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Mark @ Carstairs Considers (2204 KP) rated With Vics You Get Eggroll in Books
Aug 22, 2021 (Updated Aug 22, 2021)
Will Madison Be the Next Abduction Vic?
Several single women have disappeared around the Dallas suburb where Madison Night lives in recent weeks, so all the women in the area are on high alert. That alert only goes up when the body of one of those women is found. There is evidence next to her body pointing the finger squarely at her abductor – Lt. Tex Allen. Lt. Allen happens to be a friend of Madison’s, and she knows he couldn’t have done it. With Tex suspended from his job at the police department while the investigation is ongoing, Madison finds herself involved in his attempts to clear his name. That’s only made more complicated by the return of Hudson James, the handyman that Madison might have feelings for. Will Madison figure out who the kidnapper is in time? Or will she be the next victim herself?
This book really did grab me from the first page, and it kept me hooked until I reached the final page. There were plenty of twists that surprised me, but the book was perfectly paced, so we had time to digest the new information before everything changed again. The characters are fabulous as well, especially Madison, Tex, and Hudson. I loved the character development all three of them got. This was also perfectly balanced and never slowed down the story. Since Madison Night is a huge Doris Day fan, there are some nods to the actress, and especially With Six You Get Eggroll. If you are familiar with the film, it will be a bonus, but you won’t miss anything if you haven’t seen it. It had been a while since I read the previous book in the series, and I wish I hadn’t let it be so long since I didn’t remember all we’d learned about the characters in the first two books. Still, that’s a very minor complaint and certainly my own fault. This is an outstanding book, and I can’t wait to visit Madison again.
This book really did grab me from the first page, and it kept me hooked until I reached the final page. There were plenty of twists that surprised me, but the book was perfectly paced, so we had time to digest the new information before everything changed again. The characters are fabulous as well, especially Madison, Tex, and Hudson. I loved the character development all three of them got. This was also perfectly balanced and never slowed down the story. Since Madison Night is a huge Doris Day fan, there are some nods to the actress, and especially With Six You Get Eggroll. If you are familiar with the film, it will be a bonus, but you won’t miss anything if you haven’t seen it. It had been a while since I read the previous book in the series, and I wish I hadn’t let it be so long since I didn’t remember all we’d learned about the characters in the first two books. Still, that’s a very minor complaint and certainly my own fault. This is an outstanding book, and I can’t wait to visit Madison again.
Lindsay (1717 KP) rated The Berlin Package in Books
Feb 8, 2018
Book Tour: The Berlin Package by Peter Riva Pero asked for a filming job and wants to get back in the saddle after what happen the last time. He asks that we work with Heep. He got his wish.On the plane with Ambassador. He figures out a plane problem. He was on his way to Berlin when it occurs. Once Pero lands at the airport he gets a mysterious package.CIA and the State Department want him to read a packet. He did not get a packet. Now he is in a job he does not want. He got to protect his friends and family and now a movie star.A station is missing and someone is after Peru and his crew and want the package delivered to him. Pero want to find out why they want it and what they might want to do with it.Peter Riva does it once again that you want to turn the pages until you find out. Every page is an adventure as you turn the page. You wonder if Pero and his friends will survive or end up dead. Can Pero and Mubro and his new and old friends help rescued Heep and a film star?
Fingerprint No. 2: The Evolution of Handmade Elements in Graphic Design
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For many designers, creating things by hand is a reaction to too much computer-based design. Since...
American Woman (2019)
Movie
A political activist (Hong Chau) helps take care of a group of America’s most wanted fugitives —...
LeftSideCut (3778 KP) rated Jay and Silent Bob Reboot (2019) in Movies
Mar 7, 2020
To put it simply, if you're not too keen on anything related to Jay & Silent Bob or Kevin Smith, then this entry is not going to change your mind!
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
The first film from way back in 2001 was already loveably dumb enough. It's collision of immature humour, social commentary, slapstick silliness and plentiful references to past Kevin Smith projects leant it an awkward charm, and things are no different this time around, with exception of everyone involved looking older.
The plot revolves around the titular duo traveling to Hollywood to stop the reboot of a comic book film featuring characters based on their likenesses (literally the same plot as the first). Cue plenty of remarks about the state of cinema and the unstoppable geyser of reboots/remakes/re-imaginings, followed by an absurd road trip, and everything feels familiar and homely.
Jason Mewes and Kevin Smith are just as likable as they every have been as Jay & SB, and the supporting characters, lead by Smith's daughter Harley Quinn, are much the same (although they took a bit longer to grow on me).
There is a veritable plethora of cameos and Clerks call backs peppered throughout, including the likes of Ben Affleck, Matt Damon, Chris Hemsworth, Joey Lauren Adams, Melissa Benoist, Val Kilmer, Jason Biggs, Robert Kirkman....the list goes on and on. None of these inclusions feel particularly forced, and everyone seems pretty willing to be a part of the silliness.
The script is a mixed bag of decent gags, meta lines (sometimes a bit too over the top, to the point of almost insulting the audience!), Kevin Smith talking a whole bunch of shit about himself and some genuinely touching moments. Seriously - towards the films climax, I genuinely fretted that i might let out a little sob...
The truth is, I grew up watching films like Clerks, Dogma, Mallrats etc, and whenever a new entry is put out, I remember just how much these niche comedies mean to me. Jay & Silent Bob Reboot fits right in there with the rest of them.
It's not perfect by any means, but this is a film that can pull off Chris Jericho playing a KKK leader, Redman and Method Man giving parenting, whilst still including a lip wobbling tribute to the late Stan Lee (a we'll know fan of Kevin Smith and his work). How can anyone not appreciate that!?
Gareth von Kallenbach (980 KP) rated Inherent Vice (2015) in Movies
Aug 6, 2019
“Inherent Vice” Follows Doc (Joaquin Phoenix), a private investigator, as he falls down a dark rabbit hole into a world of crime and systemic corruption.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
ClareR (5726 KP) rated The Coffinmaker's Garden (Ash Henderson #3) in Books
Feb 2, 2021
The Coffinmakers Garden is a gritty thriller with a healthy dash of black humour. There is clearly a good reason why Ash Henderson is an ex-Detective Inspector, and it’s not just his severe arthritis. This is a man who will pretty much stop at nothing to bring the criminals to justice - unless he’s using criminals to help him get what he wants. Ash is a teeny bit corrupt, I think (for the record, I don’t think you can be a teeny bit anything: you’re either doing it, or you aren’t).
I really enjoyed the dark humour, and I’m not particularly squeamish, so the murdery bits didn’t bother me - in fact I really enjoyed the whole book. Yes, Ash’s actions were a bit OTT sometimes, but in my opinion, this is a piece of fiction, not a documentary on police procedure 🤷🏼♀️ It did read a bit like a cop film set in a big US city, except with a much smaller budget and Scottish accents. And let’s face it - Ash Henderson has a dog that he clearly adores, so he can’t be all bad!
I liked that there were actually two investigations running at the same time - one of which Ash is kicked off because of his poor behaviour. He still seems to manage to be involved with them both though, which must have been frankly exhausting for him!
The fact that I haven’t read the first two books in this series didn’t lessen my enjoyment, it merely made me curious as to what happened in the previous books. I wasn’t left not understanding what was going on. Short, appropriate explanations saw to that. The characters were richly described and fascinating to read about - they were all very different people.
So, another great book chosen by The Pigeonhole, and I really appreciated the short videos that Stuart McBride prepared for us to watch throughout the book.
I really enjoyed the dark humour, and I’m not particularly squeamish, so the murdery bits didn’t bother me - in fact I really enjoyed the whole book. Yes, Ash’s actions were a bit OTT sometimes, but in my opinion, this is a piece of fiction, not a documentary on police procedure 🤷🏼♀️ It did read a bit like a cop film set in a big US city, except with a much smaller budget and Scottish accents. And let’s face it - Ash Henderson has a dog that he clearly adores, so he can’t be all bad!
I liked that there were actually two investigations running at the same time - one of which Ash is kicked off because of his poor behaviour. He still seems to manage to be involved with them both though, which must have been frankly exhausting for him!
The fact that I haven’t read the first two books in this series didn’t lessen my enjoyment, it merely made me curious as to what happened in the previous books. I wasn’t left not understanding what was going on. Short, appropriate explanations saw to that. The characters were richly described and fascinating to read about - they were all very different people.
So, another great book chosen by The Pigeonhole, and I really appreciated the short videos that Stuart McBride prepared for us to watch throughout the book.
Emma @ The Movies (1786 KP) rated Cats (2019) in Movies
Dec 27, 2019
[Nostalgia enters the room looking cheery. A cat lurks in the background. Nostalgia starts tapdancing. Suddenly a red dot appears on Nostalgia's back and the cat savagely attacks it, leaving it bloody and beaten on the ground.]
As I've been saying to people... this film isn't good, but it's also not entirely bad, it has its moments.
Let's talk about the CGI first. You know what? It's not all that bad. Take out whatever you think about the concept of the human cats the fur in the second trailer looked much better than its first outing. During the film, Old Deuteronomy looked so fluffy I just wanted to pet her. The ear movements were pretty good, if a little consistent, it felt a little like they'd looked up cat actions in a book and taken the textbook description to animate rather than watching an actual cat. The cats as a whole could probably been a little larger compared to the "life-sized" staging around them because the ratio did feel a little off, but it wasn't really enough to make it off-putting.
Ever since I saw Cats at the cinema I've been singing the songs, but that's off the back of me listening to the stage recordings on Spotify and not the film versions. They don't quite have the same pep of the originals, watching them wasn't the wondrous experience I was hoping for. There are small exceptions. Taylor Swift was excellent and set a perfect tone for her number. Jason Derulo is a showman in this and after his Red Dwarf Cat-like clip in the trailer I was excited for his full numbers, they didn't disappoint.
Memory has to be my favourite song since seeing it on the stage and I was keen to see the talented Jennifer Hudson perform it. When it surfaced briefly I was worried, there was no impact, no heart... potential disaster. Finally the full number happened at the end and I was convinced. I listened to Hudson sing with such emotion that I cried, streams of tears and a quivering lip. It was beautiful.
The rest of the cast, while chockful of talent, didn't have quite the same buzz about it.
Francesca Hayward is a massively talented ballerina but the acting portion of the performance didn't quite hit the spot. This wasn't helped by the advert that has been running with her and Jennifer Hudson before the trailer was running before every film I watched for about two weeks.
I love Dame Judi and Sir Ian, and it was fun seeing them in this, but both had their issues. I wasn't a fan of Dench's moments of singing and the melancholy role of Gus for McKellen was a little unsettling. Who doesn't love seeing an Idris Elba film? He does the bad "guy" well but there was something wrong here too, I think that was partly to do with that fur torso.
It would be entirely possible to go on and on about this and all its ins and outs, but I don't think either of us have the time for that. I do feel that having the previous knowledge of Cats on the stage will help immensely when seeing this. That does also have some drawbacks though, when we saw it at the theatre it was a very interactive experience with the cats in the aisles with the audience and that's something the film can't compete with. I'm tempted to say that they should have forgone CGI aspects for the most part and had costumed cast. Making something more realistic when everything around it is unrealistic (in that it's not quite what we're used to as regular-sized humans) makes everything more confusing, perhaps the low tech angle would have made it a little less scary to some.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/cats-movie-review.html
As I've been saying to people... this film isn't good, but it's also not entirely bad, it has its moments.
Let's talk about the CGI first. You know what? It's not all that bad. Take out whatever you think about the concept of the human cats the fur in the second trailer looked much better than its first outing. During the film, Old Deuteronomy looked so fluffy I just wanted to pet her. The ear movements were pretty good, if a little consistent, it felt a little like they'd looked up cat actions in a book and taken the textbook description to animate rather than watching an actual cat. The cats as a whole could probably been a little larger compared to the "life-sized" staging around them because the ratio did feel a little off, but it wasn't really enough to make it off-putting.
Ever since I saw Cats at the cinema I've been singing the songs, but that's off the back of me listening to the stage recordings on Spotify and not the film versions. They don't quite have the same pep of the originals, watching them wasn't the wondrous experience I was hoping for. There are small exceptions. Taylor Swift was excellent and set a perfect tone for her number. Jason Derulo is a showman in this and after his Red Dwarf Cat-like clip in the trailer I was excited for his full numbers, they didn't disappoint.
Memory has to be my favourite song since seeing it on the stage and I was keen to see the talented Jennifer Hudson perform it. When it surfaced briefly I was worried, there was no impact, no heart... potential disaster. Finally the full number happened at the end and I was convinced. I listened to Hudson sing with such emotion that I cried, streams of tears and a quivering lip. It was beautiful.
The rest of the cast, while chockful of talent, didn't have quite the same buzz about it.
Francesca Hayward is a massively talented ballerina but the acting portion of the performance didn't quite hit the spot. This wasn't helped by the advert that has been running with her and Jennifer Hudson before the trailer was running before every film I watched for about two weeks.
I love Dame Judi and Sir Ian, and it was fun seeing them in this, but both had their issues. I wasn't a fan of Dench's moments of singing and the melancholy role of Gus for McKellen was a little unsettling. Who doesn't love seeing an Idris Elba film? He does the bad "guy" well but there was something wrong here too, I think that was partly to do with that fur torso.
It would be entirely possible to go on and on about this and all its ins and outs, but I don't think either of us have the time for that. I do feel that having the previous knowledge of Cats on the stage will help immensely when seeing this. That does also have some drawbacks though, when we saw it at the theatre it was a very interactive experience with the cats in the aisles with the audience and that's something the film can't compete with. I'm tempted to say that they should have forgone CGI aspects for the most part and had costumed cast. Making something more realistic when everything around it is unrealistic (in that it's not quite what we're used to as regular-sized humans) makes everything more confusing, perhaps the low tech angle would have made it a little less scary to some.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/cats-movie-review.html
Kristy H (1252 KP) rated The Dreamers in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Beautiful, fascinating read
In Santa Lora, California, it all begins at the college. It precisely originates with Kara, who climbs into her bed and never wakes up. Her roommate, Mei, finds her, panicking when nothing rouses the girl. Then another girl falls asleep. And another. And then more. Soon classes are canceled. The kids on the floor are quarantined. And before you know it, things escalate from there. A mapping of brain activity shows that the sleepers are dreaming--dreaming extraordinarily active dreams in fact. But what are they dreaming of? And can anything stop "the sickness" from spreading?
"Whatever this is, it comes over them quietly; a sudden drowsiness, a closing of the eyes. Most of the victims are found in their beds."
I found this book to be utterly fascinating and such a wonderful change of pace. It was almost like reading a horror film at some points (and I'm not the type who likes scary movies). It was compulsively readable--I read it in five settings, completely drawn into the creepy, amazing, and sometimes horrifying story.
The book is told from the point of view of a variety of characters--all in short snippets--and through an often impassive narration style. Still, you grow to care for the few characters you do get to know: Mei and some of the other college students; kids Libby and Sara and their apocalyptic-fearing father; professors Ben and Annie and their new baby, Grace; a biology professor, Nathaniel, and his partner, Henry; and Dr. Catherine Cohen, a psychiatrist called in after the sickness starts.
There's really no way to describe this book, and I do not want to reveal too much about the plot. It's beautifully written, which is amazing, considering it's mostly a book about a near plague spreading through a town. The characters, even though their chapters are often short and sparse, are fully-formed. It's easy to get attached to them and pulled into their lives, which are so quickly altered by the sickness. And it's amazing how quickly the sickness changes life in Santa Lora: how a town can nearly become a war-zone due to illness. It was really intriguing to read about, especially when the narration style is so mesmerizing and presents such a creepy helplessness (I wish I could describe it better).
Overall, I really, really enjoyed this book. The subject matter was not what I usually read, but it was a fascinating, captivating read. I was drawn to the characters and the narration style. The book presented such an interesting scenario to think about too--what would happen if this occurred in real-life society? Walker's writing is beautiful, and I've already tracked down her novel, The Age of Miracles, on Paperbackswap.com, and look forward to reading it soon.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"Whatever this is, it comes over them quietly; a sudden drowsiness, a closing of the eyes. Most of the victims are found in their beds."
I found this book to be utterly fascinating and such a wonderful change of pace. It was almost like reading a horror film at some points (and I'm not the type who likes scary movies). It was compulsively readable--I read it in five settings, completely drawn into the creepy, amazing, and sometimes horrifying story.
The book is told from the point of view of a variety of characters--all in short snippets--and through an often impassive narration style. Still, you grow to care for the few characters you do get to know: Mei and some of the other college students; kids Libby and Sara and their apocalyptic-fearing father; professors Ben and Annie and their new baby, Grace; a biology professor, Nathaniel, and his partner, Henry; and Dr. Catherine Cohen, a psychiatrist called in after the sickness starts.
There's really no way to describe this book, and I do not want to reveal too much about the plot. It's beautifully written, which is amazing, considering it's mostly a book about a near plague spreading through a town. The characters, even though their chapters are often short and sparse, are fully-formed. It's easy to get attached to them and pulled into their lives, which are so quickly altered by the sickness. And it's amazing how quickly the sickness changes life in Santa Lora: how a town can nearly become a war-zone due to illness. It was really intriguing to read about, especially when the narration style is so mesmerizing and presents such a creepy helplessness (I wish I could describe it better).
Overall, I really, really enjoyed this book. The subject matter was not what I usually read, but it was a fascinating, captivating read. I was drawn to the characters and the narration style. The book presented such an interesting scenario to think about too--what would happen if this occurred in real-life society? Walker's writing is beautiful, and I've already tracked down her novel, The Age of Miracles, on Paperbackswap.com, and look forward to reading it soon.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Gareth von Kallenbach (980 KP) rated Victor Frankenstein (2015) in Movies
Aug 6, 2019
Victor Frankenstein is basically a prequel to Mary Shelly’s book, Frankenstein, where we get to meet Igor and a younger Frankenstein as they get to meet each other.
We start off with our story teller, Igor played by Daniel Radcliffe, and how he came to be rescued by our movies namesake, Victor Frankenstein played by James McAvoy. The movie begins showing the trials Igor went through, growing up, as the lowest sideshow freak who just happened to learn how to read and become a self-taught medic for the circus that keeps him. Victor came to the circus to find more animal parts to make his homunculus, which he is building out of various animal parts he has been able to procure from zoos, as his prototype for his ultimate endeavor, making a human and bring it back to life.
Igor and Frankenstein are brought together when Igor’s paramour Lorelei falls from her trapeze and they both run to help her. Victor is about to give up and let her die when the Igor’s genius shows through and is able to save her with his quick thinking and knowledge of the human anatomy. Victor’s shrew perception bring him to offer Igor a new life and to escape from the circus.
I give Victor Frankenstein 4 out of 5 stars only due to the fact that being a prequel to the novel and not the many movies about Frankenstein and his Monster will confuse many. If you go in expecting an action movie instead of a film done in the noir horror genre in the styles before the 1950’s, you will be disappointed.
We start off with our story teller, Igor played by Daniel Radcliffe, and how he came to be rescued by our movies namesake, Victor Frankenstein played by James McAvoy. The movie begins showing the trials Igor went through, growing up, as the lowest sideshow freak who just happened to learn how to read and become a self-taught medic for the circus that keeps him. Victor came to the circus to find more animal parts to make his homunculus, which he is building out of various animal parts he has been able to procure from zoos, as his prototype for his ultimate endeavor, making a human and bring it back to life.
Igor and Frankenstein are brought together when Igor’s paramour Lorelei falls from her trapeze and they both run to help her. Victor is about to give up and let her die when the Igor’s genius shows through and is able to save her with his quick thinking and knowledge of the human anatomy. Victor’s shrew perception bring him to offer Igor a new life and to escape from the circus.
I give Victor Frankenstein 4 out of 5 stars only due to the fact that being a prequel to the novel and not the many movies about Frankenstein and his Monster will confuse many. If you go in expecting an action movie instead of a film done in the noir horror genre in the styles before the 1950’s, you will be disappointed.