I Used to be in Pictures: An Untold Story of Hollywood
Austin Mutti-Mewse and Howard Mutti-Mewse
Book
I Used to be in Pictures is a collection of unpublished correspondence between English born...
Mark @ Carstairs Considers (2460 KP) rated Killer Thriller in Books
Mar 10, 2019
I enjoyed this one just as much as the first in the series. There is plenty of humor as events progress, some coming from the circumstances and some coming from a skewering of Hollywood thanks to the movie Ian is there to help promote. I did feel some of the humor fell into the adolescent male category, which I didn’t always appreciate, but this isn’t something new for this author. Thanks to well done multiple viewpoint storytelling, we know the slow burn that is happening before Ian and Margo realize they’ve attracted the wrong attention, but once the book really takes off, it becomes impossible to put down. I love the fact that Ian is not a typical thriller hero since he is an overweight, middle age, writer. He and Margo are great main characters. If you are looking for a fun mix of humor and thrills, this is the book for you.
My Mzansi Heart
Book
King Adz is a grown-up kid whose focus is youth culture. He's a Brit by birth whose heart beats...
Digital Curation in the Digital Humanities: Preserving and Promoting Archival and Special Collections
Book
Archives and special collections departments have a long history of preserving and providing...
Jane Austen: pocket GIANTS
Book
There's something about Jane...Jane Austen lived only just into her forties, never married, never...
Mark @ Carstairs Considers (2460 KP) rated With Vics You Get Eggroll in Books
Aug 22, 2021 (Updated Aug 22, 2021)
This book really did grab me from the first page, and it kept me hooked until I reached the final page. There were plenty of twists that surprised me, but the book was perfectly paced, so we had time to digest the new information before everything changed again. The characters are fabulous as well, especially Madison, Tex, and Hudson. I loved the character development all three of them got. This was also perfectly balanced and never slowed down the story. Since Madison Night is a huge Doris Day fan, there are some nods to the actress, and especially With Six You Get Eggroll. If you are familiar with the film, it will be a bonus, but you won’t miss anything if you haven’t seen it. It had been a while since I read the previous book in the series, and I wish I hadn’t let it be so long since I didn’t remember all we’d learned about the characters in the first two books. Still, that’s a very minor complaint and certainly my own fault. This is an outstanding book, and I can’t wait to visit Madison again.
Gareth von Kallenbach (980 KP) rated Inherent Vice (2015) in Movies
Aug 6, 2019
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Lindsay (1779 KP) rated The Berlin Package in Books
Feb 8, 2018
Fingerprint No. 2: The Evolution of Handmade Elements in Graphic Design
Book
For many designers, creating things by hand is a reaction to too much computer-based design. Since...
LeftSideCut (3776 KP) rated Jay and Silent Bob Reboot (2019) in Movies
Mar 7, 2020
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?





