"You know, it’s amazing how quiet this album sound when you play it now. That’s down to old fashioned mastering. It was mixed by Bob Clearmountain – what a great name, because Reckless sounds like his surname! I always think the name ‘Clearmountain’ is so Dickensian as well. “But every song here was either a single, or sounds like it should have been released as a single. It’s just amazing. And Tina Turner’s here as well on one song, It’s Only Love. “Whenever I play this album, it sounds familiar, beautiful and like bathing in warm water. A bath of ‘Clearmountain’ water!"

"Number four would be the Creature from the Black Lagoon. That one, of course, was split up; two actors played him. Ricou Browning was the Gill-man in the water, and Ben Chapman was the Gill-man out of the water, on the land. The most memorable imagery for me would be Ricou in those underwater sequences, when he’s swimming underneath Julie Adams. She’s innocently having a swim in her little white bathing suit, like “la la la,” having no idea that this thing is lurking underneath her. But that underwater performance of his has channeled its way into my own creatures. I’ve played two fish-men now in my career, so I think that the Creature from the Black Lagoon actually left a huge thumbprint on me from that."

"Rewatching this film on the other side of my twenties, the overwhelming fact of everyone’s youth really hit me. They’re just eighteen! And suddenly, the whole movie is Degrassi. Suzanne is Paige, Guillaume is Spinner, Bertrand is Jimmy. And Spinner and Jimmy think it’s really funny to take Paige out on dates and make her pay the bills. Then Spinner takes the joke way too far and Jimmy’s caught in the middle, wanting more than anything to seem cool. The final scene at the pool, the bathing suit competition so to speak—everything about it is casually devastating: the rhythm of the cuts, the lighting, the suntan lotion choreography. Bertrand (Jimmy) realizes he and Sophie (Ashley) aren’t superior to Suzanne, they’re just skinny. Man, that scene hits hard. Like Degrassi, Rohmer knows that the most interesting thing about teens is that they’re works in progress. Like, sometimes they actually learn a lesson."

"How could I not love it? I’m a former architect and “Parasite” even had a photo of the “architect” who designed the house. I was fascinated with the long horizontal window in the living room of the elegant house — looking out to the peaceful garden — in contrast to the long horizontal window in the semi-basement house looking out to the crowded neighborhood where a guy pisses regularly. As it rains at the elegant house — seen through the window, it’s a beautiful sight, but in the semi-basement house — rain becomes a flood of sewage! So many layers of detail which reveal economic inequities…. the cramped bathroom with the raised toilet — the only area where the sister could get cell phone reception… vs. how she “fit in” when bathing in the more luxurious bathroom. I loved the delicious details like the sister pointing out the “schizophrenic” area of the child’s paintings — the dark shape in the lower right hand corner — so she could be paid more for art therapy! Yummy! And of course the amazing shot where the former housekeeper is HORIZONTAL in the basement — trying to push open the bookcase. I thought she was possessed by a demon. Then the film surprised me again and took another unexpected seismic shift. All the visual delights strengthened the story in a great feedback loop! Bravo!"

"It’s a mad movie. It’s just insane. This was the first movie I remember having so many stars that I loved. My favorite scene is when the older woman realizes that her son-in-law lives close to the treasure, so she calls him up. I remember the phone ringing and ringing, and when they cut to her son, he’s with a girl in a bikini doing the twist to some song. And she has this disaffected look on her face, just staring into nothing. The son is in a ’50s-style bathing suit just jumping around her going, “Yeah. Go.” That moment is something I’ve put in theater pieces, and even when I go out and I’m on the dance floor, I think of that scene. So if that movie gave me anything, aside from the excitement of seeing all these awesome comedic actors, it was that moment. I love that old-style humor, you know, like Some Like It Hot, just over the top. I think comedy was done with a lot more class back then. And that was a crossover period. It’s hard to get that these days. Now it has to be cool. Back then it just had to be crazy and zany. That movie should be listed next to the definition of “zany” in the dictionary. “What is zany?” “Watch this movie.”"