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Matthew Krueger (10051 KP) rated Lethal Weapon 2 (1989) in Movies
Jul 9, 2020
Protect Joe Pesci
Lethal Weapon 2- adds more action, drama, suspense, thrills, comedy, lots of comedy and more chemistry.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
bradsuth (1 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jan 7, 2018
Entertaining continuation of the original.
Contains spoilers, click to show
I feel that there will never be a replacement for the original with Robin Williams, but this was a fitting continuation and I loved that they added in the tie in from "Alan's Cabin". I had many laugh out loud moments and have even went twice to see this movie. I don't do that often.
Awix (3310 KP) rated Captain Kronos - Vampire Hunter (1974) in Movies
Feb 14, 2018 (Updated Feb 14, 2018)
Somewhat atypical late-period Hammer horror; feels a bit like a pilot for a TV show but is none the worse for that. Dope-smoking, katana-swinging action man Kronos does battle with a vampire that feeds off youth itself.
Works hard to avoid the usual clichés, with some great moments of black comedy along the way. References to other Hammer films from around the same time will please the faithful. Action choreography by doyen of swordmasters William Hobbs means that the fight sequences (especially the climactic duel) are considerably better than you'd expect from such a low-budget movie. Should have been the start of a series, but Hammer had run out of money.
Works hard to avoid the usual clichés, with some great moments of black comedy along the way. References to other Hammer films from around the same time will please the faithful. Action choreography by doyen of swordmasters William Hobbs means that the fight sequences (especially the climactic duel) are considerably better than you'd expect from such a low-budget movie. Should have been the start of a series, but Hammer had run out of money.
Awix (3310 KP) rated Suburbicon (2017) in Movies
Feb 12, 2018
Period-set black comedy-thriller with Matt Damon as a pillar of the titular planned community, struggling to recover from the death of his wife in a burglary-gone-wrong. (Or is he...?) Actually based on a script set aside by the Coen brothers decades ago; it's tempting but fruitless to speculate as to how much of their work remains.
Quite well directed by Clooney, and the plotting is very smart, but a subplot about toxic racism feels intrusive and disconnected from the rest of the film - as a result what could have been a clever and understated film just feels like it's indulging in clumsy virtue-signalling. Would have been much better without the preachiness.
Quite well directed by Clooney, and the plotting is very smart, but a subplot about toxic racism feels intrusive and disconnected from the rest of the film - as a result what could have been a clever and understated film just feels like it's indulging in clumsy virtue-signalling. Would have been much better without the preachiness.
Dean (6925 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jan 6, 2018 (Updated Feb 12, 2023)
Good cast chemistry (2 more)
Generally funny throughout
Pretty good Sfx
We've got fun and games
A good, funny action film where the cast chemistry makes the film enjoyable. In the first film the jungle elements start to break through to the real world. This time a group of kids in detention get sucked in to a video game version of Jumanj. It's not the only Breakfast club undertone to the film either.
The Sfx and action scenes are pretty good. It is very funny though with group dynamics, body swap, role reversal going on. Largely thanks to Jack Black and Kevin Hart. Overall a fun light hearted action comedy with a big budget production that's very entertaining.
The Sfx and action scenes are pretty good. It is very funny though with group dynamics, body swap, role reversal going on. Largely thanks to Jack Black and Kevin Hart. Overall a fun light hearted action comedy with a big budget production that's very entertaining.
Gareth von Kallenbach (977 KP) rated Year One (2009) in Movies
Aug 9, 2019
I had no idea what to expect with “Year One”. Would it be another flop like “Nacho Libre”? How does Michael Cera fit into this kind of film? Could this be unexpected comedy gold reminiscent of the 1981 Mel Brook’s classic “History of the World: Part I”?
“Year One” follows the journey of two cavemen, Zed (Jack Black) and Oh (Michael Cera), through a comedic adaptation of early mankind. Zed and Oh are lowly members of their tribe rebuffed by the women they desire. Desperate to be something more Zed consumes the forbidden fruit from the tree of knowledge and is immediately out casted from his tribe. Oh joins Zed and the two begin a trip encountering fractured Biblical stories and characters.
Eventually our heroes are led into the lecherous city of Sodom, where they find the tribe and their ladyloves have been taken as slaves. As the two attempt to free the women from a life of slavery eccentric vaguely plotted comedy ensues.
The cast, filled with the usual silly suspects, includes Paul Rudd as Abel, Christopher Mintz-Plasse as Issac, and Vinnie Jones as Sargon. But do not expect their normal brand of comedy because it has been replaced with visually graphic potty humor.
The sets and costumes are well created but near impossible to notice when there is a pile of sheep innards being interpreted by Oliver Platt, who plays the High Priest. The few interesting one-liners fail to save “Year One” from an aura similar to “Austin Powers in Goldmember“.
Why after great films like “School of Rock” and “Be Kind Rewind” is Jack Black purposely trying to end his career? Moreover, why has he decided to take Michael Cera with him? As for Michael Cera this awful sort of humor is not going to lead him out of the valley of “Juno” fandom.
The flick is better than “Nacho Libre”, but it is not comedy gold. If you enjoy simple potty humor you should definitely see the film, but if not plan to borrow the DVD from a friend only to be happy you did not purchase it.
“Year One” follows the journey of two cavemen, Zed (Jack Black) and Oh (Michael Cera), through a comedic adaptation of early mankind. Zed and Oh are lowly members of their tribe rebuffed by the women they desire. Desperate to be something more Zed consumes the forbidden fruit from the tree of knowledge and is immediately out casted from his tribe. Oh joins Zed and the two begin a trip encountering fractured Biblical stories and characters.
Eventually our heroes are led into the lecherous city of Sodom, where they find the tribe and their ladyloves have been taken as slaves. As the two attempt to free the women from a life of slavery eccentric vaguely plotted comedy ensues.
The cast, filled with the usual silly suspects, includes Paul Rudd as Abel, Christopher Mintz-Plasse as Issac, and Vinnie Jones as Sargon. But do not expect their normal brand of comedy because it has been replaced with visually graphic potty humor.
The sets and costumes are well created but near impossible to notice when there is a pile of sheep innards being interpreted by Oliver Platt, who plays the High Priest. The few interesting one-liners fail to save “Year One” from an aura similar to “Austin Powers in Goldmember“.
Why after great films like “School of Rock” and “Be Kind Rewind” is Jack Black purposely trying to end his career? Moreover, why has he decided to take Michael Cera with him? As for Michael Cera this awful sort of humor is not going to lead him out of the valley of “Juno” fandom.
The flick is better than “Nacho Libre”, but it is not comedy gold. If you enjoy simple potty humor you should definitely see the film, but if not plan to borrow the DVD from a friend only to be happy you did not purchase it.
BankofMarquis (1832 KP) rated Bringing Up Baby (1938) in Movies
Apr 4, 2020
The Perfect Example of a "Screwball Comedy"
It's always a bit of a crap-shoot when one shows an 82 year old, black and white film to a couple of college age students. But, with a film as crazy/zany as the 1938 Howard Hawks screwball comedy BRINGING UP BABY, the odds are in your favor.
The college students loved it.
Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.
Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.
Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.
The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.
Oh...and did I mention...the 3rd leading performer of this film is a Leopard?
If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
The college students loved it.
Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.
Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.
Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.
The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.
Oh...and did I mention...the 3rd leading performer of this film is a Leopard?
If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Daniel Boyd (1066 KP) rated The Nice Guys (2016) in Movies
Jul 19, 2017
Witty script (1 more)
Crowe & Gosling
An original laugh
The Nice Guys is directed by Shane Black and stars Russell Crowe and Ryan Gosling as two very different kinds of private investigators. The movie is great and has Shane Black’s fingerprints all over it. It is especially reminiscent of Kiss Kiss Bang Bang and the Lethal Weapon movies. Typical flawless hero Ryan Gosling is cast here perfectly as a burnt out alcoholic wimp of a man, his comedic timing is perfect and seeing that in tandem with Russell Crowe’s no nonsense hard man act makes for fantastic chemistry and comedy gold. The plot is kind of all over the place, but a tight, cleverly written script holds the whole thing together.
Ross (3284 KP) rated Preacher - Season 1 in TV
Apr 1, 2019
I LOVED IT
This show is based on the comics of the same name, by Garth Ennis and Darick Robertson, and retains all the black humour, sick scenes and top notch dialogue of the comics.
The plot sees Preacher Jesse Custer somehow imbued with Genesis, a divine presence that gives him the power to tell people what to do. His conflict with local businessman (meat and electricity, what an empire!), Quincannon sees him try to use Genesis to convince the town that God exists.
This is a gritty, dark comedy with moments of genuine laugh out loud jokes as well as truly disturbing but life-like scenes.
Given how well this was delivered, I cannot wait to see how Amazon's treatment of The Boys plays out!
The plot sees Preacher Jesse Custer somehow imbued with Genesis, a divine presence that gives him the power to tell people what to do. His conflict with local businessman (meat and electricity, what an empire!), Quincannon sees him try to use Genesis to convince the town that God exists.
This is a gritty, dark comedy with moments of genuine laugh out loud jokes as well as truly disturbing but life-like scenes.
Given how well this was delivered, I cannot wait to see how Amazon's treatment of The Boys plays out!
Matthew Krueger (10051 KP) rated Spooks Run Wild (1941) in Movies
Jun 17, 2020
The East Side Kids Meet Dracula
Spooks Run Wild- is a funny entertaining horror movie starting the East Side Kids and of course Bela Lugosi as the creepy man/villian.
The plot: The East Side Kids are sent to summer camp, and shortly after arriving they encounter a mysterious man named Nardo (Bela Lugosi). Naturally, the Kids assume Nardo is the "monster killer" they've been warned about. Their theory is strengthened when they see Peewee (David Gorcey), seemingly risen from the dead after getting shot, walking around Nardo's house in a zombie-like trance. The Kids take it upon themselves to capture Nardo before he can kill anyone else.
Like i said its funny entertaining and over a good black and white comedy horror film.
The plot: The East Side Kids are sent to summer camp, and shortly after arriving they encounter a mysterious man named Nardo (Bela Lugosi). Naturally, the Kids assume Nardo is the "monster killer" they've been warned about. Their theory is strengthened when they see Peewee (David Gorcey), seemingly risen from the dead after getting shot, walking around Nardo's house in a zombie-like trance. The Kids take it upon themselves to capture Nardo before he can kill anyone else.
Like i said its funny entertaining and over a good black and white comedy horror film.