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Matt Dentler recommended High and Low (1963) in Movies (curated)

 
High and Low (1963)
High and Low (1963)
1963 | Drama, Mystery, Thriller
8.5 (2 Ratings)
Movie Favorite Watch

"This is such a fiery and entertaining crime film. It’s epic yet completely domestic and simple. While it’s somewhat of a departure from his canon, Kurosawa’s stamp is everywhere. He manages to expertly adapt American source material and place it in Japan (the irony, of course, being that America would adapt his stories for years to follow).Passionate, personal, and uplifting documentary filmmaking. This is a true example of the power of the art form, and a terrific movie too. Rarely do you find filmmakers with such an insight to the world of sports, and the ability to examine the personal politics that run underneath it. This should be required viewing for any sports or film fan."

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Josh Sadfie recommended Crumb (1994) in Movies (curated)

 
Crumb (1994)
Crumb (1994)
1994 | Documentary
6.0 (1 Ratings)
Movie Favorite

"Weird Sex. Obsession. Comic Books.” is how this film was billed. Each category alone is enough to put this on a top ten list. Crumb falls into a rare group of documentaries. A hero like R. Crumb is so reclusive and so fickle about who he allows to get close to him, but close they get. He’s a Slob over Snob for life. This film is more about Charles Crumb, the hidden master in the family, then it is about Robert. The art alone, like with many Criterions, is a reason to own this and present it on a shelf. Though here, there’s something very appropriate about having a DVD among your old issues of Weirdo or Zap. "

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Dean (6927 KP) rated Red Notice (2021) in Movies

Nov 13, 2021 (Updated Nov 17, 2021)  
Red Notice (2021)
Red Notice (2021)
2021 | Action, Adventure, Comedy
7
7.3 (14 Ratings)
Movie Rating
Cast Chemistry (1 more)
Funny
Fun Action Comedy
This seemed to spring out of no where, only spotted a trailer this week. Apparently Netflix's biggest budget film to date.
A mix of heist, action, comedy caper as interpol and the FBI try to catch the world's most wanted art thief.
There is a good balance of comedy and action as we tour several destinations around the globe in a treasure hunt for 3 jewelled eggs said to have belonged to Cleopatra. The main trio and the chemistry between them when all on screen together is the real highlight.
Overall a bright, breezy, fun film that was enjoyable if not actually raising the bar for these sort of films.
  
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Rickey A. Mossow Jr. (689 KP) rated The Perfection (2019) in Movies

Jun 1, 2019  
The Perfection (2019)
The Perfection (2019)
2019 | Drama, Horror, Thriller
8
7.1 (22 Ratings)
Movie Rating Watch
Allison Williams commands every scene, (1 more)
Well-paced.
Gore and vomit may turn off some. (0 more)
Allison Williams is captivating and propels this film.
Watched this trailer a few times, and just from that, I wasn't sure if I wanted to see this movie. But I decided to take a leap of faith and watch it. Firstly, Allison Williams is incredible. Visually captivating, she commands every scene she's in and pulls you into each one. Beautifully paced, the film grabs you early on and doesn't let you go. The sexual encounter/musical performance scene early on is truly art and beautifully done. Everything is graphic and visceral, not allowing you the opportunity to alleviate the pressure of the gore and violence, nor the underlying messages of the film. Filled with enough twists to keep you guessing until the bloody end, I think this was one of Netflix's best efforts to date.
  
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Jenni Olson recommended Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975) in Movies (curated)

 
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)
1975 | Drama
(0 Ratings)
Movie Favorite

"As of this writing, it’s been nearly a year since we lost the talent and spirit of Chantal Akerman. Her 1975 breakthrough feature wowed the international film world after premiering at Cannes to a combination of raves and an audience exodus. Truly a film to return to again and again, Jeanne Dielman expands the possibilities of cinema as an art form. Its durational, physiological impact on the viewer is an absolute revelation. I first saw it on a crappy 16 mm print in college in the late 1980s and didn’t get to see it again on the big screen until the late ’90s—on 35 mm at the San Francisco LGBT Film Festival. Now I like to watch it in segments on Hulu (sort of the opposite of binge-watching) just for the shift in consciousness it induces in me after each twenty-minute chunk. Transcendent."

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