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156Reviews (7 KP) rated Extra Ordinary (2019) in Movies
May 1, 2020 (Updated May 1, 2020)
Ghosts, hell demons, possessed animals, sex, a car chase, people exploding, ware-wolves (Kind of), Extra Ordinary has it all. Is it some kind of Hollywood blockbuster staring Benedict Cumberbatch? No, it's a small independent Irish comedy staring little known actors, and Will Forte of course.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
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Kristy H (1252 KP) rated Honey Girl in Books
Mar 4, 2021
I loved this book so much I could cry. (I did cry.) Oh Grace, my sweet, emotional girl, and oh this book. This beautiful book. Do not go into HONEY GIRL thinking it is a gimmicky read because of the Vegas marriage premise. It's a real, heart-wrenching book that will rip and tear at your soul. But don't worry, this is a good thing. Because this is a ridiculously romantic and adorable story, as well as a nuanced coming-of-age/finding yourself (hey, it can happen at twenty-eight) story.
"Have you ever gone to bed thinking of someone you only knew for a night? Have you ever stared up at the sky and wondered where it was you saw yourself, all those years ago? Which star it was you followed here?"
Rogers writes with a lyrical beauty. She gives us Grace and Yuki, two sweet, lovely, flawed, real characters whom I adored. As for Grace, I wanted nothing but good for her. I identified so much with an anxious workaholic crippled by the expectations of her parents. ("Being angry at his unattainable expectations is so much easier than accepting that the only ones I have to meet are my own." -- I think I may need to have this bronzed, as it sums up my life.) Grace struggles with the pressures placed on her by her ex-military father, by intense racism that makes it difficult to succeed in a field where she's extremely qualified, and with mental health/anxiety issues. Rogers handles all of these excellently, covering them so well in her story, along with Grace and Yuri's burgeoning relationship. It seems like it should be too much for one book, but everything fits perfectly together.
Honestly, no review of mine can do this book justice. I love the characters of Grace and Yuri and the supporting cast is excellent (and the book is diverse). It's hilarious and funny yet deftly and kindly covers mental health issues. It also takes an insightful look at racism--especially in academia--and how difficult it makes life for Grace. There's romance, friendship, family, and so much more. I loved it all, and I highly highly recommend HONEY GIRL. I cannot wait to read what Morgan Rogers writes next. 4.5+ stars.
"Have you ever gone to bed thinking of someone you only knew for a night? Have you ever stared up at the sky and wondered where it was you saw yourself, all those years ago? Which star it was you followed here?"
Rogers writes with a lyrical beauty. She gives us Grace and Yuki, two sweet, lovely, flawed, real characters whom I adored. As for Grace, I wanted nothing but good for her. I identified so much with an anxious workaholic crippled by the expectations of her parents. ("Being angry at his unattainable expectations is so much easier than accepting that the only ones I have to meet are my own." -- I think I may need to have this bronzed, as it sums up my life.) Grace struggles with the pressures placed on her by her ex-military father, by intense racism that makes it difficult to succeed in a field where she's extremely qualified, and with mental health/anxiety issues. Rogers handles all of these excellently, covering them so well in her story, along with Grace and Yuri's burgeoning relationship. It seems like it should be too much for one book, but everything fits perfectly together.
Honestly, no review of mine can do this book justice. I love the characters of Grace and Yuri and the supporting cast is excellent (and the book is diverse). It's hilarious and funny yet deftly and kindly covers mental health issues. It also takes an insightful look at racism--especially in academia--and how difficult it makes life for Grace. There's romance, friendship, family, and so much more. I loved it all, and I highly highly recommend HONEY GIRL. I cannot wait to read what Morgan Rogers writes next. 4.5+ stars.
BookInspector (124 KP) rated Faking Friends in Books
Sep 24, 2020
The main characters in this novel are Amy and Melissa, two best friends who become worst enemies. This book was a real emotional roller coaster for me: I was laughing, getting angry, feeling pity and upset throughout this book. And all that was caused by the characters which were chosen for this book. I really liked Amy as a character, I think she was charming, very believable and relatable in some way. I absolutely could not stand Melissa though, I think she is an absolute lowlife who is a disgrace to womankind. Everything about her pissed me off, EVERYTHING! Jack and Simon in this book were not better as well, they were just plain stupid. But that was what made this book so indulging. The variety of characters and their unbelievably silly actions somehow made it really entertaining.
The plot of this book really hooked me, the constant drama, action, twists and turns didn’t let me sleep till 4 am in the morning. I just had to find out how it will end. I really appreciate that author used different perspectives in this book, it made it much more gripping and interesting, and it did allow to understand the characters way better. Another thing which I found really cool was the jumps between the past and present, it made the whole story richer and explained their friendship’s nuances to the reader. I really enjoyed all Fallon’s personal experience such as: movie industry and how it works, acting and it’s struggles, general knowledge of London (places, student life, renting options, shops etc.) It was really enlightening to me and I do feel sympathy for all the actors out there.
In this book Jane Fallon stayed true to her writing style, offering multiple perspectives, suspense, interesting topics and absolutely stunning writing itself. The language used was easy to understand, however, there were some swear words. The chapters were not very long, and it kept me going, as I really wanted to find out what will happen next. I really liked the ending of this book, I think it rounded up the story very nicely and left me satisfied. So to conclude, I absolutely loved this book, it gave me everything I need in good Chick – lit book, it has different types of characters, amusing and absorbing plot and interesting topics, and I do strongly recommend this novel. Enjoy 🙂
The plot of this book really hooked me, the constant drama, action, twists and turns didn’t let me sleep till 4 am in the morning. I just had to find out how it will end. I really appreciate that author used different perspectives in this book, it made it much more gripping and interesting, and it did allow to understand the characters way better. Another thing which I found really cool was the jumps between the past and present, it made the whole story richer and explained their friendship’s nuances to the reader. I really enjoyed all Fallon’s personal experience such as: movie industry and how it works, acting and it’s struggles, general knowledge of London (places, student life, renting options, shops etc.) It was really enlightening to me and I do feel sympathy for all the actors out there.
In this book Jane Fallon stayed true to her writing style, offering multiple perspectives, suspense, interesting topics and absolutely stunning writing itself. The language used was easy to understand, however, there were some swear words. The chapters were not very long, and it kept me going, as I really wanted to find out what will happen next. I really liked the ending of this book, I think it rounded up the story very nicely and left me satisfied. So to conclude, I absolutely loved this book, it gave me everything I need in good Chick – lit book, it has different types of characters, amusing and absorbing plot and interesting topics, and I do strongly recommend this novel. Enjoy 🙂
Gareth von Kallenbach (980 KP) rated Joker (2019) in Movies
Oct 7, 2019 (Updated Oct 13, 2019)
Arthur Fleck (Joaquin Phoenix) is a broken and troubled man. Arthur toils in as demeaning and berated Clown for Hire, and lives with his troubled mother in a dilapidated apartment.
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
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