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RəX Regent (349 KP) rated Bad Boys II (2003) in Movies
Feb 25, 2019
What ya gonna do
this time?
Contains spoilers, click to show
Whilst the first outing of the Bad Boys shocked me by how good it actually was, this one left me a little disappointed. I was hardly expecting an Oscar winning deal here, as this was always going to be a Michael Bay adrenalin rush, but for a film with a two and a half hour running time, the adrenalin came in too short a bursts.
Bad Boys was Bay's first film and was but a taster of his over the top film making, which first arrives in The Rock a year afterwards, but this made eight years later was obviously going to take this to the next level, if not several levels further than that. But to me, it didn't. Granted, the action was thrilling, outrageous and very enjoyable, but the character development was barely visible. They bicker, Lawrence moaned a lot and Smith was cool and likable but there was just a shell of what there should have been. The entire story, including what's left of their character dynamics are only present to set up the next great action sequence.
Then, the was the taste issue. The crux of the plot as it developed was that the drug dealing villains where using corpses to smuggle drugs, and this was used to "Comic Effect" in two major set-pieces. Though in the first, a car chase, it was black comedy as bodies came thick and fast from the back of a van to be run over by the pursuing cars, the second was pushing the boundaries in a to a more disturbing area.
A criticism levied at Michael Bay by British critic Mark Kermode has been that he is a filmmaker with "pornographic sensibilities". Not just in the literal sense, but in the way that he views everything from cars, women and explosions for example. But this was no more clearly re- enforced than in a scene about 90 minutes in, when our two 'bad boys' are searching a morgue and after pulling back the sheets on fat white guys, they reveal a large breasted young woman, who is refer to as "The Bimbo" if my memory serves. It's worrying because I don't know whether this was being played for laughs or was supposed to be a titillating shot of a well endowed woman? Is it right to show a dead woman, who looks to have been strangled to death and referred to a bimbo in a mainstream 15 certificated movie?
I don't want to sound like a prude but the tone of this and pretty much every scene with the bodies being used, seemed to be in plain Bad, BAD taste and though this humour can play well in the right genre of movie, this just simply wasn't the film to do it in, in my opinion. But, that criticism aside, my main issues are the pacing. It was just too hollow to sustain its running time and my mind was beginning to wander from time to time between the spectacular action and the few moments of decent comedy.
It just didn't have the magic of the 90′s actioner, a genre which had faded considerably by the early 2000′s, and without offering anything new besides improved action, which was worth the ticket or DVD price in its own right, or even retaining the original character of the original, this was a sequel failed to hold its own.
Bad Boys was Bay's first film and was but a taster of his over the top film making, which first arrives in The Rock a year afterwards, but this made eight years later was obviously going to take this to the next level, if not several levels further than that. But to me, it didn't. Granted, the action was thrilling, outrageous and very enjoyable, but the character development was barely visible. They bicker, Lawrence moaned a lot and Smith was cool and likable but there was just a shell of what there should have been. The entire story, including what's left of their character dynamics are only present to set up the next great action sequence.
Then, the was the taste issue. The crux of the plot as it developed was that the drug dealing villains where using corpses to smuggle drugs, and this was used to "Comic Effect" in two major set-pieces. Though in the first, a car chase, it was black comedy as bodies came thick and fast from the back of a van to be run over by the pursuing cars, the second was pushing the boundaries in a to a more disturbing area.
A criticism levied at Michael Bay by British critic Mark Kermode has been that he is a filmmaker with "pornographic sensibilities". Not just in the literal sense, but in the way that he views everything from cars, women and explosions for example. But this was no more clearly re- enforced than in a scene about 90 minutes in, when our two 'bad boys' are searching a morgue and after pulling back the sheets on fat white guys, they reveal a large breasted young woman, who is refer to as "The Bimbo" if my memory serves. It's worrying because I don't know whether this was being played for laughs or was supposed to be a titillating shot of a well endowed woman? Is it right to show a dead woman, who looks to have been strangled to death and referred to a bimbo in a mainstream 15 certificated movie?
I don't want to sound like a prude but the tone of this and pretty much every scene with the bodies being used, seemed to be in plain Bad, BAD taste and though this humour can play well in the right genre of movie, this just simply wasn't the film to do it in, in my opinion. But, that criticism aside, my main issues are the pacing. It was just too hollow to sustain its running time and my mind was beginning to wander from time to time between the spectacular action and the few moments of decent comedy.
It just didn't have the magic of the 90′s actioner, a genre which had faded considerably by the early 2000′s, and without offering anything new besides improved action, which was worth the ticket or DVD price in its own right, or even retaining the original character of the original, this was a sequel failed to hold its own.
TheDefunctDiva (304 KP) rated The Boondock Saints (1999) in Movies
Sep 26, 2017
B is for Bad A**
Contains spoilers, click to show
This entertaining action film opens with aerial views of Boston and narration of the Lord's Prayer on St. Patty's Day. Soon, we are introduced to two Irish brothers, Connor and Murphy MacManus. The terrible twosome work in a meat-packing plant: in their spare time, they slaughter evildoers. What could be better? With their black shirts, black blazers, and blue jeans, the brothers seem like Mormon missionaries gone horribly wrong.
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Time Tangle - Adventure Time
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What time is it? Time to puncha some buns! Rip it up in Time Tangle! PUNCH STUFF Oh, snaps! Finn...
Gareth von Kallenbach (980 KP) rated Safe (2012) in Movies
Aug 7, 2019
I’ve returned with another movie review for y’all and it should certainly come as no surprise Whatsoever that my review covers the latest edition to Jason Statham’s growing resume of action Movies. After 3 delays for its U.S. release, “SAFE” has finally arrived.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
Daniel Boyd (1066 KP) rated Tom Clancy's Ghost Recon Wildlands in Video Games
Jul 18, 2017
Big dumb fun!
This game made little to no splash when it was released due to being released in such a dense period, but to me, games are about having fun and Ghost Recon: Wildlands is by far the most fun that I’ve had with a game released this year. An open world full of bad guys to kill, an armory of varied weapons to kill them with and loads of different vehicles and methods of attack. This is also the best game in a while for going through and clearing out each section of a map and completing a tick list of kills and liberated areas as you go. There is an extremely high level of satisfaction felt when tagging enemies and taking them out one by one and then when you inevitably get spotted, you get to feel like Rambo mowing down waves of enemies and causing vast amounts of chaos. These moments often lead to awesome accidental set pieces involving multiple enemies, vehicles and explosions. The dialogue and the story is total garbage, but that’s not why we are here. Treat this game like you would one of the Fast & Furious movies and you will have a blast. Lastly, I’m apparently not the only one to think this, as this is the best selling game of 2017 so far at the time of this writing.
Elli H Burton (1288 KP) rated Dirty Dancing (1987) in Movies
Jun 14, 2019
Nobody puts baby in the corner
Makes me want to dance and go on holiday at Kellermans even now in 2019.
The development of both characters mix well despite rumours Jennifer Grey and Patrick Swayze did not get on off screen.
Baby is vulnerable and naive to start and with Jonny's cocky, bad boy influence she seems to grow up as the films goes, becoming a woman. At the same time Baby becomes the right influence on Jonny Castle, bringing out his good, sensitive side. This is done gradually and it doesn't go from just putting up with each other to boom let's get married without any of the in betweens which some films forget about.
The bit that got me was when he says he had a dream that her dad accepted him. This wouldn't have happened at the beginning and I felt it was the perfect way to show how much Jonny had fallen in love with baby without the need of the whole 'I love You' moment which is a big yawn after the 50th film in a chick flick'athon.
Every female should want a man like Jonny Castle and have this DVD in their collection. Also as someone who was born old, the music is fabulous, they don't make music like that anymore!
The development of both characters mix well despite rumours Jennifer Grey and Patrick Swayze did not get on off screen.
Baby is vulnerable and naive to start and with Jonny's cocky, bad boy influence she seems to grow up as the films goes, becoming a woman. At the same time Baby becomes the right influence on Jonny Castle, bringing out his good, sensitive side. This is done gradually and it doesn't go from just putting up with each other to boom let's get married without any of the in betweens which some films forget about.
The bit that got me was when he says he had a dream that her dad accepted him. This wouldn't have happened at the beginning and I felt it was the perfect way to show how much Jonny had fallen in love with baby without the need of the whole 'I love You' moment which is a big yawn after the 50th film in a chick flick'athon.
Every female should want a man like Jonny Castle and have this DVD in their collection. Also as someone who was born old, the music is fabulous, they don't make music like that anymore!
Samantha Reece (16 KP) rated An Ember in the Ashes (An Ember in the Ashes #1) in Books
Nov 13, 2018
Amazing, diverse read
To start, this novel is excellent. Sabaa Tahir’s characters are diverse. You will love some and you will hate some. Let’s start with Elias. He is the perfect soldier for the Martials. But he also has a heart unlike many at the Blackcliff Academy where he is training to be a Mask. Then, you have Laia. At first, she seems to be this weak girl, but as the novel progresses, she becomes stronger and finds herself. Next is the Commandent. She is one of those bad guys that you HATE. There is no love for this woman. She is pure evil, and you just hate her more and more every time she talks.
The plot is fresh. I have yet to read a novel close to this one. The world building is at the perfect pace through out the novel. Tahir knows how to give the reader just enough information to keep you on the edge of your seat. Tahir’s timing of when to reveal information is just perfect. I don’t want to give any examples because I don’t want to have any spoilers.
All in all, the diversity, plot, characters, and everything are just perfect in this novel. I have nothing negative to say. I couldn’t put An Ember in the Ashes down, and I cannot wait to read the next!
The plot is fresh. I have yet to read a novel close to this one. The world building is at the perfect pace through out the novel. Tahir knows how to give the reader just enough information to keep you on the edge of your seat. Tahir’s timing of when to reveal information is just perfect. I don’t want to give any examples because I don’t want to have any spoilers.
All in all, the diversity, plot, characters, and everything are just perfect in this novel. I have nothing negative to say. I couldn’t put An Ember in the Ashes down, and I cannot wait to read the next!
Merissa (12051 KP) rated Nevermore (Raven Crawford, #2) in Books
Jan 27, 2020
NEVERMORE is the second book in the Raven Crawford series and we return to Raven as she is still adjusting to what happened at the end of book 1 and the death of the Corvid Queen.
I say that some of the instances in this book are not a surprise, but then I don't think they were intended to be. What you do get is the continuation of the story, with sass and snark in handfuls, steam that melts your Kindle, and a story that just keeps getting better.
I loved how Raven is still at her dead-end job with Mike, not because it's a dead-end job but because she's still got her 'normal' life. She's still trying to pay off Robert's debts and has moved back home. This isn't anyone who has let things go to her head and even more so in this one! We get more of her family in this one, plus some more of the 'bad guys' which, to be honest, just leaves me wanting more.
The writing is on form as always, with the pacing being perfect for the story. The characters just keep on getting better and the story will have you turning the pages, unwilling to stop reading.
For a top-notch Urban Fantasy, I have no hesitation in recommending both this book and the series.
I say that some of the instances in this book are not a surprise, but then I don't think they were intended to be. What you do get is the continuation of the story, with sass and snark in handfuls, steam that melts your Kindle, and a story that just keeps getting better.
I loved how Raven is still at her dead-end job with Mike, not because it's a dead-end job but because she's still got her 'normal' life. She's still trying to pay off Robert's debts and has moved back home. This isn't anyone who has let things go to her head and even more so in this one! We get more of her family in this one, plus some more of the 'bad guys' which, to be honest, just leaves me wanting more.
The writing is on form as always, with the pacing being perfect for the story. The characters just keep on getting better and the story will have you turning the pages, unwilling to stop reading.
For a top-notch Urban Fantasy, I have no hesitation in recommending both this book and the series.
Inside the Postal Bus: My Ride with Lance Armstrong and US Postal Cycling Team
Book
"From winter training camp in California to the Tour de France "Inside the Postal Bus" offers an...
Murder on Pleasant Avenue
9.0
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When midwife Sarah and detective Frank Malloy’s friend and new partner Gino Donatelli is accused...