to explain details and guide us through the story. Neil Patrick Harris is Count Olaf, in full on pantomime villain mode, and I absolutely loved the humour he brought to every single scene he’s in, whether he’s as himself or disguised as a scientist/sailor/woman! My only gripe is that he’s never quite villainous or evil enough, more along the lines of a harmless Dick Dastardly as each desperately elaborate scheme is so easily foiled. He’s aided along the way by a group of oddball goons, who are all part of his theatre group – more creepy than scary – but it doesn’t detract from the shows overall enjoyment, and I guess this is a family show after all! There are also a few good cameos along the way – Don Johnson as owner of the Miserable Mill, and Rhys Darby as his downtrodden partner, for example. All of the supporting cast are all brilliant, however the main stars of the show are the children. Superb young actors, right down to little baby Sunny who cutely talks in baby speak (subtitled for us to understand!), gnawing her way through anything she can get her hands on and surviving all manner of unfortunate events the children find themselves in.
Things get a little formulaic after a while – the children settle in with a new guardian, Count Olaf appears in a new guise and with a new plot, the children foil his plan and move on again. However, things change slightly for the final few episodes and throughout the season we gradually discover a deep background of secrets and conspiracies, which I’m sure will help keep the story moving for the remainder of the seasons to come. And there are a few twists and turns along the way too. Overall I was hugely impressed with the show, as was my daughter. It appears to be a very faithful adaptation of what is a hugely popular series of books, and I’m very much looking forward to what’s to come next.
Darren (1599 KP) rated Joker (2019) in Movies
Oct 4, 2019
Thoughts on Joker
Characters – Arthur Fleck is a loner that has been struggling for work, he wants to be an entertainer and is working on his own material to try his luck at stand-up comedy. He starts a new relationship and thinks his life is going in a new direction, until he learns the truth, becoming the icon we know. Murray Franklin is the host of his own talk show, he handles the comedy of the real events and is the man Arthur sees as an idol, he sees one of the clips of the stand up and puts it on his own show. Sophie is the neighbour and single mother that starts a relationship with Arthur, showing him in a better life. Penny is the mother of Arthur, she sees only the good in the richest man in the town and writes to him often waiting for a reply from her former employer. While most of the characters do have more about them, though most details will contain full spoilers.
Performances – Joaquin Phoenix gives us a wonderful performance, showing his commitment to the role, which will be one people will talk about when award season hits. Robert De Niro is joy to watch as the charismatic talk show host. Zazie Beetz is good to watch, though she just doesn’t get enough screen time. Frances Conroy is strong to through the film.
Story – The story here follows a man that has been failed by the society and the mental health system, which sees him struggle to deal with reality and begin his path to become one of the most iconic comic villains. This is much like Venom, a strange choice for a character to bring to the centre stage because we shouldn’t be backing a villainous character, but this time we do get everything connecting to why Joker became who he is. By stepping into how mental health can be brushed aside at times forcing people to fall through the cracks, not being treated the correct way to help them. If you are expecting any sort of comic book movie, you will be lost in this one because nothing we see has anything that couldn’t become a reality, which is what could make the film feel unsettling in places. This is also a story that could have been told without needing to throw a big character name like the Joker in around it and it might have been even better if it didn’t rely on the familiar name.
Crime – The crime side of the film shows how Arthur starts by being a victim, before he starts to try and show just how far he will go to stand up for himself.
Settings – The film does use the settings brilliantly, showing how Arthur has come from the bottom, never been given a thing in life, which does reflect just how we would see a Batman figure born with wealth.
Scene of the Movie – Talk show time.
That Moment That Annoyed Me – I didn’t like the laughing stuff, it would include spoilers to why though.
Final Thoughts – This is an interesting a dark spin on the world for one of the biggest names in comic book history, without making it feel like a comic book in anyway.
Overall: Dark and as Twisted as You Would Imagine.
Characters – Arthur Fleck is a loner that has been struggling for work, he wants to be an entertainer and is working on his own material to try his luck at stand-up comedy. He starts a new relationship and thinks his life is going in a new direction, until he learns the truth, becoming the icon we know. Murray Franklin is the host of his own talk show, he handles the comedy of the real events and is the man Arthur sees as an idol, he sees one of the clips of the stand up and puts it on his own show. Sophie is the neighbour and single mother that starts a relationship with Arthur, showing him in a better life. Penny is the mother of Arthur, she sees only the good in the richest man in the town and writes to him often waiting for a reply from her former employer. While most of the characters do have more about them, though most details will contain full spoilers.
Performances – Joaquin Phoenix gives us a wonderful performance, showing his commitment to the role, which will be one people will talk about when award season hits. Robert De Niro is joy to watch as the charismatic talk show host. Zazie Beetz is good to watch, though she just doesn’t get enough screen time. Frances Conroy is strong to through the film.
Story – The story here follows a man that has been failed by the society and the mental health system, which sees him struggle to deal with reality and begin his path to become one of the most iconic comic villains. This is much like Venom, a strange choice for a character to bring to the centre stage because we shouldn’t be backing a villainous character, but this time we do get everything connecting to why Joker became who he is. By stepping into how mental health can be brushed aside at times forcing people to fall through the cracks, not being treated the correct way to help them. If you are expecting any sort of comic book movie, you will be lost in this one because nothing we see has anything that couldn’t become a reality, which is what could make the film feel unsettling in places. This is also a story that could have been told without needing to throw a big character name like the Joker in around it and it might have been even better if it didn’t rely on the familiar name.
Crime – The crime side of the film shows how Arthur starts by being a victim, before he starts to try and show just how far he will go to stand up for himself.
Settings – The film does use the settings brilliantly, showing how Arthur has come from the bottom, never been given a thing in life, which does reflect just how we would see a Batman figure born with wealth.
Scene of the Movie – Talk show time.
That Moment That Annoyed Me – I didn’t like the laughing stuff, it would include spoilers to why though.
Final Thoughts – This is an interesting a dark spin on the world for one of the biggest names in comic book history, without making it feel like a comic book in anyway.
Overall: Dark and as Twisted as You Would Imagine.
Bookapotamus (289 KP) rated The House Swap in Books
May 29, 2018
Wow, did this book have me on the edge of my seat the ENTIRE TIME. So much tension in this book - a marriage in shambles, addictions of the physical and mental kind, suspicious neighbors, and a house full of devastating clues of an affair that had deadly consequences ... I found myself flipping pages at a rapid speed, watching these clues and secrets unfold.
Caroline and Francis swap houses in what seems to be an innocent week away to try to rekindle a very strained marriage. The narrative flips back from Caroline's past and future, with a bit of Francis injected thoughout, as well as this mysterious person they've swapped houses with. Things. Get. Weird. I felt myself having some heart palpitations at different points of the story and jumping at noises in my house as I was reading alone at night! What an awesome movie this would make.
Somehow this house is connected to her, and little snippets of a past life keep peeking through and they totally freak Caroline out and totally freaked me out as well! I cannot imagine going though such paranoia, but I also can't help but thinking Caroline made her bed, and now she has to lie in it. It's always safe to assume that when you hold on to such horrible secrets, eventually, no matter how hard you try to forget them, they'll be revealed when you least expect it - and in the most freakingly intense ways! And that just makes this book all the better.
Edge of my seat might be an understatement - I was totally entranced by this book and I enjoyed the suspense very much.
Caroline and Francis swap houses in what seems to be an innocent week away to try to rekindle a very strained marriage. The narrative flips back from Caroline's past and future, with a bit of Francis injected thoughout, as well as this mysterious person they've swapped houses with. Things. Get. Weird. I felt myself having some heart palpitations at different points of the story and jumping at noises in my house as I was reading alone at night! What an awesome movie this would make.
Somehow this house is connected to her, and little snippets of a past life keep peeking through and they totally freak Caroline out and totally freaked me out as well! I cannot imagine going though such paranoia, but I also can't help but thinking Caroline made her bed, and now she has to lie in it. It's always safe to assume that when you hold on to such horrible secrets, eventually, no matter how hard you try to forget them, they'll be revealed when you least expect it - and in the most freakingly intense ways! And that just makes this book all the better.
Edge of my seat might be an understatement - I was totally entranced by this book and I enjoyed the suspense very much.
The Man in the High Castle
7.5
Rate It
Book
A dazzling speculative novel of 'counterfactual history' from one of America's most highly-regarded...
Austin Garrick recommended Repo Man (1984) in Movies (curated)
