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Stronger Than Longing (Chesapeake Days #3)
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Return to small-town Chesapeake and fall in love with the single-dad bad boy who keeps breaking...
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Bode Harlan has never claimed to be a good guy, but he’s trying to keep his nose clean and his...
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Sometimes surrender turns into victory… Forced to be the sex slave of an alien warrior,...
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Sarah (7798 KP) rated The Witches (2020) in Movies
Mar 6, 2021
Not a patch on the original
The Witches is a 2020 retelling of the Roald Dahl children’s story, from director Robert Zemeckis. Remakes and reboots have been commonplace in the movies for quite some time, so it’s no surprise that The Witches has been given a Hollywood makeover, especially as it has been 30 years since the original film adaptation was released in 1990. I will readily admit that the original film is a childhood favourite, so this remake has very big shows to fill.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
Leigh J (71 KP) rated A Serbian Film (2010) in Movies
Nov 8, 2019
Be Prepared to Cry...
Contains spoilers, click to show
Milos is a successful Porn Star who is now retired with a small Family of a Wife and little Boy. As with any Family, they have everyday expenses that are soon racking up and eating into what little savings they have left. In need of cash, Milos meets up with an old friend and Co-Worker, who tells him about a new Director in the Industry who wants to work with Milos. Milos of course seizes this opportunity, and goes to meet with the Director in question, Vukmir.
Vukmir, it turns out, is eccentric to say the least, and offers Milos an amount that would set his Family up financially for the rest of their lives... on the condition that Milos comes, has sex with whomever (or whatever) and then leaves. Milos signs, thinking "how bad can it be?!"... yeah, BAD idea. His first job with Vukmir turns out to be in an abandoned Orphanage, recieving Oral Sex from a Woman, whilst he is forced to watch a young girl eating a Lolly on multiple screens. Distressed and wierded out by his first job, Milos confronts Vukmir about what type of Movies he's actually doing... to which Vukmir shows him an abhorrent "Movie" that leaves Milos understandably sick to his stomach, and extremely distressed that he has entered into work with this type of person. Milos decides to try and leave the business again, disgusted by what he's seen, but Vukmir hasn't finished with Milos, or his Family, yet. And what he has in mind for Milos to do next is going to possibly destroy Milos and his Family forever...
I'd just like to make a point before I go on that A Serbian Film is a Drama, and is not intended to be a Horror at all. It's regularly dumped into the Horror genre, and there are definitely some scenes us Horror fans can appreciate, but I believe this Movie really is a Drama and should be watched as such. I personally liked Milos and his little Family, and felt incredibly saddened that this was happening to them. The end made me ugly cry, it's an extremely tragic Movie.
Ignore all the hype around ASF, and just watch it for the tense, shocking, heartbreaking Drama that is truly is. The scenes that are horrible are put across as such, and are put across to be the vile and cruel situations that they are (there's a lot of hype around these scenes... normally from people who've never even seen the Movie) and the plot speaks volumes about the politics in Serbia, how the poor are treated and what lengths people will go to to provide for themselves and/or their families. You've been warned, but give it a watch. It's the Drama to end all Dramas.
Vukmir, it turns out, is eccentric to say the least, and offers Milos an amount that would set his Family up financially for the rest of their lives... on the condition that Milos comes, has sex with whomever (or whatever) and then leaves. Milos signs, thinking "how bad can it be?!"... yeah, BAD idea. His first job with Vukmir turns out to be in an abandoned Orphanage, recieving Oral Sex from a Woman, whilst he is forced to watch a young girl eating a Lolly on multiple screens. Distressed and wierded out by his first job, Milos confronts Vukmir about what type of Movies he's actually doing... to which Vukmir shows him an abhorrent "Movie" that leaves Milos understandably sick to his stomach, and extremely distressed that he has entered into work with this type of person. Milos decides to try and leave the business again, disgusted by what he's seen, but Vukmir hasn't finished with Milos, or his Family, yet. And what he has in mind for Milos to do next is going to possibly destroy Milos and his Family forever...
I'd just like to make a point before I go on that A Serbian Film is a Drama, and is not intended to be a Horror at all. It's regularly dumped into the Horror genre, and there are definitely some scenes us Horror fans can appreciate, but I believe this Movie really is a Drama and should be watched as such. I personally liked Milos and his little Family, and felt incredibly saddened that this was happening to them. The end made me ugly cry, it's an extremely tragic Movie.
Ignore all the hype around ASF, and just watch it for the tense, shocking, heartbreaking Drama that is truly is. The scenes that are horrible are put across as such, and are put across to be the vile and cruel situations that they are (there's a lot of hype around these scenes... normally from people who've never even seen the Movie) and the plot speaks volumes about the politics in Serbia, how the poor are treated and what lengths people will go to to provide for themselves and/or their families. You've been warned, but give it a watch. It's the Drama to end all Dramas.
Haley Mathiot (9 KP) rated Lockdown (Escape from Furnace, #1) in Books
Apr 27, 2018
<b> My summary: </b> Alex was like any other boy. Go to school, hang out with his group, and control the monkey bars. But when he started stealing, his life changed for the worse. Out of nowhere, his best friend is murdered, and he is framed for it. he is sent to the child prison: a Hell hole. Worse than Hell. Furnace. When he’s there, he is disgusted with the way people live. Kids do hard labor like chipping rock. Gangs kill kids. and he isn’t the only innocent person who was framed. But there’s no hope of escape. Nobody can escape furnace. Or at least, that’s what they all say. <i> But that’s only because nobody ever has… </i>
<b> What I felt: </b> Personally, the first time I looked at the cover, I found it just a little disturbing. I thought “eh, I doubt very seriously I’ll like that book. But hey—they want to send me a free book? I’ll take a free book.” So no, I didn’t really like the cover. They could have done much better, either artistically or graphically or even with the colors. But that’s just me as an artist and a girl :D so I did judge it. boy was that a mistake.
The first sentence of this book seemed to grab me by the neck: “If I stopped running, I was dead.” From there, the entire book held me and wouldn’t let me go, from that first sentence to the very end. In fact, it held me after the end, too. I distinctly remember my blood racing, heart beating, sweating, adrenalin searing through my veins while I read this book! It was breathtaking and riveting to the last word. And even after the last word. I sat there, staring at the blank page, gasping and panting like a dog from lack of oxygen from reading a book. (that doesn’t happen very often, people.)
<b> Characters: </b> The characters in this book were very relatable. They weren’t super people, they were real. They handled the horrific experiences of Furnace the same way I would have—screaming in their sleep, crying, throwing up from the horrors.
<b> Writing: </b> the writing was very good—not one of those books where the author just says what he wants to say. Alexander Gordon Smith followed my creative writing teachers’ first rule: Show, don’t tell. It was an amazing thing to read, the language was very full in vocabulary, and it had good prose. There wasn’t any really bad foul language either, like some of the other teen books I’ve been reading lately.
Recommendation: this book is a thriller, not a horror book, even though it’s mildly graphic (mildly. Not really that bad. Descriptive enough to be kinda gross at times… but hey, it could be just because I’m a girl.). It’s not the most horrific book I’ve ever read, but it’s certainly not for an eight-year-old. Personally I’d recommend it for anyone fourteen and up (but that’s just me).
Here is a link for a giveaway for this book! http://haleymathiot.blogspot.com/2009/09/win-lockdown.html
<b> What I felt: </b> Personally, the first time I looked at the cover, I found it just a little disturbing. I thought “eh, I doubt very seriously I’ll like that book. But hey—they want to send me a free book? I’ll take a free book.” So no, I didn’t really like the cover. They could have done much better, either artistically or graphically or even with the colors. But that’s just me as an artist and a girl :D so I did judge it. boy was that a mistake.
The first sentence of this book seemed to grab me by the neck: “If I stopped running, I was dead.” From there, the entire book held me and wouldn’t let me go, from that first sentence to the very end. In fact, it held me after the end, too. I distinctly remember my blood racing, heart beating, sweating, adrenalin searing through my veins while I read this book! It was breathtaking and riveting to the last word. And even after the last word. I sat there, staring at the blank page, gasping and panting like a dog from lack of oxygen from reading a book. (that doesn’t happen very often, people.)
<b> Characters: </b> The characters in this book were very relatable. They weren’t super people, they were real. They handled the horrific experiences of Furnace the same way I would have—screaming in their sleep, crying, throwing up from the horrors.
<b> Writing: </b> the writing was very good—not one of those books where the author just says what he wants to say. Alexander Gordon Smith followed my creative writing teachers’ first rule: Show, don’t tell. It was an amazing thing to read, the language was very full in vocabulary, and it had good prose. There wasn’t any really bad foul language either, like some of the other teen books I’ve been reading lately.
Recommendation: this book is a thriller, not a horror book, even though it’s mildly graphic (mildly. Not really that bad. Descriptive enough to be kinda gross at times… but hey, it could be just because I’m a girl.). It’s not the most horrific book I’ve ever read, but it’s certainly not for an eight-year-old. Personally I’d recommend it for anyone fourteen and up (but that’s just me).
Here is a link for a giveaway for this book! http://haleymathiot.blogspot.com/2009/09/win-lockdown.html
Elizabeth (1521 KP) rated The Alchemist in Books
Apr 24, 2019
I struggled through the first half of the book. It wasn't bad, just not what I was expecting after all of the positive reviews I'd heard or following an interview I had seen with Paulo Coelho that had me intrigued.
Despite my apprehension, I kept reading and I'm glad I did. Once the boy set out on his adventure and began to learn and understand the language of the world, I understood what all the fuss was about. This is one of those books, that if read at the right time in your life, can have a profound impact. I found myself bookmarking every other page at one point, for some pearl of wisdom or a lesson that I had only recently learned myself and held so much relevance in my life.
I can relate to the boy because I feel like I'm on a similar sort of journey right now, learning the same lessons about life and being open and aware of what it is trying to tell us. It is not always easy to listen to our hearts or follow our dreams. Many of us go through life like the shopkeeper, holding on to our dreams to motivate us to get through the mundane lives we live, but never having the courage to go after them for fear of having nothing left to live for once the dream is reached or perhaps even fear of failure.
Even after I got past the first half, I took my time reading, letting the words sink in. Too often, I fly through books and months later if someone asks me about a particular scene I have trouble recalling it. I wanted to retain what I was reading. And for the first time in my life I wanted to buy the book just so that I could highlight passages and make notes in the margins. I had always thought of this as defamation before, like it was a sacrilege to mark up a book like that.
I would recommend this book to anyone that is feeling like there has to be more to life; someone who feels the potential of their destiny but is at a loss as to how to achieve it. The book doesn't have all of the answers, but it helps you understand that the only thing truly standing in your way is you.
Despite my apprehension, I kept reading and I'm glad I did. Once the boy set out on his adventure and began to learn and understand the language of the world, I understood what all the fuss was about. This is one of those books, that if read at the right time in your life, can have a profound impact. I found myself bookmarking every other page at one point, for some pearl of wisdom or a lesson that I had only recently learned myself and held so much relevance in my life.
I can relate to the boy because I feel like I'm on a similar sort of journey right now, learning the same lessons about life and being open and aware of what it is trying to tell us. It is not always easy to listen to our hearts or follow our dreams. Many of us go through life like the shopkeeper, holding on to our dreams to motivate us to get through the mundane lives we live, but never having the courage to go after them for fear of having nothing left to live for once the dream is reached or perhaps even fear of failure.
Even after I got past the first half, I took my time reading, letting the words sink in. Too often, I fly through books and months later if someone asks me about a particular scene I have trouble recalling it. I wanted to retain what I was reading. And for the first time in my life I wanted to buy the book just so that I could highlight passages and make notes in the margins. I had always thought of this as defamation before, like it was a sacrilege to mark up a book like that.
I would recommend this book to anyone that is feeling like there has to be more to life; someone who feels the potential of their destiny but is at a loss as to how to achieve it. The book doesn't have all of the answers, but it helps you understand that the only thing truly standing in your way is you.
Phil Leader (619 KP) rated IA: Union (IA #3) in Books
Nov 15, 2019
With great power comes great responsibility. That's particularly true of Naz, a boy who has been given amazing mental and physical abilities thanks the the unorthodox, controversial and groundbreaking training given by his genius father.
Initially keen to use his powers to find and punish those responsible for his sister's death, he soon doubts both his motives and abilities. Together with his best friend Harvis they plot to be removed from the prestigious International Academy and return to their former friends - and enemies - at Union High School in the Exclave.
Things start to settle down for both of them and Naz is able to rekindle his relationship with the equally mysterious D, but just as daily life starts to get comfortable, his world is turned upside down, his abilities making him, and those around him, the subject of unwanted attention. Despite his reluctance he must face danger and use his powers to save them.
There are so many good things about not only this third instalment of the IA series but the series as a whole. The first is Naz, a very well developed character who is believable despite his incredible powers. His very human self-doubt and reluctance to be anything other than just one of the crowd make him a very interesting hero. In this book in particular it is up to others like Harvis or D to actually persuade him that he needs to do the right thing and help him along.
The school setting is also a very big plus, with all of the good and bad parts of school life present. The first half of the book spends time building up the description of Union as well as showing at, at the end of the day, Naz is just a teenage boy with all of the troubles and insecurities that can bring.
What is impressive is that even here in the third book both the reader and Naz are still discovering exactly what his abilities and past mean. Like a carefully constructed onion each book has removed layer after layer, revealing conspiracies and conflicting motives of those around Naz.
Each book goes from strength to strength (as does Naz). There really aren't many 'young adult' books that engage and involve as well as the IA series. It is something very special indeed.
Initially keen to use his powers to find and punish those responsible for his sister's death, he soon doubts both his motives and abilities. Together with his best friend Harvis they plot to be removed from the prestigious International Academy and return to their former friends - and enemies - at Union High School in the Exclave.
Things start to settle down for both of them and Naz is able to rekindle his relationship with the equally mysterious D, but just as daily life starts to get comfortable, his world is turned upside down, his abilities making him, and those around him, the subject of unwanted attention. Despite his reluctance he must face danger and use his powers to save them.
There are so many good things about not only this third instalment of the IA series but the series as a whole. The first is Naz, a very well developed character who is believable despite his incredible powers. His very human self-doubt and reluctance to be anything other than just one of the crowd make him a very interesting hero. In this book in particular it is up to others like Harvis or D to actually persuade him that he needs to do the right thing and help him along.
The school setting is also a very big plus, with all of the good and bad parts of school life present. The first half of the book spends time building up the description of Union as well as showing at, at the end of the day, Naz is just a teenage boy with all of the troubles and insecurities that can bring.
What is impressive is that even here in the third book both the reader and Naz are still discovering exactly what his abilities and past mean. Like a carefully constructed onion each book has removed layer after layer, revealing conspiracies and conflicting motives of those around Naz.
Each book goes from strength to strength (as does Naz). There really aren't many 'young adult' books that engage and involve as well as the IA series. It is something very special indeed.
