Search
Search results
Phillip McSween (751 KP) rated Creed (2015) in Movies
May 28, 2019
About More Than Just Punching...but the Punching is Good Too
Adonis Creed (Michael B. Jordan), son of former heavyweight champion Apollo Creed, looks to follow in his father’s footsteps and become a legend in his own right.
Acting: 10
The wheels of Creed don’t turn without a stellar performance from star Michael B. Jordan as Adonis. I love what he does with the character, moving with a humble grit and intensity that lets you know that this won’t just be another Rocky character. Tessa Thompson matches his sincerity with realness playing the role of Bianca, love interest of Adonis. She is sensational as Bianca with a smile that can light up a room and the chill attitude of an average person you might meet on the street. Of course Sylvester Stallone does what he does best playing the role that he was born to play in Rocky Balboa. He’s a little older and a little wiser, yet, at his core, Stallone captures the essence of the character we have grown to love over the last forty years.
Beginning: 6
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
The conflict comes not just from the boxing matches, but in the knowing of Adonis trying to rise through the ranks. You see where he is at and rooting for where he ends up. The opponents he faces off against are more seasoned making it fun to watch Adonis’ progression as he continues to improve from the young punk that got knocked on his ass in the gym at the beginning of the movie. Watching the final matchup got me just as excited as when I watched Rocky take on the Russian.
Genre: 9
Almost as classic as the originals, Cinderella Man, or Raging Bull…but not quite. Those were movies that established the genre while this one transformed it. One of the absolute best in the realm of boxing.
Memorability: 10
The memorability comes in the journey. Despite being the son of a hall of fame boxer, Adonis doesn’t grow up with a silver spoon in his mouth. He has to really grind to get to a place of prominence and you get to be a part of that every single step of the way. Adonis has a dream that he can’t run from. From the first time you see him hit the mat to the thrilling conclusion, the movie is packed with memorable moments and a strong message about fighting for your dreams.
Pace: 10
The movie has enough in-the-ring action and training to keep the audience engaged. In between all of that awesomeness, it’s a treat watching the romance develop Adonis and Bianca as well. Creed never lingers too long in the “soft” spots. Before you know it the gloves are back on and we’re watching another showdown.
Plot: 10
Adonis has a dream that he can’t run from and the story doesn’t let him off the hook. I appreciated the unique spin on the “Father’s Foosteps” story. It’s not what you expect and it gives you yet another reason to root for Adonis. The story doesn’t have a ton of moving parts, but it does a fantastic job of doing a lot with a little.
Resolution: 10
Overall: 95
One of my favorite scenes in Creed is the first date between Adonis and Bianca. You hear about hopes and dreams and the obstacles that stand in the way. Watching these strar-crossed lovers succeed together drives the movie deeper than boxing. I hope this series continues to pack a punch for years to come.
Acting: 10
The wheels of Creed don’t turn without a stellar performance from star Michael B. Jordan as Adonis. I love what he does with the character, moving with a humble grit and intensity that lets you know that this won’t just be another Rocky character. Tessa Thompson matches his sincerity with realness playing the role of Bianca, love interest of Adonis. She is sensational as Bianca with a smile that can light up a room and the chill attitude of an average person you might meet on the street. Of course Sylvester Stallone does what he does best playing the role that he was born to play in Rocky Balboa. He’s a little older and a little wiser, yet, at his core, Stallone captures the essence of the character we have grown to love over the last forty years.
Beginning: 6
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
The conflict comes not just from the boxing matches, but in the knowing of Adonis trying to rise through the ranks. You see where he is at and rooting for where he ends up. The opponents he faces off against are more seasoned making it fun to watch Adonis’ progression as he continues to improve from the young punk that got knocked on his ass in the gym at the beginning of the movie. Watching the final matchup got me just as excited as when I watched Rocky take on the Russian.
Genre: 9
Almost as classic as the originals, Cinderella Man, or Raging Bull…but not quite. Those were movies that established the genre while this one transformed it. One of the absolute best in the realm of boxing.
Memorability: 10
The memorability comes in the journey. Despite being the son of a hall of fame boxer, Adonis doesn’t grow up with a silver spoon in his mouth. He has to really grind to get to a place of prominence and you get to be a part of that every single step of the way. Adonis has a dream that he can’t run from. From the first time you see him hit the mat to the thrilling conclusion, the movie is packed with memorable moments and a strong message about fighting for your dreams.
Pace: 10
The movie has enough in-the-ring action and training to keep the audience engaged. In between all of that awesomeness, it’s a treat watching the romance develop Adonis and Bianca as well. Creed never lingers too long in the “soft” spots. Before you know it the gloves are back on and we’re watching another showdown.
Plot: 10
Adonis has a dream that he can’t run from and the story doesn’t let him off the hook. I appreciated the unique spin on the “Father’s Foosteps” story. It’s not what you expect and it gives you yet another reason to root for Adonis. The story doesn’t have a ton of moving parts, but it does a fantastic job of doing a lot with a little.
Resolution: 10
Overall: 95
One of my favorite scenes in Creed is the first date between Adonis and Bianca. You hear about hopes and dreams and the obstacles that stand in the way. Watching these strar-crossed lovers succeed together drives the movie deeper than boxing. I hope this series continues to pack a punch for years to come.
Phillip McSween (751 KP) rated Cinderella Man (2005) in Movies
Jan 15, 2018
Classic
Cinderella Man is one of those films where I ask myself, "Why in the world has it taken me thirteen years to watch this?" It could be the fact that I've never had a strong love for films based on true stories or that I'm all binged out on boxing movies. Whatever the case may be, I'm glad Movies 365 has brought this film into my life and now into my heart.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
There's so much to like about the movie, I'm not even sure where to start. Maybe Paul Giamati giving the performance of his life as trainer Joe Gould? Talk about playing a fabulous role. He's brash and straightforward, yet full of heart. He's not a fighter, but will go toe-to-toe with anyone to protect the people he cares about. Outshining him, however, is a stellar lead performance by legend Russell Crowe playing man of the hour James Braddock. Crowe makes you feel this guy, makes you love him. In one of the early scenes where Braddock gives his entire breakfast to his starving daughter before leaving for a strenuous day of work, you quickly realize that this is a guy you want to get behind and root for.
In the same vein, kudos to Ron Howard for using the source material to flesh out the stakes. The story could have just as easily been about a man trying to get back into boxing, but he made it about a man trying to feed his family and survive. It's painful to watch at times, but necessary. If you're not the least bit inspired after viewing this film, I don't know what will do it for you.
Howard also succeeds with excellent pace management. Seamless cuts between fights keep the action fresh and the viewer engaged. You don't get a whole lot of time to catch your breath. The cinematics are shot in a way that's gritty and real, beyond fitting for the Great Depression era when the film takes place.
Other than me almost going hoarse from screaming at the screen so much, I can't find many flaws with the film (hiccups, nothing major). I challenge you not to love this film about an aging boxer that just wants to keep his family alive. I give Cinderella Man a 95.
Chris Floyd (0 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Dec 29, 2017
Such a disappointment.
Contains spoilers, click to show
This film didn't sit right with me from the start with Poes mum joke from there it got worse, surface canons meant for defence not being able to hit a x wing, come on! I'd have got rid of the slapstick humour for a start, got rid of Kylo and Reys whatsapp messenger because that was shite, added a training section with Luke and Rey, got rid of the bit where Rey nearly goes one woman accapella beat boxing band in the cave, let Leia die in space because the Mary Poppins bit was already done by marvel and it would've been a good send off, would have made Snoke more formidable as he had a cheap death, give Finn and Rose a better story arc as it felt purely engineered to give them something to do rather than add to the story, made the battle with Snokes guard harder, let Luke and Kylo actually face off with sabres and echo Obi Wans death..... that's just off the top of my head after only seeing it once sure there's plenty more I'd change.
Lily (2 KP) rated The Sun Eaters in Books
Jan 30, 2018
Two orphan boys try to survive post WWII
This book will definitely grab your life-sac into a boxing ring, land a few right hooks, an upper cut, and drop kick you on the floor. But maybe, like the boys say in the book, you're one of the ones that can see the beauty in the strange, the love-hate of all good stories. So you'll put it down, make someone something to eat, feed yourself, fortify your bones to get at it again - finish it, tear a piece of one of the pages and chew it into a stew-like paste and swallow it. Forever making a little home for these boys inside your body. Maybe you'll eat a little bit more of it each day as you pray and work to keep the world one in which we don't have to eat the sun, dig our own graves. But be warned, once read their hunger might become your own. And hunger never dies.
Heather Cranmer (2721 KP) created a post
Dec 17, 2021
JT (287 KP) rated Real Steel (2011) in Movies
Mar 10, 2020
Michael Bay, take note, this is how to make a proper film about robots beating the living shit out of each other. Based on the Richard Matheson short story Steel, this follows the journey of former professional boxer Charlie Kenton (Jackman) who now spends his time in debt, as a promoter for the new sport of robot boxing.
When Charlie meets his 11-year old son Max (Goyo) the two must rediscover themselves and build a relationship strong enough to get them through any of life’s toughest challenges. Let’s get one thing clear right away, this is Levy’s best film to date. Which is not hard when past titles include, both Night at the Museum’s, Date Night and The Pink Panther.
Jackman is strong enough in a role which let’s him flex his muscles from time to time, he’s a rough and rugged character anyway which is why he fits the Charlie Kenton mould so well. Partnered opposite young Max, who has enough cheeky charm and wide eyed looks to seduce any adult in to letting things go his way. But its not just about the Charlie and Max relationship, there is of course ‘Atom’, the sparing robot they discover in a junkyard.
Despite being all metal and wires, there is a strong feeling that Atom has a personality of his own even if it is mirrored by the person standing in front of him. But the scenes that Atom and Max share on screen together are genuine heart felt moments.
There is enough robot smashing mayhem going on through the drama, as Atom beings the road to underdog glory moving from one metal crunching bout to the next. The fights are very well choreographed from no holes barred scrap fights to the glitz and glamour of the Robot Boxing League where the stakes and money are high.
It’s hard not to see the underlying homage to the Rocky franchise, even the final fight which pairs Atom against the mighty Zeus is a robotic version of Balboa Vs Drago, right down to the female Russian, Olga, who sits in his corner. The supporting cast are in effect just that, the chemistry between Kenton and Bailey (Lily) is good, but she’s not really given enough in the script to make her stand out, so sparks are few and far between.
Jackman is likeable and the kid less annoying than others before him, its flashy and packs a punch that produces some great action sequences throughout.
When Charlie meets his 11-year old son Max (Goyo) the two must rediscover themselves and build a relationship strong enough to get them through any of life’s toughest challenges. Let’s get one thing clear right away, this is Levy’s best film to date. Which is not hard when past titles include, both Night at the Museum’s, Date Night and The Pink Panther.
Jackman is strong enough in a role which let’s him flex his muscles from time to time, he’s a rough and rugged character anyway which is why he fits the Charlie Kenton mould so well. Partnered opposite young Max, who has enough cheeky charm and wide eyed looks to seduce any adult in to letting things go his way. But its not just about the Charlie and Max relationship, there is of course ‘Atom’, the sparing robot they discover in a junkyard.
Despite being all metal and wires, there is a strong feeling that Atom has a personality of his own even if it is mirrored by the person standing in front of him. But the scenes that Atom and Max share on screen together are genuine heart felt moments.
There is enough robot smashing mayhem going on through the drama, as Atom beings the road to underdog glory moving from one metal crunching bout to the next. The fights are very well choreographed from no holes barred scrap fights to the glitz and glamour of the Robot Boxing League where the stakes and money are high.
It’s hard not to see the underlying homage to the Rocky franchise, even the final fight which pairs Atom against the mighty Zeus is a robotic version of Balboa Vs Drago, right down to the female Russian, Olga, who sits in his corner. The supporting cast are in effect just that, the chemistry between Kenton and Bailey (Lily) is good, but she’s not really given enough in the script to make her stand out, so sparks are few and far between.
Jackman is likeable and the kid less annoying than others before him, its flashy and packs a punch that produces some great action sequences throughout.
Faris Badwan recommended Pilgrimage by Om in Music (curated)
Benny Sadfie recommended City Lights (1931) in Movies (curated)
Emma @ The Movies (1786 KP) rated Llamageddon (2015) in Movies
Oct 3, 2020
I am here for llama based horror/sci-fi films, I never thought I'd say that but here we are. My only quibble with this film is that there was too much human, not enough llama.
There are so many bad and awkward things about this film when you watch it, but Louie makes up for every single one of them... the extreme close-ups, the horrendous acknowledgement of puns, the dubious montages accompanied by loud music, Floyd's transformation.
But here are all the good things. Louie's laser eyes, his green spit that transforms humans, Louie's understanding of electricity and opening doors, the use of tin foil, the 70s/80s effects, the animation (it's just a shame it's included in the film and not just the titles), eggs, the over-enthusiastic practical effects person with the super soaker of goop, Louie's boxing ability, his always cool attitude, and a father's wisdom. Oh, and the end credit song.
It would be wrong of me to say that everyone got what they deserved... but...
You know what? That's my review. Quite frankly this is the worst and best film I've ever seen and I would watch it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/llamageddon-movie-review.html
There are so many bad and awkward things about this film when you watch it, but Louie makes up for every single one of them... the extreme close-ups, the horrendous acknowledgement of puns, the dubious montages accompanied by loud music, Floyd's transformation.
But here are all the good things. Louie's laser eyes, his green spit that transforms humans, Louie's understanding of electricity and opening doors, the use of tin foil, the 70s/80s effects, the animation (it's just a shame it's included in the film and not just the titles), eggs, the over-enthusiastic practical effects person with the super soaker of goop, Louie's boxing ability, his always cool attitude, and a father's wisdom. Oh, and the end credit song.
It would be wrong of me to say that everyone got what they deserved... but...
You know what? That's my review. Quite frankly this is the worst and best film I've ever seen and I would watch it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/llamageddon-movie-review.html
Gareth von Kallenbach (965 KP) rated Cinderella Man (2005) in Movies
Aug 14, 2019
In the late 1920’s Jim Braddock was a boxer with a future. After many wins, he was poised to take his place as one of the greatest boxers of his time. Things took a bad turn for Jim in 1929 when he first lost a 15 round decision to Tommy Loughran, and then lost everything in the Stock Market Crash.
In the new film Cinderella Man Academy Award winner Russell Crowe stars as Jim Braddock in one of the most satisfying films in recent memory. Down and almost out, Braddock struggles to provide for his wife Mae (Renee Zellweger), and his three children. A series of hand injuries has forced Jim to resort to fighting in pick up fights, as he is unable to find work as a laborer.
Things go from bad to worse for Jim when he breaks a bone in his hand and is unable to provide entertainment for those in a local boxing match which results in the suspension of his boxing license. With his electricity turned off in the dead of winter, and his children coughing from the effects of the cold, Jim is forced to hide his injury and seek work as a day laborer to get by.
As Jim and Mae debate sending the kids to her sister in order to better provide for them, a ray of hope arises when Jim’s old manger Joe Gould (Paul Giamatti), says he has arranged a fight with a $250 payday.
Since Jim’s hand has healed, he takes the fight seeing it as a chance to get caught up on his bills. Fate steps in when in a shocking turnaround; Jim wins the fight via knock out, and captures the imagination of the local sports community. Before long, Jim is racking up win after win and improving his lot in life as he prepares for an unexpected title shot against the devastating and unbeaten Max Baer (Craig Bierko).
The fact that Baer has killed two men in the ring is a cause of great stress for Jim and Mae as she worries for the safety of her husband while Jim sees the fight as his chance to provide some financial security for his family.
Anyone who has seen the trailer can be sure that the big fight will take place, and that the underdog will find himself in a battle against overwhelming odds, but what makes Cinderella Man such a captivating film is the captivating human drama that propels the film. There have been many boxing films ranging from “Rocky” to “Raging Bull”, that have depicted the graphic action of the ring, but few have reached the depths of human drama that this film does. Jim is not looking for glory, he is simply looking to provide for his family the best way that he is able be it in the ring or hauling cargo at the docks.
Crowe is riveting as he is able to convey his characters plight to the audience without making it seem forced or heavy handed. Where Crowe truly shines is his ability to mix the emotional sequences of the film with the athletic and action filled ring sequences and not lose any of his character. Far too often actors fail to convince in one aspect when they try to mix drama and action, but Crowe easily transitions between the demands of the role proving again that he is the most gifted actor in Hollywood. The steady direction of Ron Howard keeps the film moving at a crisp pace, without allowing the story to become mired in sentiment.
The only real issue I had with the film is that the talented Zellweger is not given enough to do, as beyond doting for and worry about her family, she is not given much to do aside from stand by while the action occurs around her.
That being said Cinderella Man, is a triumph of film making, and should be a forced to contend with come Oscar season.
In the new film Cinderella Man Academy Award winner Russell Crowe stars as Jim Braddock in one of the most satisfying films in recent memory. Down and almost out, Braddock struggles to provide for his wife Mae (Renee Zellweger), and his three children. A series of hand injuries has forced Jim to resort to fighting in pick up fights, as he is unable to find work as a laborer.
Things go from bad to worse for Jim when he breaks a bone in his hand and is unable to provide entertainment for those in a local boxing match which results in the suspension of his boxing license. With his electricity turned off in the dead of winter, and his children coughing from the effects of the cold, Jim is forced to hide his injury and seek work as a day laborer to get by.
As Jim and Mae debate sending the kids to her sister in order to better provide for them, a ray of hope arises when Jim’s old manger Joe Gould (Paul Giamatti), says he has arranged a fight with a $250 payday.
Since Jim’s hand has healed, he takes the fight seeing it as a chance to get caught up on his bills. Fate steps in when in a shocking turnaround; Jim wins the fight via knock out, and captures the imagination of the local sports community. Before long, Jim is racking up win after win and improving his lot in life as he prepares for an unexpected title shot against the devastating and unbeaten Max Baer (Craig Bierko).
The fact that Baer has killed two men in the ring is a cause of great stress for Jim and Mae as she worries for the safety of her husband while Jim sees the fight as his chance to provide some financial security for his family.
Anyone who has seen the trailer can be sure that the big fight will take place, and that the underdog will find himself in a battle against overwhelming odds, but what makes Cinderella Man such a captivating film is the captivating human drama that propels the film. There have been many boxing films ranging from “Rocky” to “Raging Bull”, that have depicted the graphic action of the ring, but few have reached the depths of human drama that this film does. Jim is not looking for glory, he is simply looking to provide for his family the best way that he is able be it in the ring or hauling cargo at the docks.
Crowe is riveting as he is able to convey his characters plight to the audience without making it seem forced or heavy handed. Where Crowe truly shines is his ability to mix the emotional sequences of the film with the athletic and action filled ring sequences and not lose any of his character. Far too often actors fail to convince in one aspect when they try to mix drama and action, but Crowe easily transitions between the demands of the role proving again that he is the most gifted actor in Hollywood. The steady direction of Ron Howard keeps the film moving at a crisp pace, without allowing the story to become mired in sentiment.
The only real issue I had with the film is that the talented Zellweger is not given enough to do, as beyond doting for and worry about her family, she is not given much to do aside from stand by while the action occurs around her.
That being said Cinderella Man, is a triumph of film making, and should be a forced to contend with come Oscar season.