Extraordinary Ordinariness: Everyday Heroism in the United States, Germany, and Britain, 1800-2015
Book
Everyday heroes and heroines--ordinary men, women, and children who are honored for actual or...
Picture Palace to Penny Plunge: Reading Cinemas: 2017
Book
Twenty different cinemas have graced Reading's streets over the years, many long forgotten and some...
London: A Very Peculiar History
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Charting the quirky past of one of the most important cities in the world, "London: A Very Peculiar...
Visualizing the Palestinian Struggle: Towards a Critical Analytic of Palestine Solidarity Film: 2016
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This book offers a much-needed focus on Palestine solidarity films, supplying a critical theoretical...
The Last Samurai
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Sibylla, a single mother from a long line of frustrated talents, has unusual ideas about child...
Styling South Asian Youth Cultures: Fashion, Media & Society
Lipi Begum, Rohit K. Dasgupta and Reina Lewis
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For South Asia, fashion and consumption have come to play an increasingly important role in the...
Michael Apted recommended Wild Strawberries (1957) in Movies (curated)
Moriah Elizabeth
YouTube Channel
Hey it's ME (Moriah Elizabeth). FAQ'S What editing program do you use? Adobe Premiere Pro CC What...
Dean (6927 KP) rated Where the Crawdads Sing (2022) in Movies
Aug 8, 2022 (Updated Dec 6, 2022)
It looks lovely from the setting and cinematography as most of it is filmed out in the Marsh land. Daisy Edgar-Jones stands out the most from the cast. Playing a girl who becomes a loner and recluse almost shunned by the small local town. She becomes accused of Murder of a young man she was once dating but is there anything to it more than town gossip. A entertaining film although the courtroom side of it is only a small back drop to her life story. Almost a Romance story at the heart of it as well, with a Notebook vibe. Maybe not as deep or clever as it might imply but I definitely enjoyed the story.
Suswatibasu (1703 KP) rated It (2017) in Movies
Jan 16, 2018 (Updated Jan 16, 2018)
Unlike the original, this film solely concentrates on the cast as they were children, and there are no scenes of them as adults replaying their pasts. However, it is apparent that there will be a second part, as the kids mention their pact to reunite if the clown ever makes another appearance. In this way, they have changed Stephen King's book, but I'm not sure if it's for the better. One of the gifts of King horrors are the actual plots and storylines that run through them. Here, it actually felt like a slightly scarier version of @Stranger Things with even an actor from the series landing one of the main roles in this film.
On the upside, there were plenty of nods to the original movie, with Tim Curry's clown making a cameo in one of the scenes. Bill Skarsgard's version was just as good as Curry's but the downside was that there was too many scenes with him making an appearance losing the scare factor. Sometimes less is more. The child actors were fantastic, and the back stories were far darker, exposing abuse in its many forms. Overall, it was an interesting watch, but it may have been overhyped.



