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James P. Sumner (65 KP) rated Joker (2019) in Movies
Oct 7, 2019
An unapologetic masterpiece.
I wasn't sure what to expect going into this film. I'm a huge comic book fan, so the controversy and scepticism surrounding this movie, as well as the fact it's based within an established story world, had me doubting how it would work and how good the execution of it would be.
I certainly didn't expect the film I saw.
The basis for this movie is simple and effective: Arthur Fleck (played with a career-defining performance by Joaquin Phoenix) is a mentally unstable and depressed wannabe stand-up comedian working as a clown in a 1980's Gotham City. The movie is set against a backdrop of civil unrest, worker strikes and city-wide poverty, with each being exaggerated to highlight both the severity of each one for the purposes of the film, but also to shine a spotlight on how tough the real world was back then.
A potentially fatal encounter on a late-night subway acts as a catalyst for Fleck, who is shown throughout the first 20 minutes to be a man living on a knife's edge - balancing his own pitiful existence with the way society believes he should act. You get the sense that it would take nothing more than a gentle push to send him one way or the other. The subway was that push.
In a city that very much reflects the character's state of mind, this served to push more than just Arthur Fleck over the edge. Because he happened to be dressed as a clown at the time, and because the *cough* victims *cough* worked for Wayne Enterprises (ran by Thomas Wayne himself), it's seen by many as a vigilante act - someone standing up to the rich elite. This sparks outrage and rioting across the city. The idea of a man dressed as a clown standing up for the little guy becomes the poster child for a civil movement, much in the styling of "V For Vendetta (2005)".
The more Arthur Fleck struggles personally, the worse the streets of Gotham seem to get, as if society's increasing tension and unrest is somehow linked to his own state of mind. He finally realises what he has inadvertently created and begins to transform himself into the vigilante icon people already believe him to be.
Despite the slow pace of the movie, it never seems to drag. The story of Fleck's inevitable descent unfolds patiently, showing you exactly what it wants you to see, when it wants you to see it. It's a very bold and confident step for a movie which would've known how controversial it was going to be before it was even released.
The style of the film is extremely clever. The soundtrack is little more than a low-frequency hum, which plays almost constantly throughout. The camerawork is also exceptional. In every shot of Arthur Fleck, the camera centres on him before very slowly closing in on him. It's subtle, perhaps only a few millimetres per shot, but it's noticeable enough that you feel yourself being pulled in, being legitimately gripped by what you're watching. This contributes to what is, overall, a claustrophobic and sometimes unnerving experience.
There has been initial controversy about the film, with reports of people leaving the cinema during the screening for varying reasons. You see this from time to time, and the cynic in me thinks this is rarely more than clever marketing tactics. And then you see the comments from people who say they were disgusted or sickened or disturbed or whatever. I usually think it's a load of rubbish. That people are just saying that for attention. I don't honestly believe people who are that easily offended by a movie would choose to see something that is clearly going to show you all the things you don't like.
However, with "Joker (2019)", I can actually understand it. This is a truly disturbing film. Not for the violence, which has been the subject of much debate. There's actually very little violence in the movie, but when it's there, it's pretty graphic, admittedly. But honestly, it's not anywhere near as bad as a lot of things you see nowadays. No, it's disturbing because of how believable Arthur Fleck is. Seeing how unstable he is. Seeing how easy he can choose to do terrible things. It's... uncomfortable to watch at times, but only because it's so well done, so well written, you hate yourself for sympathising with him.
If I had to draw comparisons for this movie, I would have to say it's more subtle than "Watchmen (2009)", it's grittier and darker than "Taxi Driver (1976)" or "Fight Club (1999)" and much more uncompromising and unapologetic than "Natural Born Killers (1994)". It is truly a modern-day masterpiece. There are two major plot twists, both occurring in the second act, which really highlight the genius behind the screenplay. This movie is written perfectly, and executed the same way on-screen by Phoenix, who draws from both Jack Nicholson and Heath Ledger to create this unique take on the character which more than holds its own.
Now, before I summarise, we do need to address the whole... y'know... Batman thing. This is the Joker's origin story, after all.
So, first thing's first: this isn't a comic book movie. Not by a long way. This belongs in the same conversation as Goodfellas, not Guardians of the Galaxy. Director Todd Phillips has even stated that this is simply a stand-alone movie telling a story that needed to be told. Yes, it has references to the DC comic universe (which I will omit here for fear of venturing into spolier territory), but it's unlikely to ever cross over with DC's attempt to mimic the MCU.
The nods to the comics are infrequent but clever, touching on themes and events we already know, and in some cases, re-writing them entirely - which definitely will draw controversy with the hardcore comic fans. For example, I did question why they used the civil unrest subplot and backdrop to essentially try and make Wayne Enterprises the villain of the story, but like it or not, it was necessary and it worked like a charm.
I don't know if this was intentional or not, but there was one scene in particular towards the end of the movie where the Joker (as he is now) is riding in the back of a car with his head leaning against the window. The camera was on the wing mirror, focused on his face, and almost frame-for-frame it reminded me of the iconic scene in "The Dark Knight (2008)" where Heath Ledger's Joker is driving with his head out of the window. I'd like to think this was a gracious tribute to the performance of this character that will never be topped.
For a film that breaks the conventions of story-telling by having no real build-up or climactic ending, I have to say I can't remember a time when I was so blown away, so moved, and so affected by a movie. As close to perfect as you'll see this year.
10/10
A quick side note:
The show "13 Reasons Why" has a disclaimer at the beginning of each series from the cast that essentially warns viewers that, due to the sensitive nature of the content, it's inadvisable to watch it if you're struggling with depression or suicidal thoughts. I genuinely think this film should carry a similar notice. It's a dark, grim, unrelenting journey into one man's depressive life. While I won't ever believe listening to Marilyn Manson can make you want to shoot schoolchildren, I do think that if someone is struggling with suicidal thoughts or depression, this movie probably isn't for them. The story focuses on the media glorifying the terrible acts of someone who is mentally unstable. Yes, it's a movie. It's not real. But for someone in a very bad place themselves, this probably isn't the kind of thing you need to, or should, watch.
I certainly didn't expect the film I saw.
The basis for this movie is simple and effective: Arthur Fleck (played with a career-defining performance by Joaquin Phoenix) is a mentally unstable and depressed wannabe stand-up comedian working as a clown in a 1980's Gotham City. The movie is set against a backdrop of civil unrest, worker strikes and city-wide poverty, with each being exaggerated to highlight both the severity of each one for the purposes of the film, but also to shine a spotlight on how tough the real world was back then.
A potentially fatal encounter on a late-night subway acts as a catalyst for Fleck, who is shown throughout the first 20 minutes to be a man living on a knife's edge - balancing his own pitiful existence with the way society believes he should act. You get the sense that it would take nothing more than a gentle push to send him one way or the other. The subway was that push.
In a city that very much reflects the character's state of mind, this served to push more than just Arthur Fleck over the edge. Because he happened to be dressed as a clown at the time, and because the *cough* victims *cough* worked for Wayne Enterprises (ran by Thomas Wayne himself), it's seen by many as a vigilante act - someone standing up to the rich elite. This sparks outrage and rioting across the city. The idea of a man dressed as a clown standing up for the little guy becomes the poster child for a civil movement, much in the styling of "V For Vendetta (2005)".
The more Arthur Fleck struggles personally, the worse the streets of Gotham seem to get, as if society's increasing tension and unrest is somehow linked to his own state of mind. He finally realises what he has inadvertently created and begins to transform himself into the vigilante icon people already believe him to be.
Despite the slow pace of the movie, it never seems to drag. The story of Fleck's inevitable descent unfolds patiently, showing you exactly what it wants you to see, when it wants you to see it. It's a very bold and confident step for a movie which would've known how controversial it was going to be before it was even released.
The style of the film is extremely clever. The soundtrack is little more than a low-frequency hum, which plays almost constantly throughout. The camerawork is also exceptional. In every shot of Arthur Fleck, the camera centres on him before very slowly closing in on him. It's subtle, perhaps only a few millimetres per shot, but it's noticeable enough that you feel yourself being pulled in, being legitimately gripped by what you're watching. This contributes to what is, overall, a claustrophobic and sometimes unnerving experience.
There has been initial controversy about the film, with reports of people leaving the cinema during the screening for varying reasons. You see this from time to time, and the cynic in me thinks this is rarely more than clever marketing tactics. And then you see the comments from people who say they were disgusted or sickened or disturbed or whatever. I usually think it's a load of rubbish. That people are just saying that for attention. I don't honestly believe people who are that easily offended by a movie would choose to see something that is clearly going to show you all the things you don't like.
However, with "Joker (2019)", I can actually understand it. This is a truly disturbing film. Not for the violence, which has been the subject of much debate. There's actually very little violence in the movie, but when it's there, it's pretty graphic, admittedly. But honestly, it's not anywhere near as bad as a lot of things you see nowadays. No, it's disturbing because of how believable Arthur Fleck is. Seeing how unstable he is. Seeing how easy he can choose to do terrible things. It's... uncomfortable to watch at times, but only because it's so well done, so well written, you hate yourself for sympathising with him.
If I had to draw comparisons for this movie, I would have to say it's more subtle than "Watchmen (2009)", it's grittier and darker than "Taxi Driver (1976)" or "Fight Club (1999)" and much more uncompromising and unapologetic than "Natural Born Killers (1994)". It is truly a modern-day masterpiece. There are two major plot twists, both occurring in the second act, which really highlight the genius behind the screenplay. This movie is written perfectly, and executed the same way on-screen by Phoenix, who draws from both Jack Nicholson and Heath Ledger to create this unique take on the character which more than holds its own.
Now, before I summarise, we do need to address the whole... y'know... Batman thing. This is the Joker's origin story, after all.
So, first thing's first: this isn't a comic book movie. Not by a long way. This belongs in the same conversation as Goodfellas, not Guardians of the Galaxy. Director Todd Phillips has even stated that this is simply a stand-alone movie telling a story that needed to be told. Yes, it has references to the DC comic universe (which I will omit here for fear of venturing into spolier territory), but it's unlikely to ever cross over with DC's attempt to mimic the MCU.
The nods to the comics are infrequent but clever, touching on themes and events we already know, and in some cases, re-writing them entirely - which definitely will draw controversy with the hardcore comic fans. For example, I did question why they used the civil unrest subplot and backdrop to essentially try and make Wayne Enterprises the villain of the story, but like it or not, it was necessary and it worked like a charm.
I don't know if this was intentional or not, but there was one scene in particular towards the end of the movie where the Joker (as he is now) is riding in the back of a car with his head leaning against the window. The camera was on the wing mirror, focused on his face, and almost frame-for-frame it reminded me of the iconic scene in "The Dark Knight (2008)" where Heath Ledger's Joker is driving with his head out of the window. I'd like to think this was a gracious tribute to the performance of this character that will never be topped.
For a film that breaks the conventions of story-telling by having no real build-up or climactic ending, I have to say I can't remember a time when I was so blown away, so moved, and so affected by a movie. As close to perfect as you'll see this year.
10/10
A quick side note:
The show "13 Reasons Why" has a disclaimer at the beginning of each series from the cast that essentially warns viewers that, due to the sensitive nature of the content, it's inadvisable to watch it if you're struggling with depression or suicidal thoughts. I genuinely think this film should carry a similar notice. It's a dark, grim, unrelenting journey into one man's depressive life. While I won't ever believe listening to Marilyn Manson can make you want to shoot schoolchildren, I do think that if someone is struggling with suicidal thoughts or depression, this movie probably isn't for them. The story focuses on the media glorifying the terrible acts of someone who is mentally unstable. Yes, it's a movie. It's not real. But for someone in a very bad place themselves, this probably isn't the kind of thing you need to, or should, watch.
Projecting Britain at War: The National Character in British World War II Films
Book
This detailed chronological analysis of British World War II movies from 1939 until the present...
Animation: A World History: Volume I: Foundations - The Golden Age
Book
A continuation of 1994's groundbreaking Cartoons, Giannalberto Bendazzi's Animation: A World History...
Gareth von Kallenbach (980 KP) rated Shaun the Sheep Movie (2015) in Movies
Aug 6, 2019
Shaun the Sheep is a spin-off from the popular British stop-motion animation show Wallace and Gromit. This one of a kind, smart, and loveable sheep burst on to the small screen nearly twenty years ago in the short “A Close Shave.” Winning the hearts of millions, it’s no surprise a movie was in the works.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
Gareth von Kallenbach (980 KP) rated Beauty and the Beast (2017) in Movies
Jul 12, 2019
Whenever I was asked who my favorite Disney prince was, I’d answer, without hesitation, “The Beast.”
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Daniel Boyd (1066 KP) rated Green Book (2018) in Movies
Feb 26, 2019 (Updated Feb 26, 2019)
Wow
After awarding Widows a 10 when I saw it last year, I didn't think that there would be another 2018 movie that I would award a perfect 10 to, but here we are. That is because this is a perfect movie, as in there is nothing in this movie I would have changed and there are no aspects of the filmmaking lacking either. Who in the world would have thought that Peter Farrelly, (the guy that brought us Shallow Hal and Stuck On You,) would make one of the best films of last year?
This film is so phenomenally well crafted, that it is actually pretty hard to find things to discuss. The cinematography was solid, the sets and outfits were well designed, the script was sharp and well written, the direction was great, the soundtrack was ace and the performances were top notch. Both of the two lead characters, played by Viggo Mortensen and Mahershala Ali respectively, go through their own arcs throughout the movie. I don't want to give too much away, but the conclusion leaves you feeling fulfilled and that the journey that you just went on with these two characters was worth your while.
The movie also does a great job of mirroring the attitudes that still permeate a great deal of the American mind-set in our own day and age. It shows us that although we have come a long way since the overtly racist attitudes of the 50's, we still have a long way to go and it does this with a great subtlety. There is an obvious parallel here to another 2018 Oscar nominated movie BlackKklansman. As much as I loved BlackKklansman and how direct and overt it was in it's message, I feel that Green Book handled the comparison of older vs modern day attitudes towards racism with far more subtlety.
Overall, I don't have a bad word to say about Green Book. All aspects of the film are brilliant, which results in a fantastically well crafted movie. Then of course, the fact that it is led by a brilliant duo of performances by two of the greatest actors working in Hollywood today doesn't hurt it either.
This film is so phenomenally well crafted, that it is actually pretty hard to find things to discuss. The cinematography was solid, the sets and outfits were well designed, the script was sharp and well written, the direction was great, the soundtrack was ace and the performances were top notch. Both of the two lead characters, played by Viggo Mortensen and Mahershala Ali respectively, go through their own arcs throughout the movie. I don't want to give too much away, but the conclusion leaves you feeling fulfilled and that the journey that you just went on with these two characters was worth your while.
The movie also does a great job of mirroring the attitudes that still permeate a great deal of the American mind-set in our own day and age. It shows us that although we have come a long way since the overtly racist attitudes of the 50's, we still have a long way to go and it does this with a great subtlety. There is an obvious parallel here to another 2018 Oscar nominated movie BlackKklansman. As much as I loved BlackKklansman and how direct and overt it was in it's message, I feel that Green Book handled the comparison of older vs modern day attitudes towards racism with far more subtlety.
Overall, I don't have a bad word to say about Green Book. All aspects of the film are brilliant, which results in a fantastically well crafted movie. Then of course, the fact that it is led by a brilliant duo of performances by two of the greatest actors working in Hollywood today doesn't hurt it either.
Gareth von Kallenbach (980 KP) rated The Blind Side (2009) in Movies
Aug 8, 2019
“The Blind Side” tells the unique story of Leigh Anne Touhy (Sandra Bullock) a rich sassy southern mother who makes a snap decision to take in Michael Oher (Quinton Aaron), a destitute high school student who is failing his classes. As Michael struggles to overcome his past, Leigh Anne becomes increasingly aware of the world around her. Even with differing backgrounds Leigh Anne and Michael connect through the sport they both love.
Based primarily on one of the two stories within the book, The Blind Side: Evolution of a Game by Micheal Lewis, “The Blind Side” is a football infused feel good story offering something for everyone. Sports fans will like the football terminology and game history. And sentimental hearts will enjoy this tale of overcoming obstacles and beating the odds.
Undeniably representing southern charm, Bullock pulls off one of her best performances ever. Similarly Aaron’s portrayal of Michael brings instant likeability and depth to the character. The other notable performances such as Leigh Anne’s extremely hip son, S.J. Touhy (Jae Head), and Michael’s one of a kind tutor Miss Sue (Kathy Bates), fill the film with equal parts of comedy and heart.
While a it is a film for the whole family, “The Blind Side” directly tackles the issues faced by people who come from different backgrounds, races, and even political parties. Funny, honest, and more willing than most to take a stand on the unspoken racial and class tensions “The Blind Side” takes an honest look at the world we live in.
A funny heartfelt southern tale about family, differences, and football “The Blind Side” is a touchdown.
Based primarily on one of the two stories within the book, The Blind Side: Evolution of a Game by Micheal Lewis, “The Blind Side” is a football infused feel good story offering something for everyone. Sports fans will like the football terminology and game history. And sentimental hearts will enjoy this tale of overcoming obstacles and beating the odds.
Undeniably representing southern charm, Bullock pulls off one of her best performances ever. Similarly Aaron’s portrayal of Michael brings instant likeability and depth to the character. The other notable performances such as Leigh Anne’s extremely hip son, S.J. Touhy (Jae Head), and Michael’s one of a kind tutor Miss Sue (Kathy Bates), fill the film with equal parts of comedy and heart.
While a it is a film for the whole family, “The Blind Side” directly tackles the issues faced by people who come from different backgrounds, races, and even political parties. Funny, honest, and more willing than most to take a stand on the unspoken racial and class tensions “The Blind Side” takes an honest look at the world we live in.
A funny heartfelt southern tale about family, differences, and football “The Blind Side” is a touchdown.
LeftSideCut (3776 KP) rated Captain America: The First Avenger (2011) in Movies
Apr 12, 2020
Our introduction to Captain America withing the MCU gets a bad wrap.
I see it labeled fairly regularly as weak entry into the ever expanding saga and I just don't think that's the case.
It's got a solid narrative for a start as we watch Steve Rogers go from frail Regular Joe to bonafide hero who truly believes in fighting for the good of humanity over the course of two hours.
The WWII setting provides a touch of historical reality, collided with the fantasy of the Tesseract, our first glimpse of the now infamous Infinity Stones, and in this narrative, providing Red Skull with cosmically charged weapons the gain the edge in the war with Allied Forces.
The First Avenger has a fantastic cast. Chris Evans is pretty much perfect in the titular role and has played the character solidly for the last 10 years.
Hugo Weaving as Red Skull is an undeniable highlight. He plays the villain with evil glee, and looks so comic book accurate that it hurts. It's a real shame that he has never returned to the role.
The supporting cast is strong as well. Hayley Atwell, Toby Jones, Tommy Lee Jones, Sebastian Stan, Dominic Cooper, and Stanley Tucci are all great, and relish in a tight screenplay.
I do think that the film feels over long at times, although the story being told is undeniably important in the run up to The Avengers.
The effects are mostly decent and still hold up, with an exception here and there, primarily before Steve Rogers goes all buff, but these are small gripes with an otherwise solid origin film.
I see it labeled fairly regularly as weak entry into the ever expanding saga and I just don't think that's the case.
It's got a solid narrative for a start as we watch Steve Rogers go from frail Regular Joe to bonafide hero who truly believes in fighting for the good of humanity over the course of two hours.
The WWII setting provides a touch of historical reality, collided with the fantasy of the Tesseract, our first glimpse of the now infamous Infinity Stones, and in this narrative, providing Red Skull with cosmically charged weapons the gain the edge in the war with Allied Forces.
The First Avenger has a fantastic cast. Chris Evans is pretty much perfect in the titular role and has played the character solidly for the last 10 years.
Hugo Weaving as Red Skull is an undeniable highlight. He plays the villain with evil glee, and looks so comic book accurate that it hurts. It's a real shame that he has never returned to the role.
The supporting cast is strong as well. Hayley Atwell, Toby Jones, Tommy Lee Jones, Sebastian Stan, Dominic Cooper, and Stanley Tucci are all great, and relish in a tight screenplay.
I do think that the film feels over long at times, although the story being told is undeniably important in the run up to The Avengers.
The effects are mostly decent and still hold up, with an exception here and there, primarily before Steve Rogers goes all buff, but these are small gripes with an otherwise solid origin film.
Phil Leader (619 KP) rated Wanna Get Lucky? (Lucky O'Toole #1) in Books
Nov 28, 2019
Lucky O'Toole is head of Customer Relations at the splendidly over-the-top Babylon Hotel and Casino complex in Las Vegas. That means she spends all of her time dealing with the gamblers, drunks and high maintenance high rollers as well as dealing with any potential bad publicity. When a cocktail waitress falls out of one of their helicopters and is headline news it is a complication Lucky doesn't need, but as she starts to deal with this latest problem it soon becomes clear it may not have been an accident. Determined to get to the bottom of what is going on she plunges into the seedy world of Vegas behind the bright lights. As if this isn't enough her long-neglected love life starts adding complications all of its own. With the adult film awards and a convention for swingers about to hit the hotel she certainly has her hands full.
This book has it all. It is very funny (and yes I did laugh out loud several times and insist on reading passages out to my wife) with Lucky's self-deprecating humour and sharp sarcastic streak balanced off against the odd ball events that happen that could only be considered routine in Las Vegas. Coonts has a terrifically light touch with both dialogue and prose. I particularly liked the way lucky didn't just answer her phone but 'pushes to talk'. That always made me smile.
There is also a good thriller plot around the fall from the helicopter and who might be responsible and for what reason. Lucky has good reason to suspect everyone, even those she feels she ought to trust as the plot goes to the heart of the power play behind the big casino resorts. Although most of the pieces are in place and it's pretty clear what has happened by just over half way through, it's still fun seeing Lucky use all her contacts and knowledge to round everything up to a satisfying conclusion.
Romance is also a big theme, with Lucky being thrown into a quandary over her love life and friendships. She struggles with this between trying to sort out the main plot line and as the book goes on it becomes more important both to her and the reader, but again Coonts deals with this well and at no point does the narrative bog down in any kind of over-romantic slush but manages to keep everything light but believable.
There is also some personal background for Lucky to deal with, and also her complicated relationship with her mother (who runs an out of town brothel) thrown into the mix to keep everything lively. This is certainly not a boring read.
Despite some of the obvious themes - Lucky's romantic incidents, her mother running a brothel, the adult movie stars and the swingers convention - there is nothing salacious or titillating. Lucky has essentially seen it all before and is far to smart to do anything other than make sardonic comments.
The characterisation is superb. Lucky is a brilliant character, very capable and with her acerbic wit very much to the fore. The supporting cast are no less well drawn, any of them could have carried a book of their own. Tall Texan security man Paxton Dane, occasionally baffled by the detail of how Las Vegas works is a good foil for Lucky as is her best friend Teddie, a female impersonator who looks better in her clothes than she does. The inexperienced Detective Romeo is gifted the arrest by Lucky but doesn't ever feel like he is just a stooge. There are too many more to mention here but each one - staff, guests or anyone else that appears - you get the impression that you are only seeing the smallest snapshot of their larger life.
There are some coincidences and luck in getting the plots to work out but after all, this is Vegas. There is too much fun to be had reading this book to worry about every detail.
Overall this is a terrific book and one that would appeal to anyone who likes a sassy, sharp and sexy story set in the seedy and seamy world of the Strip.
This book has it all. It is very funny (and yes I did laugh out loud several times and insist on reading passages out to my wife) with Lucky's self-deprecating humour and sharp sarcastic streak balanced off against the odd ball events that happen that could only be considered routine in Las Vegas. Coonts has a terrifically light touch with both dialogue and prose. I particularly liked the way lucky didn't just answer her phone but 'pushes to talk'. That always made me smile.
There is also a good thriller plot around the fall from the helicopter and who might be responsible and for what reason. Lucky has good reason to suspect everyone, even those she feels she ought to trust as the plot goes to the heart of the power play behind the big casino resorts. Although most of the pieces are in place and it's pretty clear what has happened by just over half way through, it's still fun seeing Lucky use all her contacts and knowledge to round everything up to a satisfying conclusion.
Romance is also a big theme, with Lucky being thrown into a quandary over her love life and friendships. She struggles with this between trying to sort out the main plot line and as the book goes on it becomes more important both to her and the reader, but again Coonts deals with this well and at no point does the narrative bog down in any kind of over-romantic slush but manages to keep everything light but believable.
There is also some personal background for Lucky to deal with, and also her complicated relationship with her mother (who runs an out of town brothel) thrown into the mix to keep everything lively. This is certainly not a boring read.
Despite some of the obvious themes - Lucky's romantic incidents, her mother running a brothel, the adult movie stars and the swingers convention - there is nothing salacious or titillating. Lucky has essentially seen it all before and is far to smart to do anything other than make sardonic comments.
The characterisation is superb. Lucky is a brilliant character, very capable and with her acerbic wit very much to the fore. The supporting cast are no less well drawn, any of them could have carried a book of their own. Tall Texan security man Paxton Dane, occasionally baffled by the detail of how Las Vegas works is a good foil for Lucky as is her best friend Teddie, a female impersonator who looks better in her clothes than she does. The inexperienced Detective Romeo is gifted the arrest by Lucky but doesn't ever feel like he is just a stooge. There are too many more to mention here but each one - staff, guests or anyone else that appears - you get the impression that you are only seeing the smallest snapshot of their larger life.
There are some coincidences and luck in getting the plots to work out but after all, this is Vegas. There is too much fun to be had reading this book to worry about every detail.
Overall this is a terrific book and one that would appeal to anyone who likes a sassy, sharp and sexy story set in the seedy and seamy world of the Strip.
Darren (1599 KP) rated 300 (2007) in Movies
Jun 20, 2019
Story: 300 starts by telling us about Leonidas and how he was put through his training as a child before becoming King Leonidas (Butler). When a Persian messenger comes to Sparta with a message from King Xerxes (Santoro) about an impending war Leonidas refuses to back down. Leonidas draws up a battle plan to go against the Persian’s against that out numbers them drastically. The oracles warn Leonidas about going into the battle but Leonidas refuses to back down.
Leonidas selects 300 warriors who have sons to carry on their names to go and fight leaving Sparta behind. One the way to the battle Leonidas and his men learn what the Persians are capable off as they prepare for the battle. We follow King Leonidas and his 300 as they plough through the Persian army defying all of the odds, while another battle for power rages on back at Sparta.
300 shows how determined one group of people were to protect their own land, sure we have comic book style which helps the film enter the fantasy side. It doesn’t have the most original screen story but this is clearly made for the action. We do see how the warriors of Sparta would have been the better in battle even if the actual battle turned into something very fantasy based. Just remember you won’t need to be thinking too much through this film, just relax and enjoy. (7/10)
Actor Review
Gerard Butler: King Leonidas fearless warrior who leads his army of 300 into battle against the Persians against all odds. He goes against all the gods and wishes of their oracle to battle for his people. Gerard gives a good performance showing how he was going to be a lead actor. (8/10)
leonidas
Lena Headey: Queen Gorgo who is left to rule Sparta while the King goes into battle. She has to deal with Theron who stays back might not be as loyal as first thought. Lena gives a good performance and shows how she was always going to be playing a Queen. (7/10)
lena
Dominic West: Theron Spartan who stays behind and tries to use his power in the city to gain power over the people while Leonidas is battling for their freedom. Dominic gives a solid performance as the scheming villain. (6/10)
dom
David Wenham: Dilios warrior who is also the story telling, he provides narration for the story and fills us in on Leonidas’ past. David gives a good performance as the story teller but also warrior who fights for Sparta. (6/10)
david
Michael Fassbender: Stelios one of the fearless warriors who has never faced a real challenge and hopes to find one in this battle. Michael gives a good performance as the greatest warrior of the army in what was his debut role. (7/10)
stelios
Support Cast: 300 supporting cast is filled with warriors on both sides of the fight, they all have their moments in the battle.
Director Review: Zack Snyder – Zack showed why he is such a popular director with his newer style of directing which is both unique and entertaining. (8/10)
Action: 300 has plenty of fights but what did you expect from this kind of war film. (9/10)
Fantasy: 300 uses fantasy for its battles showing how different types of warriors could be looked and the legend created by fear. (8/10)
War: 300 shows of the great battles between the Persians and the Spartans. (10/10)
Settings: 300 creates the settings to look very authentic looking scenery for the battle scenes. (9/10)
Special Effects: 300 uses great effects for the fights and to create the different style of fighters. (9/10)
Suggestion: 300 is one for the action fans to enjoy, it has plenty of fighting but not much in the way of thinking needed. (Action Fans Watch)
Best Part: Stelios Now.
Worst Part: Lots of shouting from Leonidas.
Action Scene Of The Film: The first battle.
Kill Of The Film: Monster creature man vs Leonidas.
Favourite Quote: King Leonidas ‘This is Sparta!’
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has a sequel.
Post Credits Scene: No
Oscar Chances: No
Box Office: $456 Million
Budget: $65 Million
Runtime: 1 Hour 57 Minutes
Tagline: Spartans, prepare for glory!
Overall: THIS IS ‘JUST’ GOOD!
https://moviesreview101.com/2015/05/16/300-2006/
Leonidas selects 300 warriors who have sons to carry on their names to go and fight leaving Sparta behind. One the way to the battle Leonidas and his men learn what the Persians are capable off as they prepare for the battle. We follow King Leonidas and his 300 as they plough through the Persian army defying all of the odds, while another battle for power rages on back at Sparta.
300 shows how determined one group of people were to protect their own land, sure we have comic book style which helps the film enter the fantasy side. It doesn’t have the most original screen story but this is clearly made for the action. We do see how the warriors of Sparta would have been the better in battle even if the actual battle turned into something very fantasy based. Just remember you won’t need to be thinking too much through this film, just relax and enjoy. (7/10)
Actor Review
Gerard Butler: King Leonidas fearless warrior who leads his army of 300 into battle against the Persians against all odds. He goes against all the gods and wishes of their oracle to battle for his people. Gerard gives a good performance showing how he was going to be a lead actor. (8/10)
leonidas
Lena Headey: Queen Gorgo who is left to rule Sparta while the King goes into battle. She has to deal with Theron who stays back might not be as loyal as first thought. Lena gives a good performance and shows how she was always going to be playing a Queen. (7/10)
lena
Dominic West: Theron Spartan who stays behind and tries to use his power in the city to gain power over the people while Leonidas is battling for their freedom. Dominic gives a solid performance as the scheming villain. (6/10)
dom
David Wenham: Dilios warrior who is also the story telling, he provides narration for the story and fills us in on Leonidas’ past. David gives a good performance as the story teller but also warrior who fights for Sparta. (6/10)
david
Michael Fassbender: Stelios one of the fearless warriors who has never faced a real challenge and hopes to find one in this battle. Michael gives a good performance as the greatest warrior of the army in what was his debut role. (7/10)
stelios
Support Cast: 300 supporting cast is filled with warriors on both sides of the fight, they all have their moments in the battle.
Director Review: Zack Snyder – Zack showed why he is such a popular director with his newer style of directing which is both unique and entertaining. (8/10)
Action: 300 has plenty of fights but what did you expect from this kind of war film. (9/10)
Fantasy: 300 uses fantasy for its battles showing how different types of warriors could be looked and the legend created by fear. (8/10)
War: 300 shows of the great battles between the Persians and the Spartans. (10/10)
Settings: 300 creates the settings to look very authentic looking scenery for the battle scenes. (9/10)
Special Effects: 300 uses great effects for the fights and to create the different style of fighters. (9/10)
Suggestion: 300 is one for the action fans to enjoy, it has plenty of fighting but not much in the way of thinking needed. (Action Fans Watch)
Best Part: Stelios Now.
Worst Part: Lots of shouting from Leonidas.
Action Scene Of The Film: The first battle.
Kill Of The Film: Monster creature man vs Leonidas.
Favourite Quote: King Leonidas ‘This is Sparta!’
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has a sequel.
Post Credits Scene: No
Oscar Chances: No
Box Office: $456 Million
Budget: $65 Million
Runtime: 1 Hour 57 Minutes
Tagline: Spartans, prepare for glory!
Overall: THIS IS ‘JUST’ GOOD!
https://moviesreview101.com/2015/05/16/300-2006/