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She Was The Quiet One
She Was The Quiet One
Michele Campbell | 2018 | Fiction & Poetry, Mystery, Thriller
7
7.6 (5 Ratings)
Book Rating
Interesting read if a bit predictable
After the death of their mother, twins Rose and Bel Enright wind up at Odell Academy in New Hampshire. They are sent by their wealthy grandmother, who has no idea what to do with the teenagers now foisted upon her. Rose is the good twin--good grades, good friends, good behavior. Bel, on the other hand, is known for going a bit wild. But it was Bel their mother favored--much to Rose's consternation. Floundering after the loss of their mother, Bel winds up with the wrong crowd at school and then turns on Rose when she calls her out on it. Meanwhile, Heath and Sarah Donovan have been brought in to clean up Moreland Hall, the dormitory where the twins are staying. It has developed a reputation for trouble. It's a daunting task, especially since so many of the girls come from storied, rich Odell families. Both Sarah and Heath are Moreland alums--they met at the school--and not all of their memories are pleasant. As for Heath, his dreams extend far beyond teaching high school English. But something in his past holds him back; he's hoping to parlay their time at Moreland into something more. But soon things at Moreland--and Odell--are out of control, with the Enright twins and the Donovans right in the middle of all the trouble.

From the beginning of the novel, we immediately know that an Enright sister is dead, but not which one. The narration from Bel, Rose, and Sarah is interspersed with snippets from police interviews, as we try to piece together exactly what happened to lead to murder. This was perhaps my favorite part of the story--trying to figure out who had been killed--and why the other sister is the prime suspect. The format of the novel is very well-done and extremely compelling.

In the beginning, some of the dialogue seemed stilted: I couldn't imagine the sisters really talking to each other in particular ways, for instance. Rose and Bel's instant fighting seemed rash, and it was hard to take. In fact, the entire boarding school drama seemed a little too much, at times. I understand the fact that girls can quickly turn on each other--especially when they all live together--but the twins threatening to kill each other over a sweater? It was tough and it was a lot of drama, so fast, so often. Rose was incredibly prissy and tough to like for a lot of the novel. And then poor Sarah, who was such a doormat, with an incredible lack of judgement--she was a hard character to find sympathy for as well.

The novel also seemed to march toward a fairly inevitable conclusion. I kept waiting for a big twist or surprise to throw me off and while the epilogue offered a little bit of that, there really wasn't much. The book focuses more on the unraveling of the families than twists and turns, and that was a little disappointing for me. I like to be thrown off the trail a few times.

Still, I really enjoyed the format of this one: wondering and waiting to find out who was dead, along with the pieces from the interviews. I liked the boarding school setting and how it added to the story. While I didn't always enjoy all the characters, I really came to feel for for Bel Enright, and I did sympathize with Rose, as well. Even if things were fairly predictable, Campbell kept me reading and interested the entire time. 3+ stars.

I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
  
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Tim Booth recommended Fun House by The Stooges in Music (curated)

 
Fun House by The Stooges
Fun House by The Stooges
1970 | Punk, Rock
8.9 (9 Ratings)
Album Favorite

"A year after the punk gig debacle, when the school banned me from organising outings to gigs, I went to the housemaster about an Iggy Pop gig in Manchester. I explained that Iggy wasn't technically a punk and had been around ten years longer than punk music. I asked him if I could organise a trip to see the show and, very reluctantly, he agreed to me taking five people, as long as I could find a teacher to drive us there. I tried every single teacher in school and everybody turned me down, except the school organist, Mr Parks. God bless him. He had been in a boarding school himself, went to Cambridge and then back to playing classical organ for a choir at another boarding school. He had no experience of life and when he talked to you, he would never look you in the eye. He was a very damaged, sweet human being. And I persuaded the poor fucker to take us to see Iggy Pop at Manchester Apollo. Iggy, fresh out of a psychiatric hospital, who was playing the Lust For Life tour. We knew when we got there that we had to ditch Mr Parks quickly or he would yank us out of the gig. We got the venue and we ditched him. Iggy came on, covered in blood and with a devil's tail between his legs, fucked out of his mind, and throughout the show, his own security would pick him up off the floor and prop him against the mike. He would crawl into the audience and the bouncers were so terrified that they were attacking anyone. I was punched in the face for the first time, aged 16, at a gig by a bouncer who was trying to get away from a blood-covered Iggy Pop. The gig was jaw dropping. It was real, it was primal and Iggy was a force of nature. He looked like the most beautiful man I had ever seen. He looked like Nureyev on bad acid. I am not gay – I wish I was, or at least bisexual – but I fell in love. It was profound and it was beautiful – and Iggy, of course, created punk music. Afterwards, we made our way back to the car, thinking ""we are grounded for fucking life"" and that we might be expelled. We found Mr Parks and for the first time he looked me in the eye and said, ""That was incredible – I have never seen anything like it. Musically, it was very simple, but it was the most exciting thing I have ever seen in my life."" The man wouldn't stop talking all the way back in the car about this revelation. So, Iggy saved my life and probably saved Mr Park's life too. I have met Iggy. I have met James Osterberg, too – which is very different to meeting Iggy Pop – a few times. He is the most articulate, intelligent man. He was reading Dostoyevsky's The Idiot when I first met him. He is witty, gawky and very worthy of my love. I could have chosen a number of his albums, including The Idiot and Lust For Life. I wouldn't choose the more obvious one, Raw Power, because I don't like the production. Fun House is raw, fucked-up and has some astonishing moments and it has primal Iggy all over it. For years, Iggy garnered little respect. As a devotee, seeing him get respect in recent years has been great. I am very happy that the world has recognised him for the artist that he is."

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