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LoganCrews (2861 KP) rated The Golden Compass (2007) in Movies
Sep 20, 2020
Just nukes the ever-loving fuck out of the book. To turn a pretty bloody and challenging series into this hyperincompetent snooze of shit storytelling, genre rehashing, and violently diluted themes (or what's left of them, if anything) should have been criminalized on arrival. Find me anyone who can tell me what the plot of this is or why anything in it happens, this is 𝘛𝘩𝘦 𝘋𝘢 𝘝𝘪𝘯𝘤𝘪 𝘊𝘰𝘥𝘦 of crummy children's fantasy flicks (which were the 2000s answer to the dull, samey YA craze of the 2010s). Oh and those Academy Award winning effects? They're fucking ghoulish. The production is nice but how anyone could think this mess of badly-aged animation and awful greenscreen work looks good is far beyond me. The armored polar bears were pretty dope though, and this wakes up a bit in the weird 15 minutes where a group of crazy institution fanatics start experimenting on children out in like the middle of the arctic for no real reason lmao. But otherwise absolutely not, no thank you.
BankofMarquis (1832 KP) rated Hamilton (2020) in Movies
Jul 5, 2020
Captures the power of being in "the room where it happens"
I'll just cut to the chase, the filmed version of the mega-hit stage musical HAMILTON (now streaming on Disney+) is terrific. If you are one of the few that have not seen this, check it out - you'll be glad you did.
I could go on and on about the Pulitzer-Prize winning show, the script, the music, the performances and/or the cross-cultural casting - all of which works to perfection, but what separates this film from the other hit Broadway shows that are converted to film is how well that the filmmakers were able to translate the power of being inside the theater during a live performance of this show.
Credit, of course, needs to go to the visionaries responsible for this show, creator/writer/star Lin-Manuel Miranda and Director Thomas Kail. They realized pretty early on (when the show was becoming the phenomenon that it has become) that they wanted to preserve this event for future generations, so started making plans to film the show - in High Def - with an audience and without an audience (for close-ups). In June 2016, about a month before the original cast started leaving the show (and right after the show won 11 Tony Awards), they spent $10 million to capture the show - with live audiences on Sunday and Tuesday and then spent the rest of Sunday night and all day Monday doing close-ups and crane shots to augment the action.
The results are outstanding. The wide-shots show the breadth of the production - showing the strong, Tony Award winning choreography by Andy Blankenbuehler, the unique, minimal and highly versatile set, the Tony Award winning costumes by Paul Tazewell and the Lighting Design that earned Howell Blinkley a Tony. All of these are showcased in this film - special note should be made about the Lighting that needed to be tweaked on the spot for the filming.
As for the close-ups, they showcase the wry smile and comedic delight that Tony winner Daveed Diggs shows in his roles as Lafayette/Jefferson, the power and sorrow of Tony Award winner Renee Elise Goldsberry - her spotlight number SATISFIED is as "perfect" a musical number as you will ever see. The powerful acting of Leslie Odom, Jr. as Aaron Burr (who won the Tony as Best Actor over Lin-Manuel's performance as Hamilton) as well as terrific supporting turns by the likes of Anthony Ramos (Lawrence/Phillip), Chris Jackson (showing real leadership as George Washington) and Okieriete Onaodwoan as Hercules Mulligan (one of my absolute favorite characters in this show)./James Madison.
Special note should be made to Jonathan Groff's portrayal of King George III - it is, basically, a cameo role, but he is filmed with such tight close-ups (showing spittle rolling down has chin as he sings) that marvelously juxtaposes King George's real emotions with that of the words he is speaking.
But, of course, the real star is Lin-Manuel Miranda - the genius creative force behind Hamilton. Interestingly enough, I thought his performance was the weakest of the lead cast (don't get me wrong, he was still excellent - just not "as excellent" as some of the others). His true vision, of course, was to tell the story of "the people of that era" as told by "the people of our era".
That is the true genius of Hamilton.
Letter Grade: A+
10 stars out of 10 (can I turn this up to 11)?
I could go on and on about the Pulitzer-Prize winning show, the script, the music, the performances and/or the cross-cultural casting - all of which works to perfection, but what separates this film from the other hit Broadway shows that are converted to film is how well that the filmmakers were able to translate the power of being inside the theater during a live performance of this show.
Credit, of course, needs to go to the visionaries responsible for this show, creator/writer/star Lin-Manuel Miranda and Director Thomas Kail. They realized pretty early on (when the show was becoming the phenomenon that it has become) that they wanted to preserve this event for future generations, so started making plans to film the show - in High Def - with an audience and without an audience (for close-ups). In June 2016, about a month before the original cast started leaving the show (and right after the show won 11 Tony Awards), they spent $10 million to capture the show - with live audiences on Sunday and Tuesday and then spent the rest of Sunday night and all day Monday doing close-ups and crane shots to augment the action.
The results are outstanding. The wide-shots show the breadth of the production - showing the strong, Tony Award winning choreography by Andy Blankenbuehler, the unique, minimal and highly versatile set, the Tony Award winning costumes by Paul Tazewell and the Lighting Design that earned Howell Blinkley a Tony. All of these are showcased in this film - special note should be made about the Lighting that needed to be tweaked on the spot for the filming.
As for the close-ups, they showcase the wry smile and comedic delight that Tony winner Daveed Diggs shows in his roles as Lafayette/Jefferson, the power and sorrow of Tony Award winner Renee Elise Goldsberry - her spotlight number SATISFIED is as "perfect" a musical number as you will ever see. The powerful acting of Leslie Odom, Jr. as Aaron Burr (who won the Tony as Best Actor over Lin-Manuel's performance as Hamilton) as well as terrific supporting turns by the likes of Anthony Ramos (Lawrence/Phillip), Chris Jackson (showing real leadership as George Washington) and Okieriete Onaodwoan as Hercules Mulligan (one of my absolute favorite characters in this show)./James Madison.
Special note should be made to Jonathan Groff's portrayal of King George III - it is, basically, a cameo role, but he is filmed with such tight close-ups (showing spittle rolling down has chin as he sings) that marvelously juxtaposes King George's real emotions with that of the words he is speaking.
But, of course, the real star is Lin-Manuel Miranda - the genius creative force behind Hamilton. Interestingly enough, I thought his performance was the weakest of the lead cast (don't get me wrong, he was still excellent - just not "as excellent" as some of the others). His true vision, of course, was to tell the story of "the people of that era" as told by "the people of our era".
That is the true genius of Hamilton.
Letter Grade: A+
10 stars out of 10 (can I turn this up to 11)?
Peter Shephard (2821 KP) rated Astroforce: The Dice Game in Tabletop Games
May 6, 2021
"Astroforce: The Dice Game is a reimplementation of Carl White's award winning print and play game: Star Trek: The Dice Game."
But it is much more than just that. The rules are simple, the gameplay is diverse, and it is actually challenging! As with many Dice roller games, there is an element of luck, but there is also a huge element of strategy - do you want to tie a Die up for a few turns to unlock a special ability, or will that one die make or break your next turn?
You decide your difficulty level, whether its a 3 or 5 year mission, and head to the stars. Your FtL fuel is preset by the mission/ease, and if you fail to complete the mission in that many turns, you fail! Failure is bad, but it is a learning curve.
My only minor issue is that the markers for completing the missions' tasks are slightly too large for the text (or the text is slightly too small). It would also have been awesome to have 2/3 layer card ships (to prevent Dice running away), but its not critical.
But it is much more than just that. The rules are simple, the gameplay is diverse, and it is actually challenging! As with many Dice roller games, there is an element of luck, but there is also a huge element of strategy - do you want to tie a Die up for a few turns to unlock a special ability, or will that one die make or break your next turn?
You decide your difficulty level, whether its a 3 or 5 year mission, and head to the stars. Your FtL fuel is preset by the mission/ease, and if you fail to complete the mission in that many turns, you fail! Failure is bad, but it is a learning curve.
My only minor issue is that the markers for completing the missions' tasks are slightly too large for the text (or the text is slightly too small). It would also have been awesome to have 2/3 layer card ships (to prevent Dice running away), but its not critical.
Awix (3310 KP) rated The Bodyguard (2016) in Movies
Sep 20, 2020
Stately mixture of sentimental drama and bus-pass-bad-ass martial arts movie. Ding (Hung), a fat old man suffering from dementia, is befriended by the perky young daughter of a crook. When his various hi-jinks place her in danger from gangsters, Ding finds his award-winning kung fu skills are still there when he needs them.
The film may be a plea for consideration for dementia sufferers, but nobody watches it for that reason: people watch it for the sight of an obese man in his sixties battering the living daylights out of much younger stuntmen (much like every other recent Sammo Hung vehicle). However, the action sequences, though decent, are a long time coming, and most of the rest of the film is a slow-moving and sentimental melodrama which doesn't quite hit the spot despite decent performances from Sammo and Jacqueline Chan. (The tonal mismatch between all this and the bone-crunching, throat-slitting nature of the gangster scenes is considerable.) Fans of the big man may find this enjoyable enough to persevere with, but it's probably too slow and weird for everyone else.
The film may be a plea for consideration for dementia sufferers, but nobody watches it for that reason: people watch it for the sight of an obese man in his sixties battering the living daylights out of much younger stuntmen (much like every other recent Sammo Hung vehicle). However, the action sequences, though decent, are a long time coming, and most of the rest of the film is a slow-moving and sentimental melodrama which doesn't quite hit the spot despite decent performances from Sammo and Jacqueline Chan. (The tonal mismatch between all this and the bone-crunching, throat-slitting nature of the gangster scenes is considerable.) Fans of the big man may find this enjoyable enough to persevere with, but it's probably too slow and weird for everyone else.
Merissa (11805 KP) rated Winning Her (Perfect Stats #1) in Books
Apr 28, 2020
Winning Her is the first book in the Perfect Stats series and we focus on Bane and Dahl, both African-Americans and successful in their own ways. Bane is frustrated because he is blocked by the owner and the coach at the club he works for and constantly feels like he needs to be prepared for the chop. Dahl is an award-winning chef with plenty of TV shows and books behind her. At this point, she is helping her cousin with her restaurant in a vain attempt to keep it afloat.
Now, hold onto your hats, because there is LOT that goes on in this book. I'm still not actually sure when Bane crosses the line of wanting to get back at his ex-wife and just wanting her. I'm also not sure about a lot of went on in this book simply because there is so much. You have all the intrigue of the sports world, the cooking/baking world, drop-beat cousins, cheating cousins, a stalker nanny, (another) ex-wife and her anchor job, and a custody case - to name just a few 'themes' in this story. Due to this, it took me a while to get into it because I just couldn't figure out what was going on!
Once I got into it, I did enjoy the story but I had to work at it. I thoroughly enjoyed the ending and would love to know more about Warner. As for Bane and Dahl, I liked them but found the whole thing a bit too confusing for my tastes.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, hold onto your hats, because there is LOT that goes on in this book. I'm still not actually sure when Bane crosses the line of wanting to get back at his ex-wife and just wanting her. I'm also not sure about a lot of went on in this book simply because there is so much. You have all the intrigue of the sports world, the cooking/baking world, drop-beat cousins, cheating cousins, a stalker nanny, (another) ex-wife and her anchor job, and a custody case - to name just a few 'themes' in this story. Due to this, it took me a while to get into it because I just couldn't figure out what was going on!
Once I got into it, I did enjoy the story but I had to work at it. I thoroughly enjoyed the ending and would love to know more about Warner. As for Bane and Dahl, I liked them but found the whole thing a bit too confusing for my tastes.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Suswatibasu (1701 KP) rated I am, I am, I am: Seventeen Brushes with Death in Books
Jan 12, 2018
Moving, harrowing, well-written
I Am, I Am, I Am is a memoir by award-winning British author, Maggie O'Farrell. It is subtitled Seventeen Brushes With Death, and in describing these (mostly, but not exclusively, her own) experiences, O'Farrell also, of course, shares many other important moments of her life. As well as describing the situation that led to them, the physical effects they had on her and those close to her, she also notes the change in attitude they caused.
There is a deep sense of violence faced by a woman's body, which is apparent in her experiences. She describes near misses with vehicles, a mugging, juvenile encephalitis, the birth of her first child, near drownings, a knife-throwing act, dysentery-induced dehydration, and an encounter with a murderer.
The section about her miscarriages is deeply moving. She questions why it isn't discussed and why it is given little exposure. She explains how mothers end up feeling isolated because of the little care given to those who have experienced it. Her voice and pain shines through at this particular point.
As with her fiction, O'Farrell’s prose is often exquisite. This is a privileged peek into the life of an amazing author, a moving and fascinating read.
There is a deep sense of violence faced by a woman's body, which is apparent in her experiences. She describes near misses with vehicles, a mugging, juvenile encephalitis, the birth of her first child, near drownings, a knife-throwing act, dysentery-induced dehydration, and an encounter with a murderer.
The section about her miscarriages is deeply moving. She questions why it isn't discussed and why it is given little exposure. She explains how mothers end up feeling isolated because of the little care given to those who have experienced it. Her voice and pain shines through at this particular point.
As with her fiction, O'Farrell’s prose is often exquisite. This is a privileged peek into the life of an amazing author, a moving and fascinating read.
Billie Wichkan (118 KP) rated The Nowhere Child in Books
Mar 14, 2019
Kimberley Leamy lives in Melbourne, Australia is shocked when a man approaches her while at the college where she teaches photography. He claims that she is his sister, Sammy who had been abducted when she was two years old from Manson Kentucky USA. Stuart Went gives her irrefutable evidence as to who she really is.
The Nowhere Child is the first novel by award-winning Australian author, Christian White.
This just an amazing and powerful debut novel. Such an amazing twist on the missing child genre. This is a dark, intense and somewhat chilling psychological thriller. The author has managed to weave a dark, intense and somewhat chilling psychological thriller filled with a number of different emotional themes throughout. With all of this combined it makes for an emotional, suspense filled explosive novel.
This wonderful new author cleverly weaves the past and present so clearly and has packed so much emotion into this novel. I love how the pace of the novel flows and how the characters develop throughout.
The ending of the book is just so unexpected and I can only hope we see more to come from this author.
Thank you to Netgalley and HarperCollins for an ARC copy of this book
The Nowhere Child is the first novel by award-winning Australian author, Christian White.
This just an amazing and powerful debut novel. Such an amazing twist on the missing child genre. This is a dark, intense and somewhat chilling psychological thriller. The author has managed to weave a dark, intense and somewhat chilling psychological thriller filled with a number of different emotional themes throughout. With all of this combined it makes for an emotional, suspense filled explosive novel.
This wonderful new author cleverly weaves the past and present so clearly and has packed so much emotion into this novel. I love how the pace of the novel flows and how the characters develop throughout.
The ending of the book is just so unexpected and I can only hope we see more to come from this author.
Thank you to Netgalley and HarperCollins for an ARC copy of this book
Sassy Brit (97 KP) rated In the Mouth of the Wolf in Books
Jun 5, 2019
In this short book, “In the Mouth of the Wolf” , we’re privy to fascinating insights into the life of children’s fiction author Michael Morpurgo’s Uncle Francis who narrates in the first person at the age of ninety years, reminiscing about his life. It is a heartfelt TRUE story (hence the reason why this has made into my non-fiction category over at Goodreads) and one that is aimed at kids and young adults, but adults will get plenty from this, too.
The artwork within is tremendously well-done by award-winning artist Barroux, and set against a backdrop of World War Two. You’ll find it packs an emotion punch, whilst being a fast-paced read filled with outstanding wartime courage and love. Brotherly love, too.
What a treat this was to discover, since it reads like an fictional story, yet has some intriguing, real people pictures at the back of the book, so you can meet the real characters of these true events. It’s no wonder Morpurgo is such a talented storyteller if he’s heard family stories like this.
In fact, this is such a lovely story, it brought tears to my eyes on more than on occasion. Damn you, Micheal Morpurgo and your wonderfully tear-inducing story-telling skills!
The artwork within is tremendously well-done by award-winning artist Barroux, and set against a backdrop of World War Two. You’ll find it packs an emotion punch, whilst being a fast-paced read filled with outstanding wartime courage and love. Brotherly love, too.
What a treat this was to discover, since it reads like an fictional story, yet has some intriguing, real people pictures at the back of the book, so you can meet the real characters of these true events. It’s no wonder Morpurgo is such a talented storyteller if he’s heard family stories like this.
In fact, this is such a lovely story, it brought tears to my eyes on more than on occasion. Damn you, Micheal Morpurgo and your wonderfully tear-inducing story-telling skills!
tapestry100 (306 KP) rated Angel Catbird, Volume 1 in Books
Aug 2, 2017
This is an unfortunate disappointment for me. I haven't read much of Atwood, but I'm familiar with her and her significance as an author so I was more than intrigued by the idea of a graphic novel written by her. Well, imagine my disappointment in what she gave us: from her rather self-serving foreword, where in the first paragraph she reminds us that she is “an award-winning nice literary old lady” and then goes on to great lengths about her lifelong interest in comics, to the flat story that is nothing but one overused superhero trope and bad pun after another, to the lackluster art (sorry, but Johnnie Christmas' art just didn't save this enough for me), to the interjected facts about the number of cat and bird deaths in Canada, the US, and the UK that occur each year, I was shocked that this got published. I would assume that had anyone other that Margaret Atwood presented this project, it would have been shot down. This is nothing to me but a vanity project and one that I just can't see myself continuing. The only reason I can't give it 1 star is because it is Margaret Atwood, after all, and it seems sacrilegious to do so.
Whatchareadin (174 KP) rated The Year We Turned Forty in Books
Apr 9, 2019
Claire, Jessie, and Gabriella have been friends for many years. They all have birthdays around the same time and they always celebrate together. On their 50th birthday, they decide to spend it in Vegas. The first night is Claire's birthday and they visit a magician who gives them an offer they can't refuse, or can they? They can go back to this same night 10 years prior to Claire's 40th birthday and make changes in their lives. But the changes they make won't affect just them. Will they take the offer, or leave it and continue to live their lives?
Seeing as this is the year that I turn 40, I was intrigued by this book. If I had the opportunity to go back in time and relive a year of my life, would I do it? I think that I would. I don't think that I would think twice about it. There are a lot of things I would like to change about the past, and having the ability to do so, sounds great.
For Claire, Jessie and Gabriella, they have some serious issues to get through and see if they can't fix the second time around. From the death of a parent, to an award winning career and an affair, will going back in time make things different in this new life? Will things be better or worse?
Seeing as this is the year that I turn 40, I was intrigued by this book. If I had the opportunity to go back in time and relive a year of my life, would I do it? I think that I would. I don't think that I would think twice about it. There are a lot of things I would like to change about the past, and having the ability to do so, sounds great.
For Claire, Jessie and Gabriella, they have some serious issues to get through and see if they can't fix the second time around. From the death of a parent, to an award winning career and an affair, will going back in time make things different in this new life? Will things be better or worse?