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You're Next (2013)
You're Next (2013)
2013 | Drama, Horror, Mystery
EVERYTHING!!!!! (0 more)
One fucked up family gathering... Hey, who invited the sheep??
Contains spoilers, click to show
When I sing the praises of a movie in it's entirety, people who read my reviews know I think it's amazing.
First things first, let me get the blowing the writer put of the way... Simon Barrett is a God amongst horror writers. He brings you to the edge, makes you think you know what's going on and then drives a stake through you beliefs like Van Helsing...
Your typical home invasion movie turns into a sinister and diabolical insurance scam that deflates the typical nature of this formerly typical plotline... I know, I'm saying typical alot...fuckin bite me.
Adam Wingard is an absolutely kick-ass director who I personally have watched grow in the genre, and who I have come to trust when it comes to picking a film out... Regardless of what people say, had Death Note not been a successful anime series before he took the helm of the movie, it would've been glorified as a work or horror/fantasy art.
Take your (that word again) typical upper class family, stick them in a deserted home for a family get together. Add another horror director, Ti West, and Wingard and Barrett's favorite actors... Joe Swanberg, A.J. Bowen and Amy Seimetz... Dash in some Australian hottie, Sharni Vinson. And add one of the most amazing Scream Queens to ever grace the screen, Barbara Crampton. And chuck in some relative nobodies for fodder and you have the ingredients for a wild ride.
You're Next appeals to me because home invasions happen. It has a reality to it that can be matched by 2008's The Strangers and a more recent addition, Hush.
This movie delivers on all fronts.
The Killers are a band of ex Marines who are contracted but an unlikely source to carry out the deaths of rich mom and dad.
The children in the family are the height of dysfunctional, thus proving money can't buy you sanity.
And the twist in this movie proves that secrets can be hidden well in a script if the proper distractions are in place.
One thing I'd like to add before I end this is the masks work by the Killers are straight creepy. Whoever thought to put them in those is genius. And they made for some great marketing posters and internet spots.
Simple flat white masks that have not scared me to death since I was a child and seen the iconic Michael Myers for the first time.
Barrett and Wingard make movies that are more reality based and that scare the bejesus out of you.
Check out A Horrible Way to Die if you don't believe me. It will not disappoint.
  
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Anil Kapoor recommended City Lights (1931) in Movies (curated)

 
City Lights (1931)
City Lights (1931)
1931 | Classics, Comedy, Drama

"Ah, City Lights. [It] doesn’t [really] make an effort to do comedy or [try] to make me cry. It just flows so naturally. A true artist. And you don’t have to be sensible [to watch Chaplin’s films]. You [can be] a kid but you still can understand his films. [One] doesn’t need education, academic education, to understand or enjoy his films. And I would see in the theater, in the audience, all kinds of people: children, parents, grandparents, poor, rich, very rich people, everybody in the theater enjoying his films. Chaplin really influenced me on being an actor. And I remember, back in India, Raj Kapoor, was greatly influenced by Charlie Chaplin. [Kapoor] became one of the biggest filmmakers of our country. You know, [Kapoor] is one of the few filmmakers who are very very known in that part of the world, especially Russia and the Middle East, the Far East. All the countries, one of the most famous filmmakers, Raj Kapoor. And he was influenced by Charlie Chaplin. Everybody says, “Are you influenced by Raj Kapoor?” and I say, “No, I’m not inspired by Raj Kapoor, I’m inspired by Charlie Chaplin.” It all goes back to that. And if you see my films, films like Woh 7 Din, Mr. India, and all those kinds of films, there is a bit of Chaplin. In every role which I do to this day, there is that flavor, because I’ve been influenced by all this. I will always think, if there is a scene, I will always have him in mind. Even in Slumdog Millionaire… [My performance in Slumdog Millionaire] is very animated, it’s very flamboyant. That influence always works when I’m doing those kinds of roles. There are certain times when I’m slightly larger than life and animated, still in control and still looking natural, and not looking like a buffoon, and not looking caricaturish. Still looking real. I think some way it is the influence of Charlie Chaplin. And even if I can achieve one percent or two percent of what he has achieved in this life in terms of art, in terms of what he has done, I’ll feel pretty fulfilled. When I try to do stuff which he has done, a little bit here and there, then I realize what a great man he was, and what a great character he was, and what he accomplished. Very, very difficult. I heard that he would rehearse for hours and days for every punch. For every punch. And there are times when I’m doing my films, I say, “Let’s copy this punch on this film.” And we could never get it. We just couldn’t get it."

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Black Widow (2021)
Black Widow (2021)
2021 | Action
After the MCU rounded up with Endgame I was having Marvel fatigue, I had my issues with the Spider-man movie, and I haven't been thrilled by the TV series that we've been getting on Disney+. I had managed to avoid most of the Black Widow coverage until getting back to the cinema, but even seeing the trailer on the big screen didn't get me pumped for it.

Natasha Romanoff is on the run... rewind the MCU a bit... Black Widow is on the run after the incident with the Sokovia accords. While she's on the move (and somehow invisible to detection despite being an Avenger... on the run) her past catches up with her, and after an awkward family reunion, they have to work together to rectify the mistakes of the past.

So how did this next outing in the MCU go down?

I wasn't mad about, or at, it. It nicely aligned itself with its position in the universe in a way that didn't feel too forced, and finally getting the history that the previous films alluded to... well, it was about time. I was surprised how well it managed to condense her story down and still manage to give enough to help it flow. I'm not sure it's the story I was expecting, or necessarily hoped for, but it was good. (I had assumed that we would be getting more about the inside of the Red Room, and not the results of it on the older recruits.)

Johansson gave a solid performance as you'd expect, she's perfected the role over the years and this performance sat well within the character she'd already developed. But what about the other cast members?

MVP for me was Florence Pugh as Yelena. A little frustrating for me to say, but I said it. The sisterly bond with Natasha was there in spades and she managed to grasp the emotion of the family moments so well. And her comedic timing with the sharp script was magnificent. I was delighted every time I saw her on the screen.

Playing Natasha and Yelena's parents are David Harbour and Rachel Weisz. An amusing pairing, with a very opposites attract kind of vibe. Alexie (Harbour) seems to change a lot from the historical points, and he also gets the comical treatment too, but in a more over the top way than Yelena. He had his moments, though I'm not sure it all landed. Weisz plays Melina, a straight-laced scientist/spy. Together they make an interesting team, but I'm not convinced that Melina would have stood up without Alexie.

My only problem with the case? Sometimes I found it a little jarring hearing those accents. Sure, it's nice to have a big recognisable cast, but listening to those accents from people you know really well from other things was continually off-putting.

I was thankful when the story started to pick up a bit. The beginning felt like a bit of a slog, and I was starting to lose hope. Looking back on it, 2 hours 13 minutes is a lot for what happened. It could easily have tightened up a bit and come in at around 2 hours. (And on the other end of the film, though completely separate to the run time... why put the credit scene right at the end?!)

The benefit of this film when it came to effects is that there was very little out of the ordinary that needed to be done. That meant that everything looked good on screen. I honestly didn't spot anything that stuck out like a sore thumb... or a Thanos henchman... that seems more appropriate given the film's universe. The studio have got CGI down to a fine art at this point.

As I said above, Black Widow gave a nice story to the character, and I can't help but think that they could have given her this before now, and not kicked her out into the sidelines behind the male superheroes. (Well, apart from Hawkeye, poor bugger.) I'm not bothered about seeing this again, which is odd for me as I will usually try and see a Marvel in 3D too. Even odder, because it's basically all that's on at my cinema right now. But I don't feel like I need to go back to try and spot things to link to other films. It feels very inconsequential at this point and, while I enjoyed it, a bit of a letdown.

Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/black-widow-movie-review.html