Search
Search results
Gareth von Kallenbach (980 KP) rated Justice League: War (2014) in Movies
Aug 16, 2019
February 4th saw the release of another Warner Bros. Animation film in the
Justice League franchise titled ‘War.’ DC Comics is continuing to bolster
its brand with regular animated releases, and they are doing a great job.
The film opens as an obvious origin story. Fans of the previous animated
films or TV series will notice some overt departures from the standard fare
of the last few years.
Green Lantern (Hal Jordan) and Batman lead off the film with their first
meeting in Gotham City, working quickly to solve a strange spree of
criminal abductions. As the two broker a tenuous peace and learn to work
together, they realize the Mother Box they found is linked to others like
it, and they head to Metropolis.
Wonder Woman, on her way to meet the President of the United States,
encounters winged beasts similar to ones fought by Green Lantern, Batman,
and Superman. What’s unusual is that this time she uses a sword to
dispatch her enemies. It’s something I’ve rarely seen in previous comics
or animated works.
The Flash, Shazam, and Cyborg all make appearances, and the team’s
structure gradually comes together. Meanwhile, the villain reveals himself:
Darkseid (who is one of my favorite DC villains).
This story is told wonderfully, with great action sequences and voice
acting (Sean Astin and Alan Tudyk – notable names). Overall, I was pleased
and entertained.
That said, there are a few major oddities within the film that stuck out as
strong deviations from the norm.
First, Superman kills someone. Despite the circumstances, I was still
shocked to see his character taken in that direction.
Second, somebody drops the S-bomb. I’ve never seen swearing in a “young
adult” film before, and though it was only used once, I was still taken
aback.
Third, the portrayal of Darkseid. He’s a great villain because of his
physical prowess, omega beams, and intellect. The first two were
represented in fine fashion, but the last was woefully lacking. Nothing
about this film showcased his intellect at all.
Fourth, Shazam seems to favor his lightening powers over his physical
assaults, which again, is in contradiction to most other comics and
animations.
While I found all of these examples strange and uncharacteristic with
respect to the usual formula, none of them were significant enough to be
considered a problem. I’m curious to see where this new trend goes. Will
DC use this as a platform to start a new chain of films or TV shows? Will
the language and body count continue to escalate? These are questions for
the ages.
Bottom line: if you are a fan of the genre, please watch it. You won’t be
disappointed.
Justice League franchise titled ‘War.’ DC Comics is continuing to bolster
its brand with regular animated releases, and they are doing a great job.
The film opens as an obvious origin story. Fans of the previous animated
films or TV series will notice some overt departures from the standard fare
of the last few years.
Green Lantern (Hal Jordan) and Batman lead off the film with their first
meeting in Gotham City, working quickly to solve a strange spree of
criminal abductions. As the two broker a tenuous peace and learn to work
together, they realize the Mother Box they found is linked to others like
it, and they head to Metropolis.
Wonder Woman, on her way to meet the President of the United States,
encounters winged beasts similar to ones fought by Green Lantern, Batman,
and Superman. What’s unusual is that this time she uses a sword to
dispatch her enemies. It’s something I’ve rarely seen in previous comics
or animated works.
The Flash, Shazam, and Cyborg all make appearances, and the team’s
structure gradually comes together. Meanwhile, the villain reveals himself:
Darkseid (who is one of my favorite DC villains).
This story is told wonderfully, with great action sequences and voice
acting (Sean Astin and Alan Tudyk – notable names). Overall, I was pleased
and entertained.
That said, there are a few major oddities within the film that stuck out as
strong deviations from the norm.
First, Superman kills someone. Despite the circumstances, I was still
shocked to see his character taken in that direction.
Second, somebody drops the S-bomb. I’ve never seen swearing in a “young
adult” film before, and though it was only used once, I was still taken
aback.
Third, the portrayal of Darkseid. He’s a great villain because of his
physical prowess, omega beams, and intellect. The first two were
represented in fine fashion, but the last was woefully lacking. Nothing
about this film showcased his intellect at all.
Fourth, Shazam seems to favor his lightening powers over his physical
assaults, which again, is in contradiction to most other comics and
animations.
While I found all of these examples strange and uncharacteristic with
respect to the usual formula, none of them were significant enough to be
considered a problem. I’m curious to see where this new trend goes. Will
DC use this as a platform to start a new chain of films or TV shows? Will
the language and body count continue to escalate? These are questions for
the ages.
Bottom line: if you are a fan of the genre, please watch it. You won’t be
disappointed.
Night Reader Reviews (683 KP) rated A Little Assassination in Books
Feb 29, 2020
Honest Review for Free Copy of Book
A Little Assassination by Lawrence Troyna follows the story of what happens when two assassins are hired to get rid of each other. Too bad it is largely the result of a misunderstanding.
Nero is an assassin who is employed by the British government through a program that is nonexistent. Frequently his job is to remove people who could cause embarrassment to the British government. A sort of lasting damage control so to speak. Unfortunately, no matter how carefully Nero plans his jobs sometimes they go wrong . Usually, that just means a few unintended people get caught in the crossfire, but not this time.
Leon is an assassin as well, but unlike Nero, he works for a crime family. His jobs are usually fairly similar to Nero’s except he doesn't secretly work for the government. This time when Leon is called in his order is to eliminate anyone responsible for the bomb that went off inside one of the family’s drug manufacturing plants. When it is discovered that the plant was accidental collateral damage from a British government hit Leon is supposed to be called off. When this does not happen Leon and Nero’s groups end up fighting head to head for a short while until Leon gives up by his group completely. Now it's an all-out manhunt, but the prey is also a hunter.
Honestly, I am not sure what to say. There really wasn’t much that stood out to me about this book. The most surprising (and in this case the best) part of the book was finding out who the leak on Nero’s side was. There were multiple things about this book that I didn’t like. There was a Mr. Tillotson and a Mr. Trenchard on opposite sides, which was mildly confusing. I was also surprised to find that the plot moves steadily yet to me it still seamed dragging.
The language can be a little rough and (as one would expect from a book about assassins) there is a lot of violence. With that being said the book is best suited for young adults and adults alike. I rate this book 1 out of 4. I had much higher hopes for this book than what it delivered. It was fairly dry and predictable. There really wasn’t much about this book that impressed me aside from who the leak was.
https://www.facebook.com/nightreaderreviews/
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
Nero is an assassin who is employed by the British government through a program that is nonexistent. Frequently his job is to remove people who could cause embarrassment to the British government. A sort of lasting damage control so to speak. Unfortunately, no matter how carefully Nero plans his jobs sometimes they go wrong . Usually, that just means a few unintended people get caught in the crossfire, but not this time.
Leon is an assassin as well, but unlike Nero, he works for a crime family. His jobs are usually fairly similar to Nero’s except he doesn't secretly work for the government. This time when Leon is called in his order is to eliminate anyone responsible for the bomb that went off inside one of the family’s drug manufacturing plants. When it is discovered that the plant was accidental collateral damage from a British government hit Leon is supposed to be called off. When this does not happen Leon and Nero’s groups end up fighting head to head for a short while until Leon gives up by his group completely. Now it's an all-out manhunt, but the prey is also a hunter.
Honestly, I am not sure what to say. There really wasn’t much that stood out to me about this book. The most surprising (and in this case the best) part of the book was finding out who the leak on Nero’s side was. There were multiple things about this book that I didn’t like. There was a Mr. Tillotson and a Mr. Trenchard on opposite sides, which was mildly confusing. I was also surprised to find that the plot moves steadily yet to me it still seamed dragging.
The language can be a little rough and (as one would expect from a book about assassins) there is a lot of violence. With that being said the book is best suited for young adults and adults alike. I rate this book 1 out of 4. I had much higher hopes for this book than what it delivered. It was fairly dry and predictable. There really wasn’t much about this book that impressed me aside from who the leak was.
https://www.facebook.com/nightreaderreviews/
https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
Word Chums!
Games, Entertainment and Stickers
App
More fun than Words With Friends and more addicting than Scrabble, WORD CHUMS: the highest rated...
Bubble Birds 4: Match 3 Puzzle Shooter Game
Games and Entertainment
App
The Birds are back to challenge you! Are you ready to shoot capricious bubble birds for free? Match...
Beyond Oasis Classic
Games
App
The sprawling, lavish, action RPG (Beyond Oasis // The Story of Thor) is now available on mobile!...
Iron Marines
Games and Entertainment
App
From the creators of the award winner Kingdom Rush trilogy comes the most extraordinary space...
Tyler Fletcher (8 KP) rated Artemis Fowl (2020) in Movies
Jun 14, 2020
Character development (1 more)
Forgettable story
Another Live-Action Disney Adaption Bomb
Contains spoilers, click to show
What is it about fantasy novels that makes them so difficult to translate effectively to the silver screen? It’s not impossible – J.K. Rowling’s Harry Potter series and Peter Jackson’s The Lord of the Rings adaptations are proof that it can be done. More often than not, however, the result is as limp and truncated as Kenneth Branagh’s Artemis Fowl – a few standout moments set adrift in a sea of underdeveloped characters, incomplete backstory elements, and abbreviated world building. Although the problem lies primarily in the difficulties associated with condensing an epic tale into a short-ish movie, the lack of elegance with which that is accomplished makes Artemis Fowl a failure for anyone hoping for the next great fantasy film.
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
Haley Mathiot (9 KP) rated Japan Took the J.A.P. Out of Me in Books
Apr 27, 2018
Summary: Lisa and her husband Peter are newlyweds—like, they were married four days ago—and they are moving to Japan. Lisa tells the first year of her life in Japan, and how she goes from a Jewish American Princess (JAP) with fancy cars and money and really good food to a housewife and a teacher who cooks and cleans. Lisa tells a heartwarming story of the first year of a beautiful marriage and hilarious adventures in Japan.
Thoughts: This book was really cute. I really liked it a lot. she used the f-bomb quite a lot, but i was able to overlook that and enjoy the story. Lisa is the kind of girl who at first seems to be the epitome of a princess—perfect body, favorite past time is shopping, cries when she breaks a nail. she seemed a bit shallow at first. but as the story went on and i got to know her, and see how see saw things and come to love the people she loved, i realized what kind of sweet girl she was.
One of my favorite parts of the story was when Lisa was so overwhelmed with teaching English, and her husband was being a typical guy and gave her a really pathetic gift for her 30th birthday. she got really upset and went to a bar with one of her Japanese friends, and they stayed there until about 3:00 am. she got home and Peter freaked out about her, and she just told him that she didn’t want to hear it right now. they didn’t talk for three days. she describes the tension between them, and the forgiveness after it, and you can see their marriage healed and continue to get stronger.
Characters: my favorite character was Peter. he was such a sweet guy willing to do anything for his wife whom he truly loved. It was a very good picture of marriage, too. both Lisa and Peter made sacrifices for each other, ranted about work and stupid things, sat on the balcony and had a beer, and once in a while complained to each other.
Plot: As this book was a memoir, I can’t really critique the plot, but i will say that I liked the way the book was organized—instead of chapters, there were six sections that divided up the book: Laundry, Cooking, Shopping, Cleaning, Transportation, and Intermission.
Recommendation: I sat down and read the whole second half of this book in one sitting. it was a light easy fun read, and a laugh to the last page. (my sister will testify. she was trying to write her book and I'd laugh and she’d yell “Haley be quiet!”) I recommend this book to ages 16+ (only because of the use of language and occasional sex.) and to anyone who needs a good laugh.
Thoughts: This book was really cute. I really liked it a lot. she used the f-bomb quite a lot, but i was able to overlook that and enjoy the story. Lisa is the kind of girl who at first seems to be the epitome of a princess—perfect body, favorite past time is shopping, cries when she breaks a nail. she seemed a bit shallow at first. but as the story went on and i got to know her, and see how see saw things and come to love the people she loved, i realized what kind of sweet girl she was.
One of my favorite parts of the story was when Lisa was so overwhelmed with teaching English, and her husband was being a typical guy and gave her a really pathetic gift for her 30th birthday. she got really upset and went to a bar with one of her Japanese friends, and they stayed there until about 3:00 am. she got home and Peter freaked out about her, and she just told him that she didn’t want to hear it right now. they didn’t talk for three days. she describes the tension between them, and the forgiveness after it, and you can see their marriage healed and continue to get stronger.
Characters: my favorite character was Peter. he was such a sweet guy willing to do anything for his wife whom he truly loved. It was a very good picture of marriage, too. both Lisa and Peter made sacrifices for each other, ranted about work and stupid things, sat on the balcony and had a beer, and once in a while complained to each other.
Plot: As this book was a memoir, I can’t really critique the plot, but i will say that I liked the way the book was organized—instead of chapters, there were six sections that divided up the book: Laundry, Cooking, Shopping, Cleaning, Transportation, and Intermission.
Recommendation: I sat down and read the whole second half of this book in one sitting. it was a light easy fun read, and a laugh to the last page. (my sister will testify. she was trying to write her book and I'd laugh and she’d yell “Haley be quiet!”) I recommend this book to ages 16+ (only because of the use of language and occasional sex.) and to anyone who needs a good laugh.
Bookapotamus (289 KP) rated From the Corner of the Oval in Books
Jun 18, 2018
Super Fun Look of a Young Obama Admin Employee
From the Corner of the Oval is the EXACT book you want to read for all the revealing scoop inside the Obama Administration White House and what it would be like to work inside. We see what it's like to work alongside the president, travel the world and hang out with other staffers. MINUS the boring political swill and old school players in Washington, DC. OK, well there ARE technically players, but of a "sleep me with and then don't talk to me for months" kinda way.
It's not so much about the inner workings of Obama's administration - you aren't going to learn any federal secrets or inside Obama family scoop - but follows one young woman's journey working in the depths of the white house on a super-low rung of the totem pole, as she builds some pretty fun relationships and interactions between the staffers.
Beck Dorey-Stein is living in Washington D.C. at an all-time career low (out of work teacher) when through of all things - a vague Craigslist ad - is hired as a stenographer in the Obama White House. She is totally out of her element and finds herself navigating the DC elite, finding out who she is and what she wants from life and making WAY TOO MANY HORRIBLE mistakes in love.
I LOVED getting all the inside looks to what a day could be like in the White House from a 20-somethings' perspective. She zooms all over the world in Air Force One following POTUS to just about every speaking engagement he had throughout almost his entire administration. She has several fun interactions with him, and sees and experiences high and lows of our country and our world that she will never forget. All the while, she is navigating falling in love and trying to find where in this world she fits in.
She has a really fun group of friends and I thought every character in the memoir deserved some more attention. I do wish there was a bit more development or backstory of some of the people she is closest to, but we mostly learn about Beck's life here. At some points you can feel how hard she truly tries to make relationships work, but it gets really intense and a bit annoying, and you're like "Get your Sh*t together already woman!" But that's the story - Beck is trying to get her Sh*t together and it's a fun journey to follow!
There's some super colorful language - so if calling Congress a 'Bag of D*cks' is not your thing... be forewarned! I personally enjoy a good F-bomb every now and again, so it only made the story more light and fun. I TORE through this. It's fun, and fascinating, and I wanted so much more!!
It's not so much about the inner workings of Obama's administration - you aren't going to learn any federal secrets or inside Obama family scoop - but follows one young woman's journey working in the depths of the white house on a super-low rung of the totem pole, as she builds some pretty fun relationships and interactions between the staffers.
Beck Dorey-Stein is living in Washington D.C. at an all-time career low (out of work teacher) when through of all things - a vague Craigslist ad - is hired as a stenographer in the Obama White House. She is totally out of her element and finds herself navigating the DC elite, finding out who she is and what she wants from life and making WAY TOO MANY HORRIBLE mistakes in love.
I LOVED getting all the inside looks to what a day could be like in the White House from a 20-somethings' perspective. She zooms all over the world in Air Force One following POTUS to just about every speaking engagement he had throughout almost his entire administration. She has several fun interactions with him, and sees and experiences high and lows of our country and our world that she will never forget. All the while, she is navigating falling in love and trying to find where in this world she fits in.
She has a really fun group of friends and I thought every character in the memoir deserved some more attention. I do wish there was a bit more development or backstory of some of the people she is closest to, but we mostly learn about Beck's life here. At some points you can feel how hard she truly tries to make relationships work, but it gets really intense and a bit annoying, and you're like "Get your Sh*t together already woman!" But that's the story - Beck is trying to get her Sh*t together and it's a fun journey to follow!
There's some super colorful language - so if calling Congress a 'Bag of D*cks' is not your thing... be forewarned! I personally enjoy a good F-bomb every now and again, so it only made the story more light and fun. I TORE through this. It's fun, and fascinating, and I wanted so much more!!