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Debbiereadsbook (1788 KP) rated When The Devil Wants In in Books
Jan 30, 2018
I LOVED this!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
When faced with a murder charge, John has to choose between his freedom, and his heart.
You know how sometimes, you read a blurb for a book, and your mind writes the plot out and its all wrapped up in a nice pink bow?? And then you read the BOOK, and your version is so very wrong but you have no idea why??
This book totally surprised me, and I cannot put my finger on WHY it did! I loved it!!
John is hiding in plain sight, driving 90 minutes to get his hook ups. Matt moves to Magnolia Ridge from San Fransisco, out and proud. But Matt knows he needs to reign it in. A hook up between the guys has both of them shocked and wanting more, so much more. A shocking discovery causes John to question what he really wants.
I loved both these guys. John, so far in the closet he's in the next room, and Matt who just knows when to say what about his sexuality. They both have their say, so we get every little bit that these guys feel, together and apart. I loved that Matt took to John's closed off-ness quickly, and without question.
The murder has you crying for John, it really does. And I was WAY off base with whodunnit, let me tell ya!! Did NOT see that one coming! I really love being proven wrong.
And I need to say something about that gorgeous cover. When I saw the cover FIRST, I thought its pretty, it nice, but somehow it doesn't fit. I had the blurb before I saw the cover. And I couldn't put my finger on WHY it didn't fit, still can't, truth be told, but that's what I felt, and ya'll know I gotta tell you what I'm feeling. And I'm reading the book, my brain is registering that they are in Magnolia Ridge, that there are magnolia blossom on the cover, I swear I knew that, but still it did not make any sense WHY they were on the cover!
Then! One word, one single word was all it took, and my brain exploded! Light bulb moment does not quite cover what went through my brain at that point! It was like a nuclear bomb going off, and that cover makes TOTAL sense now! Totally the right cover for THIS book.
Is there another book after this?? I feel with what John did for Matt's birthday, and the subsequent scenes kinda left me wanting more of a certain fellow!
Anyways, loved the book, loved the cover and read it in one single sitting, so...
5 full stars
**same worded review will appear elsewhere**
When faced with a murder charge, John has to choose between his freedom, and his heart.
You know how sometimes, you read a blurb for a book, and your mind writes the plot out and its all wrapped up in a nice pink bow?? And then you read the BOOK, and your version is so very wrong but you have no idea why??
This book totally surprised me, and I cannot put my finger on WHY it did! I loved it!!
John is hiding in plain sight, driving 90 minutes to get his hook ups. Matt moves to Magnolia Ridge from San Fransisco, out and proud. But Matt knows he needs to reign it in. A hook up between the guys has both of them shocked and wanting more, so much more. A shocking discovery causes John to question what he really wants.
I loved both these guys. John, so far in the closet he's in the next room, and Matt who just knows when to say what about his sexuality. They both have their say, so we get every little bit that these guys feel, together and apart. I loved that Matt took to John's closed off-ness quickly, and without question.
The murder has you crying for John, it really does. And I was WAY off base with whodunnit, let me tell ya!! Did NOT see that one coming! I really love being proven wrong.
And I need to say something about that gorgeous cover. When I saw the cover FIRST, I thought its pretty, it nice, but somehow it doesn't fit. I had the blurb before I saw the cover. And I couldn't put my finger on WHY it didn't fit, still can't, truth be told, but that's what I felt, and ya'll know I gotta tell you what I'm feeling. And I'm reading the book, my brain is registering that they are in Magnolia Ridge, that there are magnolia blossom on the cover, I swear I knew that, but still it did not make any sense WHY they were on the cover!
Then! One word, one single word was all it took, and my brain exploded! Light bulb moment does not quite cover what went through my brain at that point! It was like a nuclear bomb going off, and that cover makes TOTAL sense now! Totally the right cover for THIS book.
Is there another book after this?? I feel with what John did for Matt's birthday, and the subsequent scenes kinda left me wanting more of a certain fellow!
Anyways, loved the book, loved the cover and read it in one single sitting, so...
5 full stars
**same worded review will appear elsewhere**
Sensitivemuse (246 KP) rated Kill the Angel in Books
Jun 24, 2018
Action packed and cliffhanger ending
***Contains spoilers. You’ve been warned***
Oh lordy. Lordy lordy lordy. I don’t know what to say except, yes one more time. Lordy. I finished this book and screamed. And it’s a good reaction.
This book doesn’t disappoint. It sets the bar higher than the last one, Kill the Father. It would be best if you do read them in order as you do need the background information surrounding Dante. Plus, it does add more substance to the characters.
This one was definitely more action packed than previous. As it involves a great deal more victims and there’s definitely more layers to peel once the mystery starts to unravel and we get closer to Giltine. And it’s not yet over! There’s giant revelations at the end and you’re left with a heart stopping ending.
There are many twists and turns to go through in the book; old and new characters are mentioned, and of course Colomba is in a bind and goes through very hefty events and you marvel at her mental and emotional strength. Dante is likable in his own quirky way and both him and Colomba work so great as a team, even though they have their differences. There’s a more deeper level of understand between the two of them and there is a hint of a romance. I don’t see it myself as I’ve always seen Dante and Colomba more as a sibling like relationship. (I would have liked to see Dante and Brigitte together, they seemed like they could go along well!)
There’s some major blindsiding happening in the book, you realize Giltine is both victim and perpetrator. There’s still more to uncover in the mystery and by the time we do come to the conclusion it would be a massive atom bomb waiting to drop. However on a side note, I do enjoy how Dazieri brings in these references to various historical events (Chernobyl for one) and various conditions and illnesses to make you think and realize there’s actual conditions out there that exist and people do suffer from them. It makes the plot different and substantially prominent to make this book memorable.
The plot is very engaging and you’re pretty much on the edge in the last third of the book. The last few chapters really pack it in and they were one of the most exciting chapters I have ever read in a book so far. I’m still overwhelmed and blown away by the last page. Gah! I can’t wait for the next book!
Definitely recommended. The series is going to be one of the best I have read so far in my lifetime.
Oh lordy. Lordy lordy lordy. I don’t know what to say except, yes one more time. Lordy. I finished this book and screamed. And it’s a good reaction.
This book doesn’t disappoint. It sets the bar higher than the last one, Kill the Father. It would be best if you do read them in order as you do need the background information surrounding Dante. Plus, it does add more substance to the characters.
This one was definitely more action packed than previous. As it involves a great deal more victims and there’s definitely more layers to peel once the mystery starts to unravel and we get closer to Giltine. And it’s not yet over! There’s giant revelations at the end and you’re left with a heart stopping ending.
There are many twists and turns to go through in the book; old and new characters are mentioned, and of course Colomba is in a bind and goes through very hefty events and you marvel at her mental and emotional strength. Dante is likable in his own quirky way and both him and Colomba work so great as a team, even though they have their differences. There’s a more deeper level of understand between the two of them and there is a hint of a romance. I don’t see it myself as I’ve always seen Dante and Colomba more as a sibling like relationship. (I would have liked to see Dante and Brigitte together, they seemed like they could go along well!)
There’s some major blindsiding happening in the book, you realize Giltine is both victim and perpetrator. There’s still more to uncover in the mystery and by the time we do come to the conclusion it would be a massive atom bomb waiting to drop. However on a side note, I do enjoy how Dazieri brings in these references to various historical events (Chernobyl for one) and various conditions and illnesses to make you think and realize there’s actual conditions out there that exist and people do suffer from them. It makes the plot different and substantially prominent to make this book memorable.
The plot is very engaging and you’re pretty much on the edge in the last third of the book. The last few chapters really pack it in and they were one of the most exciting chapters I have ever read in a book so far. I’m still overwhelmed and blown away by the last page. Gah! I can’t wait for the next book!
Definitely recommended. The series is going to be one of the best I have read so far in my lifetime.
Gareth von Kallenbach (980 KP) rated Justice League: War (2014) in Movies
Aug 16, 2019
February 4th saw the release of another Warner Bros. Animation film in the
Justice League franchise titled ‘War.’ DC Comics is continuing to bolster
its brand with regular animated releases, and they are doing a great job.
The film opens as an obvious origin story. Fans of the previous animated
films or TV series will notice some overt departures from the standard fare
of the last few years.
Green Lantern (Hal Jordan) and Batman lead off the film with their first
meeting in Gotham City, working quickly to solve a strange spree of
criminal abductions. As the two broker a tenuous peace and learn to work
together, they realize the Mother Box they found is linked to others like
it, and they head to Metropolis.
Wonder Woman, on her way to meet the President of the United States,
encounters winged beasts similar to ones fought by Green Lantern, Batman,
and Superman. What’s unusual is that this time she uses a sword to
dispatch her enemies. It’s something I’ve rarely seen in previous comics
or animated works.
The Flash, Shazam, and Cyborg all make appearances, and the team’s
structure gradually comes together. Meanwhile, the villain reveals himself:
Darkseid (who is one of my favorite DC villains).
This story is told wonderfully, with great action sequences and voice
acting (Sean Astin and Alan Tudyk – notable names). Overall, I was pleased
and entertained.
That said, there are a few major oddities within the film that stuck out as
strong deviations from the norm.
First, Superman kills someone. Despite the circumstances, I was still
shocked to see his character taken in that direction.
Second, somebody drops the S-bomb. I’ve never seen swearing in a “young
adult” film before, and though it was only used once, I was still taken
aback.
Third, the portrayal of Darkseid. He’s a great villain because of his
physical prowess, omega beams, and intellect. The first two were
represented in fine fashion, but the last was woefully lacking. Nothing
about this film showcased his intellect at all.
Fourth, Shazam seems to favor his lightening powers over his physical
assaults, which again, is in contradiction to most other comics and
animations.
While I found all of these examples strange and uncharacteristic with
respect to the usual formula, none of them were significant enough to be
considered a problem. I’m curious to see where this new trend goes. Will
DC use this as a platform to start a new chain of films or TV shows? Will
the language and body count continue to escalate? These are questions for
the ages.
Bottom line: if you are a fan of the genre, please watch it. You won’t be
disappointed.
Justice League franchise titled ‘War.’ DC Comics is continuing to bolster
its brand with regular animated releases, and they are doing a great job.
The film opens as an obvious origin story. Fans of the previous animated
films or TV series will notice some overt departures from the standard fare
of the last few years.
Green Lantern (Hal Jordan) and Batman lead off the film with their first
meeting in Gotham City, working quickly to solve a strange spree of
criminal abductions. As the two broker a tenuous peace and learn to work
together, they realize the Mother Box they found is linked to others like
it, and they head to Metropolis.
Wonder Woman, on her way to meet the President of the United States,
encounters winged beasts similar to ones fought by Green Lantern, Batman,
and Superman. What’s unusual is that this time she uses a sword to
dispatch her enemies. It’s something I’ve rarely seen in previous comics
or animated works.
The Flash, Shazam, and Cyborg all make appearances, and the team’s
structure gradually comes together. Meanwhile, the villain reveals himself:
Darkseid (who is one of my favorite DC villains).
This story is told wonderfully, with great action sequences and voice
acting (Sean Astin and Alan Tudyk – notable names). Overall, I was pleased
and entertained.
That said, there are a few major oddities within the film that stuck out as
strong deviations from the norm.
First, Superman kills someone. Despite the circumstances, I was still
shocked to see his character taken in that direction.
Second, somebody drops the S-bomb. I’ve never seen swearing in a “young
adult” film before, and though it was only used once, I was still taken
aback.
Third, the portrayal of Darkseid. He’s a great villain because of his
physical prowess, omega beams, and intellect. The first two were
represented in fine fashion, but the last was woefully lacking. Nothing
about this film showcased his intellect at all.
Fourth, Shazam seems to favor his lightening powers over his physical
assaults, which again, is in contradiction to most other comics and
animations.
While I found all of these examples strange and uncharacteristic with
respect to the usual formula, none of them were significant enough to be
considered a problem. I’m curious to see where this new trend goes. Will
DC use this as a platform to start a new chain of films or TV shows? Will
the language and body count continue to escalate? These are questions for
the ages.
Bottom line: if you are a fan of the genre, please watch it. You won’t be
disappointed.
Night Reader Reviews (683 KP) rated A Little Assassination in Books
Feb 29, 2020
Honest Review for Free Copy of Book
A Little Assassination by Lawrence Troyna follows the story of what happens when two assassins are hired to get rid of each other. Too bad it is largely the result of a misunderstanding.
Nero is an assassin who is employed by the British government through a program that is nonexistent. Frequently his job is to remove people who could cause embarrassment to the British government. A sort of lasting damage control so to speak. Unfortunately, no matter how carefully Nero plans his jobs sometimes they go wrong . Usually, that just means a few unintended people get caught in the crossfire, but not this time.
Leon is an assassin as well, but unlike Nero, he works for a crime family. His jobs are usually fairly similar to Nero’s except he doesn't secretly work for the government. This time when Leon is called in his order is to eliminate anyone responsible for the bomb that went off inside one of the family’s drug manufacturing plants. When it is discovered that the plant was accidental collateral damage from a British government hit Leon is supposed to be called off. When this does not happen Leon and Nero’s groups end up fighting head to head for a short while until Leon gives up by his group completely. Now it's an all-out manhunt, but the prey is also a hunter.
Honestly, I am not sure what to say. There really wasn’t much that stood out to me about this book. The most surprising (and in this case the best) part of the book was finding out who the leak on Nero’s side was. There were multiple things about this book that I didn’t like. There was a Mr. Tillotson and a Mr. Trenchard on opposite sides, which was mildly confusing. I was also surprised to find that the plot moves steadily yet to me it still seamed dragging.
The language can be a little rough and (as one would expect from a book about assassins) there is a lot of violence. With that being said the book is best suited for young adults and adults alike. I rate this book 1 out of 4. I had much higher hopes for this book than what it delivered. It was fairly dry and predictable. There really wasn’t much about this book that impressed me aside from who the leak was.
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Nero is an assassin who is employed by the British government through a program that is nonexistent. Frequently his job is to remove people who could cause embarrassment to the British government. A sort of lasting damage control so to speak. Unfortunately, no matter how carefully Nero plans his jobs sometimes they go wrong . Usually, that just means a few unintended people get caught in the crossfire, but not this time.
Leon is an assassin as well, but unlike Nero, he works for a crime family. His jobs are usually fairly similar to Nero’s except he doesn't secretly work for the government. This time when Leon is called in his order is to eliminate anyone responsible for the bomb that went off inside one of the family’s drug manufacturing plants. When it is discovered that the plant was accidental collateral damage from a British government hit Leon is supposed to be called off. When this does not happen Leon and Nero’s groups end up fighting head to head for a short while until Leon gives up by his group completely. Now it's an all-out manhunt, but the prey is also a hunter.
Honestly, I am not sure what to say. There really wasn’t much that stood out to me about this book. The most surprising (and in this case the best) part of the book was finding out who the leak on Nero’s side was. There were multiple things about this book that I didn’t like. There was a Mr. Tillotson and a Mr. Trenchard on opposite sides, which was mildly confusing. I was also surprised to find that the plot moves steadily yet to me it still seamed dragging.
The language can be a little rough and (as one would expect from a book about assassins) there is a lot of violence. With that being said the book is best suited for young adults and adults alike. I rate this book 1 out of 4. I had much higher hopes for this book than what it delivered. It was fairly dry and predictable. There really wasn’t much about this book that impressed me aside from who the leak was.
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https://smashbomb.com/nightreader
https://nightreaderreviews.blogspot.com/
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Tyler Fletcher (8 KP) rated Artemis Fowl (2020) in Movies
Jun 14, 2020
Character development (1 more)
Forgettable story
Another Live-Action Disney Adaption Bomb
Contains spoilers, click to show
What is it about fantasy novels that makes them so difficult to translate effectively to the silver screen? It’s not impossible – J.K. Rowling’s Harry Potter series and Peter Jackson’s The Lord of the Rings adaptations are proof that it can be done. More often than not, however, the result is as limp and truncated as Kenneth Branagh’s Artemis Fowl – a few standout moments set adrift in a sea of underdeveloped characters, incomplete backstory elements, and abbreviated world building. Although the problem lies primarily in the difficulties associated with condensing an epic tale into a short-ish movie, the lack of elegance with which that is accomplished makes Artemis Fowl a failure for anyone hoping for the next great fantasy film.
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB