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    Austral

    Paul McAuley

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    The great geoengineering projects have failed. The world is still warming, sea levels are still...

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    Pagan

    W.F. Morris

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    Charles Pagan and Dick Baron, who served together in WWI, embark on a walking holiday in the Vosges...

We Will Rock You
We Will Rock You
2002 | Musical
9
7.8 (5 Ratings)
Show Rating
I went to watch We Will Rock You at the Palace Theatre in Manchester back in February, and I had such a fantastic night.

It really is a genius marketing idea to announce a tour of this show not long after the release of the hugely successful Bohemian Rhapsody film. And boy is it a good show. I knew nothing about this other than it was Queen music, and I'm not sure what I had been expecting from the actual story but this wasn't it! The plot centres around a futuristic world where rock music is banned, and whilst the actual story element isn't particularly strong, it more than makes up for this by being downright hilarious. You can tell this is a Ben Elton written musical. The script is so funny and clever, and I love how it's obviously been updated over the years to still be relevant with modern pop culture. The acting and singing too are very strong. The two leads have stunning voices and whilst Ian McIntosh isn't quite Freddie, he still has an amazing voice. Although for me the two standouts were Adam Strong as Khashoggi (who really needed even more stage time) and Michael McKell as Buddy. McKell especially was amazing, really embracing the camp Jack Sparrow-esque Buddy and bringing the house down with his delivery on the jokes.

Whilst the plot may not be the strongest, this more than makes up for it in sheer fun and entertainment.
  
40x40

Beth Ditto recommended Nunsexmonkrick by Nina Hagen in Music (curated)

 
Nunsexmonkrick by Nina Hagen
Nunsexmonkrick by Nina Hagen
(0 Ratings)
Album Favorite

"I love weird people. The thing about voices is there's this idea, and this is my favourite thing about punk, is that I get really sad when people say they can't sing. That's not true. Anyone can be a singer. But when you hear Nina, she sounds like the exorcist. She uses all of her different voices. I don't even know another Nina Hagen record because that's the only one that ever really resonated with me. Playing that at Little Girls Rock camp [a foundation that funds and supports music education for young girls, of which Ditto is on the advisory board along with Tegan And Sarah and Kathleen Hanna], it blew their fucking minds. It blew their minds, and that is why I love Nina Hagen, and Yoko Ono, Diamanda Galas and Nina Simone because all of their voices are instruments. And her look! I met her and what did she say to me, "I didn't escape East Germany for nothing". Her story is phenomenal. It makes sense, because when you come from that kind of place you have to push the envelope because there's nothing to guide you. You have to make it up yourself and when you get to do that without pop culture references you get fucking Nina Hagen. It's so rare. I wonder what the next level of really untouched creativity will be? I wonder what that will look like? "

Source
  
The Hard Crowd: Essays 2000-2020
The Hard Crowd: Essays 2000-2020
Rachel Kushner | 2021 | Essays
8
8.0 (1 Ratings)
Book Rating
The Hard Crowd is a collection of essays about culture and politics. I had read Rachel Kushner's novel The Mars Room and loved it (even went on to buy it for a friend), so I was intrigued to read this collection. There really is a mix here - something for everyone.
The opening essay about Kushnerโ€™s participation in an illegal motorbike race on the Baja Peninsula was probably my favourite - it sounded terrifying and exciting all at once. She does seem to like anything to do with motors, as a later essay showed. This one wasnโ€™t really for me, but this is a collection where there is something for everyone. The chapter on wild cat strikes was interesting, as were the ones where she describes her formative years in her hometown and the music concerts she went to (loved these too). The last essay in the book played out as though it was on a film in my head.
The essay about prison reform was really thought provoking, as was that of when Kushner visited a Palestinian refugee camp. I could easily have read more of this one - no matter how saddening it ultimately was.
Rachel Kushner really can write. As she did in The Mars Room, each of these essays really evoked a time and place and made this book pretty hard to put down.
Many thanks to Jonathan Cape for inviting me to read this via NetGalley.
  
Serial Mom (1994)
Serial Mom (1994)
1994 | Comedy, Drama, Horror
"๐˜‹๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ ๐˜ ๐˜ฏ๐˜ฆ๐˜ฆ๐˜ฅ ๐˜ข ๐˜ญ๐˜ข๐˜ธ๐˜บ๐˜ฆ๐˜ณ?"
"๐˜ ๐˜ฐ๐˜ถ ๐˜ฏ๐˜ฆ๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ ๐˜ข๐˜จ๐˜ฆ๐˜ฏ๐˜ต!"

๐˜”๐˜ฐ๐˜ฎ๐˜ฎ๐˜ช๐˜ฆ ๐˜‹๐˜ฆ๐˜ข๐˜ณ๐˜ฆ๐˜ด๐˜ต: ๐˜—๐˜ข๐˜ณ๐˜ต ๐˜๐˜. Does anyone do the satirization of stuck-up suburban values as originally and/or as brutally entertaining as John Waters? Most other directors would have turned this into a threadbare lecture that refused to have any sort of fun. But here we have this beautiful concoction of B-movie theatrics, gore, pitch-perfect performances, jovial filth, rock-solid lampooning, and A1 comedy - so lovingly inspired by low-budget camp and slashers of the 60s-80s that it honestly could pass off as one in many respects. Kathleen Turner is a live wire - in one of the most religiously entertaining female performances of all time, it has a blast radius that would make a military warhead quake. This is the type of role that just demands your attention, perpetually switching between these polar opposite demeanors at the drop of a hat with expert-level talent and all game for the ensuing absurdity. Which on its own would have been enough to carry 93 minutes of fun but then the film is also super clever and uproarious without rest. Had an ear-to-ear smile on my face for most of the runtime and laughed so often that my mouth began to give out mid-laugh due to the muscles simply being too worn out from overwork. Quotable as fuck and every scene is memorable, a total killer.
  
Hank Brodt Holocaust Memoirs: A Candle and a Promise
Hank Brodt Holocaust Memoirs: A Candle and a Promise
Deborah Donnelly | 2017 | History & Politics
8
8.0 (1 Ratings)
Book Rating
For me, it is always incredibly sad to read holocaust memoirs or any memoirs related to concentration camps. The amount of suffering it has brought to the innocent people, it is hard to comprehend.

The description of this book is pretty accurate. This book is a story of a poor polish- Jewish boy called Hank, and how he survived the Holocaust. The story starts with Hankโ€™s childhood to post survival activities. After being taken to the concentration camp, Hank did not stay for long in one place, he was transported many times to different camps, and he shared the events he had to endure and people he met.

The book is accompanied by plenty of photos of different events, different concentration camps which Hank was transported to, and also pictures of Hankโ€™s family. I loved the short chapters, and I finished this memoir in one sitting. For me it was gripping and I really wanted to find out what happened next after each chapter. So, to conclude, I am very happy that Hank had a chance to survive and shared his experiences with all the readers. It was a horrible period in human history, and I believe that it should not be left forgotten. So, if you into WWII books, give this book a go, it is a chilling read, filled with pain and sorrow, but it shows, that even in the worst of times, some people can still keep their kindness.
  
Interview with the Vampire (1994)
Interview with the Vampire (1994)
1994 | Fantasy, Horror
How can a movie that does practically everything wrong still be so thoroughly enchanting? A fundamentally baffling, scalding hot trainwreck of epic proportions that hasn't held up to the passage of time really at all - a miscalculated weirdo relic of pop culture history. I think a lot of this film's appeal has to do with the fact that it's complete lightning in a bottle - for better or for worse we will never see another movie like this again: mopey, homoerotic rococo vampires stumble around through a flounderingly-paced pre-๐˜›๐˜ธ๐˜ช๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต template for lectures on moral dilemmas and a gallery of some of the most lush period visuals of the 90s (from the sweltering plantations of the 1700s south to the decadence of gothic European high-life, it's all orgasmically displayed). Also this is maybe the best use of "Sympathy For The Devil" in a film, even if it is an inferior cover. The fact that Brad Pitt wanted to die the entire time while filming for this woefully underconstructed character actually makes it the only thing that works with it, considering his only defining feature is... that he wants to die. A totally birdbrained brothel of jagged writing and wicked scenery-chewing from a glorious cast (you know you're in for a treat when Christian Slater gives the most restrained performance lol), actually pretty great even though it disembowels a lot of the original text's depth. Full-tilt camp.