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Debbiereadsbook (1202 KP) rated Bad Daddy (Unexpected Daddies #3) in Books
May 8, 2021
best of the three, I reckon!
I was gifted my copy of this book direct from the author, and I thank Ms Sue very much for that!
This is book 3 in the Unexpected Daddies series, and I read book 2 AFTER this one, so you don't need to have read those two book before this one. Those guys pop up, but you don't need to have read their stories to follow Max and Caleb's.
Caleb isn't a Daddy, but he finds himself drawn to Max. Max who wants someone to cause him pain. Max who brings all kinds of feelings out of Caleb he didn't know he had. But Caleb can't hurt anyone, even if they want it.
I loved this book, I inhaled it, totally and utterly. I'm not a rereader, not at all, but I find myself unwilling to let these two go!
Caleb is atoning for his sins in a previous life. He can't hurt anyone again, even if Max is looking for that. What Caleb wants to do, is look after Max. In a way he wasn't aware he needed to. In a way that surprsies him, totally. It surprises Max too, how much he likes being looked after, how much Caleb makes him really feel. He hasn't felt much in a long, long time, but Caleb is pushing buttons he didn't know he needed pushing. And as much as he likes it, it scares him too.
The attraction they share is instant, but the relationship builds over time, and I loved the build up, the development that these two go through to be together. they understand what they are feeling is new to them both, different to what they usually want, but they work at it and it really is beautiful reading, that working at it.
I quote from my review for One Cup Of Daddy And A Dash of Love: "This is about learning what you need to be for your partner, and what they need from you." And that perfectly sums up this book too. I didn't feel that so much for book 2 though (I read it, but didn't write a review, bad me!)
Cup of Daddy is a sweet book, almost rot your teeth, kinda sweet. THIS book is not sweet, not at all. But what it is, is a beautifully written story about going for what and who you want, even if they are far out of your comfort zone. It's about two men realising what THEY need, and what the other needs, even if neither knew before.
Thank you, Ms Sue, for this book. I really loved it! Best of the three, I reckon!
5 full and shiny stars
**same worded review will appear elsewhere**
This is book 3 in the Unexpected Daddies series, and I read book 2 AFTER this one, so you don't need to have read those two book before this one. Those guys pop up, but you don't need to have read their stories to follow Max and Caleb's.
Caleb isn't a Daddy, but he finds himself drawn to Max. Max who wants someone to cause him pain. Max who brings all kinds of feelings out of Caleb he didn't know he had. But Caleb can't hurt anyone, even if they want it.
I loved this book, I inhaled it, totally and utterly. I'm not a rereader, not at all, but I find myself unwilling to let these two go!
Caleb is atoning for his sins in a previous life. He can't hurt anyone again, even if Max is looking for that. What Caleb wants to do, is look after Max. In a way he wasn't aware he needed to. In a way that surprsies him, totally. It surprises Max too, how much he likes being looked after, how much Caleb makes him really feel. He hasn't felt much in a long, long time, but Caleb is pushing buttons he didn't know he needed pushing. And as much as he likes it, it scares him too.
The attraction they share is instant, but the relationship builds over time, and I loved the build up, the development that these two go through to be together. they understand what they are feeling is new to them both, different to what they usually want, but they work at it and it really is beautiful reading, that working at it.
I quote from my review for One Cup Of Daddy And A Dash of Love: "This is about learning what you need to be for your partner, and what they need from you." And that perfectly sums up this book too. I didn't feel that so much for book 2 though (I read it, but didn't write a review, bad me!)
Cup of Daddy is a sweet book, almost rot your teeth, kinda sweet. THIS book is not sweet, not at all. But what it is, is a beautifully written story about going for what and who you want, even if they are far out of your comfort zone. It's about two men realising what THEY need, and what the other needs, even if neither knew before.
Thank you, Ms Sue, for this book. I really loved it! Best of the three, I reckon!
5 full and shiny stars
**same worded review will appear elsewhere**
Joe Goodhart (27 KP) rated DC Universe: Rebirth #1 in Books
Nov 30, 2020
When I still had my physical comic colletion, this had been one of the last ones purchased before making the change over to digital only, selling off the physical copies. That was then, this is now. Long story short, this review is based off of a re-read as part of my "Marvel's Making Some Dumb AF Decisions of Late, Let's Go With DC Instead" Tour!
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Lee (2222 KP) rated Angel Has Fallen (2019) in Movies
Aug 23, 2019
Gerard Butler returns once again as secret service agent Mike Banning in this third entry in the 'fallen' series. The first movie, Olympus Has Fallen (not to be confused with White House Down, the Channing Tatum movie which was also released in 2013 and also covered a similar plot!) saw Banning trapped in the White House during a terrorist attack. It had an enjoyable Die Hard feel to it, and a sequel was inevitable. London Has Fallen (2016) saw Banning venture to London for the funeral of the Prime Minister and becoming involved in a terrorist plot to assassinate the world leaders who were in attendance. Not quite as good as Olympus, losing that enclosed claustrophobic setting from the first movie, but it was still a fun piece of action.
Which brings us to Angel Has Fallen. That angel being Mike Banning, guardian angel to President Trumbull (Morgan Freeman) who has now been promoted from vice president in the last movie. Mike is starting to feel the strain of old age and his years of being a hero and one man army - insomnia, a reliance on pills, migraines. His secret service colleagues, even the president, are noticing his health issues and his doctor plainly tells him "You're a disaster waiting to happen"!
This time round, the terrorist attack comes in the form of a swarm of drones, which appear in the skies over the lake where the president is fishing on a boat. Taking out the secret service team on protection duty, both the president and Banning are forced into the water in order to try and avoid being blown to pieces. But, instead of being hailed a hero once again, Banning is now accused of masterminding and orchestrating the attack and it becomes clear that he is being setup, forcing him to go on the run in order to try and clear his name.
Once again, it's all ridiculous crowd pleasing stuff. Some elements make absolutely no sense whatsoever, and it's not exactly difficult to work out who the bad guys are right from the offset - hell, the trailer even gives one of them away! The action for the most part is fairly enjoyable, although it does suffer from the occasional bit of dodgy CGI and there are moments of dark close-up action - quickly edited, shaky camera work, which make it frustratingly difficult to work out what on earth is going on at times.
As with London Has Fallen, we lose that claustrophobic and confined Die Hard action once again, giving us something more alike to The Fugitive and a poor mans John Wick 3. But overall, it's still an enjoyable ride, with a fun cameo from Nick Nolte as Mike's long lost father and a third act which actually delivers.
Which brings us to Angel Has Fallen. That angel being Mike Banning, guardian angel to President Trumbull (Morgan Freeman) who has now been promoted from vice president in the last movie. Mike is starting to feel the strain of old age and his years of being a hero and one man army - insomnia, a reliance on pills, migraines. His secret service colleagues, even the president, are noticing his health issues and his doctor plainly tells him "You're a disaster waiting to happen"!
This time round, the terrorist attack comes in the form of a swarm of drones, which appear in the skies over the lake where the president is fishing on a boat. Taking out the secret service team on protection duty, both the president and Banning are forced into the water in order to try and avoid being blown to pieces. But, instead of being hailed a hero once again, Banning is now accused of masterminding and orchestrating the attack and it becomes clear that he is being setup, forcing him to go on the run in order to try and clear his name.
Once again, it's all ridiculous crowd pleasing stuff. Some elements make absolutely no sense whatsoever, and it's not exactly difficult to work out who the bad guys are right from the offset - hell, the trailer even gives one of them away! The action for the most part is fairly enjoyable, although it does suffer from the occasional bit of dodgy CGI and there are moments of dark close-up action - quickly edited, shaky camera work, which make it frustratingly difficult to work out what on earth is going on at times.
As with London Has Fallen, we lose that claustrophobic and confined Die Hard action once again, giving us something more alike to The Fugitive and a poor mans John Wick 3. But overall, it's still an enjoyable ride, with a fun cameo from Nick Nolte as Mike's long lost father and a third act which actually delivers.
Teenage Mutant Ninja Turtles: Half-Shell Heroes
Education and Games
App
An official Teenage Mutant Ninja Turtles game made just for your young learner! The Teenage Mutant...
BankofMarquis (1832 KP) rated Renfield (2023) in Movies
Apr 22, 2023
Cage feels Caged-In
Sometime you are in the mood for a drama, sometimes an action flick, other times a romantic comedy.
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then there are times you just want to watch Nicholas Cage camping it up on-screen as Dracula.
If that is the mood you are in, boy do I have a movie for you.
Based (very loosely) on the character created by Bram Stoker (and the classic 1931 film starring Bela Lugosi), RENFIELD tells the tale of an over-the-top Dracula in modern times as seen through his “familiar”, Renfield.
Nicholas Hoult (Beast in the latest series of X-Men films) plays Renfield as a put-upon assistant to Dracula - kind of a comedy/horror version of the relationship of Anne Hathaway and Meryl Streep in THE DEVIL WEARS PRADA - and it works (for the most part). Hoult is a winning (enough) and sympathetic presence on screen and you find yourself rooting for him in the end.
The surprising thing to me in this film is the sub-plot of Renfield finding love with a Police Office portrayed by (of all people) Awkwafina. This comedienne/actress has really grown on the BankofMarquis as a solid and dependable presence on screen and she doesn’t disappoint here. And that’s a good thing for the Renfield/Rebecca the Cop relationship ends up taking center stage during the 2nd act of this film (moving Nic Cage’s Dracula off-screen for a long stretch of time) and it works for Hoult and Awkwafina play off each other very well.
As for Cage, his Dracula is off-center, wacky, frenetic and out-of-this world. A true fish-out-of-water. But…if I’m being honest…his performance feels reigned in and it didn’t go far enough out-of-the-box and didn’t get nearly crazy enough for my tastes.
When something like that happens, one needs to look no further than the Director and Chris McKay (THE LEGO MOVIE, THE TOMORROW WAR) has a track record (at least for the BankofMarquis) of pulling his punches - and he pulls many, many punches in this film. But, he also DOESN’T pull punches at times (like in the scene where one guy gets his arms ripped off and then these arms are used as nunchucks on a bevy of bad guys). He doesn’t really know how far or how outlandish he should go. So he filters in a comedic amount of blood and gore - and then reigns Cage in. It’s an odd choice.
If you decide to watch Renfield, you already know what to expect - and for the most part you get it - except in the one spot that you really need it.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Debbiereadsbook (1202 KP) rated Tor (The Hawks #4) in Books
Dec 3, 2021
this series gets better and better!!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the hawks Series and you really SHOULD read Tristan, Val and Mathos before this one. There is an ongoing story arc through these books and much is not fully recapped.
Tor took a shine to Keeley when he rescued her from Ballinor's grip. They have chemistry but it takes time for them to give in to that. Tor, the big Apollyon that he is, messes up BIGTIME and more than once. Keeley takes everything he says direct to her heart, but it's only later she realises that she has taken things all out of context and now what is she supposed to do?!
It was clear, from the moment we met Keeley in book 2, I think she pops up in, that she and Tor were made for each other. Having the story from THEIR points of view, makes you see things so much clearer.
It took me a while to piece together what Keeley was trying to say, I was so engrossed in the story I think I forgot to read, if that makes sense! *note to self, pay attention!
Keeley is hurting for much of the book, in one way or another, and not always due to Tor and his way with words. You feel for her, deeply. you don't know it all at once and I do love waiting for things to become clear. Tor's pain is different but his is pretty much laid out for you, right from the start. The beginning few chapters of this book run alongside the other three books. Indeed, in book3, Mathos, we know Tor did something bad. Now we know what!
We meet the next leading lady here. I'm not 100% certain about her yet, and what she has to say will be interesting, given who she is, and how Tor and Keeley came upto her. There is much she has to say. And Reece! Who still thinks everything is his fault and is currently drinking his beast into silence. He also has a lot to say, and I can't wait to hear him.
But what's keeping me the most gripped with this series is this: I cannot see where it's all going! Things are changing so fast from book to book, and I really can't see an end in sight and I love that!
How many are there? I've no idea! A couple of the guys have been lurking in the background, doing what needs to be done and popping up along the way. I want them ALL to be happy, and it will be interesting how they get there.
I stress again, write quicker Ms Roberts. Write. Quicker!
5 full and shiny stars
This is book 4 in the hawks Series and you really SHOULD read Tristan, Val and Mathos before this one. There is an ongoing story arc through these books and much is not fully recapped.
Tor took a shine to Keeley when he rescued her from Ballinor's grip. They have chemistry but it takes time for them to give in to that. Tor, the big Apollyon that he is, messes up BIGTIME and more than once. Keeley takes everything he says direct to her heart, but it's only later she realises that she has taken things all out of context and now what is she supposed to do?!
It was clear, from the moment we met Keeley in book 2, I think she pops up in, that she and Tor were made for each other. Having the story from THEIR points of view, makes you see things so much clearer.
It took me a while to piece together what Keeley was trying to say, I was so engrossed in the story I think I forgot to read, if that makes sense! *note to self, pay attention!
Keeley is hurting for much of the book, in one way or another, and not always due to Tor and his way with words. You feel for her, deeply. you don't know it all at once and I do love waiting for things to become clear. Tor's pain is different but his is pretty much laid out for you, right from the start. The beginning few chapters of this book run alongside the other three books. Indeed, in book3, Mathos, we know Tor did something bad. Now we know what!
We meet the next leading lady here. I'm not 100% certain about her yet, and what she has to say will be interesting, given who she is, and how Tor and Keeley came upto her. There is much she has to say. And Reece! Who still thinks everything is his fault and is currently drinking his beast into silence. He also has a lot to say, and I can't wait to hear him.
But what's keeping me the most gripped with this series is this: I cannot see where it's all going! Things are changing so fast from book to book, and I really can't see an end in sight and I love that!
How many are there? I've no idea! A couple of the guys have been lurking in the background, doing what needs to be done and popping up along the way. I want them ALL to be happy, and it will be interesting how they get there.
I stress again, write quicker Ms Roberts. Write. Quicker!
5 full and shiny stars
Debbiereadsbook (1202 KP) rated Port in a Storm (Sinners #8) in Books
Jan 26, 2024
Connor wanted to give Forest the family he never had.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 8 in the Sinners Gin series. I would STRONGLY recommend you at least read Tequila Mockingbird (book 3 in the series) before this one. That book is how Connor and Forest came to be. The whole darn series is amazing, though, and staring at the beginning wouldn't be a bad thing :-)
Connor is a SWAT team leader and comes across Tate in a raid. The kid has had a hard life, and the name on his birth certificate is gonna cause problems. But Tate needs a home, and Connor and Forest want to give him that. Connor wants to give Forest the family he never had. They just gotta battle the courts first.
I didn't see this book coming at me in the way it did, but it absolutely came at the way it should have, you know? Nothing will ever be easy for Forest and Connor, and adding Tate to their family was no exception. But they have a huge support system in Connor's family and Forest's ever growing band family, even if some of Miki's advice is a little sketchy!
It's deeply emotional, with the feeling raging through both Connor and Forest about what to do, will they be enough, will they be allowed to bring this little boy into their family. Made me cry a time or two. I loved it.
I loved that everyone pops up, or is mentioned. It was great to catch up with the Morgan clan and all their add-ins. Especially as I thought that book 7 was going to be the last one! Are there more planned, I don't know, nor do I care, but I will read them as and when they appear.
It's been a long while since I read a Rhys Ford book, and by golly I missed her work. It took me a hot minute to get into her way with words and then I lost myself in the madness that is the Morgan clan and the Crossroads Gin guys.
OH! And the epilogue! Any chance of a cheeky short about Dude and Gaige?? That'll be fun!
But I'm left with a question that played on my mind the whole way through. As I was READING this, I heard Tristan James in my ear. The voices weren't quite right, but James' reading voice was there. Will he be narrating it, at some point?? I need him to!
So, thank you, Ms Ford, for bringing us back to these wonderful people one more time. I really do appreciate the time it took!
5 stunningly beautifully written stars
*same worded review will appear elsehwere
This is book 8 in the Sinners Gin series. I would STRONGLY recommend you at least read Tequila Mockingbird (book 3 in the series) before this one. That book is how Connor and Forest came to be. The whole darn series is amazing, though, and staring at the beginning wouldn't be a bad thing :-)
Connor is a SWAT team leader and comes across Tate in a raid. The kid has had a hard life, and the name on his birth certificate is gonna cause problems. But Tate needs a home, and Connor and Forest want to give him that. Connor wants to give Forest the family he never had. They just gotta battle the courts first.
I didn't see this book coming at me in the way it did, but it absolutely came at the way it should have, you know? Nothing will ever be easy for Forest and Connor, and adding Tate to their family was no exception. But they have a huge support system in Connor's family and Forest's ever growing band family, even if some of Miki's advice is a little sketchy!
It's deeply emotional, with the feeling raging through both Connor and Forest about what to do, will they be enough, will they be allowed to bring this little boy into their family. Made me cry a time or two. I loved it.
I loved that everyone pops up, or is mentioned. It was great to catch up with the Morgan clan and all their add-ins. Especially as I thought that book 7 was going to be the last one! Are there more planned, I don't know, nor do I care, but I will read them as and when they appear.
It's been a long while since I read a Rhys Ford book, and by golly I missed her work. It took me a hot minute to get into her way with words and then I lost myself in the madness that is the Morgan clan and the Crossroads Gin guys.
OH! And the epilogue! Any chance of a cheeky short about Dude and Gaige?? That'll be fun!
But I'm left with a question that played on my mind the whole way through. As I was READING this, I heard Tristan James in my ear. The voices weren't quite right, but James' reading voice was there. Will he be narrating it, at some point?? I need him to!
So, thank you, Ms Ford, for bringing us back to these wonderful people one more time. I really do appreciate the time it took!
5 stunningly beautifully written stars
*same worded review will appear elsehwere
Gareth von Kallenbach (980 KP) rated Indiana Jones and the Kingdom of the Crystal Skull (2008) in Movies
Aug 14, 2019
After 17 years away from the big screen, Indiana Jones has dusted off his trusty fedora and bullwhip in one of the most eagerly awaited returns to the screen in cinema history. Harrison Ford once again plays the rough and rugged archeologist who is as equally adept in the classroom as he is in the depths of an ancient trap laden chamber.
In “Indiana Jones and the Kingdom of the Crystal Skull”, audience are re-introduced to Jones, who is by now an older, and wiser man who spent the years of WWII as a special operative which earned him not only the rank of Colonel, but numerous medals and citations.
The film opens with a group of bad guys forcing Indiana to locate an object from a gigantic storage area in the infamous Area 51. Since Jones was part of a team that examined said object nearly a decade earlier, his services are greatly desired, and he is forced to play along with his captors.
Of course Indiana Jones is still a man of action, and soon turns the tables on his captors in a daring and humor filled action sequence that quickly answers those that doubted Ford could pull off his charismatic character in his 60’s.
The events of the situation do not go unnoticed by the U.S. government who suspect Jones of collaborating with the enemy, and in the Red Scare America of the 1950’s Jones soon finds himself suspended from his teaching position and looking to head overseas.
As Indy’s train heads out of town, he is approached by a motorcycle riding messenger who says his name is Mutt (Shia LaBeouf), and he has been sent to find Indy by a former college of Indy’s Professor Oxle (John Hurt). Intrigued, Jones listens to the tale Mutt tells him that people have kidnapped Oxley and his mother, and he shows him a letter that Oxley instructed him to pass along to Indy should anything happen to him.
Before Indy can dig further into the mystery, he and Mutt are accosted by thugs and after a daring race through traffic on Mutt’s motorcycle, find themselves on a plane to South America in search of Oxley and Mutt’s mother as well as the fabled Crystal Skull that legend says will grant amazing powers to anyone who returns it to the fabled Golden City.
Thinking that his old friend Oxley may have succeeded where Indy was unable to many years earlier, Jones takes up the cause of locating the fabled artifact and the city as he believes that they are also the keys to locating his missing friend. The film really slows down here and devotes a good amount of time to advancing the story and characters and thanks to the amazingly detailed sets and enjoyable characters; you may find yourself not minding the change of pace.
Of course there are plenty of bad guys to add to the mix, including the evil Irinia Spalko (Cate Blanchett), who is leading a team of Russian soldiers who also have designs on the skull, as it would give them the power to read and control the minds of the leaders the world over, amongst other powers that would be used for their aggressive agendas.
What follows is an effects-laden adventure leading to a grand finale that is not as spectacular as past films in the series, but enjoyable nonetheless. When the action comes it is solid, and while some of it seems to be a retread of some of the classic moments of the series, it does deliver enough thrills to keep fans happy. There are some very welcome moments in the film such as a nice tribute to Sean Connery and the Late Denholm Elliot as well as a cleverly placed cameo early in the film during the warehouse fight.
Shia LaBeouf is an interesting addition to the series and his scenes with Ford are very enjoyable. They have a natural chemistry and do not seem forced like the Short Round character from “Indiana Jones and the Temple of Doom”. I was also very happy to see Karen Allen return to the series as Marion Ravenwood. She has truly proven to be the only love interest in the series that truly measures up to Indy, and her fiery temper with a girl next door charm is the perfect foil for Jones.
The effects in the film are not groundbreaking, but solid, however some may find that the films plot is a bit to complex and takes too long to setup. There were funny moments in the film to go along with the action and viewers who pay close attention will catch some very subtle nods to other moments in the series.
I was pleased with the sets in the film as Director Steven Speilberg and Producer George Lucas clearly paid attention to details in the look of the film. The tombs and exotic chambers depicted in the film had a very immersive nature to them much the same way that classic Disneyland rides like Pirates of the Caribbean and The Haunted Mansion place guests right in the middle of the spooky and exotic locales. From cobwebs, skeletons, and insects and well as treasures galore, it was like being in on the adventure with Indy.
The series does have some life in it and while the film does not measure up with the first film in the series, I would say it is on par with “Temple of Doom” and was for me, more enjoyable than “The Last Crusade.” The film leaves the door open for yet another adventure, and if comments from Speilberg and Lucas are to be taken seriously, we may see the beloved archeologist back on the big screen in the not too distant future.
In “Indiana Jones and the Kingdom of the Crystal Skull”, audience are re-introduced to Jones, who is by now an older, and wiser man who spent the years of WWII as a special operative which earned him not only the rank of Colonel, but numerous medals and citations.
The film opens with a group of bad guys forcing Indiana to locate an object from a gigantic storage area in the infamous Area 51. Since Jones was part of a team that examined said object nearly a decade earlier, his services are greatly desired, and he is forced to play along with his captors.
Of course Indiana Jones is still a man of action, and soon turns the tables on his captors in a daring and humor filled action sequence that quickly answers those that doubted Ford could pull off his charismatic character in his 60’s.
The events of the situation do not go unnoticed by the U.S. government who suspect Jones of collaborating with the enemy, and in the Red Scare America of the 1950’s Jones soon finds himself suspended from his teaching position and looking to head overseas.
As Indy’s train heads out of town, he is approached by a motorcycle riding messenger who says his name is Mutt (Shia LaBeouf), and he has been sent to find Indy by a former college of Indy’s Professor Oxle (John Hurt). Intrigued, Jones listens to the tale Mutt tells him that people have kidnapped Oxley and his mother, and he shows him a letter that Oxley instructed him to pass along to Indy should anything happen to him.
Before Indy can dig further into the mystery, he and Mutt are accosted by thugs and after a daring race through traffic on Mutt’s motorcycle, find themselves on a plane to South America in search of Oxley and Mutt’s mother as well as the fabled Crystal Skull that legend says will grant amazing powers to anyone who returns it to the fabled Golden City.
Thinking that his old friend Oxley may have succeeded where Indy was unable to many years earlier, Jones takes up the cause of locating the fabled artifact and the city as he believes that they are also the keys to locating his missing friend. The film really slows down here and devotes a good amount of time to advancing the story and characters and thanks to the amazingly detailed sets and enjoyable characters; you may find yourself not minding the change of pace.
Of course there are plenty of bad guys to add to the mix, including the evil Irinia Spalko (Cate Blanchett), who is leading a team of Russian soldiers who also have designs on the skull, as it would give them the power to read and control the minds of the leaders the world over, amongst other powers that would be used for their aggressive agendas.
What follows is an effects-laden adventure leading to a grand finale that is not as spectacular as past films in the series, but enjoyable nonetheless. When the action comes it is solid, and while some of it seems to be a retread of some of the classic moments of the series, it does deliver enough thrills to keep fans happy. There are some very welcome moments in the film such as a nice tribute to Sean Connery and the Late Denholm Elliot as well as a cleverly placed cameo early in the film during the warehouse fight.
Shia LaBeouf is an interesting addition to the series and his scenes with Ford are very enjoyable. They have a natural chemistry and do not seem forced like the Short Round character from “Indiana Jones and the Temple of Doom”. I was also very happy to see Karen Allen return to the series as Marion Ravenwood. She has truly proven to be the only love interest in the series that truly measures up to Indy, and her fiery temper with a girl next door charm is the perfect foil for Jones.
The effects in the film are not groundbreaking, but solid, however some may find that the films plot is a bit to complex and takes too long to setup. There were funny moments in the film to go along with the action and viewers who pay close attention will catch some very subtle nods to other moments in the series.
I was pleased with the sets in the film as Director Steven Speilberg and Producer George Lucas clearly paid attention to details in the look of the film. The tombs and exotic chambers depicted in the film had a very immersive nature to them much the same way that classic Disneyland rides like Pirates of the Caribbean and The Haunted Mansion place guests right in the middle of the spooky and exotic locales. From cobwebs, skeletons, and insects and well as treasures galore, it was like being in on the adventure with Indy.
The series does have some life in it and while the film does not measure up with the first film in the series, I would say it is on par with “Temple of Doom” and was for me, more enjoyable than “The Last Crusade.” The film leaves the door open for yet another adventure, and if comments from Speilberg and Lucas are to be taken seriously, we may see the beloved archeologist back on the big screen in the not too distant future.
DiscoStu (6 KP) rated Bright (2017) in Movies
Jan 8, 2018 (Updated Jan 8, 2018)
“A competent buddy cop movie that offers solid pacing and character portrayals at the expense of building up the films (admittedly) interesting universe”.
Contains spoilers, click to show
Netflix’s ‘Bright’, directed by David Ayer (Suicide Squad) and starring Will Smith and Joel Edgerton, brings the big budget box office trappings of a fully fledged cinema release to their home streaming subscription service and arguably the end result is a fun and enjoyable, if slightly flawed, buddy-cop-movie-with-a-twist that sets up a universe you’ll likely want to see more of.
Smith plays Daryl Ward, a weary veteran L.A. cop reluctantly partnered with orc partner Nick, the first and only orc to make the force in this alternate earth story. The film opens with Ward taking a round of buckshot from an orc thug whilst Nick looks on waiting for a burrito from a street vendor. The incident leaves a distrust between Ward and Nick, with Ward unsure whether his partner really has his back after Nick not only failed to step up and prevent the shooting but also failed to apprehend the orc perpetrator during the ensuing foot chase. Ward also finds himself at odds with other members of the force who don’t share the police’s ‘progressive’ attitudes of allowing orcs into the force.
The film briefly touches on a two thousand year old conflict between the nine armies and the Dark Lord who was defeated when various races allied to defeat him. In the established lore the orcs allied with the Dark Lord and have been subjugated ever since. The film attempts to portray the orcs through a social commentary that reflects the black community today and how heavy handed the film tackles the subject will probably depend on the viewer. For me it was handled sensitively enough without being too in your face.
The film sees the two protagonists dispatched to a disturbance that quickly escalates to a situation that goes from bad to worse. Finding themselves on the run with a Bright, the film’s titular white haired magic wielders, and a coveted magic wand Ward and Nick have to navigate hostile L.A. gang land environments whilst pursued by Inferni (the magic version of the Illuminati), the police and human and orc gangsters, all who have their own plans for the wand.
The film is shot well, with plenty of scenery that builds up the shared world of humans, orcs, elves , centaurs and the other races that we don’t get to spend any time with. A montage at the start of the film shows various L.A. scenery graffiti tagged with striking imagery depicting the struggle of orcs in an oppressed landscape. Evidently, orc lives matter. The film also doesn’t struggle for pacing. The two hour runtime services the story well enough, even if some of the world building and character exploration suffers as a result. I would have liked to have spent more time exploring the shared history of the various races and understanding the motivations of the stories’ villains but sadly these elements are undersold in favour of a shorter runtime that hurries the narrative along. To the credit of the writers and the director this world bares revisiting and at the time of writing it sounds like Netflix know this too with a sequel already greenlit.
Bright is a fun jaunt in a world I’d like to get to know better. Smith and Edgerton are strong leads who share a strong chemistry and make you care about their characters. The bad guys don’t fare as well here, especially disappointing given that Noomi Rapace is the lead antagonist but hopefully a sequel will correct some of these missteps. Bright feels like a £20 cinema ticket movie and gives enough to the viewer that you’ll want to discuss it with friends afterwards. As a film bundled with your Netflix subscription it’s hard to be too critical.
Smith plays Daryl Ward, a weary veteran L.A. cop reluctantly partnered with orc partner Nick, the first and only orc to make the force in this alternate earth story. The film opens with Ward taking a round of buckshot from an orc thug whilst Nick looks on waiting for a burrito from a street vendor. The incident leaves a distrust between Ward and Nick, with Ward unsure whether his partner really has his back after Nick not only failed to step up and prevent the shooting but also failed to apprehend the orc perpetrator during the ensuing foot chase. Ward also finds himself at odds with other members of the force who don’t share the police’s ‘progressive’ attitudes of allowing orcs into the force.
The film briefly touches on a two thousand year old conflict between the nine armies and the Dark Lord who was defeated when various races allied to defeat him. In the established lore the orcs allied with the Dark Lord and have been subjugated ever since. The film attempts to portray the orcs through a social commentary that reflects the black community today and how heavy handed the film tackles the subject will probably depend on the viewer. For me it was handled sensitively enough without being too in your face.
The film sees the two protagonists dispatched to a disturbance that quickly escalates to a situation that goes from bad to worse. Finding themselves on the run with a Bright, the film’s titular white haired magic wielders, and a coveted magic wand Ward and Nick have to navigate hostile L.A. gang land environments whilst pursued by Inferni (the magic version of the Illuminati), the police and human and orc gangsters, all who have their own plans for the wand.
The film is shot well, with plenty of scenery that builds up the shared world of humans, orcs, elves , centaurs and the other races that we don’t get to spend any time with. A montage at the start of the film shows various L.A. scenery graffiti tagged with striking imagery depicting the struggle of orcs in an oppressed landscape. Evidently, orc lives matter. The film also doesn’t struggle for pacing. The two hour runtime services the story well enough, even if some of the world building and character exploration suffers as a result. I would have liked to have spent more time exploring the shared history of the various races and understanding the motivations of the stories’ villains but sadly these elements are undersold in favour of a shorter runtime that hurries the narrative along. To the credit of the writers and the director this world bares revisiting and at the time of writing it sounds like Netflix know this too with a sequel already greenlit.
Bright is a fun jaunt in a world I’d like to get to know better. Smith and Edgerton are strong leads who share a strong chemistry and make you care about their characters. The bad guys don’t fare as well here, especially disappointing given that Noomi Rapace is the lead antagonist but hopefully a sequel will correct some of these missteps. Bright feels like a £20 cinema ticket movie and gives enough to the viewer that you’ll want to discuss it with friends afterwards. As a film bundled with your Netflix subscription it’s hard to be too critical.
Lee (2222 KP) rated Okja (2017) in Movies
Jul 14, 2017
Seo-Hyun Ahn (1 more)
Seamless, beautiful effects
Should have stuck at being a family movie (1 more)
Jake Gyllenhaal
Plays as though it should be a family movie, but it definitely isn't
Okja created a fair bit of buzz at Cannes recently, when it was revealed that it had been picked up by Netflix, resulting in boos from some of the snobby traditionalists that were present for its screening. Okja was written and directed by Bong Joon Ho, a Korean filmmaker who also wrote and directed one of my favourite movies of recent years, Snowpiercer. That movie failed to receive a UK release, despite starring Chris Evans in-between his Captain America/Avengers duties, so I’m more than happy if a movie that’s just a little bit different from the norm manages to find an audience through modern, ‘non-traditional’ routes.
And Okja certainly is a bit different. We’re first introduced to CEO of Mirando Corporation, Lucy Mirando (Tilda Swinton) who has ‘bred’ superpigs, in an effort to help with world hunger. 26 of these superpigs are being sent to farmers at various locations around the world and in 10 years time a competition is planned to determine who has raised the largest superpig. Lucy is clearly a bit strange (the perfect role for Tilda Swinton), and her company spokesperson, TV zoologist Johnny Wilcox (Jake Gyllenhaal) is even stranger. They’re determined to put a friendly, happy gloss over the fact that these animals have been genetically modified for slaughter and profit. So, time for us to get to know, and fall in love with one of them…
It’s now 10 years later and we’re with Mija, a young girl living in the mountains of Korea with her grandfather and Okja, the large hippo-like superpig who has become her close friend. They spend their time together out in the forest, with Okja helping to catch fish for dinner, and proving to be a faithful companion for Mija. And when disaster strikes, Okja even demonstrates the intelligence required to work out how to save Mija’s life. Okja is beautifully rendered in CGI, interacting perfectly with the surroundings and actors and is thoroughly convincing. It’s an enchanting and beautiful half hour or so – but we know it’s not going to last.
A small team from the Miranda Corporation arrives, along with Johnny Wilcox, who is just hugely annoying. They’re here to check up on how Okja is doing and, unbeknown to Mija, take her back to New York as the winner of the superpig contest. While Mija is in the forest with her grandfather she discovers what they’re planning and heads off to rescue Okja. What follows is an entertaining and thrilling chase to get Okja before she heads onto a plane. Mija is fearless and determined, a strong young heroine and probably the best thing about this movie. Along the way she is joined by the Animal Liberation Front, a young team that includes Steven Yeun, Paul Dano and Lily Collins. They know where Okja is headed and what her fate will be and they plan to stop it, with the help of Mija.
Much of Okja plays as though it should be a family movie and I wish that’s how they’d made it. With a large, friendly creature companion that needs to be rescued from the bad guys, much of this reminded me of the 2016 live action remake of Pete’s Dragon, which I enjoyed a lot. However, the final hour or so turns distinctly dark as we venture into the slaughterhouse and that, along with regular use of bad language, has given this movie a 15 certificate. It’s a strange variation of styles that just didn’t sit right with me overall. As mentioned before, Gyllenhaals character is seriously annoying and would have been much better suited as the wacky comic relief if this were a family movie. Tilda Swinton soon becomes boring too and it’s left to Mija and Okja to save the movie from becoming a total disaster.
Entertaining and enjoyable at times, but the wild variation of styles and characters just made the latter half of the movie drag.
And Okja certainly is a bit different. We’re first introduced to CEO of Mirando Corporation, Lucy Mirando (Tilda Swinton) who has ‘bred’ superpigs, in an effort to help with world hunger. 26 of these superpigs are being sent to farmers at various locations around the world and in 10 years time a competition is planned to determine who has raised the largest superpig. Lucy is clearly a bit strange (the perfect role for Tilda Swinton), and her company spokesperson, TV zoologist Johnny Wilcox (Jake Gyllenhaal) is even stranger. They’re determined to put a friendly, happy gloss over the fact that these animals have been genetically modified for slaughter and profit. So, time for us to get to know, and fall in love with one of them…
It’s now 10 years later and we’re with Mija, a young girl living in the mountains of Korea with her grandfather and Okja, the large hippo-like superpig who has become her close friend. They spend their time together out in the forest, with Okja helping to catch fish for dinner, and proving to be a faithful companion for Mija. And when disaster strikes, Okja even demonstrates the intelligence required to work out how to save Mija’s life. Okja is beautifully rendered in CGI, interacting perfectly with the surroundings and actors and is thoroughly convincing. It’s an enchanting and beautiful half hour or so – but we know it’s not going to last.
A small team from the Miranda Corporation arrives, along with Johnny Wilcox, who is just hugely annoying. They’re here to check up on how Okja is doing and, unbeknown to Mija, take her back to New York as the winner of the superpig contest. While Mija is in the forest with her grandfather she discovers what they’re planning and heads off to rescue Okja. What follows is an entertaining and thrilling chase to get Okja before she heads onto a plane. Mija is fearless and determined, a strong young heroine and probably the best thing about this movie. Along the way she is joined by the Animal Liberation Front, a young team that includes Steven Yeun, Paul Dano and Lily Collins. They know where Okja is headed and what her fate will be and they plan to stop it, with the help of Mija.
Much of Okja plays as though it should be a family movie and I wish that’s how they’d made it. With a large, friendly creature companion that needs to be rescued from the bad guys, much of this reminded me of the 2016 live action remake of Pete’s Dragon, which I enjoyed a lot. However, the final hour or so turns distinctly dark as we venture into the slaughterhouse and that, along with regular use of bad language, has given this movie a 15 certificate. It’s a strange variation of styles that just didn’t sit right with me overall. As mentioned before, Gyllenhaals character is seriously annoying and would have been much better suited as the wacky comic relief if this were a family movie. Tilda Swinton soon becomes boring too and it’s left to Mija and Okja to save the movie from becoming a total disaster.
Entertaining and enjoyable at times, but the wild variation of styles and characters just made the latter half of the movie drag.