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Better than Suicide Squad
Did you catch the 2016 DCEU disappointment SUICIDE SQUAD with Will Smith as Deadshot and Jared Leto as the Joker? Many people (myself included) thought that that film was "just fine, nothing special" but were impressed with the way Margot Robbie handled the Harley Quinn character and wished for a standalone film that featured the Harley Quinn character.
Be careful what you wish for.
BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) is the answer to that wish and while it is slightly better than SUICIDE SQUAD, it still isn't all that....well...Fantabulous... of a film.
BIRDS OF PREY (which I hear is now being relabeled HARLEY QUINN: BIRDS OF PREY) is produced by Margot Robbie's production company and features an all female lead cast (the villain is a male) and a female Writer and a female Director. Consequently, this is a "female empowerment" film where the self-described "tough chicks" band together to defeat the male villain.
I applaud the effort and the idea behind the movie, but as a film, this one didn't quite work for me.
I start with the main focus of this film - Harley Quinn. This is just not a character, I discovered, that I want to spend an entire film with. She is, at it turns out, a very good SUPPORTING character, but not one that is interesting enough (at least for me) to carry a whole movie. I will give Margot Robbie credit...her interpretation of the character is interesting and that performance kept me focused throughout.
The other Birds of Prey are just as interesting. For the first time in I can't tell you, Rosie Perez did not annoy me in her role. She played earnest, frustrated Police Officer Renee Montoya and I found myself rooting for her when she was on the screen. Same goes for Jurnee Smollett-Bell's interpretation of Black Canary a character I knew very little about and was intrigued (though her "Super Power" was suddenly sprung on the audience with very little foreshadowing - foreshadowing that could have helped). And, finally, Mary Elizabeth Winstead almost steals the film as the revenge-seeking Huntress, a character I really enjoyed and hope I see again (though, I'm learning my lesson - let it be as a supporting character in another film and not her own, standalone film).
So, this film has 4 interesting characters at the top, but the issue is that they don't come together as a team until VERY late in the film (in a finale showdown that was the highlight of the film for me), so I really couldn't tell if there was any chemistry between these characters/actresses. I think there MIGHT have been, but no real sample size to tell.
Fairing less well as a character was Ewan McGregor's one-note take on super-narcissistic Roman Sionis/Black Mask. The character was pretty much in front of you at the start of the film and was still the same one-note character at the end. Also not "doing it for me" was Ella Jay Basco as Cassandra Cain, the street kid that becomes the focal point of the bad guys in the film (and the character the Birds of Prey must band together to save). I didn't much care for this character - or the performance - so I had no real emotional investment in whether or not the Birds of Prey could save her.
The Direction by Cathy Yan is professional and competent and the final showdown does show signs of originality and brilliance. I'll give her credit, she caught my attention with the last 1/2 hour of this film - much more so than she did with the first 79 minutes.
A better effort at this type of anti-hero comic book adventure (certainly better than SUICIDE SQUAD) but the DCEU still has not stuck the landing on this.
I encourage them to keep trying.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Be careful what you wish for.
BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) is the answer to that wish and while it is slightly better than SUICIDE SQUAD, it still isn't all that....well...Fantabulous... of a film.
BIRDS OF PREY (which I hear is now being relabeled HARLEY QUINN: BIRDS OF PREY) is produced by Margot Robbie's production company and features an all female lead cast (the villain is a male) and a female Writer and a female Director. Consequently, this is a "female empowerment" film where the self-described "tough chicks" band together to defeat the male villain.
I applaud the effort and the idea behind the movie, but as a film, this one didn't quite work for me.
I start with the main focus of this film - Harley Quinn. This is just not a character, I discovered, that I want to spend an entire film with. She is, at it turns out, a very good SUPPORTING character, but not one that is interesting enough (at least for me) to carry a whole movie. I will give Margot Robbie credit...her interpretation of the character is interesting and that performance kept me focused throughout.
The other Birds of Prey are just as interesting. For the first time in I can't tell you, Rosie Perez did not annoy me in her role. She played earnest, frustrated Police Officer Renee Montoya and I found myself rooting for her when she was on the screen. Same goes for Jurnee Smollett-Bell's interpretation of Black Canary a character I knew very little about and was intrigued (though her "Super Power" was suddenly sprung on the audience with very little foreshadowing - foreshadowing that could have helped). And, finally, Mary Elizabeth Winstead almost steals the film as the revenge-seeking Huntress, a character I really enjoyed and hope I see again (though, I'm learning my lesson - let it be as a supporting character in another film and not her own, standalone film).
So, this film has 4 interesting characters at the top, but the issue is that they don't come together as a team until VERY late in the film (in a finale showdown that was the highlight of the film for me), so I really couldn't tell if there was any chemistry between these characters/actresses. I think there MIGHT have been, but no real sample size to tell.
Fairing less well as a character was Ewan McGregor's one-note take on super-narcissistic Roman Sionis/Black Mask. The character was pretty much in front of you at the start of the film and was still the same one-note character at the end. Also not "doing it for me" was Ella Jay Basco as Cassandra Cain, the street kid that becomes the focal point of the bad guys in the film (and the character the Birds of Prey must band together to save). I didn't much care for this character - or the performance - so I had no real emotional investment in whether or not the Birds of Prey could save her.
The Direction by Cathy Yan is professional and competent and the final showdown does show signs of originality and brilliance. I'll give her credit, she caught my attention with the last 1/2 hour of this film - much more so than she did with the first 79 minutes.
A better effort at this type of anti-hero comic book adventure (certainly better than SUICIDE SQUAD) but the DCEU still has not stuck the landing on this.
I encourage them to keep trying.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Bohemian Rhapsody (2018) in Movies
Sep 28, 2021
âFame and fortune and everything that goes with itâ.
Sometimes a trailer generates a bit of a buzz of excitement with a cinema audience and the first showings of the trailer for âBohemian Rhapsodyâ was a case in point. But would the film live up to the potential?
The Plot
Farrokh Bulsara (Rami Malek), born in Zanzibar to Indian parents, is a shy boy with a dramatic singing voice. At a concert he meets Mary (Lucy Boynton) who becomes the âlove of his lifeâ. When a space for a lead singer becomes available in a college band, Farrokh leaps at the chance and onstage becomes an exuberant extrovert. The band, of course, changes its name to Queen and with Farrokh assuming the name of Freddie Mercury they are set for global success. But Freddie is a complex character, and the demands and temptations of global super-stardom take a terrible toll.
The Review
Wow! What a great film on so many different levels. As a biopic of Mercury and a history of one of the greatest ever rock bands, the film is highly entertaining. But I wasnât prepared for how emotional I would find it. Mercuryâs life is befitting of a Shakespearian tragedy: an estrangement from his âconservativeâ father (Ace Bhatti); a public extravert, but privately an insecure and needy bi-sexual, constantly searching for his perch in life; a meteoric rise and an equally spectacular and historic fall.
Do you remember where you were (if anywhere!) during the historic Live Aid concert at Wembley in July 1985? My eagle-minded wife had to remind me that we were travelling to Hampshire to house hunt because of my graduate job offer from IBM Hursley Park. My 3 month old daughter was rolling around, unstrapped, in a carry cot on the back seat: different times; different rules! Why this is relevant is that the film culminates in a recreation of the bandâs spectacular 20 minute set for 1985âs Live Aid concert at Wembley. Itâs a spectacular piece of cinema and one that â for me â puts the much hyped concert scenes from âA Star is Bornâ back in its box. Aside from a few niggles (the sound engineers in the booth were, if Iâm not mistaken, all the size of Hagrid!) itâs a spectacular piece of CGI work.
Itâs also worth remembering that whilst todayâs massive stadium concerts from the likes of Adele and Coldplay are commonplace, back in the UK of 1985 most of the bands played in more traditional theatre venues: this really was an historic event on so many levels.
If Iâm being critical, there are a few bits of the movie that are a tad tacky and twee. A whizz around the world of tour locations is composed of some pretty ropy animations that didnât work for me. And a few of the âcreationsâ of classic songs â particularly âAnother One Bites the Dustâ â are a bit forced. Countering that though, the âBohemian Rhapsodyâ is mesmerising.
The Turns
Iâll just put it right out there, Rami Malek is just sensational as Mercury! I first called out Malek as someone to watch in âNeed For Speedâ, but since then heâs gone on to major fame in the TV series âMr Robotâ. Here he is a force of nature on the screen and you literally canât take your eyes off him. Every nuance of Mercuryâs tortured soul is up there. I would love to see the performance recognized in the Awards season, with the showreel clip being a brilliant standoff in the rain with Paul Prenter (âDowntonâsâ Allen Leech).
The rest of the band â Ben Hardy as drummer Roger Taylor; Gwilym Lee as lead guitar Brian May; and Joseph Mazzello (yes, young Tim from âJurassic Parkâ!) as bass guitarist John Deacon â all work well together, with Lee looking more like Brian May than Brian May!
Lucy Boynton, so great in âSing Streetâ, gets a meaty dramatic role to sink her teeth into, and the ever-reliable Tom Hollander is great as the bandâs legal rep/manager Jim âMiamiâ Beech: his âknowing looksâ near the end of the film are brilliantly done.
The surprise piece of casting though was the very welcome return of Mike Myers as the exec Ray Foster: only seen spasmodically on screen since 2009âs âInglorious Basterdsâ. Itâs a role that reminded me of Tom Cruiseâs turn in âTropic Thunderâ! But itâs well done. After making âBohemian Rhapsodyâ famous again in âWayneâs Worldâ, how could he have refused? I say âWelcome back Mr Myersâ: youâve been missed.
And a final shout out to Paul Jones, my son-in-lawâs brother, who gets a full screen appearance in the crowd, arms outstretched, during the âFat Bottomed Girlsâ set! (I must admit, I missed it, so will have to go and see it again!)
Final Thoughts
This is a film that grabs you and propels you through the story at a fast lick. Itâs a surprisingly moving story, with a well-known and tragic finale. Itâs not a perfect film, but it is up there wih the yearâs best as a high-energy cinema experience.
The Plot
Farrokh Bulsara (Rami Malek), born in Zanzibar to Indian parents, is a shy boy with a dramatic singing voice. At a concert he meets Mary (Lucy Boynton) who becomes the âlove of his lifeâ. When a space for a lead singer becomes available in a college band, Farrokh leaps at the chance and onstage becomes an exuberant extrovert. The band, of course, changes its name to Queen and with Farrokh assuming the name of Freddie Mercury they are set for global success. But Freddie is a complex character, and the demands and temptations of global super-stardom take a terrible toll.
The Review
Wow! What a great film on so many different levels. As a biopic of Mercury and a history of one of the greatest ever rock bands, the film is highly entertaining. But I wasnât prepared for how emotional I would find it. Mercuryâs life is befitting of a Shakespearian tragedy: an estrangement from his âconservativeâ father (Ace Bhatti); a public extravert, but privately an insecure and needy bi-sexual, constantly searching for his perch in life; a meteoric rise and an equally spectacular and historic fall.
Do you remember where you were (if anywhere!) during the historic Live Aid concert at Wembley in July 1985? My eagle-minded wife had to remind me that we were travelling to Hampshire to house hunt because of my graduate job offer from IBM Hursley Park. My 3 month old daughter was rolling around, unstrapped, in a carry cot on the back seat: different times; different rules! Why this is relevant is that the film culminates in a recreation of the bandâs spectacular 20 minute set for 1985âs Live Aid concert at Wembley. Itâs a spectacular piece of cinema and one that â for me â puts the much hyped concert scenes from âA Star is Bornâ back in its box. Aside from a few niggles (the sound engineers in the booth were, if Iâm not mistaken, all the size of Hagrid!) itâs a spectacular piece of CGI work.
Itâs also worth remembering that whilst todayâs massive stadium concerts from the likes of Adele and Coldplay are commonplace, back in the UK of 1985 most of the bands played in more traditional theatre venues: this really was an historic event on so many levels.
If Iâm being critical, there are a few bits of the movie that are a tad tacky and twee. A whizz around the world of tour locations is composed of some pretty ropy animations that didnât work for me. And a few of the âcreationsâ of classic songs â particularly âAnother One Bites the Dustâ â are a bit forced. Countering that though, the âBohemian Rhapsodyâ is mesmerising.
The Turns
Iâll just put it right out there, Rami Malek is just sensational as Mercury! I first called out Malek as someone to watch in âNeed For Speedâ, but since then heâs gone on to major fame in the TV series âMr Robotâ. Here he is a force of nature on the screen and you literally canât take your eyes off him. Every nuance of Mercuryâs tortured soul is up there. I would love to see the performance recognized in the Awards season, with the showreel clip being a brilliant standoff in the rain with Paul Prenter (âDowntonâsâ Allen Leech).
The rest of the band â Ben Hardy as drummer Roger Taylor; Gwilym Lee as lead guitar Brian May; and Joseph Mazzello (yes, young Tim from âJurassic Parkâ!) as bass guitarist John Deacon â all work well together, with Lee looking more like Brian May than Brian May!
Lucy Boynton, so great in âSing Streetâ, gets a meaty dramatic role to sink her teeth into, and the ever-reliable Tom Hollander is great as the bandâs legal rep/manager Jim âMiamiâ Beech: his âknowing looksâ near the end of the film are brilliantly done.
The surprise piece of casting though was the very welcome return of Mike Myers as the exec Ray Foster: only seen spasmodically on screen since 2009âs âInglorious Basterdsâ. Itâs a role that reminded me of Tom Cruiseâs turn in âTropic Thunderâ! But itâs well done. After making âBohemian Rhapsodyâ famous again in âWayneâs Worldâ, how could he have refused? I say âWelcome back Mr Myersâ: youâve been missed.
And a final shout out to Paul Jones, my son-in-lawâs brother, who gets a full screen appearance in the crowd, arms outstretched, during the âFat Bottomed Girlsâ set! (I must admit, I missed it, so will have to go and see it again!)
Final Thoughts
This is a film that grabs you and propels you through the story at a fast lick. Itâs a surprisingly moving story, with a well-known and tragic finale. Itâs not a perfect film, but it is up there wih the yearâs best as a high-energy cinema experience.
Emma @ The Movies (1786 KP) rated Ben Is Back (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
We seem to be knee deep in movies like this at the moment, Ben Is Back being the second from Lucas Hedges. This one is penned and directed by his father, Peter Hedges, though it doesn't appear that he was a shoo-in for the role.
After seeing Boy Erased I wasn't overly sure about Hedges as an actor, if I'm honest this has done little to sway that opinion in me. I don't feel like we get a massive range from him, possibly because these movies all feel like they've been made to win things over everything else? I'm not sure.
Hedges performance is brought up a level by the incredible performance from Julia Roberts, that woman truly is a treasure. The desperate nature of her character is so evident in every scene, wanting to do anything she can for her son and trying to fix everything. I don't think there was a single point where she faltered, and the part she played in the ending was immensely emotional.
There's also a solid support cast in Courtney B. Vance and Kathryn Newton. They drew in the much-needed family element which could have been lost to all the scenes with Ben and Holly out on their own.
You have to compare this to Beautiful Boy, it's difficult not to. They could be the same film, Ben Is Back just edges ahead for me though. I wasn't overly keen on the main actors in either film and both were carried by their parental leads. Both cover the drugs topic well from their own angles but here I felt we got a much better look at the family impact.
This rounded out a very emotional double bill at the cinema and what I actually came out thinking wasn't about this film in particular but that this year has given us some fantastic mum performances. Julia Roberts, Penelope Cruz and Nicole Kidman have managed to use their films to prove that they're giants in the acting world.
What you should do
I'd add Ben Is Back to my list of films to watch at least once.
Movie thing you wish you could take home
All I would really like is an attic that was as easy to get into as theirs.
After seeing Boy Erased I wasn't overly sure about Hedges as an actor, if I'm honest this has done little to sway that opinion in me. I don't feel like we get a massive range from him, possibly because these movies all feel like they've been made to win things over everything else? I'm not sure.
Hedges performance is brought up a level by the incredible performance from Julia Roberts, that woman truly is a treasure. The desperate nature of her character is so evident in every scene, wanting to do anything she can for her son and trying to fix everything. I don't think there was a single point where she faltered, and the part she played in the ending was immensely emotional.
There's also a solid support cast in Courtney B. Vance and Kathryn Newton. They drew in the much-needed family element which could have been lost to all the scenes with Ben and Holly out on their own.
You have to compare this to Beautiful Boy, it's difficult not to. They could be the same film, Ben Is Back just edges ahead for me though. I wasn't overly keen on the main actors in either film and both were carried by their parental leads. Both cover the drugs topic well from their own angles but here I felt we got a much better look at the family impact.
This rounded out a very emotional double bill at the cinema and what I actually came out thinking wasn't about this film in particular but that this year has given us some fantastic mum performances. Julia Roberts, Penelope Cruz and Nicole Kidman have managed to use their films to prove that they're giants in the acting world.
What you should do
I'd add Ben Is Back to my list of films to watch at least once.
Movie thing you wish you could take home
All I would really like is an attic that was as easy to get into as theirs.
Neon's Nerd Nexus (360 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 2, 2019
Home Run
Spiderman Far From Home while more like add on dlc to the far superior Homecoming is packed with enough breathtaking moments & genuinely touching character moments to make is a top notch Spidey road trip. I cant deny Im a sucker for anything Spiderman related so please take my review as possibly slightly bias. At first Far from home had me extremely worried as some of the writing is borderline awful, some acting felt extremely off & its strange offbeat comedy is thrown at us so thick & fast I was eeeessshing more than I was laughing. However about half an hour in something changed & all the things I hated started to come together & I really felt my self becoming really involved with it all. I think what the movie had actually managed to do was not only remind me of the 90s animated show but almost recreate its feel in live action form too. Full of exposition & plot twists I saw coming a mile off Far from home still managed to keep me invested in its characters & raise the stakes/tension constantly as the film went on. What started off as a silly predictable romp actually ended up being a thrilling adrenaline rush filled with pulse pounding busy action scenes that utilised slow motion & unique camera tracking brilliantly as well as a finally thats heartfelt & extremely touching. Themes of new love & the rush it brings as well as its beautiful awkwardness are so relatable & believable & its darker themes of how the worlds gullibility/naivety/social media can be used against us as a weapon are scarily current also. Jake gyllenhaal is literally of the chain as mysterio & I would go as far as saying brings THE best acting I've ever seen in any marvel film so far. Seriously his performance is next level especially when you compare how his character behaves in the first half of the film against in the second half going from quiet, bland, weak & emotionless to unstable, intelligent, overconfident & tactical with some intense/harrowing use of his powers too. One of the most comic like comic book superhero films we've had so far its dorky, full of awesome action, twists/turns & a kickass villain so sit back & take it for what it is pure enjoyment.
JT (287 KP) rated Blood Out (2011) in Movies
Mar 10, 2020
I'm not quite sure what my thinking was behind watching this, I mean did I for one second think it was going to be any good with a cast list that included Luke Goss and Vinnie Jones.
I should have turned off within the first few minutes, but stuck it out till the bitter end. It was painful all the way through, Goss who has had some mainstream success with his turns in Blade II and Hell Boy II, looked like he hadnât bothered to read the script.
Tamar Hassan will always be cast as the hard man, and this time it was Vinnie Jones playing the supporting nutter role. As for Val Kilmer and 50 Cent, they hardly make an appearance in the film, popping up on a few occasions and offering next to nothing.
So to the plot then, in short, Goss plays Michael Savion a hard nosed cop whose gang banging brother is brutally murdered. In an attempt to find the culprit and bring them to justice he goes deep undercover to get close to the killers.
Along the way Goss discovers that his brotherâs pregnant fiancĂ©e is also involved and looks to try and get her out before its too late, while at the same time trying not to step on the toes of the FEDs who have their own mole in deep cover.
Did I for one second think it was going to be any good with a cast list that included Luke Goss and Vinnie Jones?
Goss is always going to be cast as an action B-movie star, and in no way is he going to be offered too many bigger roles. Why? Well he just isnât good enough, simple as that.
The action set pieces are poor, the ending car chase and spectacular crash which sees just about everyone walk away without a scratch is hardly surprising of a film that has no believability whatsoever.
If Blood Out is supposed to depict a narrative of the street gang culture it does it poorly, the acting is shocking and the script seems like it was written by a two-year old.
This is Jason Hewittâs dĂ©but feature, and he is going to have to work very hard to redeem himself.
I should have turned off within the first few minutes, but stuck it out till the bitter end. It was painful all the way through, Goss who has had some mainstream success with his turns in Blade II and Hell Boy II, looked like he hadnât bothered to read the script.
Tamar Hassan will always be cast as the hard man, and this time it was Vinnie Jones playing the supporting nutter role. As for Val Kilmer and 50 Cent, they hardly make an appearance in the film, popping up on a few occasions and offering next to nothing.
So to the plot then, in short, Goss plays Michael Savion a hard nosed cop whose gang banging brother is brutally murdered. In an attempt to find the culprit and bring them to justice he goes deep undercover to get close to the killers.
Along the way Goss discovers that his brotherâs pregnant fiancĂ©e is also involved and looks to try and get her out before its too late, while at the same time trying not to step on the toes of the FEDs who have their own mole in deep cover.
Did I for one second think it was going to be any good with a cast list that included Luke Goss and Vinnie Jones?
Goss is always going to be cast as an action B-movie star, and in no way is he going to be offered too many bigger roles. Why? Well he just isnât good enough, simple as that.
The action set pieces are poor, the ending car chase and spectacular crash which sees just about everyone walk away without a scratch is hardly surprising of a film that has no believability whatsoever.
If Blood Out is supposed to depict a narrative of the street gang culture it does it poorly, the acting is shocking and the script seems like it was written by a two-year old.
This is Jason Hewittâs dĂ©but feature, and he is going to have to work very hard to redeem himself.
Gareth von Kallenbach (980 KP) rated This Is Where I Leave You (2014) in Movies
Aug 6, 2019
This is Where I Leave You focuses on Judd Altman (Jason Bateman) and his relationships with the many personalities in his family. We open the film with Judd walking in on his wife in bed with his boss. We flash forward about 3 months to find Judd feeling pretty miserable still, only to find out that his father passed away. And his fatherâs last wish is that his family sit Shiva (a Jewish tradition of mourning where the close relatives of the deceased sit for 7-days in the same house, as friends and family come by to offer their condolences. (Thereâs more to it than this, but itâs the general idea). Over the 7-days following the funeral, a rollercoaster of emotions, excitement and tragedy pass.
This film, in my opinion, is very smartly written. It has the qualities in a film that will attract men and women alike. They also create an atmosphere that most people can relate to. Itâs simplistic formula really, there are enough siblings to exhibit the different personalities you can find in most families and no matter who you are, you will find someone to relate to in the cast. And, oh boy, what a cast. Juddâs siblings include Corey Stoll, Adam Driver and Tina Fey. Rounding out the close friends and family include Jane Fonda as mama Altman, Rose Byrne as Penny Moore, Connie Britton as girlfriend of Philip Altman (Driver), Timothy Olyphant as Horry, a man with brain damage who has a secret shared with one of the Altmans, and the list goes on and on (go look it up on IMdB already).
The premise is old, clichĂ© jokes are used, and we all know how it ends. However, we donât really know how it ends. The cast delivers so well that you can see past the recycled items to the true genius that this film is, and how great an adaptation it is from the book. While I havenât read the book myself, I have been told itâs quite good. And if itâs half as good as this film, Iâm definitely going to enjoy reading it.
Bottom line: if youâre looking for a great date movie this weekend, this is the one to see. You will not regret it, and will probably learn a little something about yourself too! This is another to add to my collection upon release.
This film, in my opinion, is very smartly written. It has the qualities in a film that will attract men and women alike. They also create an atmosphere that most people can relate to. Itâs simplistic formula really, there are enough siblings to exhibit the different personalities you can find in most families and no matter who you are, you will find someone to relate to in the cast. And, oh boy, what a cast. Juddâs siblings include Corey Stoll, Adam Driver and Tina Fey. Rounding out the close friends and family include Jane Fonda as mama Altman, Rose Byrne as Penny Moore, Connie Britton as girlfriend of Philip Altman (Driver), Timothy Olyphant as Horry, a man with brain damage who has a secret shared with one of the Altmans, and the list goes on and on (go look it up on IMdB already).
The premise is old, clichĂ© jokes are used, and we all know how it ends. However, we donât really know how it ends. The cast delivers so well that you can see past the recycled items to the true genius that this film is, and how great an adaptation it is from the book. While I havenât read the book myself, I have been told itâs quite good. And if itâs half as good as this film, Iâm definitely going to enjoy reading it.
Bottom line: if youâre looking for a great date movie this weekend, this is the one to see. You will not regret it, and will probably learn a little something about yourself too! This is another to add to my collection upon release.
Dying Light
6.6
Rate It
Video Game
Dying Light is an open world first person survival horror action-adventure video game developed by...
Dying Light
Emma @ The Movies (1786 KP) rated Fearless (Fe@rleSS_) (2020) in Movies
Aug 18, 2020
On a whim I put this one on, computer games mixed with aliens... why not!
Miles, username Fe@rleSS_, is nearly at the end of his favourite video game, just one level stands between him and the win. The game gives him a special boost... of babies, super babies, it might not be what he expected but it's what he's got and the game is about to get a lot more real. The babies land in a ship in his backyard and his job is now intergalactic babysitter, with the added danger of a villain on their tails.
Fe@rleSS_ has a great cast of talent and the voices fit well with all the characters, but despite that there's little to help this film along. It doesn't matter how well you can perform lines what you've been given is so bland. There are some amusing moments but nothing that raised more than a small nasal exhale laugh.
The animation is nice, fun design and easy to follow, everything is just right... it really does sit exactly in the middle, not awful enough to moan about and not spectacular enough to rave about. It's not great when you start shrugging your shoulders when you talk about things.
My main issue with the film overall is the story. The idea is that something from Miles' game comes to the real world, fine, it's got the Jumanji sound to it. But in practice it doesn't look like that at all. For anyone who isn't young enough not to care about anything but the action it is entirely frustrating. There are many ways to make game life come to the real world, we see it in so many different things, so I don't understand why you wouldn't use something like that. The film makes it appear like it's all in the real world, but when you couple that with the video game aspect it doesn't make sense. The whole baby angle also doesn't make any sense, even if they are adorable.
There's a cute little message of "even dads can be superheroes", though not responsible ones who protect their kids from space battles... beyond that nothing jumped out at me at all. I'm going to be filing it under "it didn't annoy me, but I wouldn't stop and watch it if it was on."
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/fearless-movie-review.html
Miles, username Fe@rleSS_, is nearly at the end of his favourite video game, just one level stands between him and the win. The game gives him a special boost... of babies, super babies, it might not be what he expected but it's what he's got and the game is about to get a lot more real. The babies land in a ship in his backyard and his job is now intergalactic babysitter, with the added danger of a villain on their tails.
Fe@rleSS_ has a great cast of talent and the voices fit well with all the characters, but despite that there's little to help this film along. It doesn't matter how well you can perform lines what you've been given is so bland. There are some amusing moments but nothing that raised more than a small nasal exhale laugh.
The animation is nice, fun design and easy to follow, everything is just right... it really does sit exactly in the middle, not awful enough to moan about and not spectacular enough to rave about. It's not great when you start shrugging your shoulders when you talk about things.
My main issue with the film overall is the story. The idea is that something from Miles' game comes to the real world, fine, it's got the Jumanji sound to it. But in practice it doesn't look like that at all. For anyone who isn't young enough not to care about anything but the action it is entirely frustrating. There are many ways to make game life come to the real world, we see it in so many different things, so I don't understand why you wouldn't use something like that. The film makes it appear like it's all in the real world, but when you couple that with the video game aspect it doesn't make sense. The whole baby angle also doesn't make any sense, even if they are adorable.
There's a cute little message of "even dads can be superheroes", though not responsible ones who protect their kids from space battles... beyond that nothing jumped out at me at all. I'm going to be filing it under "it didn't annoy me, but I wouldn't stop and watch it if it was on."
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/fearless-movie-review.html
BankofMarquis (1832 KP) rated Deadpool 2 (2018) in Movies
May 18, 2018
More of the same - and that's just fine with me
Did you like the first Deadpool film? Was the humor right up your alley? Did you chuckle at the inappropriateness and the pop culture referential humor?
If you did, then you're gonna like DEADPOOL 2 - which pretty much gives your more of the same.
I have to admit that I wasn't laughing uproariously at the first 1/2 hour of Deadpool 2. I thought the filmmakers and Ryan Reynolds were trying just a bit too hard to capture the flavor and flair of the first film and so the jokes - whilst funny - gave me grins, but not guffaws. I was, if I'm honest with myself, beginning to get a little bored with the humor.
And then came the X-FORCE.
If memory serves, it was just about at the 1/2 hour mark when I had my first outloud guffaw in this theater going experience, and then the next one came just minutes later and then there was another one and another one and another one...
Credit for this must go to the writers of both Deadpool films - Rhett Reese and Paul Wernick. They, wisely, decided to add the X FORCE into this film to take the burden of the humor of this film off of the back of Reynolds and spreads it out a bit to these characters.
Not that Reynolds needed the help. He is completely comfortable in Deadpool's skin and his natural charm shines through brightly and brings us a character that is one that we like vs. one that annoys us. Speaking of annoying, TJ Miller reprises his role as Deadpool's best pal, Weasel. I have stated earlier that I find Miller annoying. But...to be fair to him...he is not in this film. Maybe that is because he is not around all that much.
Also returning from the first film is Morena Baccarin as Vanessa, Deadpool's girlfriend, Leslie Uggams as "Blind Al" and Karan Soni as Dopinder, the cab driver. It is a testament to this film that at the end, I wanted more of each of these characters (well...maybe not Weasel), but - especially - I really wanted to see more of Baccarin.
But I can't really complain because the "Big Bad" in this film, Josh Brolin, scores another triumph as CABLE. I won't give away too much about this character, but Brolin - much like his work as Thanos in INFINITY WAR - brings layers of humanity to his character and Cable is much more than just a "Bad Guy bent on destroying things."
As far as the X-Force. The less I say about them the better, but they are a highlight of this film. Terry Crews, Bill Skarsgard, a "Mystery A List Actor", Rob Delaney and, especially, Zazie Beetz are terrific as the band of misfits that Deadpool brings together to help battle Cable.
Also joining in - from the first film - are "lesser" X-Men Negasonic Teenage Warhead (Brianna Hildebrand) and Colossus (voiced by Stefan Kapcic). It was good to see them - and to see this film answer the question about "where are the other X-Men"?
Director David Leitch (ATOMIC BLONDE) keeps the action - and comedy - coming at a rip-roaring pace, not lingering on a joke or an action scene too long. Helming a nicely paced and nicely entertaining film.
As with all things Marvel, stay for the first 5 minutes of the credits for the "extra scene", it is well worth it. There is a humorous song at the end of the credits that is, quite frankly not really worth staying for.
I'm going to chalk up my experience with the first 1/2 hour of this film to me needing to get my mind on the right track for the type of movie that this is. Once I did that, I enjoyed myself quite nicely.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
If you did, then you're gonna like DEADPOOL 2 - which pretty much gives your more of the same.
I have to admit that I wasn't laughing uproariously at the first 1/2 hour of Deadpool 2. I thought the filmmakers and Ryan Reynolds were trying just a bit too hard to capture the flavor and flair of the first film and so the jokes - whilst funny - gave me grins, but not guffaws. I was, if I'm honest with myself, beginning to get a little bored with the humor.
And then came the X-FORCE.
If memory serves, it was just about at the 1/2 hour mark when I had my first outloud guffaw in this theater going experience, and then the next one came just minutes later and then there was another one and another one and another one...
Credit for this must go to the writers of both Deadpool films - Rhett Reese and Paul Wernick. They, wisely, decided to add the X FORCE into this film to take the burden of the humor of this film off of the back of Reynolds and spreads it out a bit to these characters.
Not that Reynolds needed the help. He is completely comfortable in Deadpool's skin and his natural charm shines through brightly and brings us a character that is one that we like vs. one that annoys us. Speaking of annoying, TJ Miller reprises his role as Deadpool's best pal, Weasel. I have stated earlier that I find Miller annoying. But...to be fair to him...he is not in this film. Maybe that is because he is not around all that much.
Also returning from the first film is Morena Baccarin as Vanessa, Deadpool's girlfriend, Leslie Uggams as "Blind Al" and Karan Soni as Dopinder, the cab driver. It is a testament to this film that at the end, I wanted more of each of these characters (well...maybe not Weasel), but - especially - I really wanted to see more of Baccarin.
But I can't really complain because the "Big Bad" in this film, Josh Brolin, scores another triumph as CABLE. I won't give away too much about this character, but Brolin - much like his work as Thanos in INFINITY WAR - brings layers of humanity to his character and Cable is much more than just a "Bad Guy bent on destroying things."
As far as the X-Force. The less I say about them the better, but they are a highlight of this film. Terry Crews, Bill Skarsgard, a "Mystery A List Actor", Rob Delaney and, especially, Zazie Beetz are terrific as the band of misfits that Deadpool brings together to help battle Cable.
Also joining in - from the first film - are "lesser" X-Men Negasonic Teenage Warhead (Brianna Hildebrand) and Colossus (voiced by Stefan Kapcic). It was good to see them - and to see this film answer the question about "where are the other X-Men"?
Director David Leitch (ATOMIC BLONDE) keeps the action - and comedy - coming at a rip-roaring pace, not lingering on a joke or an action scene too long. Helming a nicely paced and nicely entertaining film.
As with all things Marvel, stay for the first 5 minutes of the credits for the "extra scene", it is well worth it. There is a humorous song at the end of the credits that is, quite frankly not really worth staying for.
I'm going to chalk up my experience with the first 1/2 hour of this film to me needing to get my mind on the right track for the type of movie that this is. Once I did that, I enjoyed myself quite nicely.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated The Ghoul (2016) in Movies
Sep 13, 2019
Characters â Chris is an undercover detective that starts seeing a psychotherapist to help solve the latest case, but the more time he spends in therapy the thinner the line between reality and the truth come from. Kathleen is an old friend from university that supports Chris, while also having him when she needs help. We have other characters that come into the life of Chris, the therapists trying to help him, the fellow patient trying to warn him, the film does keep the character numbers down with each posing a potential end of the investigation for Chris.
Performances â Tom Meeten appears in every scene and his performances needs to be great to carry the film, he is wonderful through the film as we feel his confusion through it all. Going into the supporting cast, we do have good performances for Tom to bounce off too.
Story â The story is the hardest thing to describe, it will keep you guessing from start to finish as you wait to see where the film will go next. This is both a good thing and a bad thing, because you will need to give the film 100% attention to make sure you donât miss anything and even if you blink you might miss an important clue.
Thriller â This has tension driven through the film as we can see how thing could end up becoming something shocking.
Settings â The film is set in London which helps us se the busy street feel to the busy lives that the people are living.
Scene of the Movie â The final reveal.
That Moment That Annoyed Me â It is slightly too confusing.
Final Thoughts â This is a real mind bender, I always enjoy seeing film makers push things to the limits even if I donât personally enjoy the film as much as I should have.
Overall: Real mind bender for all.
Performances â Tom Meeten appears in every scene and his performances needs to be great to carry the film, he is wonderful through the film as we feel his confusion through it all. Going into the supporting cast, we do have good performances for Tom to bounce off too.
Story â The story is the hardest thing to describe, it will keep you guessing from start to finish as you wait to see where the film will go next. This is both a good thing and a bad thing, because you will need to give the film 100% attention to make sure you donât miss anything and even if you blink you might miss an important clue.
Thriller â This has tension driven through the film as we can see how thing could end up becoming something shocking.
Settings â The film is set in London which helps us se the busy street feel to the busy lives that the people are living.
Scene of the Movie â The final reveal.
That Moment That Annoyed Me â It is slightly too confusing.
Final Thoughts â This is a real mind bender, I always enjoy seeing film makers push things to the limits even if I donât personally enjoy the film as much as I should have.
Overall: Real mind bender for all.
LeftSideCut (3776 KP) Feb 13, 2020
Kevin Phillipson (10072 KP) Feb 14, 2020