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Phillip McSween (751 KP) rated Weekend at Bernie's (1989) in Movies
May 1, 2018
Could Have Been Better
Two friends show up at their boss Bernie's beachhouse for a weekend retreat only to find Bernie dead. To maintain innocence, they decide to go through with the weekend while hiding Bernie in plain sight for all to see.
Acting: 10
One of the highlights of the film. Terry Kiser owns the role of Bernie Lomax, playing a man you love to hate. There's never a point where you like this guy and of course that's the whole idea.
My personal favorite role came from Jonathan Silverman who plays Richard Parker--a play-by-the-rules kind of guy that just wants to do the right thing. His humor, similar to Cameron Frye in Ferris Bueller's Day Off shines most when his character is inserted into situations he desperately wants to get out of. I enjoyed watching how frantic he would get in certain scenes.
Beginning: 10
Characters: 5
Outside of Bernie and Richard, there weren't any characters that grabbed my interest. Larry (Andrew McCarthy) was written way too douchey which I'm guessing was for the purpose of being the balance to Richard. I hated Larry's character but not for the same reason I hated Bernie. Larry had zero redeeming qualities and his willingness to throw Richard under the bus at any given moment bugged the crap out of me. I get it, he's a jerk, but sheesh. A little overboard for my taste.
Cinematography/Visuals: 5
Not a whole lot of moments that stood out. I did like the contrast of how the lighting changed with them being in the city versus at the beach. Shots of Bernie doing various things (washing up on the beach, waterskiing) were shining points in an otherwise dull movie.
Conflict: 3
The preposterous premise eventually overwhelmed me. You've got two guys running around trying to show everyone this guy is still alive when I'm thinking the whole time, "What would be the harm in telling the truth?" One or two funny moments don't make up for the fact that the film probably should have ended twenty minutes in.
Genre: 4
Considering most of the jokes fell flat for me and this film is supposed to be a comedy, I don't think I need to expand further here.
Memorability: 7
In the few moments where the film was funny, it was really funny. When the hitman that killed Bernie originally kept finding him alive, I would crack up everytime he would have to kill Bernie again. It's memorable moments like these that make me think about the handful of tweaks they could have made to really push the film over the top.
Pace: 5
When a comedy isn't very funny, you better believe it's going to move at a slow pace. It wasn't unbearable, but I was definitely ready for the film to be over by the time it reached the end. Inconsistencies and bad comedic choices made for a very wavy pace.
Plot: 8
Love it or hate it, I can't deny that it's at least unique. And furthermore, if you were going to parade your boss around pretending he was alive, I imagine it probably would have gone the same way with one crazy antic happening after another. My subtraction of two came from this mere fact that I couldn't shake: Eventually, Bernie's going to smell. And it should have been all downhill from there.
Resolution: 6
Overall: 63
Glad I saw it once. No need to ever see it again. It's very much a bucket list film that I can now bury and erase from my memory.
Acting: 10
One of the highlights of the film. Terry Kiser owns the role of Bernie Lomax, playing a man you love to hate. There's never a point where you like this guy and of course that's the whole idea.
My personal favorite role came from Jonathan Silverman who plays Richard Parker--a play-by-the-rules kind of guy that just wants to do the right thing. His humor, similar to Cameron Frye in Ferris Bueller's Day Off shines most when his character is inserted into situations he desperately wants to get out of. I enjoyed watching how frantic he would get in certain scenes.
Beginning: 10
Characters: 5
Outside of Bernie and Richard, there weren't any characters that grabbed my interest. Larry (Andrew McCarthy) was written way too douchey which I'm guessing was for the purpose of being the balance to Richard. I hated Larry's character but not for the same reason I hated Bernie. Larry had zero redeeming qualities and his willingness to throw Richard under the bus at any given moment bugged the crap out of me. I get it, he's a jerk, but sheesh. A little overboard for my taste.
Cinematography/Visuals: 5
Not a whole lot of moments that stood out. I did like the contrast of how the lighting changed with them being in the city versus at the beach. Shots of Bernie doing various things (washing up on the beach, waterskiing) were shining points in an otherwise dull movie.
Conflict: 3
The preposterous premise eventually overwhelmed me. You've got two guys running around trying to show everyone this guy is still alive when I'm thinking the whole time, "What would be the harm in telling the truth?" One or two funny moments don't make up for the fact that the film probably should have ended twenty minutes in.
Genre: 4
Considering most of the jokes fell flat for me and this film is supposed to be a comedy, I don't think I need to expand further here.
Memorability: 7
In the few moments where the film was funny, it was really funny. When the hitman that killed Bernie originally kept finding him alive, I would crack up everytime he would have to kill Bernie again. It's memorable moments like these that make me think about the handful of tweaks they could have made to really push the film over the top.
Pace: 5
When a comedy isn't very funny, you better believe it's going to move at a slow pace. It wasn't unbearable, but I was definitely ready for the film to be over by the time it reached the end. Inconsistencies and bad comedic choices made for a very wavy pace.
Plot: 8
Love it or hate it, I can't deny that it's at least unique. And furthermore, if you were going to parade your boss around pretending he was alive, I imagine it probably would have gone the same way with one crazy antic happening after another. My subtraction of two came from this mere fact that I couldn't shake: Eventually, Bernie's going to smell. And it should have been all downhill from there.
Resolution: 6
Overall: 63
Glad I saw it once. No need to ever see it again. It's very much a bucket list film that I can now bury and erase from my memory.
Acanthea Grimscythe (300 KP) rated The Motion of Puppets in Books
May 16, 2018
In Keith Donohue's modern retelling of Orpheus and Eurydice, The Motion of Puppets, we're introduced to a range of characters from a besotted husband and his missing wife, to an emotionally unstable puppet girl as the husband embarks on a journey to save his wife from eternity as a doll. For fans of mythology, this sounds like a great read and it is, without a doubt, beautifully written; however, when it comes to execution, the story fell flat.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Theo and Kay Harper are newlyweds with a ten year age difference between them. A teacher at a local college, Theo takes an summer vacation away from New York with his wife, Kay, as she performs with a cirque in Quebec City. While she works, he translates a book from French to English, and everything appears to be fine. That is, until Kay suddenly disappears one night after going out with her fellow actors for dinner and drinks. Woven with necromancy, animated puppets, and many references to the madness of Alice in Wonderland, Donohue's story could be considered riveting, and perhaps I would gladly label it so if I had not been so profoundly bored while reading it.
The book's plot is, in and of itself, highly intriguing. As a fan of horror and having proclaimed a love for anything necromantic in nature, the idea of people becoming puppets, or even dying and being reanimated in any fashion really, is something apt to catch my attention, and for that reason and my love of ancient mythology, I requested an advanced reader's copy of The Motion of Puppets. My frustration with it came mostly in the fact that I felt like the book progressed too slowly and there seemed to be a lot of extra "fluff" added in. For instance, the snippets regarding Theo's translation of Eadweard Muybridge's biography really felt a bit unnecessary. There was no real correlation between Muybridge and the book itself, save to provide Theo with something on which to focus. That, also, didn't feel necessary, as Theo seems to be a rather detached character, despite his very clear obsession with his wife. Even Kay's point of view seems to be a bit overly deluded, considering her time as a puppet is significantly shorter than that of the other puppets around her and yet she seems almost as aloof as they are by the conclusion of the book.
In addition to moving at a bit of a slow pace, The Motion of Puppets also seems to rely a bit more on Alice in Wonderland-like elements than it does mythos or current happenings. Everything seems weird and ridiculous, and little, if anything, makes any sense. If you try to make sense of it, chances are you'll find yourself lost, which I found myself giving up on halfway through the book. Magic is clearly alluded to as being the cause for the current state of the majority of the cast's existence; however, it is hardly mentioned and never really explained. Clearly there's enough oddness going on that the nearly-faceless bad guys worry about being found out, but even that isn't enough of a reason to delve into the why or how: it simply is.
There is no doubt in my mind that Keith Donohue is an excellent writer; he has a beautiful command of language that quite literally takes my breath away. Though The Motion of Puppets failed to satisfy me as a reader, I will likely read more of his work when I have the time. As for the genre of this book, horror probably isn't the right one. It'd be better suited in fantasy. There's nothing scary here.
Thank you to Macmillan-Picador, NetGalley, and the author for providing me with an advanced reader's copy of this book in exchange for an honest review.
Rachel King (13 KP) rated Ink Exchange (Wicked Lovely, #2) in Books
Feb 11, 2019
The second book in the Wicked Lovely series is decidely darker than the first book, especially as it focuses on the Dark Court. A major plot point is Leslie's struggles to deal with how her brother and father have fallen off the "deep end" and the rape that her brother allowed to happen to her. She believes a tattoo will allow her to reclaim her body as her own and stop being afraid, but the tattoo she chooses has unimaginable consequences as she becomes entangled into the drama of the faery courts that her best friend Aislinn belongs to.
I like the change in main characters, as we get to see this world through other characters' eyes as well as learn about different aspects that Keenan or Aislinn may not be familiar with. I had a difficult time finding a character to really love, as all three of the main characters, Leslie, Irial, and Niall, all seemed to have major faults that I had a hard time getting around. The theme for this book seemed to be the darker side of humanity and how deeply entrenched people can get into the "gray" area of life, while still believing that they are not doing anything wrong. Irial wants to only use Leslie, just as he has for every other mortal, but then he falls for her. Leslie wants to be her own person and hates her brother for his druggie lifestyle, but then becomes an addict just like Ren. Niall has shunned the Dark Court for all it stands for, even denying his own nature, but then wants Leslie so bad that he unknowingly uses what he is and what the Dark Court is about to try and lure her to him. In a word, they all behave like hypocrites, but Marr is such a good writer, that I find myself feeling sorry for all of them at some point. While in many fantasy genre works, the female lead often has to choose between two guys, Marr takes a completely unpredictable approach, and I think that I like this ending the best of all possibilities. Plus, since this is only the second book in a series, there is potential for Leslie to change her mind in the long run as she becomes more comfortable in her own skin.
The way that Marr approaches the horrific trauma that Leslie endured prior to this book's beginning is handled very delicately, as it should be. It is never really described in detail what exactly happens to her, and it is mostly left up to the reader's imagination, which I think is a smart move in that girls who have been in a situation similar to Leslie's can relate to her and feel like they have a voice in her words and thoughts. This alone is what makes this book both poignant and powerful. The fact that both males vying for her affection try to rescue her from this trauma in his own way is what redeems both of them for me.
Politics run heavy in this series, and while I am not really a fan of politics in real life, fantasy books often make it much more interesting, Marr's writing being no exception. The dynamics between the faery courts are quite intriguing and I think they seem to balance one another out well, even though at first glance it might seem like some should be kept over others. I find myself constantly wondering about the High Court and its Queen, Sorcha, which I can look forward to in the third installment in the series, Fragile Eternity (Wicked Lovely).
I like the change in main characters, as we get to see this world through other characters' eyes as well as learn about different aspects that Keenan or Aislinn may not be familiar with. I had a difficult time finding a character to really love, as all three of the main characters, Leslie, Irial, and Niall, all seemed to have major faults that I had a hard time getting around. The theme for this book seemed to be the darker side of humanity and how deeply entrenched people can get into the "gray" area of life, while still believing that they are not doing anything wrong. Irial wants to only use Leslie, just as he has for every other mortal, but then he falls for her. Leslie wants to be her own person and hates her brother for his druggie lifestyle, but then becomes an addict just like Ren. Niall has shunned the Dark Court for all it stands for, even denying his own nature, but then wants Leslie so bad that he unknowingly uses what he is and what the Dark Court is about to try and lure her to him. In a word, they all behave like hypocrites, but Marr is such a good writer, that I find myself feeling sorry for all of them at some point. While in many fantasy genre works, the female lead often has to choose between two guys, Marr takes a completely unpredictable approach, and I think that I like this ending the best of all possibilities. Plus, since this is only the second book in a series, there is potential for Leslie to change her mind in the long run as she becomes more comfortable in her own skin.
The way that Marr approaches the horrific trauma that Leslie endured prior to this book's beginning is handled very delicately, as it should be. It is never really described in detail what exactly happens to her, and it is mostly left up to the reader's imagination, which I think is a smart move in that girls who have been in a situation similar to Leslie's can relate to her and feel like they have a voice in her words and thoughts. This alone is what makes this book both poignant and powerful. The fact that both males vying for her affection try to rescue her from this trauma in his own way is what redeems both of them for me.
Politics run heavy in this series, and while I am not really a fan of politics in real life, fantasy books often make it much more interesting, Marr's writing being no exception. The dynamics between the faery courts are quite intriguing and I think they seem to balance one another out well, even though at first glance it might seem like some should be kept over others. I find myself constantly wondering about the High Court and its Queen, Sorcha, which I can look forward to in the third installment in the series, Fragile Eternity (Wicked Lovely).
Debbiereadsbook (1202 KP) rated Living on Air in Books
Mar 5, 2018
A Masterpiece by Ms Mac Nicol!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
There comes along, once in a rare while, a book that PUSHES you. It pushes you out of your comfort zone. It pushes your skill at writing a coherent review, but most of all, it PUSHES you to get into the mind of someone close you, that you hadn't been able to before.
And OMG this book PUSHED me! So if my review goes awry, it's because I can't get the right words out, okay??
Cary has his own coping methods to deal with a major childhood trauma. Except, he isn't dealing with it, not really, he just deals with the pain his coping method causes. And he is good at hiding what he is doing. Rhys comes to the circus to take pictures, that's all. Pictures to go in a book. But Cary has a powerful reaction to Rhys, and vice versa, and the circus folk are amusing watching Rhys PUSH Cary. But they both carry scars, physical and emotional, and when Cary decides to confront his, he PUSHES Rhys away.
Finding to so difficult to write this, I really am, without bawling my eyes out.
I'm not giving anything away by saying Cary self harms, and from the very first PAGE we get it. And getting into Cary's mindset when he does what he does, THAT is the hardest thing I found to read in this book. Someone VERY close to me used to do this, not to the extent that Cary does, but close. I could never get my head round the why she did this, it made no sense to me at all. And their trauma was totally different to Cary's but getting into Cary's mind as he descends into oblivion, made me understand a little bit better WHY she did this.
And trust me when I say this, the amount of attention to detail, and research gone into this book, is OUTSTANDING! Cary's trauma and coping methods, what happened after. Rhys' own trauma, while not as in depth as Cary's, is bad too. Cary on his silks, I could SEE him, you know?? It was just like being there! And now?? Now I want to see the guy who Ms Mac Nicol used as inspiration for Cary and his silks.
The scene where the title came to make complete and total sense?? I had to go sit out the back for a few minutes, because I really did cry at that!
I started to read this at work (don't tell anyone!) and I had to keep putting it down. I had to keep putting it down when a particular chapter was difficult, or too emotional and I was getting upset. Had I been at home, I have no doubt I would have bawled my way through and read the whole book in one go.
Or at least I would have tried to. Because this is not a fluffy romance, it is not an easy read and it's not even a Happily Ever After.
But what it is, is an outstanding piece of work that Susan Mac Nicol should call her Masterpiece of writing.
There is a little author's note on the blurb, I strongly suggest you heed it.
While Cary and Rhys don't get a full Happily Ever After, they do get a Happy For Now. Both guys have a lot of healing to do, individually and as a couple. I just hope Ms Mac Nicol will write them a Happily Ever After, and SOON!!!
I can't word how much, even though it is an emotionally gut wrenching read, how much I LOVED this book. You know what?? Brand new shelf on Goodreads, just for books like this. It's title?? Masterpieces.
5 stars, but only because I can't give it anymore!
**same worded review will appear elsewhere**
There comes along, once in a rare while, a book that PUSHES you. It pushes you out of your comfort zone. It pushes your skill at writing a coherent review, but most of all, it PUSHES you to get into the mind of someone close you, that you hadn't been able to before.
And OMG this book PUSHED me! So if my review goes awry, it's because I can't get the right words out, okay??
Cary has his own coping methods to deal with a major childhood trauma. Except, he isn't dealing with it, not really, he just deals with the pain his coping method causes. And he is good at hiding what he is doing. Rhys comes to the circus to take pictures, that's all. Pictures to go in a book. But Cary has a powerful reaction to Rhys, and vice versa, and the circus folk are amusing watching Rhys PUSH Cary. But they both carry scars, physical and emotional, and when Cary decides to confront his, he PUSHES Rhys away.
Finding to so difficult to write this, I really am, without bawling my eyes out.
I'm not giving anything away by saying Cary self harms, and from the very first PAGE we get it. And getting into Cary's mindset when he does what he does, THAT is the hardest thing I found to read in this book. Someone VERY close to me used to do this, not to the extent that Cary does, but close. I could never get my head round the why she did this, it made no sense to me at all. And their trauma was totally different to Cary's but getting into Cary's mind as he descends into oblivion, made me understand a little bit better WHY she did this.
And trust me when I say this, the amount of attention to detail, and research gone into this book, is OUTSTANDING! Cary's trauma and coping methods, what happened after. Rhys' own trauma, while not as in depth as Cary's, is bad too. Cary on his silks, I could SEE him, you know?? It was just like being there! And now?? Now I want to see the guy who Ms Mac Nicol used as inspiration for Cary and his silks.
The scene where the title came to make complete and total sense?? I had to go sit out the back for a few minutes, because I really did cry at that!
I started to read this at work (don't tell anyone!) and I had to keep putting it down. I had to keep putting it down when a particular chapter was difficult, or too emotional and I was getting upset. Had I been at home, I have no doubt I would have bawled my way through and read the whole book in one go.
Or at least I would have tried to. Because this is not a fluffy romance, it is not an easy read and it's not even a Happily Ever After.
But what it is, is an outstanding piece of work that Susan Mac Nicol should call her Masterpiece of writing.
There is a little author's note on the blurb, I strongly suggest you heed it.
While Cary and Rhys don't get a full Happily Ever After, they do get a Happy For Now. Both guys have a lot of healing to do, individually and as a couple. I just hope Ms Mac Nicol will write them a Happily Ever After, and SOON!!!
I can't word how much, even though it is an emotionally gut wrenching read, how much I LOVED this book. You know what?? Brand new shelf on Goodreads, just for books like this. It's title?? Masterpieces.
5 stars, but only because I can't give it anymore!
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Fallout 4 in Video Games
Jun 19, 2019
When Fallout 4 was first announced last June at E3, I like many gamers was thrilled for the latest chapter in this ongoing and enduring series. The fact that Bethesda was able to deliver successfully on the November release date was even more amazing as was the incredible stability, complexity, and fun of the game.
While we featured the game extensively on our holiday gift guides and radio segments, I opted to wait to do the full review until I had spent more time with the game. The story the game is very compelling and that you’re a father looking to recover his son in a post-apocalyptic world. The interactions that NPC characters are extremely enjoyable, as is the open world and highly customizable nature of the game. There are countless options for weapon and clothing customization, side quests, weapons, your armor, and even your companion. All of this helps make the game ending incredibly complex, diverse, and deeply rewarding experience.
I have to admit that I do have some frustration with the menu system as for me; I’m not a big fan of micromanagement and I have to admit that I found crafting a bit frustrating at times. I remember an early mission where I had to construct a transmitter to be very frustrating as I could not seem to get all of the completed parts together.
The beauty of the game though was that I was able to go off on other quests, combat enemies, trade, craft, customize, explore, and more so that I was able to be more than entertained when I got caught up in a segment. I really enjoyed being able to do things like raid an enemy base and take down numerous bad guys as well is combat mutated creatures. The longer I spend with the game, the more I began to appreciate the complexity of it in that there are multiple ways to play it, when it, and enjoy it. I’ve heard of players who achieve great things without even leaving the vault area at the start of the game. There are players spend a considerable amount of time crafting their community, appearance, and weaponry to find the best overall gaming experience.
I and the other hand like it sleek and simple, and prefer to get right down to the action. Now this course cause me to learn some patience as I would often overload my character was salvage and had to learn quickly what is useful to keep, sell, and discard. Combat was extremely satisfying although I did get a little hung up at times having to change weapons in my Pip Boy. I would’ve liked a little more streamlined approach where I could have several weapons stage as well as grenades without having to access a menu during heated moments. Naturally I understand this is a frustration from a PC gamer’s perspective and those playing the game on a console don’t have the luxury of multiple hotkeys to assign.
From the solid voice acting, enjoyable story, numerous customizations, an abundance of fun and action filled moments; Fallout 4 is the rare game that delivers on what fans expect as well as brings an abundance of options and enjoyment to the game will be on the first play through. Not only is the game one of the better releases of 2015, but one can argue that it is one of the better game releases ever not just of the series which is high praise indeed. I cannot wait to see what comes next for the series as this is been a trip well worth taking.
http://sknr.net/2016/01/23/fallout-4/
While we featured the game extensively on our holiday gift guides and radio segments, I opted to wait to do the full review until I had spent more time with the game. The story the game is very compelling and that you’re a father looking to recover his son in a post-apocalyptic world. The interactions that NPC characters are extremely enjoyable, as is the open world and highly customizable nature of the game. There are countless options for weapon and clothing customization, side quests, weapons, your armor, and even your companion. All of this helps make the game ending incredibly complex, diverse, and deeply rewarding experience.
I have to admit that I do have some frustration with the menu system as for me; I’m not a big fan of micromanagement and I have to admit that I found crafting a bit frustrating at times. I remember an early mission where I had to construct a transmitter to be very frustrating as I could not seem to get all of the completed parts together.
The beauty of the game though was that I was able to go off on other quests, combat enemies, trade, craft, customize, explore, and more so that I was able to be more than entertained when I got caught up in a segment. I really enjoyed being able to do things like raid an enemy base and take down numerous bad guys as well is combat mutated creatures. The longer I spend with the game, the more I began to appreciate the complexity of it in that there are multiple ways to play it, when it, and enjoy it. I’ve heard of players who achieve great things without even leaving the vault area at the start of the game. There are players spend a considerable amount of time crafting their community, appearance, and weaponry to find the best overall gaming experience.
I and the other hand like it sleek and simple, and prefer to get right down to the action. Now this course cause me to learn some patience as I would often overload my character was salvage and had to learn quickly what is useful to keep, sell, and discard. Combat was extremely satisfying although I did get a little hung up at times having to change weapons in my Pip Boy. I would’ve liked a little more streamlined approach where I could have several weapons stage as well as grenades without having to access a menu during heated moments. Naturally I understand this is a frustration from a PC gamer’s perspective and those playing the game on a console don’t have the luxury of multiple hotkeys to assign.
From the solid voice acting, enjoyable story, numerous customizations, an abundance of fun and action filled moments; Fallout 4 is the rare game that delivers on what fans expect as well as brings an abundance of options and enjoyment to the game will be on the first play through. Not only is the game one of the better releases of 2015, but one can argue that it is one of the better game releases ever not just of the series which is high praise indeed. I cannot wait to see what comes next for the series as this is been a trip well worth taking.
http://sknr.net/2016/01/23/fallout-4/
Gareth von Kallenbach (980 KP) rated Sabotage (2014) in Movies
Jun 19, 2019
Action icon Arnold Schwarzenegger is back in “Sabotage”, with an ensemble film that is part thriller, part action, and part western. Schwarzenegger plays John Breacher, the leader of a top D.E.A. squad who take on the worst of the criminal underworld in the war on drugs.
Breacher has become a celebrity for his exploits as the numerous pictures of him with former Presidents attest to. It is learned that after bringing down a drug Kingpin, Breacher had his wife and son kidnapped in retaliation and he was forced to watch them tortured to death via video for refusing to turn himself over to the kidnappers for retaliation.
The brutal and drawn out nature of the crimes has haunted Breacher and as the film opens he is leading his team on a raid of a mansion filled with cash and bad guys.
His team is very efficient at what they do but have both physical and mental scars from their experiences. The raid goes almost as planned, but Breacher and his team are accused of taking ten million dollars from the crime scene after the raid as it was learned that the F.B.I. were also keeping tabs on the locale.
Six months pass and despite being an outcast, Breacher and his team are returned to active duty after the closure of the investigation against them. With most of his agency convinced someone on the team has taken the money, Breacher and company celebrate their return to active status.
Their celebration is short-lived when members of the team start being killed in brutal fashion. The fact that highly trained operatives are able to be killed in this manner has raised some red flags especially to local detective Brentwood (Olivia Williams), who thinks there may be more to the cases than first thought. The fact that the D.E.A. is not helping with her investigation and the fact that the bodies are starting to pile up lead her and Breacher into an uneasy alliance to find the killer(s).
What follows is a methodical, but at times action packed film that results in an ending that is disappointing compared to what it could have been.
After the final revelation was revealed, it seemed to me that the methods taken did not match up well with the timeline, opportunity, and motivations of the characters involved. The more I thought about the film the more I was convinced that there were easier ways for things to be accomplished or explained and that perhaps there were too many Red Herrings along the way.
The cast is the film is top notch from Terrance Howard, Sam Worthington, Joe Manganiello and Josh Holloway, and this is one of Schwarzenegger’s most mature and diverse roles in memory. I liked the ambiguity of his character as he was not the one man killing machine and unstoppable force of nature that he has portrayed countless times before.
Breacher is a haunted and troubled man who is highly capable at what he does and enjoys doing it even though it has cost him everything he holds dear. The film seemed to be unable to find an identity as it started out as a very gripping drama that had you guessing but took some turns that strained to be credible and became a conglomeration of action clichés and western nostalgia which is a shame as the cast and premise offered so much more as did the first part of the film.
Director David Ayer keeps things moving along and is to be praised for not letting the action overshadow the characters but sadly the final act of the film comes up short and undermines what could have been a classic mix of action and drama.
The film fails as an effective action film or drama which results in an at times enjoyable but largely forgettable effort.
http://sknr.net/2014/03/28/sabotage/
Breacher has become a celebrity for his exploits as the numerous pictures of him with former Presidents attest to. It is learned that after bringing down a drug Kingpin, Breacher had his wife and son kidnapped in retaliation and he was forced to watch them tortured to death via video for refusing to turn himself over to the kidnappers for retaliation.
The brutal and drawn out nature of the crimes has haunted Breacher and as the film opens he is leading his team on a raid of a mansion filled with cash and bad guys.
His team is very efficient at what they do but have both physical and mental scars from their experiences. The raid goes almost as planned, but Breacher and his team are accused of taking ten million dollars from the crime scene after the raid as it was learned that the F.B.I. were also keeping tabs on the locale.
Six months pass and despite being an outcast, Breacher and his team are returned to active duty after the closure of the investigation against them. With most of his agency convinced someone on the team has taken the money, Breacher and company celebrate their return to active status.
Their celebration is short-lived when members of the team start being killed in brutal fashion. The fact that highly trained operatives are able to be killed in this manner has raised some red flags especially to local detective Brentwood (Olivia Williams), who thinks there may be more to the cases than first thought. The fact that the D.E.A. is not helping with her investigation and the fact that the bodies are starting to pile up lead her and Breacher into an uneasy alliance to find the killer(s).
What follows is a methodical, but at times action packed film that results in an ending that is disappointing compared to what it could have been.
After the final revelation was revealed, it seemed to me that the methods taken did not match up well with the timeline, opportunity, and motivations of the characters involved. The more I thought about the film the more I was convinced that there were easier ways for things to be accomplished or explained and that perhaps there were too many Red Herrings along the way.
The cast is the film is top notch from Terrance Howard, Sam Worthington, Joe Manganiello and Josh Holloway, and this is one of Schwarzenegger’s most mature and diverse roles in memory. I liked the ambiguity of his character as he was not the one man killing machine and unstoppable force of nature that he has portrayed countless times before.
Breacher is a haunted and troubled man who is highly capable at what he does and enjoys doing it even though it has cost him everything he holds dear. The film seemed to be unable to find an identity as it started out as a very gripping drama that had you guessing but took some turns that strained to be credible and became a conglomeration of action clichés and western nostalgia which is a shame as the cast and premise offered so much more as did the first part of the film.
Director David Ayer keeps things moving along and is to be praised for not letting the action overshadow the characters but sadly the final act of the film comes up short and undermines what could have been a classic mix of action and drama.
The film fails as an effective action film or drama which results in an at times enjoyable but largely forgettable effort.
http://sknr.net/2014/03/28/sabotage/
Gareth von Kallenbach (980 KP) rated Iron Man (2008) in Movies
Aug 14, 2019
The summer 0f 2008 movie season kicks off in a big way with the release of “Iron Man”, the latest in a long line of popular Marvel Comics superheroes to make the leap to the big screen.
Robert Downey JR. stars as Tony Stark a Billionaire playboy who owns a vast company that is known mainly for manufacturing weapon systems. When the film opens, Stark is ambushed shortly after a weapons demonstration in Afghanistan and is wounded by the attackers who take Stark into captivity.
Using a device to keep the shrapnel from his vital organs and thus keep him alive, Stark is forced to create a weapon for his captors who plan to use the creative genius of Stark for their own nefarious schemes.
Stark turns the tables on his captors and devices a special suit which allows him to escape, and eventually make his way back to America after three long and harrowing months of captivity.
One back in home, Stark starts to take stock of his life and realizes that many of the weapons he designed to protect America are now being used by other factions to kill those they were designed to protect. When Stark announces to the press that he is stopping the manufacture of weapons by his company he is viewed as suffering from the long captivity and finds himself at odds with the shareholders and board of directors, as well as his long time advisor and friend Obadiah Stane (Jeff Bridges).
Undaunted, Stark begins to build a prototype suit in his lab, and soon emerges as an iron clad crusader who is obsessed with keeping the bad guys from using the weapons his company created against the innocent.
Assisted by his friend in the military Colonel Rhodes (Terrance Howard) and the lovely Pepper Potts (Gwyneth Paltrow), Tony Stark soon finds himself caught in an even more dastardly plot, and needs every ounce of his creativity and his latest invention to keep the world safe.
The movie is a pure delight and it was nice to see a summer movie that actually had some plot and character development, and did not try to dumb the material down for the audience or let the film be carried entirely by the special effects.
The movie also has some moments of good humor which work well within the film as much of it comes from the quick wit of or at the expense of Stark.
Robert Downey JR. is perfect in the role as he perfectly captures the character without making him to over the top as often is the case in many comic adaptations. He portrays Stark exactly as he is portrayed in the comics, a hard drinking womanizer, who is forced to take stock of his life, and make changes.
The supporting performances by Paltrow, Howard, and Bridges help make the film stand out as does the solid work by Director John Favreau who clearly has a grasp on the character and story and thankfully took the time to establish the characters and the premise before rushing Downey into the Iron Man suit.
When the action comes it is solid, and shines with modern effects, but never once overshadow the fact that this is a character driven story. The action teases the audience with the full potential of the suit, which I am sure will be explored further in future films.
Many times summer films arrive in a frenzy of hype and expectations only to be little more than thinly plotted films awash in FX that fail to satisfy. I am happy to say that “Iron Man” is the rare exception to the recent trend and is easily one of the best Super Hero Films ever crafted.
Robert Downey JR. stars as Tony Stark a Billionaire playboy who owns a vast company that is known mainly for manufacturing weapon systems. When the film opens, Stark is ambushed shortly after a weapons demonstration in Afghanistan and is wounded by the attackers who take Stark into captivity.
Using a device to keep the shrapnel from his vital organs and thus keep him alive, Stark is forced to create a weapon for his captors who plan to use the creative genius of Stark for their own nefarious schemes.
Stark turns the tables on his captors and devices a special suit which allows him to escape, and eventually make his way back to America after three long and harrowing months of captivity.
One back in home, Stark starts to take stock of his life and realizes that many of the weapons he designed to protect America are now being used by other factions to kill those they were designed to protect. When Stark announces to the press that he is stopping the manufacture of weapons by his company he is viewed as suffering from the long captivity and finds himself at odds with the shareholders and board of directors, as well as his long time advisor and friend Obadiah Stane (Jeff Bridges).
Undaunted, Stark begins to build a prototype suit in his lab, and soon emerges as an iron clad crusader who is obsessed with keeping the bad guys from using the weapons his company created against the innocent.
Assisted by his friend in the military Colonel Rhodes (Terrance Howard) and the lovely Pepper Potts (Gwyneth Paltrow), Tony Stark soon finds himself caught in an even more dastardly plot, and needs every ounce of his creativity and his latest invention to keep the world safe.
The movie is a pure delight and it was nice to see a summer movie that actually had some plot and character development, and did not try to dumb the material down for the audience or let the film be carried entirely by the special effects.
The movie also has some moments of good humor which work well within the film as much of it comes from the quick wit of or at the expense of Stark.
Robert Downey JR. is perfect in the role as he perfectly captures the character without making him to over the top as often is the case in many comic adaptations. He portrays Stark exactly as he is portrayed in the comics, a hard drinking womanizer, who is forced to take stock of his life, and make changes.
The supporting performances by Paltrow, Howard, and Bridges help make the film stand out as does the solid work by Director John Favreau who clearly has a grasp on the character and story and thankfully took the time to establish the characters and the premise before rushing Downey into the Iron Man suit.
When the action comes it is solid, and shines with modern effects, but never once overshadow the fact that this is a character driven story. The action teases the audience with the full potential of the suit, which I am sure will be explored further in future films.
Many times summer films arrive in a frenzy of hype and expectations only to be little more than thinly plotted films awash in FX that fail to satisfy. I am happy to say that “Iron Man” is the rare exception to the recent trend and is easily one of the best Super Hero Films ever crafted.
365Flicks (235 KP) rated Pandorica (2016) in Movies
Nov 20, 2019
Now that Chris and I have handed back the reigns of Another Damn Wrestling Show to its original hosts Matt, Joe and the other one. I no longer have to watch 12 hours of Wrestling each week so I decided to tackle my backlog of Movie reviews that some awesome very kind people have been sending. Today was the turn of Pandorica, a movie that to be fair had me at the trailer because its tells you everything without giving anything away. Best type of Trailer really (Yes that was a pop at Terminator Genisys).
I had no real expectations going into Pandorica and I came out of it very pleasantly surprised by Tom Paton’s Genre busting Futuristic Dystopian , Sci-Fi horror, Suspense, Action Filled tale of what happens when Humanity is De-Volved into its most basic instincts. Well I did say Genre Busting. One of the best things about this movie is that you really cant put it in any bracket (no matter how hard you try for the purpose of reviewing).
Set somewhere in the future we meet a small group of Natives from the Varosha tribe. Tribe leader Nus (Luke D’Silva) has brought his three bravest and best to take part in a Violent trial to determine who should be leader of the Tribe when Nus expires. As is always the way, the three in question have very differing personalities. Eiren (Jade Hobday) is as deadly as she is determined and somewhat sexy (think Milla Jovovich in Resident Evil, Keira Knightley in King Arthur, Rhona Mitra in Doomsday). She is up against the wreckless headstrong bad ass Ares (Marc Zammit) who believes he is the only man fit enough to lead, rounding off the trio is Thade (Adam Bond) a very loyal confidant to the tribe but its all a bit over his head. Once the trial begins everything really turns to shit as the 3 discover a strange woman being chased by band of Vicious Lunatics in creepy masks. They must band to together to stay alive, all the while trying to prove they are the best candidate for leader, Winner is left standing at daybreak… Hopefully.
It is hard for me to believe that this is Tom Paton’s first full length feature film. He has a very clear idea of what he is doing with getting the best out of his strong leading cast, the Cinematography in this movie is gorgeous at times showing Paton is well aware of his on location surroundings and can direct his movie as such to show us this. Sometimes just the swooping shots over the top of the trees keep make you pause to admire. He has taken a number of Genres mashed them up and made a solid as hell flick that not only stands on its own but also serves as what could potentially be a great intro to a new series of flicks hat breath new life into some of these Genres, especially the Dystopian World End-y ones in the same vein as Neil Marshalls Doomsday.
I don’t want to keep raving on too much because you guys should really see this flick. It is available on all good streaming sites and video on demand services and I guarantee you will get a kick out of it, even if only for the Bitchin as hell soundtrack. I wont lie the music alone sucks you right in. I really enjoyed the movie and can easily see a sequel in fact if you do enjoy the movie, I recommend you stick around till the end of the credits (No Spoilers).
I had no real expectations going into Pandorica and I came out of it very pleasantly surprised by Tom Paton’s Genre busting Futuristic Dystopian , Sci-Fi horror, Suspense, Action Filled tale of what happens when Humanity is De-Volved into its most basic instincts. Well I did say Genre Busting. One of the best things about this movie is that you really cant put it in any bracket (no matter how hard you try for the purpose of reviewing).
Set somewhere in the future we meet a small group of Natives from the Varosha tribe. Tribe leader Nus (Luke D’Silva) has brought his three bravest and best to take part in a Violent trial to determine who should be leader of the Tribe when Nus expires. As is always the way, the three in question have very differing personalities. Eiren (Jade Hobday) is as deadly as she is determined and somewhat sexy (think Milla Jovovich in Resident Evil, Keira Knightley in King Arthur, Rhona Mitra in Doomsday). She is up against the wreckless headstrong bad ass Ares (Marc Zammit) who believes he is the only man fit enough to lead, rounding off the trio is Thade (Adam Bond) a very loyal confidant to the tribe but its all a bit over his head. Once the trial begins everything really turns to shit as the 3 discover a strange woman being chased by band of Vicious Lunatics in creepy masks. They must band to together to stay alive, all the while trying to prove they are the best candidate for leader, Winner is left standing at daybreak… Hopefully.
It is hard for me to believe that this is Tom Paton’s first full length feature film. He has a very clear idea of what he is doing with getting the best out of his strong leading cast, the Cinematography in this movie is gorgeous at times showing Paton is well aware of his on location surroundings and can direct his movie as such to show us this. Sometimes just the swooping shots over the top of the trees keep make you pause to admire. He has taken a number of Genres mashed them up and made a solid as hell flick that not only stands on its own but also serves as what could potentially be a great intro to a new series of flicks hat breath new life into some of these Genres, especially the Dystopian World End-y ones in the same vein as Neil Marshalls Doomsday.
I don’t want to keep raving on too much because you guys should really see this flick. It is available on all good streaming sites and video on demand services and I guarantee you will get a kick out of it, even if only for the Bitchin as hell soundtrack. I wont lie the music alone sucks you right in. I really enjoyed the movie and can easily see a sequel in fact if you do enjoy the movie, I recommend you stick around till the end of the credits (No Spoilers).
Darren (1599 KP) rated American Graffiti (1973) in Movies
Nov 21, 2019
Thoughts on American Graffiti
Characters – Curt has always enjoyed his time on the strip, he knows everybody and is one of the most popular guys around, he was due to head of the college, but hasn’t made his mind up yet, despite it needing to be read for his next day, he ends up trying to spend his time chasing a mysterious woman around town all night. Steve has always planned his life out, he is going off to college and he is ready to make his relationship more open while they are separated, here he gets to learn about his relationship even if his best friend might not be joining him in college. John is the friend that has always been known for his ability with cars, he has a reputation around town with the police following him around and now he is starting to see the future where his friends are doing a lot more than him and gets stuck with a younger girl for the night, where he starts to see a brighter side to his future. Terry has always been the butt of most of the jokes between the friends, now he gets Steve’s car to look after he spends the night trying to find himself a woman and impress her with his lines.
Performances – When we look at the cast, Richard Dreyfuss is great through the film showing us a character that can get plenty of laughs and is quick on his feet. Ron Howard brings the character we know him for is always going to be easy for him to play. Paul Le Mat brings the typical bad boy to life that does show how he bought us a level of sympathy to the character. Charles Martin Smith brings the geeky sounding character out which become one of the most popular characters in these teen comedies for years to come.
Story – The story here follows four friends on the last day of summer before college is due to start, we see how the four have a different adventure on this night, which will help them discover what they want next in their lives. This is a story that shows just how difficult life is when you take the next step, leaving school is one of the first and biggest anybody will take, with the uncertainty being there for everybody involved, part of you will want to stay close to what you already had, while other sides of this will see you wanting to see what is next. This story mixes all of this together through the film with little effort and makes you believe these people could be real, while certain aspects will have dated here, with a new generation, back n the 1970s this would have been the idea of the house party in the 80s or 90s and wild adventure the modern youth would be having.
Comedy – The comedy in this film would be right up there with any teen comedies, it would have gotten more laughs for when it was released, rather than the ones you would expect to see now.
Settings – The film is set in one hang out location known as the strip, this will be the location where we get all the hang outs you would expect for teens in this generation.
Scene of the Movie – Terry’s attempts to get boozes.
That Moment That Annoyed Me – The world involved does seem to have dated.
Final Thoughts – This is a wonderful look at teenage life in the 70s it shows us just how close the friendships were, how hard the changes coming were and just what was left for the people in life.
Overall: Beautiful Look at the 70s.
Rating
Characters – Curt has always enjoyed his time on the strip, he knows everybody and is one of the most popular guys around, he was due to head of the college, but hasn’t made his mind up yet, despite it needing to be read for his next day, he ends up trying to spend his time chasing a mysterious woman around town all night. Steve has always planned his life out, he is going off to college and he is ready to make his relationship more open while they are separated, here he gets to learn about his relationship even if his best friend might not be joining him in college. John is the friend that has always been known for his ability with cars, he has a reputation around town with the police following him around and now he is starting to see the future where his friends are doing a lot more than him and gets stuck with a younger girl for the night, where he starts to see a brighter side to his future. Terry has always been the butt of most of the jokes between the friends, now he gets Steve’s car to look after he spends the night trying to find himself a woman and impress her with his lines.
Performances – When we look at the cast, Richard Dreyfuss is great through the film showing us a character that can get plenty of laughs and is quick on his feet. Ron Howard brings the character we know him for is always going to be easy for him to play. Paul Le Mat brings the typical bad boy to life that does show how he bought us a level of sympathy to the character. Charles Martin Smith brings the geeky sounding character out which become one of the most popular characters in these teen comedies for years to come.
Story – The story here follows four friends on the last day of summer before college is due to start, we see how the four have a different adventure on this night, which will help them discover what they want next in their lives. This is a story that shows just how difficult life is when you take the next step, leaving school is one of the first and biggest anybody will take, with the uncertainty being there for everybody involved, part of you will want to stay close to what you already had, while other sides of this will see you wanting to see what is next. This story mixes all of this together through the film with little effort and makes you believe these people could be real, while certain aspects will have dated here, with a new generation, back n the 1970s this would have been the idea of the house party in the 80s or 90s and wild adventure the modern youth would be having.
Comedy – The comedy in this film would be right up there with any teen comedies, it would have gotten more laughs for when it was released, rather than the ones you would expect to see now.
Settings – The film is set in one hang out location known as the strip, this will be the location where we get all the hang outs you would expect for teens in this generation.
Scene of the Movie – Terry’s attempts to get boozes.
That Moment That Annoyed Me – The world involved does seem to have dated.
Final Thoughts – This is a wonderful look at teenage life in the 70s it shows us just how close the friendships were, how hard the changes coming were and just what was left for the people in life.
Overall: Beautiful Look at the 70s.
Rating
Natacha (374 KP) rated Red Rising in Books
Jan 23, 2020
More reviews on my blog: https://natachainreviewland.wordpress.com/
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.