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Tyler Fletcher (8 KP) rated Artemis Fowl (2020) in Movies
Jun 14, 2020
Character development (1 more)
Forgettable story
Another Live-Action Disney Adaption Bomb
Contains spoilers, click to show
What is it about fantasy novels that makes them so difficult to translate effectively to the silver screen? It’s not impossible – J.K. Rowling’s Harry Potter series and Peter Jackson’s The Lord of the Rings adaptations are proof that it can be done. More often than not, however, the result is as limp and truncated as Kenneth Branagh’s Artemis Fowl – a few standout moments set adrift in a sea of underdeveloped characters, incomplete backstory elements, and abbreviated world building. Although the problem lies primarily in the difficulties associated with condensing an epic tale into a short-ish movie, the lack of elegance with which that is accomplished makes Artemis Fowl a failure for anyone hoping for the next great fantasy film.
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
Haley Mathiot (9 KP) rated Japan Took the J.A.P. Out of Me in Books
Apr 27, 2018
Summary: Lisa and her husband Peter are newlyweds—like, they were married four days ago—and they are moving to Japan. Lisa tells the first year of her life in Japan, and how she goes from a Jewish American Princess (JAP) with fancy cars and money and really good food to a housewife and a teacher who cooks and cleans. Lisa tells a heartwarming story of the first year of a beautiful marriage and hilarious adventures in Japan.
Thoughts: This book was really cute. I really liked it a lot. she used the f-bomb quite a lot, but i was able to overlook that and enjoy the story. Lisa is the kind of girl who at first seems to be the epitome of a princess—perfect body, favorite past time is shopping, cries when she breaks a nail. she seemed a bit shallow at first. but as the story went on and i got to know her, and see how see saw things and come to love the people she loved, i realized what kind of sweet girl she was.
One of my favorite parts of the story was when Lisa was so overwhelmed with teaching English, and her husband was being a typical guy and gave her a really pathetic gift for her 30th birthday. she got really upset and went to a bar with one of her Japanese friends, and they stayed there until about 3:00 am. she got home and Peter freaked out about her, and she just told him that she didn’t want to hear it right now. they didn’t talk for three days. she describes the tension between them, and the forgiveness after it, and you can see their marriage healed and continue to get stronger.
Characters: my favorite character was Peter. he was such a sweet guy willing to do anything for his wife whom he truly loved. It was a very good picture of marriage, too. both Lisa and Peter made sacrifices for each other, ranted about work and stupid things, sat on the balcony and had a beer, and once in a while complained to each other.
Plot: As this book was a memoir, I can’t really critique the plot, but i will say that I liked the way the book was organized—instead of chapters, there were six sections that divided up the book: Laundry, Cooking, Shopping, Cleaning, Transportation, and Intermission.
Recommendation: I sat down and read the whole second half of this book in one sitting. it was a light easy fun read, and a laugh to the last page. (my sister will testify. she was trying to write her book and I'd laugh and she’d yell “Haley be quiet!”) I recommend this book to ages 16+ (only because of the use of language and occasional sex.) and to anyone who needs a good laugh.
Thoughts: This book was really cute. I really liked it a lot. she used the f-bomb quite a lot, but i was able to overlook that and enjoy the story. Lisa is the kind of girl who at first seems to be the epitome of a princess—perfect body, favorite past time is shopping, cries when she breaks a nail. she seemed a bit shallow at first. but as the story went on and i got to know her, and see how see saw things and come to love the people she loved, i realized what kind of sweet girl she was.
One of my favorite parts of the story was when Lisa was so overwhelmed with teaching English, and her husband was being a typical guy and gave her a really pathetic gift for her 30th birthday. she got really upset and went to a bar with one of her Japanese friends, and they stayed there until about 3:00 am. she got home and Peter freaked out about her, and she just told him that she didn’t want to hear it right now. they didn’t talk for three days. she describes the tension between them, and the forgiveness after it, and you can see their marriage healed and continue to get stronger.
Characters: my favorite character was Peter. he was such a sweet guy willing to do anything for his wife whom he truly loved. It was a very good picture of marriage, too. both Lisa and Peter made sacrifices for each other, ranted about work and stupid things, sat on the balcony and had a beer, and once in a while complained to each other.
Plot: As this book was a memoir, I can’t really critique the plot, but i will say that I liked the way the book was organized—instead of chapters, there were six sections that divided up the book: Laundry, Cooking, Shopping, Cleaning, Transportation, and Intermission.
Recommendation: I sat down and read the whole second half of this book in one sitting. it was a light easy fun read, and a laugh to the last page. (my sister will testify. she was trying to write her book and I'd laugh and she’d yell “Haley be quiet!”) I recommend this book to ages 16+ (only because of the use of language and occasional sex.) and to anyone who needs a good laugh.
Bookapotamus (289 KP) rated From the Corner of the Oval in Books
Jun 18, 2018
Super Fun Look of a Young Obama Admin Employee
From the Corner of the Oval is the EXACT book you want to read for all the revealing scoop inside the Obama Administration White House and what it would be like to work inside. We see what it's like to work alongside the president, travel the world and hang out with other staffers. MINUS the boring political swill and old school players in Washington, DC. OK, well there ARE technically players, but of a "sleep me with and then don't talk to me for months" kinda way.
It's not so much about the inner workings of Obama's administration - you aren't going to learn any federal secrets or inside Obama family scoop - but follows one young woman's journey working in the depths of the white house on a super-low rung of the totem pole, as she builds some pretty fun relationships and interactions between the staffers.
Beck Dorey-Stein is living in Washington D.C. at an all-time career low (out of work teacher) when through of all things - a vague Craigslist ad - is hired as a stenographer in the Obama White House. She is totally out of her element and finds herself navigating the DC elite, finding out who she is and what she wants from life and making WAY TOO MANY HORRIBLE mistakes in love.
I LOVED getting all the inside looks to what a day could be like in the White House from a 20-somethings' perspective. She zooms all over the world in Air Force One following POTUS to just about every speaking engagement he had throughout almost his entire administration. She has several fun interactions with him, and sees and experiences high and lows of our country and our world that she will never forget. All the while, she is navigating falling in love and trying to find where in this world she fits in.
She has a really fun group of friends and I thought every character in the memoir deserved some more attention. I do wish there was a bit more development or backstory of some of the people she is closest to, but we mostly learn about Beck's life here. At some points you can feel how hard she truly tries to make relationships work, but it gets really intense and a bit annoying, and you're like "Get your Sh*t together already woman!" But that's the story - Beck is trying to get her Sh*t together and it's a fun journey to follow!
There's some super colorful language - so if calling Congress a 'Bag of D*cks' is not your thing... be forewarned! I personally enjoy a good F-bomb every now and again, so it only made the story more light and fun. I TORE through this. It's fun, and fascinating, and I wanted so much more!!
It's not so much about the inner workings of Obama's administration - you aren't going to learn any federal secrets or inside Obama family scoop - but follows one young woman's journey working in the depths of the white house on a super-low rung of the totem pole, as she builds some pretty fun relationships and interactions between the staffers.
Beck Dorey-Stein is living in Washington D.C. at an all-time career low (out of work teacher) when through of all things - a vague Craigslist ad - is hired as a stenographer in the Obama White House. She is totally out of her element and finds herself navigating the DC elite, finding out who she is and what she wants from life and making WAY TOO MANY HORRIBLE mistakes in love.
I LOVED getting all the inside looks to what a day could be like in the White House from a 20-somethings' perspective. She zooms all over the world in Air Force One following POTUS to just about every speaking engagement he had throughout almost his entire administration. She has several fun interactions with him, and sees and experiences high and lows of our country and our world that she will never forget. All the while, she is navigating falling in love and trying to find where in this world she fits in.
She has a really fun group of friends and I thought every character in the memoir deserved some more attention. I do wish there was a bit more development or backstory of some of the people she is closest to, but we mostly learn about Beck's life here. At some points you can feel how hard she truly tries to make relationships work, but it gets really intense and a bit annoying, and you're like "Get your Sh*t together already woman!" But that's the story - Beck is trying to get her Sh*t together and it's a fun journey to follow!
There's some super colorful language - so if calling Congress a 'Bag of D*cks' is not your thing... be forewarned! I personally enjoy a good F-bomb every now and again, so it only made the story more light and fun. I TORE through this. It's fun, and fascinating, and I wanted so much more!!
Chris Sawin (602 KP) rated Sunshine (2007) in Movies
Jun 19, 2019
The sun is dying and the Icarus project is sent in to fix the problem. Robert Capa and the Icarus team go out into space in hopes of re-igniting the sun with a stellar bomb that's equal in mass to Manhattan island. It's been sixteen months since the team first left earth and they're about to enter the blackout zone...a bit earlier than expected. This means they won't be able to send or receive messages back home after they reach this zone. This is only the beginning of their problems as they realize that no matter how prepared they thought they were...things can and will go wrong in phenomenal ways.
I've got to say right off the bat that this is one of my favorite films to come out in recent years. I think it's an almost perfect film. The film had a science advisor and it shows as it's a very intelligent film. The Danny Boyle films I've seen have been good, but I think this one is my favorite thus far. It's another film that is beautifully shot. Every frame is just oozing with vibrant colors and Boyle's style bleeds through in every scene. Cillian Murphy is impressive, as always. He's another actor I feel deserves more credit than he's given as he impresses me more and more as his talent seems to shine that much brighter in each film he's involved with. Chris Evans was the guy who surprised me in this. It's not a role you'd expect to see him in after seeing him in films like Not Another Teen Movie and Fantastic Four. He's in top form though and he fits into this role in ease. This is also one of the few films that I really enjoy the soundtrack, as well. When a soundtrack enhances the movie experience instead of taking away from it, it only makes the film that much better. This is one of those soundtracks.
As great as the film is, it's greatest strength is its biggest flaw. They did have a science advisor and it helps make the film more believable, more intelligent, etc. The things that were changed to add suspense or for whatever reason other than to make the film more believable or as factual as possible make the film seem a little farfetched at times. It's really only a minor nitpick and it doesn't take away from how superb this movie really is.
Sunshine is a film any science fiction or horror fan should see. It's mostly a science fiction film, but the last half or so is pure horror. There's definitely an Event Horizon feel to this film. It's an interesting formula that pays off pretty well in the end. The film looks fantastic as every shot seems to jump off the screen in vibrant color. It's very well written and pretty believable(given the circumstances). The acting is top notch and it's a film I highly recommend to anyone I can.
I've got to say right off the bat that this is one of my favorite films to come out in recent years. I think it's an almost perfect film. The film had a science advisor and it shows as it's a very intelligent film. The Danny Boyle films I've seen have been good, but I think this one is my favorite thus far. It's another film that is beautifully shot. Every frame is just oozing with vibrant colors and Boyle's style bleeds through in every scene. Cillian Murphy is impressive, as always. He's another actor I feel deserves more credit than he's given as he impresses me more and more as his talent seems to shine that much brighter in each film he's involved with. Chris Evans was the guy who surprised me in this. It's not a role you'd expect to see him in after seeing him in films like Not Another Teen Movie and Fantastic Four. He's in top form though and he fits into this role in ease. This is also one of the few films that I really enjoy the soundtrack, as well. When a soundtrack enhances the movie experience instead of taking away from it, it only makes the film that much better. This is one of those soundtracks.
As great as the film is, it's greatest strength is its biggest flaw. They did have a science advisor and it helps make the film more believable, more intelligent, etc. The things that were changed to add suspense or for whatever reason other than to make the film more believable or as factual as possible make the film seem a little farfetched at times. It's really only a minor nitpick and it doesn't take away from how superb this movie really is.
Sunshine is a film any science fiction or horror fan should see. It's mostly a science fiction film, but the last half or so is pure horror. There's definitely an Event Horizon feel to this film. It's an interesting formula that pays off pretty well in the end. The film looks fantastic as every shot seems to jump off the screen in vibrant color. It's very well written and pretty believable(given the circumstances). The acting is top notch and it's a film I highly recommend to anyone I can.
Gareth von Kallenbach (980 KP) rated 3 Days To Kill (2014) in Movies
Jun 19, 2019
Ethan, (Kevin Costner) is a man with some serious issues but oddly enough, his life as a spy and heavy hitter is not one of them. Ethan has a reputation for getting the job done and he is brutally efficient in his craft.
When a mission to stop a government purchasing a Dirty Bomb from a mysterious figure known as “The Wolf” goes awry, Ethan finds his life turned upside down when he learns he is on borrowed time due to a previously undiagnosed illness.
Ethan returns to Paris in an attempt to reconnect with his daughter, Zoe (Haillee Steinfeld), and her mother, Ethan comes home to learn that a group of squatters have taken up residence in his apartment, and under French law, nothing can be done to remove them until the spring arrives.
Since Ethan has been gone for five years, his family is less than thrilled to see him as it has been easier to live their lives without him. Undaunted, Ethan continues to try to make up for lost time.
Complications arise when a top level agent named Vivi (Amber Heard), arrives in Paris and attempts to recruit Ethan to identify and eliminate The Wolf when it is learned that there is a window to remove him over the next 72 hours.
Wanting no part of his past life, Ethan is dragged back into the fold by the offer of cash for his daughter and an experimental drug that will extend his life.
Ethan now must walk a deadly path between dangerous people, his former employers, and the largest danger of all, his teenage daughter and her mother.
Based on a story by Luc Besson who also had a hand in writing the script, “3 Days to Kill” is a fresh and fun film despite its flaws. Director Mc G does a good job of keeping the emphasis on Ethan and his family as that is the core of the story. There is action aplenty and some of it does play out in typical Hollywood fashion, but there is a charm to the story that one does normally associate with this type of film.
Costner does a good job of playing Ethan as a world weary man who is simply trying to do the right thing with what time he has left. Scenes where he has to deviate from his deadly profession to deal with teen trauma and domestic issues are funny as they come across as very natural. Ethan is so frustrated by the duality of his life; he even seeks parenting advice from suspects he is interrogating.
While parts of the film may drag out and some of the plot points stretch credibility, the winning cast makes the film worth seeing and I for one was pleasantly surprised by the film as you may be if you are willing to look past some of the flaws.
http://sknr.net/2014/02/20/3-days-to-kill/
When a mission to stop a government purchasing a Dirty Bomb from a mysterious figure known as “The Wolf” goes awry, Ethan finds his life turned upside down when he learns he is on borrowed time due to a previously undiagnosed illness.
Ethan returns to Paris in an attempt to reconnect with his daughter, Zoe (Haillee Steinfeld), and her mother, Ethan comes home to learn that a group of squatters have taken up residence in his apartment, and under French law, nothing can be done to remove them until the spring arrives.
Since Ethan has been gone for five years, his family is less than thrilled to see him as it has been easier to live their lives without him. Undaunted, Ethan continues to try to make up for lost time.
Complications arise when a top level agent named Vivi (Amber Heard), arrives in Paris and attempts to recruit Ethan to identify and eliminate The Wolf when it is learned that there is a window to remove him over the next 72 hours.
Wanting no part of his past life, Ethan is dragged back into the fold by the offer of cash for his daughter and an experimental drug that will extend his life.
Ethan now must walk a deadly path between dangerous people, his former employers, and the largest danger of all, his teenage daughter and her mother.
Based on a story by Luc Besson who also had a hand in writing the script, “3 Days to Kill” is a fresh and fun film despite its flaws. Director Mc G does a good job of keeping the emphasis on Ethan and his family as that is the core of the story. There is action aplenty and some of it does play out in typical Hollywood fashion, but there is a charm to the story that one does normally associate with this type of film.
Costner does a good job of playing Ethan as a world weary man who is simply trying to do the right thing with what time he has left. Scenes where he has to deviate from his deadly profession to deal with teen trauma and domestic issues are funny as they come across as very natural. Ethan is so frustrated by the duality of his life; he even seeks parenting advice from suspects he is interrogating.
While parts of the film may drag out and some of the plot points stretch credibility, the winning cast makes the film worth seeing and I for one was pleasantly surprised by the film as you may be if you are willing to look past some of the flaws.
http://sknr.net/2014/02/20/3-days-to-kill/