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Sean Farrell (9 KP) rated Dead Wake: The Last Crossing of the Lusitania in Books
Mar 15, 2018
Erik Larson has done it again. One of our time's finest writers of non-fiction has once more taken a page from our history and turned it into a most compulsively readable book. This time telling the tale of the sinking of the luxury liner Lusitania by the Germans during World War I, the narrative follows everyone from the passengers and crew of the ill-fated ship, to the men on the U-boat that fired the torpedo, to the British and American officials monitoring the situation and making the decisions about how to respond. Mr. Larson provides a stunning amount of detail, enough to make one feel as if they had actually spent time aboard the opulent liner with its travelers, but at no point does it seem as though the details are bogging things down. To the contrary, events move along at a brisk pace as they head towards their tragic end. It is a sad but fascinating tale, handled here with aplomb, in what is sure to wind up on many year-end best lists.
Awix (3310 KP) rated Hammer House of Horror in TV
Mar 15, 2018 (Updated Mar 15, 2018)
Last-gasp attempt by the famous film studio to stay solvent is a fairly decent stab at a horror anthology show, featuring some of Hammer's regular personnel (though not Christopher Lee, as he was in the States at the time).
The fact the show was made for a commercial British network inevitably means the horror content is somewhat constrained, and the low budget means the episodes have a contemporary setting quite unlike the archetypal Hammer films (then again, Amicus House of Horror wouldn't have been as catchy a title). This being an anthology show, the quality and tone of the episodes is inevitably all over the place: some of them are rather subtle and inventive, others are predictable nonsense. Some good performances, though, including many from the before-they-were-famous file - a 27-year-old Pierce Brosnan gets one of his first speaking roles as 'Last Victim' in the Carpathian Eagle episode. As a whole, the series is probably more of a curiosity for Hammer completists than anything else.
The fact the show was made for a commercial British network inevitably means the horror content is somewhat constrained, and the low budget means the episodes have a contemporary setting quite unlike the archetypal Hammer films (then again, Amicus House of Horror wouldn't have been as catchy a title). This being an anthology show, the quality and tone of the episodes is inevitably all over the place: some of them are rather subtle and inventive, others are predictable nonsense. Some good performances, though, including many from the before-they-were-famous file - a 27-year-old Pierce Brosnan gets one of his first speaking roles as 'Last Victim' in the Carpathian Eagle episode. As a whole, the series is probably more of a curiosity for Hammer completists than anything else.
Awix (3310 KP) rated Dr. Terror's House of Horrors (1965) in Movies
Feb 24, 2018
Genre-defining British anthology horror film. Five men have their fortunes told on a train; guess what, it doesn't look good for any of them. For instance: Christopher Lee is pursued by a severed hand, Roy Castle unwisely plagiarises voodoo music, Fluff Freeman has to contend with a malevolent vine. Frame story has (in theory) a twist ending; but it's the same one they use in nearly all of these films.
The quality of these anthology horror films is always a bit variable, because the different stories themselves inevitably are; this is a pretty good one because even when the stories are ridiculous and arguably incoherent, they are still told with a sense of humour and don't hang around too long. Extraordinary cast, obviously; the rubber hand chasing Christopher Lee would go on to appear in more films than Fluff Freeman, probably because it was a better actor. When this film is good, it's very good; even when it's not so good, it's still a lot of fun. Much imitated, not least by Amicus themselves, but seldom equalled.
The quality of these anthology horror films is always a bit variable, because the different stories themselves inevitably are; this is a pretty good one because even when the stories are ridiculous and arguably incoherent, they are still told with a sense of humour and don't hang around too long. Extraordinary cast, obviously; the rubber hand chasing Christopher Lee would go on to appear in more films than Fluff Freeman, probably because it was a better actor. When this film is good, it's very good; even when it's not so good, it's still a lot of fun. Much imitated, not least by Amicus themselves, but seldom equalled.
Awix (3310 KP) rated The Asphyx (1972) in Movies
Jun 14, 2018
Early 70s British costume-drama horror movie, so you know roughly what to expect - scientist consumed with hubris decides to play God, learns the hard way he doesn't have the full set of qualifications for the gig. But this is really a rather morbid Victorian melodrama, an impression which is only heightened by how primitive some of the special effects are (the asphyx puppet in particular is a bit of an eye-popper).
At a time when the average Hammer horror was brazenly carnal and exploitative, and Amicus' line of portmanteaus was recycling the same jokey twist endings, The Asphyx takes itself wholly seriously and is positively bleak throughout - the whole movie is about death and despair, and the effects this can have on people. (At one point the plot boils down to a race between two characters to see which one of them can commit suicide first.) The intensity of the telling (good performances from the leads) makes it somewhat mesmerising to watch, even if it's a slightly chilly and unsettling experience.
At a time when the average Hammer horror was brazenly carnal and exploitative, and Amicus' line of portmanteaus was recycling the same jokey twist endings, The Asphyx takes itself wholly seriously and is positively bleak throughout - the whole movie is about death and despair, and the effects this can have on people. (At one point the plot boils down to a race between two characters to see which one of them can commit suicide first.) The intensity of the telling (good performances from the leads) makes it somewhat mesmerising to watch, even if it's a slightly chilly and unsettling experience.
A charming story
A lovely, magical book about a swan that crashes through Mitzi's flat window during a storm, and then at dusk turns into a young woman. This is a reworking of the Swan Princess/ Swan Lake, or rather a 'what would happen if her spell lasted for over 100 years'?
The Princess, Odette, is naive, even though she is over 100 years old (being a swan for half of your time and living in the woods on your own, will do that to a person, I suppose), and adjusting to life in the modern age is quite hard for her. She is adamant that she needs to find a man to love her to break the spell, and Mitzi just wants to protect her and help her where she can.
I really enjoyed this story, which is rich in magical realism. The contrast of old magic and modern British life, made it on the whole quite believable, really!
Many thanks to The Pigeonhole for the chance to read this story on their social platform!
The Princess, Odette, is naive, even though she is over 100 years old (being a swan for half of your time and living in the woods on your own, will do that to a person, I suppose), and adjusting to life in the modern age is quite hard for her. She is adamant that she needs to find a man to love her to break the spell, and Mitzi just wants to protect her and help her where she can.
I really enjoyed this story, which is rich in magical realism. The contrast of old magic and modern British life, made it on the whole quite believable, really!
Many thanks to The Pigeonhole for the chance to read this story on their social platform!
Andy K (10823 KP) rated Threads (1984) in Movies
Jan 12, 2019
Bleak and uncompromising...
I read about this film online and thought it sounded interesting. I had never heard of it but purchased anyways and I was not disappointed.
Maybe some of you British people may remember this film which aired on BBC 2 in 1984 and was basically about what would happen if Britain was caught in the crossfire between the US and USSR and the effects of not only the atomic bombs used, but the torturous unrelenting aftermath. Portions of the 2nd half of the film were reminiscent of scene's from Schindler's List or even a WWII holocaust documentary. The ravages of war make humanity do unspeakable things to each other and this film depicts it all.
The contrast of the "before" and "after" are what are the most striking. How the filmmaker sets a tone at the beginning and then turns everything on its end mid way through. I wasn't entirely sure where it was going or how things would end up; however, I was intrigued throughout.
Watch it if you are able.
Maybe some of you British people may remember this film which aired on BBC 2 in 1984 and was basically about what would happen if Britain was caught in the crossfire between the US and USSR and the effects of not only the atomic bombs used, but the torturous unrelenting aftermath. Portions of the 2nd half of the film were reminiscent of scene's from Schindler's List or even a WWII holocaust documentary. The ravages of war make humanity do unspeakable things to each other and this film depicts it all.
The contrast of the "before" and "after" are what are the most striking. How the filmmaker sets a tone at the beginning and then turns everything on its end mid way through. I wasn't entirely sure where it was going or how things would end up; however, I was intrigued throughout.
Watch it if you are able.
David McK (3632 KP) rated The Devil's Assassin (Jack Lark, #3) in Books
Jan 30, 2019
The third full-length Jack Lark novel, this sees the eponymous hero - after his impersonation is uncovered, in the first quarter of the story - becoming involved in the murky world of counter-intelligence (Spy Hunting) when the Persians move against the British territory in Persia.
For some reason, I found Jack to be less of a likable character than before, meaning I never really rooted for him as much as in the previous two ([b: The Scarlet Thief|18752323|The Scarlet Thief (Jack Lark, #1)|Paul Fraser Collard|https://d.gr-assets.com/books/1383577532s/18752323.jpg|24752025] and [b: The Maharajah's General|21307578|The Maharajah's General (Jack Lark, #2)|Paul Fraser Collard|https://d.gr-assets.com/books/1418764237s/21307578.jpg|25081676]), with the identity of the spy also - I felt - telegraphed pretty early on! OK, I may not have seen *why* they did it, however ...
Ending with Jack Lark honourably discharged, and able to - finally - use his own identity again, I also wonder just what the hook for the next novel will be. That's not to say, however, that I won't be reading it!
For some reason, I found Jack to be less of a likable character than before, meaning I never really rooted for him as much as in the previous two ([b: The Scarlet Thief|18752323|The Scarlet Thief (Jack Lark, #1)|Paul Fraser Collard|https://d.gr-assets.com/books/1383577532s/18752323.jpg|24752025] and [b: The Maharajah's General|21307578|The Maharajah's General (Jack Lark, #2)|Paul Fraser Collard|https://d.gr-assets.com/books/1418764237s/21307578.jpg|25081676]), with the identity of the spy also - I felt - telegraphed pretty early on! OK, I may not have seen *why* they did it, however ...
Ending with Jack Lark honourably discharged, and able to - finally - use his own identity again, I also wonder just what the hook for the next novel will be. That's not to say, however, that I won't be reading it!
Awix (3310 KP) rated Blinded by the Light (2019) in Movies
Aug 13, 2019 (Updated Aug 13, 2019)
Clumsy, trite, and overlong musical coming-of-age drama. The story of an Asian teenager living in Luton in a dress-up version of the late 1980s is brought to life through the music of Bruce Springsteen (well-known as one of the great interpreters of the British Pakistani experience).
As you can probably tell, there is something slightly odd and out-of-whack about the whole premise of the movie, but it's the realisation that is really shocking. Badly-performed characters swap platitudes and re-enact virtually every movie about growing up with strict Pakistani or Muslim parents you have ever seen before, with occasional musical interludes where characters sing along, not well, with Springsteen tracks. To say the dance routines look under-rehearsed is charitable. Apparently aims to be a feel-good movie but I'm sure I felt it trying to suck the soul out of my body. 'Blinded by the Trite', more like - certainly more dross than Boss (I can keep this up all day).
As you can probably tell, there is something slightly odd and out-of-whack about the whole premise of the movie, but it's the realisation that is really shocking. Badly-performed characters swap platitudes and re-enact virtually every movie about growing up with strict Pakistani or Muslim parents you have ever seen before, with occasional musical interludes where characters sing along, not well, with Springsteen tracks. To say the dance routines look under-rehearsed is charitable. Apparently aims to be a feel-good movie but I'm sure I felt it trying to suck the soul out of my body. 'Blinded by the Trite', more like - certainly more dross than Boss (I can keep this up all day).
Versusyours (757 KP) rated Seasons in the Sun: The Battle for Britain, 1974-1979 in Books
Nov 6, 2019
Extensive research (1 more)
Detailed storytelling
Informative journey back to when taste was yet to be invented
As a lover of British life on the 70s but to young to have lived it, this book was as good as a time machine and gave a normal and somtimes bizzare look at how Britain felt and how life was being lived. The birth of Punk and the turbulent political system were linked due to the effect on youth and this disaffection became a catalyst that is still felt today. The strikes that shaped the view still held to this day of a broken Britain with dead no longer being buried, piles of rubbish in Trafalgar Square and the miners who play a part in the next book in the series. This book is for those that have a live of detail and the writing style allows this book to be read with speed and ease.
Overall this book and the rest of the series give the reader the chance to relive or live a fresh version on the 1950, 1960s and the glorious 70s.
Overall this book and the rest of the series give the reader the chance to relive or live a fresh version on the 1950, 1960s and the glorious 70s.
Awix (3310 KP) rated They Came from Beyond Space (1967) in Movies
Jan 8, 2020
No they didn't, and don't be silly. Hugely derivative British pulp SF movie is unsuccessful in hiding any of its influences and just ends up looking like a random slap-together of bits from Gerry Anderson, Quatermass, Dr Who, The Avengers (the TV show), and much more. Aliens stage a stealthy (and cheap) invasion of England via meteorite, possess the boffins sent to investigate, and cause all sorts of trouble. Imported American boffin Robert Hutton proves immune due to the metal plate in his head and fights back. Michael Gough turns up briefly to chew the scenery as the Master of the Moon.
Almost entirely absurd, but rattles along and never actually gets dull. Performances are mostly lousy with the exception of Bernard Kay, who is actually not bad. Fun can always be had spotting the influences, the props recycled from Daleks: Invasion Earth 2150 AD, and the sight of Zia Mohyeddin with an anti-mind control colander on his head. Daft, but fun, and certainly more entertaining than The Terrornauts (but then so is giving yourself a tonsilectomy).
Almost entirely absurd, but rattles along and never actually gets dull. Performances are mostly lousy with the exception of Bernard Kay, who is actually not bad. Fun can always be had spotting the influences, the props recycled from Daleks: Invasion Earth 2150 AD, and the sight of Zia Mohyeddin with an anti-mind control colander on his head. Daft, but fun, and certainly more entertaining than The Terrornauts (but then so is giving yourself a tonsilectomy).