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Emma @ The Movies (1786 KP) rated Escape Room: Tournament of Champions (2021) in Movies
Mar 6, 2022
Did the first film need a sequel? Probably not.
Having found their way out of their escape room, Zoey and Ben decide to investigate the mysterious corporation behind their ordeal. In their quest for the truth, they find themselves pulled into another maze of escape rooms with other survivors of Minos.
As far as the plot goes on this, a fair bit is just new rooms to escape. And at this point we're potentially just in an eternal spiral of Escape Room films.
Though these characters all have something in common, they could not be more different. And while that's totally legitimate, it also makes the film very busy. Given the nature of the action as well, it's a lot more chaotic than I was comfortable with.
The acting is sadly, entirely average. At certain points, the ridiculous deductive powers of the group felt even more nonsensical than they would have been under normal circumstances. It was very much a snowball of acting, plot and script.
Despite the similarities, I did like the rooms that we came across. (By that I mean they're fine when you suspend several layers of belief and logic.) Some of the effects looked particularly good in them, and the transitions within the beach scene stood out for me.
What I don't like is the potential neverending spiral I mentioned. The first film was enjoyable, but I'm not sure it really warranted a second. Is there a plan? Because why would you jump straight to this point? You had four other people with stories that could have been explored before jumping back in with the same two characters from the first film, I'm a little baffled as to why, if you're going to copy and paste, you wouldn't transfer it directly, get four other films out of it before combining the world.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/03/escape-room-2-movie-review.html
Having found their way out of their escape room, Zoey and Ben decide to investigate the mysterious corporation behind their ordeal. In their quest for the truth, they find themselves pulled into another maze of escape rooms with other survivors of Minos.
As far as the plot goes on this, a fair bit is just new rooms to escape. And at this point we're potentially just in an eternal spiral of Escape Room films.
Though these characters all have something in common, they could not be more different. And while that's totally legitimate, it also makes the film very busy. Given the nature of the action as well, it's a lot more chaotic than I was comfortable with.
The acting is sadly, entirely average. At certain points, the ridiculous deductive powers of the group felt even more nonsensical than they would have been under normal circumstances. It was very much a snowball of acting, plot and script.
Despite the similarities, I did like the rooms that we came across. (By that I mean they're fine when you suspend several layers of belief and logic.) Some of the effects looked particularly good in them, and the transitions within the beach scene stood out for me.
What I don't like is the potential neverending spiral I mentioned. The first film was enjoyable, but I'm not sure it really warranted a second. Is there a plan? Because why would you jump straight to this point? You had four other people with stories that could have been explored before jumping back in with the same two characters from the first film, I'm a little baffled as to why, if you're going to copy and paste, you wouldn't transfer it directly, get four other films out of it before combining the world.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/03/escape-room-2-movie-review.html
Movie Metropolis (309 KP) rated Captain Marvel (2019) in Movies
Jun 10, 2019
Marvel just about manages to pull it off
With a touching tribute to the amazing Stan Lee, it’s clear from the outset that Captain Marvel isn’t going to be your ordinary MCU instalment, or so Marvel Studios would have us believe. The 21stfilm, yes, I can’t quite believe it either, in the long-standing Marvel Cinematic Universe, Captain Marvel is the first superhero film from the studio to focus primarily on a single female lead.
Astounding really that a franchise started by all intents and purposes way back in 2008 with Iron Man and has grossed billion after billion at the box-office hasn’t felt the need to offer a big tentpole movie to a female hero. But history aside, Captain Marvel has finally landed. Are we looking at one of Marvel’s greats?
Captain Marvel (Brie Larson) is an extra-terrestrial Kree warrior who finds herself caught in the middle of an intergalactic battle between her people and the Skrulls. Living on Earth in 1995, she keeps having recurring memories of another life as U.S. Air Force pilot Carol Danvers. With help from Nick Fury (Samuel L Jackson), Captain Marvel tries to uncover the secrets of her past while harnessing her special superpowers to end the war with the evil Skrulls.
Directed by Anna Boden and Ryan Fleck in their first big-budget blockbuster, Captain Marvel shows, if you’ll pardon the pun, flecks of brilliance while battling a fairly average origins story for what could be described as Marvel’s most powerful hero.
Where it does shine throughout is in its casting. We’ll get to the titular hero shortly but Samuel L Jackson’s performance across the film is exceptional. Beautifully de-aged without the off-putting uncanny valley treatment we occasionally get with these types of visual effects, he’s a highlight of the film and the chemistry he shares with Larson is believable and enjoyable to watch.
Clearly not afraid of being typecast is Ben Mendelsohn who has played some tremendous villains over the course of his career. From Rogue One to Ready Player One, the Australian actor clearly feels right at home as Skrull leader, Talos.
Though hidden behind layers of prosthetics for the majority of the movie, he comes across much better than poor Oscar Issac did in X-Men: Apocalypse. Unfortunately, the film does lack a menacing villain throughout however, but this isn’t down to Mendelsohn’s performance which is spot on.
While the action is filmed with aplomb and there are some cracking set pieces, they feel a little ordinary and lacking in originality
Brie Larson is good, but her story arc is hampered by a bout of amnesia, used to progress the story. It’s a poor scripting decision by the film’s five writers but a necessary one to deal with all the Marvel lore and baggage that comes with creating the 21staddition to a very interlinked series. It’s a shame that this is the case as Larson shares wonderful chemistry with all her co-stars and is let down by her at-times clunky dialogue.
When it comes to the visual effects, we’ve got a story of two halves. This is a $152million movie and with that comes a set of expectations that just aren’t fulfilled consistently enough. Some of the CGI used is incredibly poor and the Kree’s home planet of Hala feels hollow – worlds away from Sakaar and Nova Prime from other Marvel outings. It could almost be compared to that of the Star Wars sequels, though perhaps that’s being a little too harsh.
The cinematography too is bland. Ben Davis is one of the finest cinematographers working in the industry and has put his name to films like Doctor Strange, Guardians of the Galaxy, Kick-Ass and Avengers: Age of Ultron to name but a few. But here, he seems to lack that flair he’s so often known for and while the action is filmed with aplomb and there are some cracking set pieces, they feel a little ordinary and lacking in originality.
Thankfully Captain Marvel retains that classic Marvel sense of humour that we all know and love and there are some genuinely touching moments as the titular hero begins to remember who she is. It also feels very much of the era it’s set in and that’s great. 90s music and a real 90s feel emanate from the screen and it’s here that the film scores highly.
Overall, Captain Marvel is a competent but not outstanding origins story that lacks consistent visual effects, a truly compelling script and engaging cinematography. While it is difficult to warm to Brie Larson’s Carol Danvers at times, it is testament to her acting ability that she remains likeable throughout – it’s just a shame that Marvel hasn’t quite managed to pull it off completely this time around.
https://moviemetropolis.net/2019/03/08/captain-marvel-review-marvel-just-about-manages-to-pull-it-off/
Astounding really that a franchise started by all intents and purposes way back in 2008 with Iron Man and has grossed billion after billion at the box-office hasn’t felt the need to offer a big tentpole movie to a female hero. But history aside, Captain Marvel has finally landed. Are we looking at one of Marvel’s greats?
Captain Marvel (Brie Larson) is an extra-terrestrial Kree warrior who finds herself caught in the middle of an intergalactic battle between her people and the Skrulls. Living on Earth in 1995, she keeps having recurring memories of another life as U.S. Air Force pilot Carol Danvers. With help from Nick Fury (Samuel L Jackson), Captain Marvel tries to uncover the secrets of her past while harnessing her special superpowers to end the war with the evil Skrulls.
Directed by Anna Boden and Ryan Fleck in their first big-budget blockbuster, Captain Marvel shows, if you’ll pardon the pun, flecks of brilliance while battling a fairly average origins story for what could be described as Marvel’s most powerful hero.
Where it does shine throughout is in its casting. We’ll get to the titular hero shortly but Samuel L Jackson’s performance across the film is exceptional. Beautifully de-aged without the off-putting uncanny valley treatment we occasionally get with these types of visual effects, he’s a highlight of the film and the chemistry he shares with Larson is believable and enjoyable to watch.
Clearly not afraid of being typecast is Ben Mendelsohn who has played some tremendous villains over the course of his career. From Rogue One to Ready Player One, the Australian actor clearly feels right at home as Skrull leader, Talos.
Though hidden behind layers of prosthetics for the majority of the movie, he comes across much better than poor Oscar Issac did in X-Men: Apocalypse. Unfortunately, the film does lack a menacing villain throughout however, but this isn’t down to Mendelsohn’s performance which is spot on.
While the action is filmed with aplomb and there are some cracking set pieces, they feel a little ordinary and lacking in originality
Brie Larson is good, but her story arc is hampered by a bout of amnesia, used to progress the story. It’s a poor scripting decision by the film’s five writers but a necessary one to deal with all the Marvel lore and baggage that comes with creating the 21staddition to a very interlinked series. It’s a shame that this is the case as Larson shares wonderful chemistry with all her co-stars and is let down by her at-times clunky dialogue.
When it comes to the visual effects, we’ve got a story of two halves. This is a $152million movie and with that comes a set of expectations that just aren’t fulfilled consistently enough. Some of the CGI used is incredibly poor and the Kree’s home planet of Hala feels hollow – worlds away from Sakaar and Nova Prime from other Marvel outings. It could almost be compared to that of the Star Wars sequels, though perhaps that’s being a little too harsh.
The cinematography too is bland. Ben Davis is one of the finest cinematographers working in the industry and has put his name to films like Doctor Strange, Guardians of the Galaxy, Kick-Ass and Avengers: Age of Ultron to name but a few. But here, he seems to lack that flair he’s so often known for and while the action is filmed with aplomb and there are some cracking set pieces, they feel a little ordinary and lacking in originality.
Thankfully Captain Marvel retains that classic Marvel sense of humour that we all know and love and there are some genuinely touching moments as the titular hero begins to remember who she is. It also feels very much of the era it’s set in and that’s great. 90s music and a real 90s feel emanate from the screen and it’s here that the film scores highly.
Overall, Captain Marvel is a competent but not outstanding origins story that lacks consistent visual effects, a truly compelling script and engaging cinematography. While it is difficult to warm to Brie Larson’s Carol Danvers at times, it is testament to her acting ability that she remains likeable throughout – it’s just a shame that Marvel hasn’t quite managed to pull it off completely this time around.
https://moviemetropolis.net/2019/03/08/captain-marvel-review-marvel-just-about-manages-to-pull-it-off/
Corey Richard Bennett (10 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 18, 2019 (Updated Jul 18, 2019)
Great follow-up to Avengers Endgame (2 more)
Extremely relatable teen angst and romance
Accurate potrayal of the Spider Man character
Contains spoilers, click to show
The last film in the 4th phase of Marvel's Cinematic Universe is a fitting bookend for the Universe so far, and where the Cinematic Universe is heading. After losing his mentor, Tony Stark, Spider-Man Peter Parker tries to resume a life of normality. With high hopes of romance with classmate MJ abroad in Europe, Peter is drawn into a ploy that is ultimately being triggered by fake interloper Mysterio AKA Quentin Beck. With use of virtual reality tech, and military grade drones, Beck tricks Nick Fury, and Peter into thinking beings known as Elementals are attacking Earth. Seemingly with all other Avengers busy or not home, Fury calls upon Tony Stark's chosen successor to help Mysterio in slaying the new beasts.
This is peak portrayal of the web-slinger as Tom Holland makes you really feel for his teenage character who is balancing a life of normality and a life with huge responsibility. Peter constantly thinks of his friends well-being and hiding his secret identity throughout Europe. Then there is the aspect of Peter's budding romance for MJ, played beautifully by Zendaya. This incarnation of MJ is quirky and awkward, which is not like any other portrayals I have seen before, but it matches with Holland's Parker, as he too is awkward as most teenagers trying to find themselves in life.
Now the bad guy. Mysterio is a long well known enemy in the Spider-Man lore, so the twist that he is Master of Illusion should not be a shock, but the trailers did a good job painting the possibility that we were seeing a new incarnation of the dome-headed man of mystery. The trailers also got fans excited, with the possibility of a multiverse being created by the snap of Thanos, now referred to as the Blip by the people of Earth. The multiverse could have been the way to shoe-horn the X-Men into the MCU, but alas it was all a ploy to get the ever powerful Stark Tech glasses (known as EDITH Even Dead I'm The Hero) away from Peter, as Tony had left them to him in his will. Tricking everyone including usually tactful Nick Fury, Mysterio gains Peter's trust, and then his glasses, as Peter thinks Beck is a more fitting replacement to Iron-Man than Peter himself, who wants to live a normal life for the time being. Mysterio almost gets away with his plan, but with one simple slip-up Peter realizes his gaff and pursues Beck to Berlin, which brings me to the best scene (In my humble Opinion).
Knowing Peter is on his way, Beck springs his own web of illusions around Peter which tricks Peter immensely, and dazzles the fan. Tricking Peter to the point that he learns who knows of his plan, dispatches Peter via a train, which Peter barely survives. Beck moves his plans to London where he tries to enact his greatest illusion but a rejuvenated Peter (with help from Happy Hogan) thwarts Beck's plan which ultimately leads to Beck's untimely demise. But with his plan burning around him, he uses his last minutes to frame Peter in his death, and reveal his identity to the world.
In the course of the movie, Peter and MJ finally reveal their feelings for one another, and become a couple before landing back in the USA, but with Peter's secret to the world (which MJ had figured out a while back) their relationship and Peter's safety hangs in the balance. Now the only question alot of people like myself are left wondering, what's next? What's next for the MCU? and Whats next for Spider-Man? Well for the MCU, Black-Widow's solo movie seems to be next in line with Guardians 3 in the Horizon. As for Spider-Man, Marvel and Sony's deal has one more movie left, so hopefully they make a longer agreement, as Tom Holland should being playing this role for a long time. The next film should be a fantastic spot to bring in Kraven the Hunter into the MCU, as Peter Parker is now enemy number 1 in New York and Kraven would be the best villian to set loose to hunt for Peter. Using MJ as bait or even Ned, the story rights itself, even possibly using the comic book story which Kraven buries Spider-Man. But I guess we need a few more years to find out what will happen to Peter, but this film is a great one in a line of great MCU entries.
P.S. Yeah that end-credit scene. Yup, we are getting Secret Wars storyline as the next big Avengers event.
This is peak portrayal of the web-slinger as Tom Holland makes you really feel for his teenage character who is balancing a life of normality and a life with huge responsibility. Peter constantly thinks of his friends well-being and hiding his secret identity throughout Europe. Then there is the aspect of Peter's budding romance for MJ, played beautifully by Zendaya. This incarnation of MJ is quirky and awkward, which is not like any other portrayals I have seen before, but it matches with Holland's Parker, as he too is awkward as most teenagers trying to find themselves in life.
Now the bad guy. Mysterio is a long well known enemy in the Spider-Man lore, so the twist that he is Master of Illusion should not be a shock, but the trailers did a good job painting the possibility that we were seeing a new incarnation of the dome-headed man of mystery. The trailers also got fans excited, with the possibility of a multiverse being created by the snap of Thanos, now referred to as the Blip by the people of Earth. The multiverse could have been the way to shoe-horn the X-Men into the MCU, but alas it was all a ploy to get the ever powerful Stark Tech glasses (known as EDITH Even Dead I'm The Hero) away from Peter, as Tony had left them to him in his will. Tricking everyone including usually tactful Nick Fury, Mysterio gains Peter's trust, and then his glasses, as Peter thinks Beck is a more fitting replacement to Iron-Man than Peter himself, who wants to live a normal life for the time being. Mysterio almost gets away with his plan, but with one simple slip-up Peter realizes his gaff and pursues Beck to Berlin, which brings me to the best scene (In my humble Opinion).
Knowing Peter is on his way, Beck springs his own web of illusions around Peter which tricks Peter immensely, and dazzles the fan. Tricking Peter to the point that he learns who knows of his plan, dispatches Peter via a train, which Peter barely survives. Beck moves his plans to London where he tries to enact his greatest illusion but a rejuvenated Peter (with help from Happy Hogan) thwarts Beck's plan which ultimately leads to Beck's untimely demise. But with his plan burning around him, he uses his last minutes to frame Peter in his death, and reveal his identity to the world.
In the course of the movie, Peter and MJ finally reveal their feelings for one another, and become a couple before landing back in the USA, but with Peter's secret to the world (which MJ had figured out a while back) their relationship and Peter's safety hangs in the balance. Now the only question alot of people like myself are left wondering, what's next? What's next for the MCU? and Whats next for Spider-Man? Well for the MCU, Black-Widow's solo movie seems to be next in line with Guardians 3 in the Horizon. As for Spider-Man, Marvel and Sony's deal has one more movie left, so hopefully they make a longer agreement, as Tom Holland should being playing this role for a long time. The next film should be a fantastic spot to bring in Kraven the Hunter into the MCU, as Peter Parker is now enemy number 1 in New York and Kraven would be the best villian to set loose to hunt for Peter. Using MJ as bait or even Ned, the story rights itself, even possibly using the comic book story which Kraven buries Spider-Man. But I guess we need a few more years to find out what will happen to Peter, but this film is a great one in a line of great MCU entries.
P.S. Yeah that end-credit scene. Yup, we are getting Secret Wars storyline as the next big Avengers event.
Phillip McSween (751 KP) rated Cinderella Man (2005) in Movies
Jan 15, 2018
Classic
Cinderella Man is one of those films where I ask myself, "Why in the world has it taken me thirteen years to watch this?" It could be the fact that I've never had a strong love for films based on true stories or that I'm all binged out on boxing movies. Whatever the case may be, I'm glad Movies 365 has brought this film into my life and now into my heart.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
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Joe Goodhart (27 KP) rated Firefly: Big Damn Hero (Firefly #1) in Books
Nov 30, 2020
WOW! No, really, <b>WOW!</b> That was gorram incredible!
It's been ages since I read any fan fiction, as so much of it, at the end of the day, was just glorified 'Shipping. It's been almost two months since I have picked up anything (comic or prose) to read, as my wife and I have been through a hellish two months (started with the MS diagnosis, and ended with our 14 year old Mini Schnauzer having to be put to sleep). Long story short, not a whole hell of lot of reading going on my life, as I have been walking around in a fog, caring not one whit about much of anything, including eating or reading.
FIREFLY: BIG DAMN HERO came out on my Kindle November 20th, the day before my 50th birthday (without Lily, our 14 y.o. Mini, no longer with us, it was more like an UnBirthday, as I really felt it was no longer worth celebrating). I read the first two Chapters, or rather, I <i>tried</i>, but they seemed as though I had not when I returned to the book last week.
No matter, for it appeared not to affect my overall satisfaction that the FIREFLY prose novels were off to a very good start indeed! And I was able to focus my attention enough to finish the book in such a quick time!
From beginning to end, we are a presented with a tale of the SERENITY and her crew early in the first Season. Everyone is true to form, from Mal to Wash and Zoë to Simon and River, etc. No one ever seemed out-of-character.
At a base level, this was a Mal-centric story. We gain some backstory into his past, on Shadow, just prior to the War. We are also given an inside track to his inner thoughts, allowing us to gain an even deeper understanding of his character, beyond what we learned in the short-lived TV series and subsequent movie SERENITY.
DOCTOR WHO is a hot mess right now, something I am unable to get behind (after being a fan for almost 48 years). Too many changes, good and bad. Fortunately, though, FIREFLY remains the same, untouched, let to continue as the way it was intended, and I am totally fine with that!
If you love FIREFLY as much as I do, you owe it to yourself to pick this one up!
It's been ages since I read any fan fiction, as so much of it, at the end of the day, was just glorified 'Shipping. It's been almost two months since I have picked up anything (comic or prose) to read, as my wife and I have been through a hellish two months (started with the MS diagnosis, and ended with our 14 year old Mini Schnauzer having to be put to sleep). Long story short, not a whole hell of lot of reading going on my life, as I have been walking around in a fog, caring not one whit about much of anything, including eating or reading.
FIREFLY: BIG DAMN HERO came out on my Kindle November 20th, the day before my 50th birthday (without Lily, our 14 y.o. Mini, no longer with us, it was more like an UnBirthday, as I really felt it was no longer worth celebrating). I read the first two Chapters, or rather, I <i>tried</i>, but they seemed as though I had not when I returned to the book last week.
No matter, for it appeared not to affect my overall satisfaction that the FIREFLY prose novels were off to a very good start indeed! And I was able to focus my attention enough to finish the book in such a quick time!
From beginning to end, we are a presented with a tale of the SERENITY and her crew early in the first Season. Everyone is true to form, from Mal to Wash and Zoë to Simon and River, etc. No one ever seemed out-of-character.
At a base level, this was a Mal-centric story. We gain some backstory into his past, on Shadow, just prior to the War. We are also given an inside track to his inner thoughts, allowing us to gain an even deeper understanding of his character, beyond what we learned in the short-lived TV series and subsequent movie SERENITY.
DOCTOR WHO is a hot mess right now, something I am unable to get behind (after being a fan for almost 48 years). Too many changes, good and bad. Fortunately, though, FIREFLY remains the same, untouched, let to continue as the way it was intended, and I am totally fine with that!
If you love FIREFLY as much as I do, you owe it to yourself to pick this one up!
Bob Mann (459 KP) rated Pitch Perfect 3 (2017) in Movies
Sep 29, 2021
Aca-bysmal.
Mr Plot and Miss Tale were teenage sweethearts. They met at Storyville High School and inseparable, but were viciously cursed by a jealous school nurse, bitter from a recent split. Notwithstanding this setback, they realised that they were soul-mates, got engaged and were married in the following summer. Everyone wished them well, and spoke of the time when the sound of little Plots would ring out around their new house. Unfortunately, however hard they tried, no little Plot arrived. The ancient curse of the school nurse rang in their ears. They paid to see the most expensive doctors on Harley Street, but noone could help them. It turned out that not only was Mrs Plot infertile, but so was Mr Plot. It was hopeless, and because of an unfortunate conviction for marujiana possession in Mr Plot’s teenage years they couldn’t even adapt, sorry, adopt a little Plot from someone else. So they lived together with sadness and bitterness building up inside them. Would the curse ever be lifted? Would they work through their differences to find new purpose in life? Or would they part acromoniously with Mrs Plot joining a convent to sing mournful songs of grief and missed opportunities in the Swiss Alps? TO… BE…CONTINUED.
There. You were there, weren’t you? Living it. You want to know what happens next? Sure you do. You see, even I can come up with a story…. and I’m not a “professional Hollywood scriptwriter”.
Why then, I ask you. Why oh why oh why oh why oh why do the scriptwriters of Pitch Perfect 3 – Kay Cannon (the original PP screenwriter) and Mike White (“The Emoji Movie”) – think that this dreadfully lazy set of loosely connected scenes represent a viable basis for a movie? Is the view from the guys who green-lit this thing that the crowd that loved “Pitch Perfect” and the pretty dreadful sequel “Pitch Perfect 2” will pay their box office money regardless? Let’s advertise the hell out of it and cash in our chips before word of mouth gets out!?
In this ‘adventure’ the Bellas go on a US Forces overseas tour (though this is not really explained until they suddenly appear in Spain – what? how?). The really REALLY annoying commentators John (John Michael Higgins) and Gail (Elizabeth Banks, “Love and Mercy“) tag along, filming some lame half-arsed documentary about them until even the scriptwriters get fed up of that tedious plot-line and it quietly withers on the vine.
Fat Amy (is this still an acceptable nickname in 2017?) also runs into her nefarious father again after many years (John Lithgow, “Interstellar“, “Daddy’s Home 2“). Lithgow – sporting a wonderful Australian accent – is about the best thing in the film. The “plot” (sorry, I can barely bring myself to use that word) revolves around Daddy trying to get something of Amy’s that he needs, for reasons – given the yacht he sails – that makes no sense whatsoever. Will he succeed? Will the Bellas get selected to headline with DJ Khaled (who is apparently a thing, but I’ve never heard him on BBC Radio 2)? Does anyone really care?
As my wife pointed out, it’s a bit unfortunate that the only Bellas who are not stick-thin size zeroes are the obese and annoyingly loud one, the black lesbian one and two that nobody knows why they are there. The message to the target female teen audience is clear: if you want to be “in” you’d better diet… hard. Nice.
Looking for all the world like sticks of candy-cane. The size 0 Bellas.
What can I say that’s vaguely nice about this monstrosity?
Some of the acapella song and dance numbers are fun enough, particularly “Toxic” that opens the film;
The closing number by Anna Kendrick (“Table 19“) is quite appealing;
There are also about 5 funny lines that made me smile: not laugh… smile;
It’s also a relief that John and Gail, unlike in “Pitch Perfect 2“, only come out with one xenophobic/racist comment in the film (and that’s about the French, so that hardly counts 🙂 ).
And I’m out…
There will be no doubt die-hard teenage fans who will love this one too. But my wife was a great fan of the first film (as indeed was I); she tolerated the second one; but even she declared this to be “Aca-Awful”. It’s not as toxically dreadful as “Dirty Grandpa“… what could be? But, seriously, life is too short for this.
There. You were there, weren’t you? Living it. You want to know what happens next? Sure you do. You see, even I can come up with a story…. and I’m not a “professional Hollywood scriptwriter”.
Why then, I ask you. Why oh why oh why oh why oh why do the scriptwriters of Pitch Perfect 3 – Kay Cannon (the original PP screenwriter) and Mike White (“The Emoji Movie”) – think that this dreadfully lazy set of loosely connected scenes represent a viable basis for a movie? Is the view from the guys who green-lit this thing that the crowd that loved “Pitch Perfect” and the pretty dreadful sequel “Pitch Perfect 2” will pay their box office money regardless? Let’s advertise the hell out of it and cash in our chips before word of mouth gets out!?
In this ‘adventure’ the Bellas go on a US Forces overseas tour (though this is not really explained until they suddenly appear in Spain – what? how?). The really REALLY annoying commentators John (John Michael Higgins) and Gail (Elizabeth Banks, “Love and Mercy“) tag along, filming some lame half-arsed documentary about them until even the scriptwriters get fed up of that tedious plot-line and it quietly withers on the vine.
Fat Amy (is this still an acceptable nickname in 2017?) also runs into her nefarious father again after many years (John Lithgow, “Interstellar“, “Daddy’s Home 2“). Lithgow – sporting a wonderful Australian accent – is about the best thing in the film. The “plot” (sorry, I can barely bring myself to use that word) revolves around Daddy trying to get something of Amy’s that he needs, for reasons – given the yacht he sails – that makes no sense whatsoever. Will he succeed? Will the Bellas get selected to headline with DJ Khaled (who is apparently a thing, but I’ve never heard him on BBC Radio 2)? Does anyone really care?
As my wife pointed out, it’s a bit unfortunate that the only Bellas who are not stick-thin size zeroes are the obese and annoyingly loud one, the black lesbian one and two that nobody knows why they are there. The message to the target female teen audience is clear: if you want to be “in” you’d better diet… hard. Nice.
Looking for all the world like sticks of candy-cane. The size 0 Bellas.
What can I say that’s vaguely nice about this monstrosity?
Some of the acapella song and dance numbers are fun enough, particularly “Toxic” that opens the film;
The closing number by Anna Kendrick (“Table 19“) is quite appealing;
There are also about 5 funny lines that made me smile: not laugh… smile;
It’s also a relief that John and Gail, unlike in “Pitch Perfect 2“, only come out with one xenophobic/racist comment in the film (and that’s about the French, so that hardly counts 🙂 ).
And I’m out…
There will be no doubt die-hard teenage fans who will love this one too. But my wife was a great fan of the first film (as indeed was I); she tolerated the second one; but even she declared this to be “Aca-Awful”. It’s not as toxically dreadful as “Dirty Grandpa“… what could be? But, seriously, life is too short for this.
Gareth von Kallenbach (980 KP) rated Death Wish (2018) in Movies
Jun 19, 2019
For Dr. Paul Kersey (Bruce Willis), life is good but at a crossroads. With his birthday coming up, his daughter Jordan (Camila Morrone) is preparing to leave their affluent Chicago home to start college in New York.
His wife Lucy (Elisabeth Shue) knows this is a good thing for their daughter but also knows that it is a turning point in their lives as they will soon be facing an empty nest.
Sadly their ideal life is turned upside down when a home invasion and robbery turns unexpectedly violent leaving Lucy dead and Jordan in a coma. A distraught Paul finds little solace in therapy or in the support of his brother Frank (Vincent D’Onofrio) who is putting his own life back together.
Frustrated by the inability of the police to find those responsible and bring them to justice; Paul becomes even more and more frustrated as the weeks pass. Paul eventually comes into possession of a gun and begins to practice with it which eventually leads him to taking to the streets in a Hoody. When a chance encounters has him gun down two criminals, Paul finds a sudden rush from his experience, especially when it was captured by an onlooker and posted online. Thanks to his face being hidden, the media dubs him the “Grim Reaper” and Paul begins a campaign of vigilante justice as he tracks down those responsible for his suffering and looks to exact a brutal revenge.
The movie directed by horror icon Eli Roth is a faithful update of the Charles Bronson classic. Paul is now Doctor Vs an Architect and Chicago not New York serves as the setting, but the tone and subject matter of the film is very much the same. Roth does show his horror background with a couple of killings that are a bit gruesome but they are not overly gratuitous as he cuts away from the carnage instead of lingering on it.
What I found most satisfying is how the film moved at a slow and almost deliberate pace. This was not a run and gun action film like many of the past films Willis has done. His Kersey is an everyman who decides to take extraordinary measures when he believes the law has failed him.
He moves at a steady pace and even in the most frantic moments, moves with the speed one would expect of a man of his years who has only recently fired a gun. Although effective he is at times unsteady with his shorts and actions and his inexperience shows.
It was refreshing to see combat on screen by a character that seemed real vs a polished officer or combat vet.
The cast was solid and really worked well with one another and you could see the struggle they faced with the situations presented to them. The audience at my press screening responded well to the film and seemed to get behind Paul as he embarked on his crusade. I am very curious to see in this time of controversy about gun laws how the film will be received.
For me, “Death Wish” is a very entertaining retelling of a well-known story that still holds up and still asks many difficult questions about our society and how to best protect the ones we love.
http://sknr.net/2018/03/01/death-wish/
His wife Lucy (Elisabeth Shue) knows this is a good thing for their daughter but also knows that it is a turning point in their lives as they will soon be facing an empty nest.
Sadly their ideal life is turned upside down when a home invasion and robbery turns unexpectedly violent leaving Lucy dead and Jordan in a coma. A distraught Paul finds little solace in therapy or in the support of his brother Frank (Vincent D’Onofrio) who is putting his own life back together.
Frustrated by the inability of the police to find those responsible and bring them to justice; Paul becomes even more and more frustrated as the weeks pass. Paul eventually comes into possession of a gun and begins to practice with it which eventually leads him to taking to the streets in a Hoody. When a chance encounters has him gun down two criminals, Paul finds a sudden rush from his experience, especially when it was captured by an onlooker and posted online. Thanks to his face being hidden, the media dubs him the “Grim Reaper” and Paul begins a campaign of vigilante justice as he tracks down those responsible for his suffering and looks to exact a brutal revenge.
The movie directed by horror icon Eli Roth is a faithful update of the Charles Bronson classic. Paul is now Doctor Vs an Architect and Chicago not New York serves as the setting, but the tone and subject matter of the film is very much the same. Roth does show his horror background with a couple of killings that are a bit gruesome but they are not overly gratuitous as he cuts away from the carnage instead of lingering on it.
What I found most satisfying is how the film moved at a slow and almost deliberate pace. This was not a run and gun action film like many of the past films Willis has done. His Kersey is an everyman who decides to take extraordinary measures when he believes the law has failed him.
He moves at a steady pace and even in the most frantic moments, moves with the speed one would expect of a man of his years who has only recently fired a gun. Although effective he is at times unsteady with his shorts and actions and his inexperience shows.
It was refreshing to see combat on screen by a character that seemed real vs a polished officer or combat vet.
The cast was solid and really worked well with one another and you could see the struggle they faced with the situations presented to them. The audience at my press screening responded well to the film and seemed to get behind Paul as he embarked on his crusade. I am very curious to see in this time of controversy about gun laws how the film will be received.
For me, “Death Wish” is a very entertaining retelling of a well-known story that still holds up and still asks many difficult questions about our society and how to best protect the ones we love.
http://sknr.net/2018/03/01/death-wish/
Gareth von Kallenbach (980 KP) rated Jungle Cruise (2021) in Movies
Jul 28, 2021
Ask anyone who has ever spent time at a Disney park what attractions they enjoy riding and chances are good that the Jungle Cruise will be amongst them. The project was a labor of love for Walt Disney and has thrilled millions of guests with the scenic cruise, animated animals, and the cringe-worthy puns and jokes from the captains who have made it an enduring legend.
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Gareth von Kallenbach (980 KP) rated Wanted (2009) in Movies
Aug 14, 2019
Wesley Gibson (James Mc Avoy) is a man with issues. He toils away in his office cubicle taking countless amounts of grief from his boss and lamenting the fact that he has gone nowhere with his life. As if this was not bad enough, his best friend is having an affair with his girlfriend, and he has a standing order for anti anxiety medication to deal with his frequent flare ups.
One day while waiting in line for his prescription, Wesley encounters a very attractive lady, and before long, is in a world gone mad as a violent gunfight has erupted all around him. As he attempts to flee the scene, the mysterious woman comes to his aid and whisks him away in dramatic style only to thrust Wesley into a frantic chase through the city streets as they attempt to escape from their mysterious attacker.
Eventually Wesley learns that the woman is named Fox (Angelina Jolie), and that he has been recruited to join a secret society known as The Fraternity.
At first awash in disbelief, Wesley is told that the man who tried to kill him also killed his father. Wesley had thought that his father had abandoned him at childhood and despite initial reservations, joins the group.
Under the leadership of Sloan (Morgan Freeman), Wesley begins to train and learns that he is part of an elite assassin’s guild and has abilities that go beyond the powers of normal men. As the training progresses, Wesley changes from the docile offer drone to an efficient and deadly adversary who is capable of killing with a variety of weapons.
Wesley will soon have to use all of his training and abilities to the fullest extent as the action switches into overdrive leaving a path of death and destruction as this bloody tale of revenge unfolds.
In the new movie “Wanted” Director Timur Bekmambetov, the guiding power behind the highly successful Russian Vampire “Day Watch” trilogy, has crafted a sleek action film that pulls no punches. From edge of your seat action and stunts to graphic violence, the film is a ballet of bullets and blood that mixes in equal amounts of humor with solid FX in a winning formula.
The leads work well with one another, and the story and characters are a cut above the standard genre staples. While the film does drag in the final third, it recovers nicely to conclude with an action filled finale as well as a few unexpected twists.
Angelina Jolie does well with a very physical role as does McAvoy who shows that he is a talent to be watched. The film is based on a graphic novel and as such has a distinctive style that mixes the real world with the unknown to help illustrate the transformation of Wesley from doormat to deadly weapon. The FX is solid, though at times the bullet time may seem a bit repetitive after you see it a few times. That being said, “Wanted” is a solid action film that is not afraid to take chances and step outside the box.
One day while waiting in line for his prescription, Wesley encounters a very attractive lady, and before long, is in a world gone mad as a violent gunfight has erupted all around him. As he attempts to flee the scene, the mysterious woman comes to his aid and whisks him away in dramatic style only to thrust Wesley into a frantic chase through the city streets as they attempt to escape from their mysterious attacker.
Eventually Wesley learns that the woman is named Fox (Angelina Jolie), and that he has been recruited to join a secret society known as The Fraternity.
At first awash in disbelief, Wesley is told that the man who tried to kill him also killed his father. Wesley had thought that his father had abandoned him at childhood and despite initial reservations, joins the group.
Under the leadership of Sloan (Morgan Freeman), Wesley begins to train and learns that he is part of an elite assassin’s guild and has abilities that go beyond the powers of normal men. As the training progresses, Wesley changes from the docile offer drone to an efficient and deadly adversary who is capable of killing with a variety of weapons.
Wesley will soon have to use all of his training and abilities to the fullest extent as the action switches into overdrive leaving a path of death and destruction as this bloody tale of revenge unfolds.
In the new movie “Wanted” Director Timur Bekmambetov, the guiding power behind the highly successful Russian Vampire “Day Watch” trilogy, has crafted a sleek action film that pulls no punches. From edge of your seat action and stunts to graphic violence, the film is a ballet of bullets and blood that mixes in equal amounts of humor with solid FX in a winning formula.
The leads work well with one another, and the story and characters are a cut above the standard genre staples. While the film does drag in the final third, it recovers nicely to conclude with an action filled finale as well as a few unexpected twists.
Angelina Jolie does well with a very physical role as does McAvoy who shows that he is a talent to be watched. The film is based on a graphic novel and as such has a distinctive style that mixes the real world with the unknown to help illustrate the transformation of Wesley from doormat to deadly weapon. The FX is solid, though at times the bullet time may seem a bit repetitive after you see it a few times. That being said, “Wanted” is a solid action film that is not afraid to take chances and step outside the box.