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RəX Regent (349 KP) rated Batman: The Movie (1966) in Movies
Feb 18, 2019 (Updated Feb 18, 2019)
Some days, you just can’t get rid of a bomb!
Before the Frank Miller’s Dark Knight, there was the Caped Crusader; The founding member of the Dynamic Duo, Batman and his ward, the Boy Wonder, Robin. In order to promote the series, after Batman’s first season, a theatrical version was green-lit. Bigger and longer than any of the soon to be syndicated TV show, which would ultimately run for three seasons, Batman was on the big screen with “all his wonderful toys” and a whole host of new ones.
Welcome, the Bat Ladder, Bat-boat, Bat-copter and of course the Bat Shark Repellent! The wry humour can easily be dismissed as hammy and cheap, but in fact, this incarnation of Batman struck a cord and ran with it with confidence. And in this era of The Dark Knight, Batman Light is a welcome respite from all the dower self flagellation of the character.
The late Adam West and Burt Ward are as dry as ever as they over act and dramatically fight crime against a collection of cartoon villains, with this movie delivering the most popular, The Joker (Caesar Romero), Catwoman (Lee Meriwether), The Riddler (Frank Gorshin, all of whom have been brought together by Burgess Meredith’s, Penguin.
Fun from start to finish, with Batman gags, satirical humour and out and out farce! (The bomb gag is classic!) An outrageous plot involving dehydrating the UN Security Council is delivered at a breakneck pace, with one set piece being delivered after another. It is hard to imagine that so much happens in such a lean running time. This is a smart comedy with does not out stay its welcome.
And that is the thing with Batman (1966); It is a smart comedy posing a piece of nonsense. A point proven by its popularity 50 years on. If anything, the recent Lego Batman Movie plays the same hand, only it gets away with it because its a kids Lego digi-mation. But the humour is very similar, irreverently honouring their source.
If you have not seen this in years and god forbid, not at all then get yourself…
…”to the Batmobile!”
Welcome, the Bat Ladder, Bat-boat, Bat-copter and of course the Bat Shark Repellent! The wry humour can easily be dismissed as hammy and cheap, but in fact, this incarnation of Batman struck a cord and ran with it with confidence. And in this era of The Dark Knight, Batman Light is a welcome respite from all the dower self flagellation of the character.
The late Adam West and Burt Ward are as dry as ever as they over act and dramatically fight crime against a collection of cartoon villains, with this movie delivering the most popular, The Joker (Caesar Romero), Catwoman (Lee Meriwether), The Riddler (Frank Gorshin, all of whom have been brought together by Burgess Meredith’s, Penguin.
Fun from start to finish, with Batman gags, satirical humour and out and out farce! (The bomb gag is classic!) An outrageous plot involving dehydrating the UN Security Council is delivered at a breakneck pace, with one set piece being delivered after another. It is hard to imagine that so much happens in such a lean running time. This is a smart comedy with does not out stay its welcome.
And that is the thing with Batman (1966); It is a smart comedy posing a piece of nonsense. A point proven by its popularity 50 years on. If anything, the recent Lego Batman Movie plays the same hand, only it gets away with it because its a kids Lego digi-mation. But the humour is very similar, irreverently honouring their source.
If you have not seen this in years and god forbid, not at all then get yourself…
…”to the Batmobile!”
JT (287 KP) rated Richard Jewell (2019) in Movies
Mar 10, 2020
Richard Jewell (Paul Walter Hauser) is a softly spoken, overzealous university campus security guard whose heart is in the right place and is dedicated to his job – maybe a little too much.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
Daniel Boyd (1066 KP) rated Suicide Squad (2016) in Movies
Jul 19, 2017
Joker & Harley (1 more)
Poor Villains
Better than the last DC bomb
I went into this film with extremely low expectations, but I actually came out having enjoyed it more than Batman v Superman and I enjoyed it for what it was. Without a doubt though the worst part of the movie was the depiction of Joker and Harley and their relationship. Harley was simply there to be eye candy and deliver unfunny, cringey one liners and Joker was included for the sole reason of getting arses in seats, he is barely in the movie and when he is he brings nothing to it. You could honestly have cut his scenes out of the movie entirely and it would be almost the same film and the events would have unfolded just the same way. However the rest of the team are entertaining and work well together as an ensemble, the villains aren’t great but if you take this movie for what it is, it is quite enjoyable and certainly better than BVS.
ClareR (5716 KP) rated The Kompromat Kill (Sean Richardson #2) in Books
May 25, 2019 (Updated May 25, 2019)
In this return to the world of Sean Richardson, we follow him as he tries to turn an Iranian Spy. He gets caught up in a nuclear bomb plot, and learns more about his mother who was also a spy, in the process.
This is all ‘seat of your pants’ stuff - non-stop action from start to finish. I’ve never really been an espionage novel fan, but the first book in this series changed my mind. This book does nothing to dissuade me from my new-found appreciation of the spy novel. The detail is very interesting, the excitement and danger are tangible, and Sean’s moral compass is reassuring. This is quite an emotional novel in places, as he finds out more information about two very important people.
Well worth a read if you like espionage novels, and also worth a read if like me, you’ve never read them and you’re feeling a bit adventurous!
Many thanks to The Pigeonhole for serialising this book, and to Michael Jenkins for reading along with us!
This is all ‘seat of your pants’ stuff - non-stop action from start to finish. I’ve never really been an espionage novel fan, but the first book in this series changed my mind. This book does nothing to dissuade me from my new-found appreciation of the spy novel. The detail is very interesting, the excitement and danger are tangible, and Sean’s moral compass is reassuring. This is quite an emotional novel in places, as he finds out more information about two very important people.
Well worth a read if you like espionage novels, and also worth a read if like me, you’ve never read them and you’re feeling a bit adventurous!
Many thanks to The Pigeonhole for serialising this book, and to Michael Jenkins for reading along with us!
Awix (3310 KP) rated Quatermass and the Pit (1967) in Movies
Feb 13, 2018
The best of the Quatermass films keeps all the unsettling ideas of Nigel Kneale's original TV scripts and adds Hammer's talent for coming up with smart casting and polished production values. Weird projectile turns up buried under London; the authorities initially assume it's an unexploded bomb from the Second World War, but the presence of fossil ape skeletons in and around the object indicates otherwise, as does a history of hauntings in the area going back hundreds of years. Professor Quatermass begins to suspect that this is a relic of a highly unusual alien invasion that happened before man had even evolved...
Pretty much a perfect fusion of horror and science fiction, giving a convincing extraterrestrial rationale for various paranormal and demonic phenomena; thoughtful and disturbing rather than actually scary. Andrew Keir rocks the joint as Professor Q but is well-supported by everyone else. The sequence in which London is transformed in the final reel is also very well done. Sets the standard for intelligent British SF movies; rather influential in its own way, too.
Pretty much a perfect fusion of horror and science fiction, giving a convincing extraterrestrial rationale for various paranormal and demonic phenomena; thoughtful and disturbing rather than actually scary. Andrew Keir rocks the joint as Professor Q but is well-supported by everyone else. The sequence in which London is transformed in the final reel is also very well done. Sets the standard for intelligent British SF movies; rather influential in its own way, too.
David McK (3419 KP) rated The Commodore in Books
Apr 27, 2020
Fourth published but chronologically the ninth of CS Forester's Hornblower series of novels, this is the one that is set mainly in and around the Baltic, starting with Hornblower's investiture as Lord of the Manor alongside his second wife, lady Barbara (nee) Wellesley - yes, of that Wellesley name - and with his sole surviving toddler son from his first marriage.
Finding shore life stifling, dull and tedious, Hornblower is (secretly) relieved when he receives a summons from the Admiralty, and is sent off to the Baltic to shore up Britain's interests and (hopefully) stop further French incursion into Sweden and Russia.
As such, this is thus set before Napoleon's disastrous (for the French!) Russian campaign, with the starts of that campaign occurring in the latter pars of this novel: a novel which takes in court intrigue (even meeting the Russian Tsar), sea battles, unusual sailing vessels (the bomb ketches) and land battles before its denouement - a denouement that will see Hornblower return back to Blighty before his next mission.
Finding shore life stifling, dull and tedious, Hornblower is (secretly) relieved when he receives a summons from the Admiralty, and is sent off to the Baltic to shore up Britain's interests and (hopefully) stop further French incursion into Sweden and Russia.
As such, this is thus set before Napoleon's disastrous (for the French!) Russian campaign, with the starts of that campaign occurring in the latter pars of this novel: a novel which takes in court intrigue (even meeting the Russian Tsar), sea battles, unusual sailing vessels (the bomb ketches) and land battles before its denouement - a denouement that will see Hornblower return back to Blighty before his next mission.
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