"One of my all-time favorite bands. What I admire about them so much is that they ‘learned to unlearn.’ Jimmie Vaughan had perfected techniques on the guitar to the point where he could keep up with the best of them, as had the rest of the lineup. They recognized the idiom of the blues as an art form long before people talked about it in such a way. Everybody in the band had done their homework and figured out that this wasn’t some simplistic, sports bar music; this was serious business. But they dished it out in a way that was both fierce and casual. I think this is one of the finest interpretations of the blues that has ever found its way to the marketplace. Not a bad moment anywhere. It’s a beauty."

"This was the mid-’80s, around the time PiL made Album. On that record, I was referring to the heavy metal scene, which had crawled up its own backside. It was endless bands imitating each other, the same nonsense that punk turned into. But great achievements were made in music around then too. Everything from madder folk outfits and pop music itself was becoming very interesting then. I was always pleasantly surprised that oddball stuff would creep in the charts from nowhere. Someone like Gary Numan gave pop music a very distinctive and clear tone that was all his own. “At this stage, I would have been buying everything that was being made, but Alice Cooper’s Killer never left me. That easy way of growling he had was always impressive."

"As obtuse as this whole list may be, what drew me to Chromeo was their name. Being a hot-rod head and a car fanatic, I loved the name. It could have been a terrible record and I would have loved it, because you ain't got nothing unless you got a lot of chrome. 

My taste doesn't run too far into dance or disco but in the grand scheme of things, and for those who are attempting to perceive what ZZ Top is, it's good on occasion to find an unexpected surprise. On occasion we'd be lumped in with southern rock bands, but we're really not – it's Texas. Which is quite a bit different. Texas is down south, but it's certainly a far cry from South Carolina or Alabama or Georgia."

"I think it's their most pop record, it's got three or four minute tunes. I'm really into pop music... I've got all of their albums, but this one is almost like a best of. I saw them perform it live twice, years and years ago, in south London and Leicester. The first time I heard Kraftwerk was when 'The Model' came out, that was a riff that everybody could play, so that's what we played [laughs]. Obviously all bands start the same way, they don't play their own stuff, they're trying to play like other people, and 'The Model' is a really simple song to play. I'm sure there is a tape of me playing it somewhere out there, I don't know. Perhaps someone will do an impersonation of me doing it."

"I could have chosen the first record Q: Are We Not Men? A: We Are Devo! or, to a lesser extent, Freedom Of Choice, but I like the rawness of Duty Now For The Future. I think the Eno production on the first one was great but this is just a little bit different. To me, they were very cynical but also really funny. They obviously created this whole myth for themselves. Devo had this whole package before bands really came up with that. They had this whole mythology built around them. Other people had that - I guess Magma had this whole mythology built around them so they're maybe not the first - but at the time it felt really futuristic and it felt like a whole new thing was happening."