Search

Search only in certain items:

The Hitchhiker's Guide to the Galaxy (2005)
The Hitchhiker's Guide to the Galaxy (2005)
2005 | Comedy, Sci-Fi
Making films from books has always been a tricky proposition. For every film adaptation that hits it big such as Jaws, Lord of the Rings and The Silence of the Lambs, there are several that fail to work or are downright disasters such as The Bonfire of the Vanities.

In the film The Hitchhiker’s Guide to the Galaxy, the late Douglas Adams first book in his classic series has finally arrived on the big screen after many delays getting started and a successful version on PBS.

The film stars Martin Freeman as Arthur Dent, a simple, easy going fellow whose entire goal in life is to stop the demolition of his beloved home from those who want to put a new highway in its current location.

As Arthur attempts to block the demolition, his good friend Ford Prefect (Mos Def), arrives and stalls the demolition with free beer for the work crew. Thinking he has been saved, Arthur is puzzled when Ford takes him to a local pub and buys rounds for the entire pub, saying the world is ending in a few minutes.

Ford in reality is an alien visiting the Earth and learns that the Earth is about to be destroyed to make way for a new galactic expressway. Before he knows what has happened, Arthur is whisked away seconds before the destruction of the Earth by Ford as they end up on a ship of the demolition fleet.

After a series of bizarre events and a narrow escape, Ford and Arthur end up on a passing ship that has been stolen by galactic president Zaphod Beeblebrox (Sam Rockwell), and Trillian (Zooey Deschanel), who just happens to be the lady of Arthur’s dreams and who is also unaware that the Earth has been destroyed in the short amount of time since she left Earth to explore with Zaphod.

As if this was not enough, the ship also has a depressed android named Marvin (Warwick Davis and voiced by Allan Rickman).

It is at this point that the film goes horribly wrong as the amusing and interesting setup quickly goes nowhere. While the crew is sent on a series of quests, each becomes less interesting than the one before it, and the very bland production values of the film are exposed. The sets are very basic and look as if they were borrowed from many of the budget driven British Sci-Fi that frequents PBS. Somehow the idea of an alien room being nothing but a rusty wall and a slapped up sign just does not cut it for me. At times I thought I was watching a home video production done by fans or another late night B movie rather than a major studio summer release.

As bad as the sets were what is even more amazing was the at times laughable attempts at visual effects where it was obvious that the actors were standing in front of screens as the matting lines were visible.

I tried to put a lot of this off to the idea that the film was trying to be quirky in keeping with the book, but quirky is not an excuse for underwhelming effects, basic sets, and lousy costuming and make up effects as I half expected to see zippers on the costumes of many aliens that looked like they were cobbled from parts at a hardware store.

So now that I have covered my issues with the look of the film, let’s look at the story itself. In a word: boring. I could not believe how dull and lazy the film became, and how the staff seemed to be going through the motions. The cast has zero chemistry and Rockwell is so frantic that his character is annoying to watch. After five minutes of his rock star in the spotlight style shtick, I wanted to strangle the character or at least get him on some serious medication.

Director Garth Jennings also has many scenes that simply go nowhere or drag on only to cut at odd times resulting in a complete and utter lack of pacing.

I am a big fan of the book series and I had very high hopes for this film. Sadly the disaster that resulted may very well have Douglas Adams spinning in his grave as his classic work was destroyed. I have to wonder how much of his original draft for the script that was used as the basis for the film survived.

While extreme die hard fans may enjoy the film, even they are likely to be disappointed and I can only hope that if they try to make the next book in the series, “The Restaurant at the End of the Universe”, they do a much better job then this effort, as this is one awful film adaptation.
  
LF
Liv, Forever
8
8.0 (1 Ratings)
Book Rating
This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).


A book with a setting of a boarding school and involving ghosts? Yes please! This was one of those books I really had to have. Luckily, it was a great read!

I like the title. It's very cute, and it's mentioned in the book and is the total opposite of what actually happens to Liv.

I'm not really a fan of the cover at all. I don't like the outfit the girl is wearing, and it really irks me for some reason.

The world building is fantastically written! There were a few times I was confused, but later on in the book, it would be explained. I did feel that Live and Malcolm fell in love a little too suddenly, but I do know that when I was a teenager, the word "love" came so easily to everyone. I really loved the setting of a boarding school. Books that involve boarding schools always make me want to read them for some reason.

The pacing was done really well. In fact, I finished the book in one setting. It was just that good, and I really wanted to know what was going to happen next. The chapters flowed very well into one another.

I loved, loved, loved the plot! Okay, so it's kind of been done before, but it didn't make this story any less interesting. The boarding school side of it was pretty typical - rich elitists, token mean girl, the less privileged kids there on scholarship or some other reason, and the boy/girl who strays from his/her rich friends. However, I loved the secret society part of it and the whole mystery of this secret society as well as the ghosts that were stuck at Wickham Hall. I loved reading about each ghostly girl's story of their demise, and I loved how Hilton explained why the ghosts did what they did. I think there's supposed to be a plot twist towards the end about who murdered Liv, but it was really easy to figure out even before I'd gotten half way through the book.

I loved the character of Liv. I felt she was easy to relate to and very down to Earth. I loved her persistence and her determination. She had a very good head on her shoulders. I also liked Malcolm and how he was disregarded his social status for Liv. I liked how he didn't really care what anyone thought of him. I liked Gabe, but I wanted to know more about him. I felt like he was a little bit of an underdeveloped character. I would've liked a bit more back story on him.

I enjoyed the dialogue and felt that it flowed smoothly. The dialogue does suit a young adult book although there were a few times when the teenagers used vocabulary that even I didn't know the meaning of. I put this down to their privileged upbringing though. There is violence in this book although it's not really too gruesome and there are a few swear words but nothing over the top. As for anything sexual, the only thing is when a girl runs out of her school naked and it talks about her being fondled by a few boys, but it's nothing really graphic.

Overall, I found Liv, Forever by Amy Talkington to be a really fast and enjoyable read. It has a fantastic plot and a great main character. I'd love to see this book be made into a movie at some point.

I'd recommend this book to those aged 15+ who like books that aren't really scary but still interesting as well as those that are fans of paranormal mysteries.


(I received a free paperback ARC of this title through the Goodreads First Reads program in exchange for a fair and honest review).
  
Set in an alternate season three, SINS OF THE FATHER features two interesting, although slightly competitive, plots. The first one has Pike (featured in the movie Buffy the Vampire Slayer and the comic, [b:Buffy the Vampire Slayer: Omnibus, Vol. 1|271365|Buffy the Vampire Slayer Omnibus, Vol. 1|Joss Whedon|http://d.gr-assets.com/books/1348752850s/271365.jpg|263081]) coming to town for Buffy's help with a stone demon, while the second deals with Giles and his past. Quite obviously, demons of all kinds are the theme of the book.

This is my first foray into the Buffy novels and I have to say it was a pretty good one to start with. The characterizations were well-done, most notably Willow and Xander (I could just hear their dialogue and see their expressions), with the exceptions of Cordy, who sounded like herself about half the time, and Giles, who just seemed off somehow. The plot moves well enough along and the action was well-written. I especially liked their new vampire equipment that you can't help but think, "Why didn't anyone come up with this before?" The banter was great and definitely had the feel of the show, it made me laugh quite a few times. The only thing I had a problem with was Buffy's indecision about Pike and Angel. While I get the part about Pike being a 'normal' guy who knows that she fights paranormal crime and isn't put off, but why does she have such strong feelings for him still? It's been two, two-and-a-half years since she even saw him, I just don't see it. Also, the 'impossible love' between Buffy and Angel was redundant. If anyone has ever seen the show (and how many are going to read the books if they aren't a fan?), they already know all the angsty melodrama on the subject. One remark on the subject was all we needed, not repeatedly using just about the same two phrases a million times. With those two quibbles said, this was an entertaining book that took me back to my favorite time of the show, the high school years.
  
Ant-Man and the Wasp (2018)
Ant-Man and the Wasp (2018)
2018 | Action, Sci-Fi
insignificant
#antmanandthewasp feels like a step backwards for our tiny #hero, this time instead of feeling bigger & better what we are left with is a film which is simply just ok. I loved #antman it was a refreshing & unique entry to the already overcrowded & overdone #superhero gene. Now we have the inevitable #sequel & im sad to say that i really didnt care for it i at all. Not only does it lack genuine excitement but the entire #film feels draw out & underwhelming too. Ant man 2 really bored me & for a superhero film thats not good. Action is sparse with everything noticeably feeling strangely lower budget this time. The cgi is bad, locations are drab & visually dull, set pieces are incredibly forgettable & fights lack excitement/thrill. This would all be fine if the film held my attention elsewhere but the plot & story are just as bad here. There's no sense of urgency at all & the stakes just dont seem very high, this isnt helped by some really out of place/silly characters & a conatant lack of seriousness throughout. I get that the film needs to be fun but when the #humour is this cringe & its getting in the way/effecting the scenes that need to have an #emotional punch then im sorry but it just makes me just lose empathy for all the characters. This also means theres no tension at all & the films so wrapped up in constantly explaining to us whats going on/happening that it ends up making you realise your watching a movie instead of being immersed in its law. Acting is a mixed bag #michaeldouglas & #michellefifer are clearly trying here but almost everyone else looks like they are going through the motions to get paid. Over all Ant man 2 is one big piece of exposition & filler that i cant recommend going to see. Its dull, forgettable, over simplistic & so stuffed full of unnecesary padding that its lost what made the first one so fun. A film that we just really didnt need where even the #stanlee #cameo feels overlong. #odeonlimitless #odeon #ant #silly #funny #mcu #marvel #disney #friyay #filmbuff #filmcritic #paulrudd #wasp #insect #comic #comicon #filmreview #hope #film
  
Rosemary&#039;s Baby (1968)
Rosemary's Baby (1968)
1968 | Classics, Horror, Mystery

"“What have you done to its eyes?” How does a movie become a classic? Is it timing? Was it the dream-team collaboration of Paramount, Polanski, and Robert Evans? Was it producer William Castle, the mastermind who purchased the Ira Levin novel with plans to make it himself? Was it Mia Farrow, who had been painted with the brush of scandal after marrying Frank Sinatra? Did the devil himself have a hand in it? Whatever the reasons, my fascination with this film has never waned. There’s an enjoyment in watching Rosemary’s Baby that is similar to another gothic horror film, The Shining. It’s like listening to an album you love. Seeing the repetition of familiar scenes and faces. Shaking your head at Rosemary’s innocence as she tries to convince people that her neighbors might just be in a cult with Satan! Another highlight is the production design and cinematography. Not a frame is out of place, and it’s beautiful to look at. It captures a kind of sixties avant-garde vibe. I get the feeling Warhol would have liked this film. There are all sorts of great exterior location shots of New York, and the Dakota building on Seventy-Second Street adds the right spookiness. Does anyone remember or talk about what an amazing actress Mia Farrow is? Watch Broadway Danny Rose, and then watch Rosemary’s Baby. There’s some range there! Farrow as Rosemary has a beautiful, waifish glamour, enhanced by short dresses that make her seem more fragile and doll-like. John Cassavetes playing the “actor.” I love that he’s an “actor.” I love that his name is Guy! He makes a great prince of darkness. With his dark eyes and leering smile, well, you know he’s guilty of something the minute you see him. Then we have Ruth Gordon, who almost steals the film. Her caftan-wearing, mousse-making devil worshipper is the perfect amount of comic relief. I also love Charles Grodin as the fink doctor who squeals on Rosemary. Ralph Bellamy: terrifying! Every woman’s nightmare! Maybe that’s why I love it: Rosemary’s Baby plays on every woman’s fears. The man I married is different. Oh wait—maybe he’s sold his soul to the devil!"

Source
  
Iron Man 3 (2013)
Iron Man 3 (2013)
2013 | Action, Sci-Fi
Full disclosure - I hated Iron Man 3 upon release. As a kid, growing up and reading Marvel comics, I was so excited to finally see The Mandarin bought to life, with Ben Kingsley of all people in the role. So when the Mandarin twist hit just over halfway through the runtime, it annoyed me so much that I just couldn't enjoy the rest of the film.

Fast forward a few years and I can just about look past it and find the positives in this threequel.
There's a lot less Iron Man this time around, and a lot more Tony Stark. This isn't an issue though as luckily Robert Downey Jr. is reliable as ever further proving why Iron Man has become the face of Marvel Studios.
There's also a lot of emphasis on his relationship with Pepper (Gwyneth Paltrow), which is a great aspect of this movie. It really drills home how human Tony's story is, even with all the crazy tech flying around.

An issue I do have with Iron Man 3 is the villains however. Marvel Studios are still balls deep in the habit of having boring bad guys at this point, and Aldrich Killian (Guy Pearce) is unfortunately another underwhelming antagonist to add to the pile (although I can appreciate that Shane Black didn't resort to another evil-person-in-an-Iron-Man/hero-suit, an issue that seems to plague these movies).
I like Guy Pearce generally, and he's doing his best to ham it up, but it just lands flat and severely de-rails the film as a whole.
Ben Kingsley is great as usual. It's not his fault that the writers fucked with The Mandarin so much, and he works wonders with what he's given.

Iron Man 3 does boast some decent set pieces. Tony's home being blown to shit is a highlight, and the finale is pretty fun and aestheticly fan pleasing with the House Party Protocol. The CGI is near flawless, even 7 years later.

Overall then, not the worst of the bunch but certainly not in the top 50% (for me anyway) but still an important part of the overarching MCU narrative.
  
Ford v Ferrari (aka Le Mans &#039;66) (2019)
Ford v Ferrari (aka Le Mans '66) (2019)
2019 | Action, Biography, Drama, Sport
The more films I see by James Mangold, the more I like him.

Ford v Ferrari (or Le Mans '66 as it's titled in the UK) is an outstanding movie in every way.
Based on a true story, FvF follows car designer Carroll Shelby (Matt Damon) and race driver Ken Miles (Christian Bale) after they are commissioned by Ford to create a new race car capable of beating the notorious Ferrari team during the Le Mans endurance race in France.
I'm not really into racing - I'm not a big sports guy full stop - but this film balances the amount of racing action and heartfelt and frequently humourous drama perfectly.

Both Matt Damon and Christian Bale just bought everything they have to this, and straight up deserved Oscars - I would actually go as far as saying this is arguably Bales' best performance to date.
The supporting cast are fantastic as well, especially Caitriona Balfe as the wife of Ken Miles, Mollie. The chemistry between her and Bales' character is believable and sweet.
I also enjoyed Josh Lucas as smarmy Ford executive Leo Beebe, and detested his character with a passion. And of course Jon Bernthal - I'm yet to see him in anything where he is less than great.

The story is inspiring to say the least, and the screenplay is clever in the way that it focuses on the every day character like Ken Miles, has you rooting for him against the suits, people who put money and profit in front of knowledge. It's a relatable feeling.
As I mentioned, I'm not a big sports guy, so taking this into account, the racing scenes (of which there are a fair few) were nothing short of thrilling. They're really well shot, with seamless special effects, and full of tension. In fact, every inch of Ford v Ferrari feels like it's had so much love, attention, and detail poured into it. It's an all round great experience.

I haven't a single bad word to say about Ford v Ferrari, it's spectacular, full of soul, and easily one of the best films of 2019.
  
Up (2009)
Up (2009)
2009 | Action, Animation, Comedy
Pixar Does it Again
Up is one of those films that sticks with you long after the credits are done rolling. It hits you on a number of different levels, bordering close to perfection. I don't think I've seen a film that manages to switch from hurt to hilarious in such an effortless fashion.

In the beginning you meet Ellie, a cute little girl full of adventure. Her energy and excitement bleed off the screen and you can't help but smile at her. She's perfect for Carl, an innocent kid who barely says more than a few words. Their imaginative adventures get you into the story immediately. It's a relationship that makes the first ten minutes that much harder to watch. There are moments in the film that never lose impact which is testament to the film's power to stand the test of time.

For a child's film, there are a lot of layers that really make the film special. It isn't long before we get to meet Russell, an innocent boyscout turned star of the movie. He's just trying to earn another badge by helping the elderly. Underneath this unassuming kid is hurt from all the painful things happening in his life. Each character has their own respective backstory that makes them relatable and lovable.

There's good ole Doug the runt of a talking dog pack who can't seem to do right even when he tries his best. He's an outcast amongst the other dogs while still harboring those wonderful dogs traits that humans can't help but love. And how can you not love the colorful snipe Kevin whose only goal is to take care of her kids (yes, HER name is Kevin)? All of these characters are worthy of their own standalone film which is why bringing them all together for one story makes the film spectacular.

At the core of the story is the odd couple relationship between Kevin and Russell. Young and old meet and it couldn't be funnier to see the two try and operate together. As they try and understand each other, they form an unlikely bond, a closeness that was lost from both of their lives. At the risk of sounding like a teenager, it will give you all the feels.

There could be some missteps in this wonderful adventure about a man who decides to fly away in his house using thousands of balloons, but those missteps are minute. Not only are the visuals amazing, but the message is also a strong one: Don't get stuck in the past. Live life for the now.

Up is a classic. I give it a 99.