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Christopher Radcliff recommended Picnic at Hanging Rock (1975) in Movies (curated)
Rose Christie is a young Classics teacher who gets a teaching post at an elite public boarding school in Scotland: Caldonbrae Hall.
But this school isn’t as it first appears. Rose loves her subject and wants to share that love: the girls don’t want to learn, and they frankly can’t see the point. Frustration radiates off the page - or perhaps as an ex-teacher I was just projecting! Honestly, this part nearly made me stop reading! I was so angry with the students behaviour!
It would seem that the senior management team at the school very much agree with the girls though, and want Rose to become more like them.
Not likely!
And then there was Rose’s predecessor and her strange disappearance, which of course Rose has to find out more about.
I’m so glad that I read beyond my 3 chapter cut off, because I did enjoy this. I will say that there’s a fair bit of age-inappropriate sexual behaviour, so if you find this problematic, it may be best to steer clear. But it was all in keeping with the ethos of the school - I KNOW!!
But this school isn’t as it first appears. Rose loves her subject and wants to share that love: the girls don’t want to learn, and they frankly can’t see the point. Frustration radiates off the page - or perhaps as an ex-teacher I was just projecting! Honestly, this part nearly made me stop reading! I was so angry with the students behaviour!
It would seem that the senior management team at the school very much agree with the girls though, and want Rose to become more like them.
Not likely!
And then there was Rose’s predecessor and her strange disappearance, which of course Rose has to find out more about.
I’m so glad that I read beyond my 3 chapter cut off, because I did enjoy this. I will say that there’s a fair bit of age-inappropriate sexual behaviour, so if you find this problematic, it may be best to steer clear. But it was all in keeping with the ethos of the school - I KNOW!!
Kristy H (1252 KP) rated The Broken Girls in Books
Mar 20, 2018
Captivating, ghostly thriller
Idlewild Hall has been abandoned since 1979. Until then, it was a boarding school of last resort, where parents sent the daughters they'd sooner rather forget. Now someone is looking to restore it, bringing back all of journalist Fiona Sheridan's memories of her teenage sister, Deb. Deb was murdered and her body left in the fields of Idlewild. A rich teen--her sister's boyfriend--named Tim Christopher was charged with Deb's murder. But it never seemed quite right to Fiona. So, she decides to write a story about the restoration, but encounters more than she bargained for as she begins to uncover years of long-buried secrets.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
Aiden Gillen recommended L'Atalante (1934) in Movies (curated)
An honest and emotional YA read
Grace Welles is fifteen, trapped at a third-rate boarding school in Florida, and pretty much resigned to a lonely and miserable life. Her father has another (real) family in California, sneaking away to occasionally remember that Grace and her beautiful, flighty mother exist. Grace has no friends. But one day she helps a fellow student, Wade, who is being attacked by a group of popular boys. The two form a strange friendship that eventually blossoms into more. Suddenly, life has meaning. But with this meaning, comes feelings, and the realization that there may be more to Wade than his kind and cool exterior.
I've been sitting on this review, because I honestly cannot tell if this book was amazing or terrible. I know, I know--how is that possible? Helnwein has written something very different here, in many ways: a raw, awkward story that often makes you cringe and want to look away. She spares no detail (or language) when covering Gracie's forays into friendship, drinking, and sex. You forget she's fifteen/sixteen, which is probably what makes it so hard, at times. Yes, she's alone at boarding school, but still? Is this what happens at boarding school? Perhaps that's my problem with all boarding school tales. (At least no one gets murdered.) It's a paradox. Grace falls in love with her biology teacher, which seems sweetly realistic. But when he rejects her, she curses him, destroys his property, and more--is this truly allowed, even at a third rate school? Every thing is excused as "needing the tuition money." Not so realistic.
If you're able to overlook the terrifying behavior of these young students (perhaps made all the more frightening to me, as the mother of young daughters, one of whom is actually named Grace), there are some poignant moments here. Helnwein really does capture the beauty and absolute fear of falling in love for the first time, and Grace and Wade's relationship is pretty magical. The self-centeredness of adolescence--how the world revolves around nothing else. Much of Grace's coming of age is realizing that a great big world exists beyond her. But it's tender and sweet watching her fall. There are some cute friendships too.
At many times, this is a funny and heartbreaking book. There are a lot of serious topics hidden between the craziness. Gracie and Wade are truly lovely characters, and I cared for both of them deeply. I think I was just thrown by some of the characters acting/speaking older than their age and the fact that the book truly tells it how it is, right in your face. It takes a bit of an adjustment. I'm not sure this book is for everyone, but there's a tenderness and beauty to it, and I think many teens would enjoy it. 3 stars.
I've been sitting on this review, because I honestly cannot tell if this book was amazing or terrible. I know, I know--how is that possible? Helnwein has written something very different here, in many ways: a raw, awkward story that often makes you cringe and want to look away. She spares no detail (or language) when covering Gracie's forays into friendship, drinking, and sex. You forget she's fifteen/sixteen, which is probably what makes it so hard, at times. Yes, she's alone at boarding school, but still? Is this what happens at boarding school? Perhaps that's my problem with all boarding school tales. (At least no one gets murdered.) It's a paradox. Grace falls in love with her biology teacher, which seems sweetly realistic. But when he rejects her, she curses him, destroys his property, and more--is this truly allowed, even at a third rate school? Every thing is excused as "needing the tuition money." Not so realistic.
If you're able to overlook the terrifying behavior of these young students (perhaps made all the more frightening to me, as the mother of young daughters, one of whom is actually named Grace), there are some poignant moments here. Helnwein really does capture the beauty and absolute fear of falling in love for the first time, and Grace and Wade's relationship is pretty magical. The self-centeredness of adolescence--how the world revolves around nothing else. Much of Grace's coming of age is realizing that a great big world exists beyond her. But it's tender and sweet watching her fall. There are some cute friendships too.
At many times, this is a funny and heartbreaking book. There are a lot of serious topics hidden between the craziness. Gracie and Wade are truly lovely characters, and I cared for both of them deeply. I think I was just thrown by some of the characters acting/speaking older than their age and the fact that the book truly tells it how it is, right in your face. It takes a bit of an adjustment. I'm not sure this book is for everyone, but there's a tenderness and beauty to it, and I think many teens would enjoy it. 3 stars.
Dean (6924 KP) rated The Blackcoat's Daughter (February) (2015) in Movies
Apr 24, 2022 (Updated Apr 24, 2022)
Cast (1 more)
Errie atmosphere
Very slow pace (2 more)
Poorly executed
The ending
Rather boring
Seen this around on Netflix a while back and caught on Film4 recently. I gave it a go as Emma Roberts is in it. Called February in the UK.
It's a very slow paced , atmospheric Horror. The pace is rather tedious to the point it's not until the last 15 minutes that everything comes together and makes sense.
A couple of girls are left behind at a boarding school in a cold bleak February. Something sinister appears to be happening. Meanwhile another girl escapes a mental health hospital and makes her way to the School.
It's just far too slow with little happening until towards the very end. Also one of those endings that is frustrating making you think is that it? The story once you figure it out is interesting but it is badly done.
It's a very slow paced , atmospheric Horror. The pace is rather tedious to the point it's not until the last 15 minutes that everything comes together and makes sense.
A couple of girls are left behind at a boarding school in a cold bleak February. Something sinister appears to be happening. Meanwhile another girl escapes a mental health hospital and makes her way to the School.
It's just far too slow with little happening until towards the very end. Also one of those endings that is frustrating making you think is that it? The story once you figure it out is interesting but it is badly done.
Christine A. (965 KP) rated The Promise in Books
Feb 28, 2019 (Updated Mar 1, 2019)
More of a slow building suspense novel then a psychological thriller.
I was provided with a complimentary copy of this book so I could give an honest review.
I was intrigued as soon as I read the opening of The Promise by Teresa Driscoll. The story has a few twists and turns but, based on the book's description and opening, I expected it to be much darker than it is. However, although I enjoyed the novel, I would not consider it to be dark. It is more of a slow building suspense novel then a psychological thriller.
Three girls, Beth, Sally, and Carol, were best friends at a boarding school and as close as sisters. Something happens and they make a promise to never tell the secret of what happened.
Years later, all of them have been affected by the secret in different ways. Beth and Sally are still close friends but Carol has become estranged. When they find out the boarding school is to be sold and demolished, fearing their secret will be revealed, Beth and Sally attempt to find Carol..
Driscoll wanted to establish a intense connection between the girls but did not want to make them sisters. The setting helps you to understand why the girls would keep the secret.
I have added Teresa Driscoll's I Am Watching You to my want to read list.
Published on Philomathinphila.com, Smashbomb, Goodreads, Twitter, Amazon, and Barnes and Noble on 2/28/19.
I was intrigued as soon as I read the opening of The Promise by Teresa Driscoll. The story has a few twists and turns but, based on the book's description and opening, I expected it to be much darker than it is. However, although I enjoyed the novel, I would not consider it to be dark. It is more of a slow building suspense novel then a psychological thriller.
Three girls, Beth, Sally, and Carol, were best friends at a boarding school and as close as sisters. Something happens and they make a promise to never tell the secret of what happened.
Years later, all of them have been affected by the secret in different ways. Beth and Sally are still close friends but Carol has become estranged. When they find out the boarding school is to be sold and demolished, fearing their secret will be revealed, Beth and Sally attempt to find Carol..
Driscoll wanted to establish a intense connection between the girls but did not want to make them sisters. The setting helps you to understand why the girls would keep the secret.
I have added Teresa Driscoll's I Am Watching You to my want to read list.
Published on Philomathinphila.com, Smashbomb, Goodreads, Twitter, Amazon, and Barnes and Noble on 2/28/19.
Andy K (10821 KP) rated Phenomena (1985) in Movies
Nov 4, 2018
Stylized 80s Italian horror at its finest
It's hard to believe Jennifer Connelly was ever that young!
Director Dario Argento's interesting tale of a young American girl with unusual powers who comes to attend a European boarding school is interesting and very unusual at the same time. After a series of murders, the girl has to decide if her abilities will help her or it's just time to get out.
The film's rock score is intense and backs up the ominous visuals and striking sets and lighting. Certainly campy by today's standards, it still is an entertaining watch for those who enjoy out-of-the-box storytelling.
Director Dario Argento's interesting tale of a young American girl with unusual powers who comes to attend a European boarding school is interesting and very unusual at the same time. After a series of murders, the girl has to decide if her abilities will help her or it's just time to get out.
The film's rock score is intense and backs up the ominous visuals and striking sets and lighting. Certainly campy by today's standards, it still is an entertaining watch for those who enjoy out-of-the-box storytelling.
Suswatibasu (1701 KP) rated David Copperfield in Books
Oct 10, 2017 (Updated Oct 11, 2017)
How trauma can be overcome through determination
David Copperfield is written in the perspective of him narrating his experiences as a child, in which his stepfather and sister treat him cruelly, eventually sending him away to a boarding school. Similar to Cinderella, his mother dies leaving him neglected by his family, hence he begins his search for his father’s sister, Miss Betsey Trotwood.
His life consists of moving from one place to another, literally walking the length of England, much like Oliver Twist, attempting to find a place in the world. Dickens', as in his other works, explores how hardships can force a child to become independent and successful. It's terribly sad once again, so you'll need something lighthearted afterwards.
His life consists of moving from one place to another, literally walking the length of England, much like Oliver Twist, attempting to find a place in the world. Dickens', as in his other works, explores how hardships can force a child to become independent and successful. It's terribly sad once again, so you'll need something lighthearted afterwards.
A gothic boarding school tale that falls flat
Rose Christie is nervous but excited when she's hired on as the new Head of Classics at Caldonbrae Hall, a boarding school for girls in Scotland. A renowned establishment for 150 years, Caldonbrae is a far step above Rose's current teaching gig and will offer a chance to help her mother, who is struggling with MS. Rose is the first external hire in over a decade, making her an immediate outsider, along with her youthful age. She quickly feels over her head at Caldonbrae, where the teachers and students alike seem to lord over her. But soon Rose realizes that everyone seems to be on to a secret, except her. Why did the last Classics teacher, Jane, leave so suddenly? As Rose learns more about Caldonbrae, she quickly realizes it is nothing like she expected.
"One way or another someone was going to get eaten alive here, Rose realized. She'd be damned if it was her."
I'm a sucker for boarding school stories, but this one did not live up to the promised hype for me. It grew on me a small bit by the end, but when I say this is a slow burning tale, I mean SLOW. I was incredibly tempted to "DNF" this book, but stuck with it, skimming or fast reading portions of it. The big twist, so to speak, doesn't come until halfway through (55% in fact). At that point, we have sat through lots of classics lessons and pontificating about Caldonbrae and gotten to know a lot of girls at the school.
Although, "getting to know" is probably generous, as there's a lack of character development throughout most of MADAM. There are a variety of girls at Caldonbrae thrust upon us, but I found it nearly impossible to keep many of them straight. (It doesn't help that the UK version of schooling is hard to follow, with thirds, fourths, and more tossed about, but rarely ages. Woe to us idiotic Americans!)
We know little about Rose, are offered a scarce backstory, and pieces about her father that are supposed to form her personality seem tossed in haphazardly. Instead she drove me crazy with her dithering and inability to make decisions. Most of the time I just wanted to shake her. She was in an impossible situation, perhaps, but she seemed unable to grasp anything for much of the book, or realize the seriousness of her circumstances.
I think MADAM was going for ominous and creepy--everything building up to its explosive ending (which is hinted at in the beginning pages), but it falls short. Instead, it seems more annoying and perplexing. When the twist is revealed, it's an interesting one, yes, but I couldn't help but question it, wonder how such a thing could be sustainable. MADAM just couldn't keep up the eerie tone it was trying for.
There's definite storytelling potential here, and I did find myself somewhat attached to a few of the girls by the end, when things pick up slightly. MADAM tries to align the classics (think tales of Medea and Antigone and such) with its boarding school girls, but often the tacked on tales of these mythical and classical women feel like unnecessary, added on pieces. It reaches too high, trying for a feminist angle, but falls short, with a fast ending that cannot possibly live up to all those classical, high-reaching aims.
"...she wondered how an establishment that promised to educate 'girls of the world' could somehow make its women feel so small."
Overall, there's a lot going on in MADAM, but it just didn't gel for me. I couldn't root for Rose for most of the novel, and the classic pieces inserted into the plot didn't work. There were sparks I enjoyed, but overall, this wasn't a favorite. 2.5 stars.
"One way or another someone was going to get eaten alive here, Rose realized. She'd be damned if it was her."
I'm a sucker for boarding school stories, but this one did not live up to the promised hype for me. It grew on me a small bit by the end, but when I say this is a slow burning tale, I mean SLOW. I was incredibly tempted to "DNF" this book, but stuck with it, skimming or fast reading portions of it. The big twist, so to speak, doesn't come until halfway through (55% in fact). At that point, we have sat through lots of classics lessons and pontificating about Caldonbrae and gotten to know a lot of girls at the school.
Although, "getting to know" is probably generous, as there's a lack of character development throughout most of MADAM. There are a variety of girls at Caldonbrae thrust upon us, but I found it nearly impossible to keep many of them straight. (It doesn't help that the UK version of schooling is hard to follow, with thirds, fourths, and more tossed about, but rarely ages. Woe to us idiotic Americans!)
We know little about Rose, are offered a scarce backstory, and pieces about her father that are supposed to form her personality seem tossed in haphazardly. Instead she drove me crazy with her dithering and inability to make decisions. Most of the time I just wanted to shake her. She was in an impossible situation, perhaps, but she seemed unable to grasp anything for much of the book, or realize the seriousness of her circumstances.
I think MADAM was going for ominous and creepy--everything building up to its explosive ending (which is hinted at in the beginning pages), but it falls short. Instead, it seems more annoying and perplexing. When the twist is revealed, it's an interesting one, yes, but I couldn't help but question it, wonder how such a thing could be sustainable. MADAM just couldn't keep up the eerie tone it was trying for.
There's definite storytelling potential here, and I did find myself somewhat attached to a few of the girls by the end, when things pick up slightly. MADAM tries to align the classics (think tales of Medea and Antigone and such) with its boarding school girls, but often the tacked on tales of these mythical and classical women feel like unnecessary, added on pieces. It reaches too high, trying for a feminist angle, but falls short, with a fast ending that cannot possibly live up to all those classical, high-reaching aims.
"...she wondered how an establishment that promised to educate 'girls of the world' could somehow make its women feel so small."
Overall, there's a lot going on in MADAM, but it just didn't gel for me. I couldn't root for Rose for most of the novel, and the classic pieces inserted into the plot didn't work. There were sparks I enjoyed, but overall, this wasn't a favorite. 2.5 stars.