"It’s John Carpenter! I mean, come on. John Carpenter, Kurt Russell as f—in’ Snake Plisskin — it doesn’t really get any better than that."

"I was writing obscurely, a la Dylan, in those days. It’s from ‘The Walrus and the Carpenter.’ ‘Alice in Wonderland.’ To me, it was a beautiful poem. It never dawned on me that Lewis Carroll was commenting on the capitalist and social system. I never went into that bit about what he really meant, like people are doing with the Beatles’ work. Later, I went back and looked at it and realized that the walrus was the bad guy in the story and the carpenter was the good guy. I thought, Oh, shit, I picked the wrong guy. I should have said, ‘I am the carpenter.’ But that wouldn’t have been the same, would it? (singing) ‘I am the carpenter…"

"This movies brings me back to my first years discovering cinema. In the South of France, where I grew up, the first video-clubs were in newsagents. One could mostly find horror and porn movies. This is how I discovered Carpenter, Argento, Cronenberg. In Assault on Precinct 13 and in a lot of other Carpenter films a man is trying to reconstruct society. At the time, horror films were rooted in real emotions and actual fears, like Dario Argento’s fear of the Red Brigades."