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The world is ruled by Silvers, with their shining blood and abilities. The Red have no special powers are seen as lesser. They are relegated to perpetual poverty, while the Silbers live lives of luxury. But what happens when a Red manifests abilities in an arena filled with noble Silvers? They make her a future princess of course, but it's not the fairy tale it sounds like.
Mare is thrust into a world she never wished for and doesn't fit into. She is given no choice but to accept. There is much to learn about her abilities and how to control them. The one demand she made was to ensure the safety and well-being of her family. Her brothers are called home from the war, but not soon enough to save all of them. <spoiler> One was a member of a rebel/revolutionary group and was executed for it. </spoiler> This pushes Mare over the edge and she joins the rebel group, the Scarlet Guard.
It's intriguing to learn what each person has the ability to do. The control over water, manipulation of light, healing, mind-reading and more. But it's very off-putting and juvenile when the author refers to them as greenies or telkies. It sounds more like a two-year-old naming their stuffed bear Brownie or Fluffy than an author giving life to special abilities.
The world is not our own, so it would be nice to learn more about it. Unfortunately, Mare is not very learned and we must view the world through her lens. It would be fascinating to be given a history, geography and culture lesson from Julian in novella form. What does their domain look like? What about the surrounding kingdoms, their rulers, ruling abilities and geography? How did these new borders come to be? (It is mentioned that the borders were not always the way they are currently.) Overall, the world building is pretty good but could be improved (which it does later in the book.) The physical descriptions of the towns the royals pass on their way to the palace late in the story are good and allow the reader to immese themselves in the world more fully.
The princes are, unsurprisingly good people despite the harshness of the King and Queen. <spoiler> Or at least appear to be that way in the beginning, but it does not last. </spoiler> The future love interest(s) must be liked by the reader. Mare herself is harsh and quick-tempered by likable nonetheless. Though she has no choice in her future, she assures her family's well-being and that shows she has a good heart.
Of course, our protagonist catches the attention of not just one but two princes. The older and future King, Cal, wants to be a good ruler so he secretly ventures out in public to learn and experience his people outside the reports of advisors. He even decides to send a group of Silver soldiers to the front line and chooses to lead them. It may win the war, but it could also kill him. The younger, forever shadowed brother Maven believes that Reds and Silvers are equals. He even joins the Scarlet Guard to help propel change and spark a revolution.
Anyone can betray anyone.
The Scarlet Guard secrets Maven and Mare out of a play and transports them to another town just to have a conversation. Clearly the travel and discussion would take a significant amount of time and yet no one wonders where they are. The return trip and the play ending are just completely skipped. It was abrupt and didn't seem well-thought out.
The book ends with betrayal and bloodshed. But it also ends with a promise and the hope that not all is lost. It makes me want to begin the next book immeiate. Highly recommended book to fans of YA novels with good world building and character development that deal with monarchical rule and upheavals as well as people with special abilities.
Mare is thrust into a world she never wished for and doesn't fit into. She is given no choice but to accept. There is much to learn about her abilities and how to control them. The one demand she made was to ensure the safety and well-being of her family. Her brothers are called home from the war, but not soon enough to save all of them. <spoiler> One was a member of a rebel/revolutionary group and was executed for it. </spoiler> This pushes Mare over the edge and she joins the rebel group, the Scarlet Guard.
It's intriguing to learn what each person has the ability to do. The control over water, manipulation of light, healing, mind-reading and more. But it's very off-putting and juvenile when the author refers to them as greenies or telkies. It sounds more like a two-year-old naming their stuffed bear Brownie or Fluffy than an author giving life to special abilities.
The world is not our own, so it would be nice to learn more about it. Unfortunately, Mare is not very learned and we must view the world through her lens. It would be fascinating to be given a history, geography and culture lesson from Julian in novella form. What does their domain look like? What about the surrounding kingdoms, their rulers, ruling abilities and geography? How did these new borders come to be? (It is mentioned that the borders were not always the way they are currently.) Overall, the world building is pretty good but could be improved (which it does later in the book.) The physical descriptions of the towns the royals pass on their way to the palace late in the story are good and allow the reader to immese themselves in the world more fully.
The princes are, unsurprisingly good people despite the harshness of the King and Queen. <spoiler> Or at least appear to be that way in the beginning, but it does not last. </spoiler> The future love interest(s) must be liked by the reader. Mare herself is harsh and quick-tempered by likable nonetheless. Though she has no choice in her future, she assures her family's well-being and that shows she has a good heart.
Of course, our protagonist catches the attention of not just one but two princes. The older and future King, Cal, wants to be a good ruler so he secretly ventures out in public to learn and experience his people outside the reports of advisors. He even decides to send a group of Silver soldiers to the front line and chooses to lead them. It may win the war, but it could also kill him. The younger, forever shadowed brother Maven believes that Reds and Silvers are equals. He even joins the Scarlet Guard to help propel change and spark a revolution.
Anyone can betray anyone.
The Scarlet Guard secrets Maven and Mare out of a play and transports them to another town just to have a conversation. Clearly the travel and discussion would take a significant amount of time and yet no one wonders where they are. The return trip and the play ending are just completely skipped. It was abrupt and didn't seem well-thought out.
The book ends with betrayal and bloodshed. But it also ends with a promise and the hope that not all is lost. It makes me want to begin the next book immeiate. Highly recommended book to fans of YA novels with good world building and character development that deal with monarchical rule and upheavals as well as people with special abilities.
BankofMarquis (1832 KP) rated It (2017) in Movies
Feb 14, 2018
IT is very good
I met the clown and IT is...fascinating, gripping, thrilling, humorous, intense and good.
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Kristy H (1252 KP) rated The Flight Attendant in Books
Feb 26, 2018
Compulsively readable (1 more)
Fascinating, befuddling story
Unpredictable book that sucks you in from the start
Cassandra Bowen is a flight attendant with a history of bad decisions--most of them tied to her predilection to heavy drinking. Mostly her drinking leads to sexual encounters with dubious men, topless dancing, and a few bouts of blackouts. But when Cassie's work takes her to Dubai, she spends the night with a gentleman she met on the plane, drinking heavily with him all evening; in the morning she wakes up next to him in bed and finds him dead, covered in blood. Alone and female in Dubai, Cassie sneaks out of the hotel room and returns home on the plane with her fellow flight attendants, setting off a trail of lies that will haunt her. And in the back of her mind, she fears the worst: could she have killed Alex while drunk? And what will happen when the authorities discover her deception?
This novel starts off with a bang, with Cassie waking up next to a dead man. Once Cassie gets back to the States, I found myself fascinated what could possibly happen for the other 80% of the book. (My mistake, a lot can happen.) The entire novel kept me wondering what on earth would come next. This is a crazy, unpredictable book that sucks you in and never lets you go. I was constantly wondering who the various characters were--who really was Alex, for instance? Is there more to Cassie than we are being told? I was honestly confused for a good portion of the book, which doesn't happen often when I read.
It was really fun and befuddling to piece things together in this one. The book was rather stressful, trying to decipher all the various characters and to deal with Cassie's high-risk behavior. As the end nears, I was actually shocked by a couple of twists, which I really appreciated. It's rare that a thriller truly shocks me anymore. I was truly impressed with this one. The ending was a little odd, but as I pondered it more, I think I'm good with it.
As for Cassie, she was a hard character to like, and there's certainly been no shortage of unreliable drunken female narrators in contemporary fiction as of late. Still, you can't help but get caught up in her story. It's compulsively readable. There are also lots of good flight attendant stories; Chris Bohjalian always well researches his books.
Cassie's chapters also alternate with a woman named Elena, which is an effective storytelling device, and only ratchets up the suspense. Her tale is just as befuddling as Cassie's--perhaps even more so--and just added to my desire to turn the pages and find out what on earth was going on and how these people were all connected. Bohjalian really weaved a fascinating story here, and I love how all of his books are so different. Whereas some can be emotional, this one was truly a thriller, and focused so much on the story and mystery. It wasn't exactly what I was expecting, but it was great.
I also found some amusing little personal tidbits in the book: references to Charlottesville (the second in a row in the novels I read--it's my hometown) and Cassie's Kentucky references, including her attendance at the University of Kentucky. We are, in fact, a UK and UVA household--my five-year-old twins are very divided between the two. It's funny how little things stick with you when you read a novel.
Overall, this was a great read. Completely befuddling, but incredibly suspenseful and just sort of fun. Not at all what I expected from Bohjalian, but a fascinating, enjoyable thriller. I was completely lost in Cassie and Elena's bizarre world for a few days--the sign of a great book. 4 stars.
I received a copy of this novel from the publisher and Edelweiss and Netgalley in return for an unbiased review; more at http://justacatandabookatherside.blogspot.com/.
This novel starts off with a bang, with Cassie waking up next to a dead man. Once Cassie gets back to the States, I found myself fascinated what could possibly happen for the other 80% of the book. (My mistake, a lot can happen.) The entire novel kept me wondering what on earth would come next. This is a crazy, unpredictable book that sucks you in and never lets you go. I was constantly wondering who the various characters were--who really was Alex, for instance? Is there more to Cassie than we are being told? I was honestly confused for a good portion of the book, which doesn't happen often when I read.
It was really fun and befuddling to piece things together in this one. The book was rather stressful, trying to decipher all the various characters and to deal with Cassie's high-risk behavior. As the end nears, I was actually shocked by a couple of twists, which I really appreciated. It's rare that a thriller truly shocks me anymore. I was truly impressed with this one. The ending was a little odd, but as I pondered it more, I think I'm good with it.
As for Cassie, she was a hard character to like, and there's certainly been no shortage of unreliable drunken female narrators in contemporary fiction as of late. Still, you can't help but get caught up in her story. It's compulsively readable. There are also lots of good flight attendant stories; Chris Bohjalian always well researches his books.
Cassie's chapters also alternate with a woman named Elena, which is an effective storytelling device, and only ratchets up the suspense. Her tale is just as befuddling as Cassie's--perhaps even more so--and just added to my desire to turn the pages and find out what on earth was going on and how these people were all connected. Bohjalian really weaved a fascinating story here, and I love how all of his books are so different. Whereas some can be emotional, this one was truly a thriller, and focused so much on the story and mystery. It wasn't exactly what I was expecting, but it was great.
I also found some amusing little personal tidbits in the book: references to Charlottesville (the second in a row in the novels I read--it's my hometown) and Cassie's Kentucky references, including her attendance at the University of Kentucky. We are, in fact, a UK and UVA household--my five-year-old twins are very divided between the two. It's funny how little things stick with you when you read a novel.
Overall, this was a great read. Completely befuddling, but incredibly suspenseful and just sort of fun. Not at all what I expected from Bohjalian, but a fascinating, enjoyable thriller. I was completely lost in Cassie and Elena's bizarre world for a few days--the sign of a great book. 4 stars.
I received a copy of this novel from the publisher and Edelweiss and Netgalley in return for an unbiased review; more at http://justacatandabookatherside.blogspot.com/.
Cassie Osbourne (6 KP) rated Ace of Shades (The Shadow Game, #1) in Books
Nov 9, 2018
Prim and proper Enne Salta is looking forward to her graduation from finishing school when her adoptive mother goes missing in New Reynes, otherwise known as the City of Sin. In an effort to find her, she must rely on the help and street smarts of gambler Levi Glaisyer. I think that it is safe to say that the blurb of this book caught me by the nose and I couldn't wait to read it so moving into a new house where there was no internet to distract me seemed as good an opportunity as any.
This book starts pretty slowly, or rather it tries to be interesting while still explaining the quite complex world and history since the Great Street War (which we actually know very little about) as well as introducing all the different characters and their blood talents and split talents. Even writing that sentence has made my head spin a little, and I've read the book! However, at about page 200 or 250 it really starts to pick up. Suddenly all the information and repetition (more on that later) starts to fall into place, and the plot and characters get SO much more interesting. Until that point though, it's all a bit meh.
With the exception of Chez, I have to say that I loved all the characters. I liked Levi pretty much from his first chapter, the villains were very cool, manipulative and all round imposing even without being in the book that much and all the rest of the characters got better as the book progressed (most notably Enne who becomes a complete badass). There's even a sequel, so perhaps Chez will grow on me after all. I would just like to add here that I love Jac and I want to have his babies.
The atmosphere, for the most part, was very meh. A lot of it was kind of bland and non-descript, which is not really something that you'd expect from a place called 'the City of Sin'. That being said, when Foody really goes for it on the atmosphere, she gets it pretty well spot on! The atmosphere during the second fight with Chez, the basement in the House of Shadows and pretty much any scene with Torren are all winners. It's just a shame that it wasn't that way for the whole book because Foody has proved that she can do it really well.
The writing style was good on the whole, but there were definitely two things that irritated me with it. I mentioned earlier that the first 200 pages have a lot of repetition, but it goes beyond merely parroting things that we already know. Sometimes whole sections of text are repeated from other chapters which I would be completely behind if it was used to offer a different perspective, but it wasn't. Reading these bits just felt like they had been copied and pasted, so it became redundant and annoying. The other problem which became hugely distracting (and which I have seen other people commenting about) is the use of 'muck' or 'mucking' instead of actual swearing. This is a young adult book with drugs and prostitutes in it and where words like 'piss' and 'ass' are used pretty commonly so when 'muck' appears (often said by a Street Lord), the reader can't help but groan. The sort of swearing and sort of not just really doesn't work. Pick a camp and stick to it!
As with the intrigue of the book, the plot got much better as it went along, with new twists and turns and plot points added to it along the way. Unlike the intrigue though, the plot was good from the beginning.
The logic was pretty good most of the time, but there were some notable moments (all heavily for the plot) that I just did not buy. This also kind of ties in with the whole 'muck' thing as well. It just takes you right out of the world.
All in all, I did enjoy this book, and I have to say that my biggest disappointment is that I have to wait another year for the sequel to come out.
Characters: 8/10
Atmosphere: 7/10
Writing Style: 7/10
Plot: 8.5/10
Intrigue: 7.5/10
Logic: 7.5/10
Enjoyment: 8/10
This book starts pretty slowly, or rather it tries to be interesting while still explaining the quite complex world and history since the Great Street War (which we actually know very little about) as well as introducing all the different characters and their blood talents and split talents. Even writing that sentence has made my head spin a little, and I've read the book! However, at about page 200 or 250 it really starts to pick up. Suddenly all the information and repetition (more on that later) starts to fall into place, and the plot and characters get SO much more interesting. Until that point though, it's all a bit meh.
With the exception of Chez, I have to say that I loved all the characters. I liked Levi pretty much from his first chapter, the villains were very cool, manipulative and all round imposing even without being in the book that much and all the rest of the characters got better as the book progressed (most notably Enne who becomes a complete badass). There's even a sequel, so perhaps Chez will grow on me after all. I would just like to add here that I love Jac and I want to have his babies.
The atmosphere, for the most part, was very meh. A lot of it was kind of bland and non-descript, which is not really something that you'd expect from a place called 'the City of Sin'. That being said, when Foody really goes for it on the atmosphere, she gets it pretty well spot on! The atmosphere during the second fight with Chez, the basement in the House of Shadows and pretty much any scene with Torren are all winners. It's just a shame that it wasn't that way for the whole book because Foody has proved that she can do it really well.
The writing style was good on the whole, but there were definitely two things that irritated me with it. I mentioned earlier that the first 200 pages have a lot of repetition, but it goes beyond merely parroting things that we already know. Sometimes whole sections of text are repeated from other chapters which I would be completely behind if it was used to offer a different perspective, but it wasn't. Reading these bits just felt like they had been copied and pasted, so it became redundant and annoying. The other problem which became hugely distracting (and which I have seen other people commenting about) is the use of 'muck' or 'mucking' instead of actual swearing. This is a young adult book with drugs and prostitutes in it and where words like 'piss' and 'ass' are used pretty commonly so when 'muck' appears (often said by a Street Lord), the reader can't help but groan. The sort of swearing and sort of not just really doesn't work. Pick a camp and stick to it!
As with the intrigue of the book, the plot got much better as it went along, with new twists and turns and plot points added to it along the way. Unlike the intrigue though, the plot was good from the beginning.
The logic was pretty good most of the time, but there were some notable moments (all heavily for the plot) that I just did not buy. This also kind of ties in with the whole 'muck' thing as well. It just takes you right out of the world.
All in all, I did enjoy this book, and I have to say that my biggest disappointment is that I have to wait another year for the sequel to come out.
Characters: 8/10
Atmosphere: 7/10
Writing Style: 7/10
Plot: 8.5/10
Intrigue: 7.5/10
Logic: 7.5/10
Enjoyment: 8/10
Chris Sawin (602 KP) rated The Legend of Hell House (1973) in Movies
Jun 19, 2019
Mr. Rudolph Deutsch has hired Lionel Barrett to investigate a haunted house. This isn't any normal haunted house though. It seems as though anyone who enters the house either leaves the house insane or winds up dead. In addition to Mr Barrett, his wife, Ann Barrett, a mental medium named Florence Tanner, and a physical medium who is also the only survivor of the last team of investigators to visit the house named Benjamin Fischer are all visiting Hell House to try and solve this phenomenon. $100,000 is theirs for the taking if they can do it within a week, but will they be able to survive what's caged inside Hell House? Emeric Belasco, a self-proclaimed genius ahead of his time, may have other plans.
The Legend of Hell House isn't your average horror film about paranormal activity. I'll be up front with you right now, I'm not a big fan of movies about ghosts. I'm just not. I've come across a few that were decent, but I didn't think they were anything special or I just wound up not liking them at all. I actually liked this a lot more than I thought I would. The film isn't heavy on blood, gore, or cheap scares. In fact, more often than not, the scares come from what you don't see rather than what you actually do.
The acting is definitely a strong point in the film. The entire cast has their moments of brilliance during the insanity Hell House is putting them through, but Roddy McDowall is the actor who stands out amonst the rest. His performance just seems to outshine everyone else and he steals just about every scene he's in. There's a scene in the film where he starts screaming and falls to the floor in a seizure like maneuver that reminded me a lot of some of the scenes with Bruce Campbell in Evil Dead. The explanation was that he was blocking himself off from the house since he had been there before. As a physical medium, he was basically putting up walls to defend himself from the house this time around. And in this scene, I guess he tried lowering his guard for a bit and...this happened. The speeches he gives though, his facial expressions and body language, and cold tone. It's weird, but a guy that you look at at the beginning of the film and say to yourself that you're going to hate him because he looks smarmy and only really cares about himself winds up being the highlight of the film.
Another aspect of the film I really enjoyed were the special effects of the film. There's no CGI or anything, but the effects in the film are done very well. There's a scene where Ms. Tanner looks into her bedroom and sees someone lying under the covers in her bed and when she lifts up the covers, you can't see anyone but the door opens and slams like someone was getting up and leaving. It was just done very well. The effects like that were done very well. There are a few that look cheesy(cat in the shower scene, anyone?), but overall they look very good given how old the film is.
The plot was surprising, as well. I wasn't expecting anything really original or anything, but the fact that science is involved so heavily in trying rid the house of its supernatural presence was not only interesting, but a breath of fresh air compared to other methods I would've expected based on other films.
I think it's safe to say that The Legend of Hell House is one of the best haunted house films ever made and the best one I've seen as of this review. It probably isn't the type of horror film for gorehounds or if you're looking for a bloodfest. It's more of a paranormal film with a slight psychological twist. The acting is top notch and the story is a bit more clever than you may give it credit for at first glance.
The Legend of Hell House isn't your average horror film about paranormal activity. I'll be up front with you right now, I'm not a big fan of movies about ghosts. I'm just not. I've come across a few that were decent, but I didn't think they were anything special or I just wound up not liking them at all. I actually liked this a lot more than I thought I would. The film isn't heavy on blood, gore, or cheap scares. In fact, more often than not, the scares come from what you don't see rather than what you actually do.
The acting is definitely a strong point in the film. The entire cast has their moments of brilliance during the insanity Hell House is putting them through, but Roddy McDowall is the actor who stands out amonst the rest. His performance just seems to outshine everyone else and he steals just about every scene he's in. There's a scene in the film where he starts screaming and falls to the floor in a seizure like maneuver that reminded me a lot of some of the scenes with Bruce Campbell in Evil Dead. The explanation was that he was blocking himself off from the house since he had been there before. As a physical medium, he was basically putting up walls to defend himself from the house this time around. And in this scene, I guess he tried lowering his guard for a bit and...this happened. The speeches he gives though, his facial expressions and body language, and cold tone. It's weird, but a guy that you look at at the beginning of the film and say to yourself that you're going to hate him because he looks smarmy and only really cares about himself winds up being the highlight of the film.
Another aspect of the film I really enjoyed were the special effects of the film. There's no CGI or anything, but the effects in the film are done very well. There's a scene where Ms. Tanner looks into her bedroom and sees someone lying under the covers in her bed and when she lifts up the covers, you can't see anyone but the door opens and slams like someone was getting up and leaving. It was just done very well. The effects like that were done very well. There are a few that look cheesy(cat in the shower scene, anyone?), but overall they look very good given how old the film is.
The plot was surprising, as well. I wasn't expecting anything really original or anything, but the fact that science is involved so heavily in trying rid the house of its supernatural presence was not only interesting, but a breath of fresh air compared to other methods I would've expected based on other films.
I think it's safe to say that The Legend of Hell House is one of the best haunted house films ever made and the best one I've seen as of this review. It probably isn't the type of horror film for gorehounds or if you're looking for a bloodfest. It's more of a paranormal film with a slight psychological twist. The acting is top notch and the story is a bit more clever than you may give it credit for at first glance.
Gareth von Kallenbach (971 KP) rated The Raid 2 (2014) in Movies
Jun 19, 2019
In 2011, and independent action film from Indonesia arrived with little to no fanfare and soon became an international sensation. From writer-director Gareth Evans, and featuring a cast of unknown performers, “The Raid” set new standards for cop dramas. From the dark and dangerous criminal underworld in which the film takes place to the brutal and jaw-dropping highly choreographed fight scenes the film was hard to ignore.
Thanks in large part to DVD, the film gained a larger audience thanks to word-of-mouth and now the second in a planned trilogy has been released which ups the action to new levels of hyper connectivity and ultraviolent action.
The Raid 2: Berendal” takes place shortly after the events the first film where officer Rama (Iko Uwais), learns that his exploits in surviving the first film have only increased the danger facing him and his family as the corruption he exposed has made him a target with much more dangerous criminals higher up the food chain. Although he barely survived the events of the first film, Rama agrees to go undercover in a brutal prison in order to keep his family safe and get close to a key individual whose father is one of the biggest crime lords in the region.
His amazing combat skills are tested early and often in prison yet Rama is able to achieve this objective and becomes trusted associate in the crime syndicate following his release thanks to the contacts he made during his incarceration.
Unfortunately for Rama a power struggle is enfolding between son and father as the ambitious son is eager to take a larger slice of his father’s empire even if it means declaring war on the rival families. The film spends a good part of its first hour introducing the characters and setting the tables for the final hour as it intersperses a few fast and brutal fight sequences between.
The final 45 min. the film are essentially one extended fight scene after another that is utterly captivating to watch and despite it’s at times graphic brutality, impossible to look away from. Like the previous film, the speed, precision, originality, and choreography of the fight sequences are truly unique and have set new standards for martial arts films to follow.
While the film is presented in the native Indonesian language with English subtitles, it is very easy to get drawn into the dark and deadly world in which the characters find themselves. Uwais proves that he’s more than just a skilled screen fighter as he infuses Rama with the complexity of the man driven by duty yet utterly devoted to keeping his wife and newborn son safe even when the cost puts him in constant danger and forces him to be away from them for long periods of time.
Evans keeps the action flowing and time and time again aside from the clever way that he introduces what would only be disposal characters by giving them unique and at times charming quirks and characteristics, produces action sequences that leave you wondering how they were able to film them and what kind of person would think up such sequences. My wife commented to me that her blood pressure my surely have been rising from the relentless pacing and nonstop action and tension of the film and the constant barrage of action scenes that while brutal never become repetitive or gratuitous.
The film will not be for everyone as the action is quite brutal and times graphic however the free-form choreography that made the original so memorable has been taken to new levels in the sequel which keeps the action fresh as much as the story and characters keep you riveted during the non-action segments of the film .
All I could say the film is not one for the masses I can easily say this is one of the more enjoyable and better films of the year to date and is one that should not be missed especially if you’re a fan of police dramas or action films.
http://sknr.net/2014/04/11/the-raid-2-berendal/
Thanks in large part to DVD, the film gained a larger audience thanks to word-of-mouth and now the second in a planned trilogy has been released which ups the action to new levels of hyper connectivity and ultraviolent action.
The Raid 2: Berendal” takes place shortly after the events the first film where officer Rama (Iko Uwais), learns that his exploits in surviving the first film have only increased the danger facing him and his family as the corruption he exposed has made him a target with much more dangerous criminals higher up the food chain. Although he barely survived the events of the first film, Rama agrees to go undercover in a brutal prison in order to keep his family safe and get close to a key individual whose father is one of the biggest crime lords in the region.
His amazing combat skills are tested early and often in prison yet Rama is able to achieve this objective and becomes trusted associate in the crime syndicate following his release thanks to the contacts he made during his incarceration.
Unfortunately for Rama a power struggle is enfolding between son and father as the ambitious son is eager to take a larger slice of his father’s empire even if it means declaring war on the rival families. The film spends a good part of its first hour introducing the characters and setting the tables for the final hour as it intersperses a few fast and brutal fight sequences between.
The final 45 min. the film are essentially one extended fight scene after another that is utterly captivating to watch and despite it’s at times graphic brutality, impossible to look away from. Like the previous film, the speed, precision, originality, and choreography of the fight sequences are truly unique and have set new standards for martial arts films to follow.
While the film is presented in the native Indonesian language with English subtitles, it is very easy to get drawn into the dark and deadly world in which the characters find themselves. Uwais proves that he’s more than just a skilled screen fighter as he infuses Rama with the complexity of the man driven by duty yet utterly devoted to keeping his wife and newborn son safe even when the cost puts him in constant danger and forces him to be away from them for long periods of time.
Evans keeps the action flowing and time and time again aside from the clever way that he introduces what would only be disposal characters by giving them unique and at times charming quirks and characteristics, produces action sequences that leave you wondering how they were able to film them and what kind of person would think up such sequences. My wife commented to me that her blood pressure my surely have been rising from the relentless pacing and nonstop action and tension of the film and the constant barrage of action scenes that while brutal never become repetitive or gratuitous.
The film will not be for everyone as the action is quite brutal and times graphic however the free-form choreography that made the original so memorable has been taken to new levels in the sequel which keeps the action fresh as much as the story and characters keep you riveted during the non-action segments of the film .
All I could say the film is not one for the masses I can easily say this is one of the more enjoyable and better films of the year to date and is one that should not be missed especially if you’re a fan of police dramas or action films.
http://sknr.net/2014/04/11/the-raid-2-berendal/
Darren (1599 KP) rated 5ive Girls (2006) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 5ive Girls starts when one of the student of Father Drake’s (Perlman) school it taken by an evil force leaving only blood stained classroom. With the school closed down on the outside we still see Father Drake trying to help troubled girls with his newest class being Alex (Miller), Mara (Madley), Cecilia (Vnesa), Leah (Mamabolo) and Connie (Quintas).
The girls discover they are all witches with different powers and when Alex starts getting haunted by Elizabeth but what is she trying to communicate. We learn that Miss Pearce (Lalonde) is involved with what is going on but is she good or bad? Could these girls have been bought together for a reason? The girls find themselves battling the ancient demon Legion who wants to walk the Earth once more.
5ive Girls gives us a witch based film where the witches are not evil but instead fighting evil. Having the girls not fully understanding their powers works because we get to learn about them with them but saying that doing that really doesn’t help when they get picked off easily. I would like to see more about the girl’s powers but in the end we just have basic ideas of them. The story does work well for the fighting evil but also could just have been an episode of Buffy the Vampire Slayer.
Actor Review
Ron Perlman: Father Drake is haunted by losing one of his students to an evil spirit, he is bought back to the school to finally make up for what happened but finds himself fighting the same evil that took away his faith. Ron is good in this role even if he is more of a supporting character than leading man.
Jennifer Miller: Alex is the last of the five new girls to arrive at the school, she has the ability to prevent and move objects with her mind. While in the school she finds herself having to work with the other girls to solve the hauntings going on in the school. Jennifer is solid in this role that works as the unsure girl.
Jordan Madley: Mara is the streetwise of the five girls, she is overly aggressive when it comes to protecting herself but is great to have on the right side when it comes to fighting the evil. Jordan is good as the bad ass chick that is actually very insecure.
Terra Vnesa: Cecilia is one of the students, she is the blind student who makes light of her disability being one of the main comic reliefs in the film. Terra is good because she is the funniest of the characters involved.
Support Cast: 5ive Girls only has a couple of extra cast members that end up doing just as good a job of the rest of the cast.
Director Review: Warren P Sonoda – Warren gives us a solid film that is easy to watch but never really challenges us.
Horror: 5ive Girls has good horror elements of good versus evil along with solid gore moments.
Thriller: 5ive Girls keeps us guessing to what will happened next as well as wondering what is going on through the story even if you can work parts of the film out.
Settings: 5ive Girls keeps nearly all the film in one place the school that is meant to be locked from the outside.
Special Effects: 5ive Girls has solid effects for the kills but when we see Legion we don’t get the best effects.
Suggestion: 5ive Girls is one to watch if it is on late night television. (Late Night TV)
Best Part: Only having early witch abilities.
Worst Part: Slightly predictable.
Funniest Scene: Blind girl searching for someone alone while still enough people to do it in pairs.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $3 Million
Runtime: 1 Hour 35 Minutes
Tagline: 5 Witches. 5 Powers. One Evil.
Overall: Easy to watch horror that does lack scares but has strong elements.
https://moviesreview101.com/2016/10/05/movie-reviews-101-midnight-halloween-horror-5ive-girls-2006/
The girls discover they are all witches with different powers and when Alex starts getting haunted by Elizabeth but what is she trying to communicate. We learn that Miss Pearce (Lalonde) is involved with what is going on but is she good or bad? Could these girls have been bought together for a reason? The girls find themselves battling the ancient demon Legion who wants to walk the Earth once more.
5ive Girls gives us a witch based film where the witches are not evil but instead fighting evil. Having the girls not fully understanding their powers works because we get to learn about them with them but saying that doing that really doesn’t help when they get picked off easily. I would like to see more about the girl’s powers but in the end we just have basic ideas of them. The story does work well for the fighting evil but also could just have been an episode of Buffy the Vampire Slayer.
Actor Review
Ron Perlman: Father Drake is haunted by losing one of his students to an evil spirit, he is bought back to the school to finally make up for what happened but finds himself fighting the same evil that took away his faith. Ron is good in this role even if he is more of a supporting character than leading man.
Jennifer Miller: Alex is the last of the five new girls to arrive at the school, she has the ability to prevent and move objects with her mind. While in the school she finds herself having to work with the other girls to solve the hauntings going on in the school. Jennifer is solid in this role that works as the unsure girl.
Jordan Madley: Mara is the streetwise of the five girls, she is overly aggressive when it comes to protecting herself but is great to have on the right side when it comes to fighting the evil. Jordan is good as the bad ass chick that is actually very insecure.
Terra Vnesa: Cecilia is one of the students, she is the blind student who makes light of her disability being one of the main comic reliefs in the film. Terra is good because she is the funniest of the characters involved.
Support Cast: 5ive Girls only has a couple of extra cast members that end up doing just as good a job of the rest of the cast.
Director Review: Warren P Sonoda – Warren gives us a solid film that is easy to watch but never really challenges us.
Horror: 5ive Girls has good horror elements of good versus evil along with solid gore moments.
Thriller: 5ive Girls keeps us guessing to what will happened next as well as wondering what is going on through the story even if you can work parts of the film out.
Settings: 5ive Girls keeps nearly all the film in one place the school that is meant to be locked from the outside.
Special Effects: 5ive Girls has solid effects for the kills but when we see Legion we don’t get the best effects.
Suggestion: 5ive Girls is one to watch if it is on late night television. (Late Night TV)
Best Part: Only having early witch abilities.
Worst Part: Slightly predictable.
Funniest Scene: Blind girl searching for someone alone while still enough people to do it in pairs.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $3 Million
Runtime: 1 Hour 35 Minutes
Tagline: 5 Witches. 5 Powers. One Evil.
Overall: Easy to watch horror that does lack scares but has strong elements.
https://moviesreview101.com/2016/10/05/movie-reviews-101-midnight-halloween-horror-5ive-girls-2006/
Darren (1599 KP) rated 12 Years a Slave (2013) in Movies
Jun 20, 2019
Story: Watching how Solomon struggles to just survive let alone becoming free again. We see how different men who have slaves treat them, some well some badly. The story shows the tragic truth about how slaves were treated and even though this story get a happy ending of freedom, most never got that chance, with this still happening in the modern world it should make everyone be thankful for the fact they are free now. The story is an inspiration story of survival and not giving up hope. (10/10)
Actor Reviews
Chiwetel Ejiofor: Solomon kidnapped and sold into slavery, not resting on the fact he will never escape he tries over the 12 years to find a way to get his own freedom before finally finding someone to trust enough. Chiwetel is brilliant in the role and fully deserved his BAFTA for best actor. (10/10)
solomon
Michael Fassbender: Edwin Epps the drunken plantation owner who abuses his slaves for his own pleasure, enforced strict rules and taking all the hope out of his slaves. Great performance from Fassbender playing a character that is driven to be hated. (9/10)
fassbender
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Lupita Nyong’o: Patsey one of the slaves on Epps’s plantation who is his favourite as she is the best picker and also he favourite for his sexual pleasures. Great performance, showing that the hope had been taken from some of the slaves. (10/10)
lupita
Brad Pitt: Bass a free roaming labourer who doesn’t turn up to late in the film, becomes the last chance for Solomon. Only a small role but does a good job.(8/10)
pitt
Paul Dano: Tibeats, Ford’s evil slaver runner who pushes all of them to limits they shouldn’t have to go, he thinks he is better than all of the slaves, but Solomon teaches him a thing or too. Good performance from Dano showing he can fit into any role with ease. (8/10)
dano
Paul Giamatti: Freeman the slave sales man who put them all up for show so that the highest bidder will purchase them. Only a small role but affectively showing how the slavery sales were made to be glamorous for what they are doing. (7/10)
paul
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Benedict Cumberbatch: Ford a good man who looks after his slaves, Ford purchases Solomon and is willing to listen to Solomon’s ideas to improve his work. Forced to sell on Solomon, but always looked after them all fair. Good supporting performance and his character reflexes how evil Epps is.(8/10)
benedict
Sarah Paulson: Mistress Epps the wife of Edwin, who has a dislike for Patsey but an almost sympatric side to the rest of the slaves. Good performance and the one scene with Patsey is really stand out. (9/10)
mistress epps
Director Review: Steve McQueen – Brilliant direction to tell such an amazing story of one man’s journey. (10/10)
Biography: Amazing look at how Solomon survived his ordeal. (10/10)
Drama: Stunning look at something that could have been all guns, blood and gore, but focuses on the emotions involved with the people. (10/10)
History: Good look at how people were treated during the slave times. (10/10)
Settings: Beautiful settings used to create the story. (10/10)
Suggestion: This really should be watched by all, but I do feel the more casual film fan may find it hard to watch. (Watch)
Best Part: Chiwetel Performance.
Worst Part: Some of the punishment scenes are hard to watch.
Favourite Quote: Solomon ‘I will not fall into despair! I will keep myself hardy until freedom is opportune!’
Believability: Based on Solomon’s true story. (10/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
REPORT THIS AD
Oscar Chances: Won 3 Oscars.
Box Office: $178,413,838
Budget: $20 Million
Runtime: 2 Hours 13 Minutes
Tagline: The extraordinary true story of Solomon Northup.
Overall: Stunning Story
https://moviesreview101.com/2014/05/12/12-years-a-slave-2013/
Actor Reviews
Chiwetel Ejiofor: Solomon kidnapped and sold into slavery, not resting on the fact he will never escape he tries over the 12 years to find a way to get his own freedom before finally finding someone to trust enough. Chiwetel is brilliant in the role and fully deserved his BAFTA for best actor. (10/10)
solomon
Michael Fassbender: Edwin Epps the drunken plantation owner who abuses his slaves for his own pleasure, enforced strict rules and taking all the hope out of his slaves. Great performance from Fassbender playing a character that is driven to be hated. (9/10)
fassbender
REPORT THIS AD
Lupita Nyong’o: Patsey one of the slaves on Epps’s plantation who is his favourite as she is the best picker and also he favourite for his sexual pleasures. Great performance, showing that the hope had been taken from some of the slaves. (10/10)
lupita
Brad Pitt: Bass a free roaming labourer who doesn’t turn up to late in the film, becomes the last chance for Solomon. Only a small role but does a good job.(8/10)
pitt
Paul Dano: Tibeats, Ford’s evil slaver runner who pushes all of them to limits they shouldn’t have to go, he thinks he is better than all of the slaves, but Solomon teaches him a thing or too. Good performance from Dano showing he can fit into any role with ease. (8/10)
dano
Paul Giamatti: Freeman the slave sales man who put them all up for show so that the highest bidder will purchase them. Only a small role but affectively showing how the slavery sales were made to be glamorous for what they are doing. (7/10)
paul
REPORT THIS AD
Benedict Cumberbatch: Ford a good man who looks after his slaves, Ford purchases Solomon and is willing to listen to Solomon’s ideas to improve his work. Forced to sell on Solomon, but always looked after them all fair. Good supporting performance and his character reflexes how evil Epps is.(8/10)
benedict
Sarah Paulson: Mistress Epps the wife of Edwin, who has a dislike for Patsey but an almost sympatric side to the rest of the slaves. Good performance and the one scene with Patsey is really stand out. (9/10)
mistress epps
Director Review: Steve McQueen – Brilliant direction to tell such an amazing story of one man’s journey. (10/10)
Biography: Amazing look at how Solomon survived his ordeal. (10/10)
Drama: Stunning look at something that could have been all guns, blood and gore, but focuses on the emotions involved with the people. (10/10)
History: Good look at how people were treated during the slave times. (10/10)
Settings: Beautiful settings used to create the story. (10/10)
Suggestion: This really should be watched by all, but I do feel the more casual film fan may find it hard to watch. (Watch)
Best Part: Chiwetel Performance.
Worst Part: Some of the punishment scenes are hard to watch.
Favourite Quote: Solomon ‘I will not fall into despair! I will keep myself hardy until freedom is opportune!’
Believability: Based on Solomon’s true story. (10/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
REPORT THIS AD
Oscar Chances: Won 3 Oscars.
Box Office: $178,413,838
Budget: $20 Million
Runtime: 2 Hours 13 Minutes
Tagline: The extraordinary true story of Solomon Northup.
Overall: Stunning Story
https://moviesreview101.com/2014/05/12/12-years-a-slave-2013/
Hazel (1853 KP) rated Valley of the Moon in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
For fans of <i>The Time Traveler’s Wife</i> (Niffenegger, 2003) this captivating story by Melanie Gideon is an alluring, spellbinding work of fiction about loving, being loved and finding somewhere you belong. With a touch of time travel in an otherwise typical reality,<i> Valley of the Moon </i>will excite, enrapture and touch readers’ hearts.
It is difficult to give a synoptic review without giving too much of the plot away. In short, the book contains the two lives of complete strangers who meet under extremely unlikely circumstances. It is 1975 and Lux Lysander is struggling to make ends meet as a single mother in San Francisco. Estranged from her parents, Benno has become her life; Lux would do anything for him. The other half of the story begins in 1906 in the Californian Sonoma Valley. Joseph has achieved his dream of creating an Edenic community where races and classes can live in harmony. Greengage is a self-sufficient society where everyone is seen as equal, however, something happens to shake up the peace – literally. A huge earthquake mysteriously leaves the valley unharmed but completely surrounded by a deadly fog. No one can leave and no one can enter, that is until Lux does.
Until the two characters’ lives collide, the narrative is fairly typical, but it quickly takes on a theme that most minds would attempt to debunk. Through a wall of fog, Lux can pass between 1975 and 1906, whereas Joseph and his friends can only stay in their own timeline. Lux begins to live a double life: one with her son Benno and one with the antiquated lifestyle of the Greengage community. Unfortunately, it is only possible to pass through the fog on a fall moon, and not necessarily every month.
Lux’s modern appearance and colloquialisms baffle the community but she soon finds herself a place amongst the inhabitants. For a while, Lux is able to keep her two lives separate, but one slip up causes her to temporarily lose the love and trust of her only son. Torn between her own flesh and blood and the only place she feels she belongs, Lux has to decide how far she would go for the people she loves.
One of the key themes of the novel is relationship. Although romance develops toward the latter stages of the story, the majority is focused on familial love and love between friends. Lux and Benno’s relationship is particularly important, especially when their love becomes strained by Lux’s secret dalliance with the past. The other significant theme is about finding oneself. Lux lives in an era where, despite developments in women’s equality, single mothers are still shunned. Conversely, in 1906 where historically things were worse for women, the egalitarian society feels much more like home.
Lux’s temerity is to be admired as she continues to visit the past despite it being beyond the bounds of possibility. More applaudable is her determination to win back her son as well as her distant parents.
Despite being set for the most part in the 1970s and 80s, <i>Valley of the Moon</i> has a futuristic air about it, with an element of fantasy and science fiction. It is almost a version of <i>The Lion, the Witch and the Wardrobe</i> (Lewis, 1950) but for adults, with more realistic themes. Melanie Gideon admits that she got the idea for the novel from the film <i>Brigadoon</i> (1954) in which the protagonist stumbles across a magical land in the woods. With similarities, Gideon has created her own version of this fairy-tale-like scenario.
Journeying through a range of emotions, <i>Valley of the Moon</i> is a story that engages readers from beginning to end. With ups and downs, the author explores the lives and personalities of the main characters, which develop beautifully over time. This book is not one likely to disappoint its readers.
For fans of <i>The Time Traveler’s Wife</i> (Niffenegger, 2003) this captivating story by Melanie Gideon is an alluring, spellbinding work of fiction about loving, being loved and finding somewhere you belong. With a touch of time travel in an otherwise typical reality,<i> Valley of the Moon </i>will excite, enrapture and touch readers’ hearts.
It is difficult to give a synoptic review without giving too much of the plot away. In short, the book contains the two lives of complete strangers who meet under extremely unlikely circumstances. It is 1975 and Lux Lysander is struggling to make ends meet as a single mother in San Francisco. Estranged from her parents, Benno has become her life; Lux would do anything for him. The other half of the story begins in 1906 in the Californian Sonoma Valley. Joseph has achieved his dream of creating an Edenic community where races and classes can live in harmony. Greengage is a self-sufficient society where everyone is seen as equal, however, something happens to shake up the peace – literally. A huge earthquake mysteriously leaves the valley unharmed but completely surrounded by a deadly fog. No one can leave and no one can enter, that is until Lux does.
Until the two characters’ lives collide, the narrative is fairly typical, but it quickly takes on a theme that most minds would attempt to debunk. Through a wall of fog, Lux can pass between 1975 and 1906, whereas Joseph and his friends can only stay in their own timeline. Lux begins to live a double life: one with her son Benno and one with the antiquated lifestyle of the Greengage community. Unfortunately, it is only possible to pass through the fog on a fall moon, and not necessarily every month.
Lux’s modern appearance and colloquialisms baffle the community but she soon finds herself a place amongst the inhabitants. For a while, Lux is able to keep her two lives separate, but one slip up causes her to temporarily lose the love and trust of her only son. Torn between her own flesh and blood and the only place she feels she belongs, Lux has to decide how far she would go for the people she loves.
One of the key themes of the novel is relationship. Although romance develops toward the latter stages of the story, the majority is focused on familial love and love between friends. Lux and Benno’s relationship is particularly important, especially when their love becomes strained by Lux’s secret dalliance with the past. The other significant theme is about finding oneself. Lux lives in an era where, despite developments in women’s equality, single mothers are still shunned. Conversely, in 1906 where historically things were worse for women, the egalitarian society feels much more like home.
Lux’s temerity is to be admired as she continues to visit the past despite it being beyond the bounds of possibility. More applaudable is her determination to win back her son as well as her distant parents.
Despite being set for the most part in the 1970s and 80s, <i>Valley of the Moon</i> has a futuristic air about it, with an element of fantasy and science fiction. It is almost a version of <i>The Lion, the Witch and the Wardrobe</i> (Lewis, 1950) but for adults, with more realistic themes. Melanie Gideon admits that she got the idea for the novel from the film <i>Brigadoon</i> (1954) in which the protagonist stumbles across a magical land in the woods. With similarities, Gideon has created her own version of this fairy-tale-like scenario.
Journeying through a range of emotions, <i>Valley of the Moon</i> is a story that engages readers from beginning to end. With ups and downs, the author explores the lives and personalities of the main characters, which develop beautifully over time. This book is not one likely to disappoint its readers.
Gareth von Kallenbach (971 KP) rated Drag Me to Hell (2009) in Movies
Aug 14, 2019
I’m just going to be honest. Drag Me To Hell is the movie we would have seen 22 years ago had Sam Raimi been given several million dollars, had Bruce Campbell been a woman and had there been no chainsaws handy. Not that this is a bad thing. I believe that Raimi fans will be quite pleased to see the cult and blockbuster director’s return to his roots.
Christine Brown (Alison Lohman) is a soft-spoken loan officer competing for the open position of assistant manager at the bank branch she works for. She has a predominantly sunny life with her boyfriend, Clay Dalton, (Justin Long) and a new kitten.
When an old woman in an Oldsmobile (Lorna Raver) comes to beg for an extension on her mortgage, Christine is unaware of how much her ideal life is about to change.
Desperate to impress her boss and prove her prowess over the only other candidate, Christine refuses the woman help. Angered and shamed, the woman curses Christine, calling upon the demon Lamia (voiced by Art Kimbro) to torment her for three days and then damn her soul.
Acting upon the advice of a Seer (Dileep Rao), Christine struggles to free herself from this terrible fate. She alienates herself from Clay’s parents, sacrifices her cat, participates in a séance, crashes a funeral, defiles the dead and is eventually forced to choose whether or not she can in turn damn her business rival.
But I wouldn’t want you to start thinking that you’re dealing with some far-too-serious classic horror revival (not that that would be a bad thing). Let’s not forget the projectile blood and vomit, the mud and maggots, the stapler to the face and ruler to the back of the throat; all done in that comical slapstick that only Raimi can produce. The utterly gory, disgusting images that make you laugh hysterically while simultaneously cringeing in disbelief. This is the stuff that made him a cult hero.
There are certainly some creepy moments, quite a few in fact. Things that pleased the horror fan in me very much. And there are plenty of scares to be had as creatures and characters launch themselves from the shadows. I only jumped a couple of times (and I scare easily) but that might have been due more to the people sitting around us than the movie itself.
Drag Me To Hell opens with a classic Universal logo, one that hasn’t been seen since the 70s. It was so appropriate that as soon as I saw it I was sure I was going to walk away happy. Then the opening credits began and I was blown away. They are so absolutely gorgeous that they almost deserve to be a short of their own rather than find themselves pinned to a feature. The special effects continue to be a remarkable strong point throughout the rest of the movie. Several scenes blew me away with their execution and look.
When it comes down to what was missing, characterization was the one thing this film lacked. I didn’t feel very connected to any of the characters and certainly didn’t care about their plight. It seemed rather two dimensional. The characters are barely introduced and we aren’t ushered into their lives and minds before the action begins. We are just expected to care.
On top of this, Lohman’s acting wasn’t the greatest and Long, while doing a decent job, didn’t seem to fit the role terribly well. The cat-sacrificing didn’t go far for making me feel any sympathy toward Christine or her dilemma. This was all very disappointing since I feel as though everything else was so strong that had this been reinforced rather than left flat it would have been exceedingly excellent.
But it is worth a watch. If you love anything by Sam Raimi you will not be disappointed and if you’ve never seen any of his work then you might find yourself pleasantly surprised. This is one of the few things I have ever watched that was exactly what it promised to be.
Thank you, Mr. Raimi, for this excellent return to horror. We are all grateful.
Christine Brown (Alison Lohman) is a soft-spoken loan officer competing for the open position of assistant manager at the bank branch she works for. She has a predominantly sunny life with her boyfriend, Clay Dalton, (Justin Long) and a new kitten.
When an old woman in an Oldsmobile (Lorna Raver) comes to beg for an extension on her mortgage, Christine is unaware of how much her ideal life is about to change.
Desperate to impress her boss and prove her prowess over the only other candidate, Christine refuses the woman help. Angered and shamed, the woman curses Christine, calling upon the demon Lamia (voiced by Art Kimbro) to torment her for three days and then damn her soul.
Acting upon the advice of a Seer (Dileep Rao), Christine struggles to free herself from this terrible fate. She alienates herself from Clay’s parents, sacrifices her cat, participates in a séance, crashes a funeral, defiles the dead and is eventually forced to choose whether or not she can in turn damn her business rival.
But I wouldn’t want you to start thinking that you’re dealing with some far-too-serious classic horror revival (not that that would be a bad thing). Let’s not forget the projectile blood and vomit, the mud and maggots, the stapler to the face and ruler to the back of the throat; all done in that comical slapstick that only Raimi can produce. The utterly gory, disgusting images that make you laugh hysterically while simultaneously cringeing in disbelief. This is the stuff that made him a cult hero.
There are certainly some creepy moments, quite a few in fact. Things that pleased the horror fan in me very much. And there are plenty of scares to be had as creatures and characters launch themselves from the shadows. I only jumped a couple of times (and I scare easily) but that might have been due more to the people sitting around us than the movie itself.
Drag Me To Hell opens with a classic Universal logo, one that hasn’t been seen since the 70s. It was so appropriate that as soon as I saw it I was sure I was going to walk away happy. Then the opening credits began and I was blown away. They are so absolutely gorgeous that they almost deserve to be a short of their own rather than find themselves pinned to a feature. The special effects continue to be a remarkable strong point throughout the rest of the movie. Several scenes blew me away with their execution and look.
When it comes down to what was missing, characterization was the one thing this film lacked. I didn’t feel very connected to any of the characters and certainly didn’t care about their plight. It seemed rather two dimensional. The characters are barely introduced and we aren’t ushered into their lives and minds before the action begins. We are just expected to care.
On top of this, Lohman’s acting wasn’t the greatest and Long, while doing a decent job, didn’t seem to fit the role terribly well. The cat-sacrificing didn’t go far for making me feel any sympathy toward Christine or her dilemma. This was all very disappointing since I feel as though everything else was so strong that had this been reinforced rather than left flat it would have been exceedingly excellent.
But it is worth a watch. If you love anything by Sam Raimi you will not be disappointed and if you’ve never seen any of his work then you might find yourself pleasantly surprised. This is one of the few things I have ever watched that was exactly what it promised to be.
Thank you, Mr. Raimi, for this excellent return to horror. We are all grateful.